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Kgosi boa-a Kegakilwe bakgosi boa (Chief Kegakilwe, the chieftainship is leaving us)

- Dintsa Marumolo and about 60 young men, Hugh Tracey

Khajoane Ntseke (The Crow)

- Malebaka Moroke, Hugh Tracey

Khomo (Cow)

- Moleleki Moiloa and small group of men, Hugh Tracey

  • Authors: Moleleki Moiloa and small group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tebang f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161955 , vital:40696 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-16
  • Description: "Cow, mother of manure, you are dirt. We have just prevented you from crossing the Caledon river. Crossing over to the Free State. We, Mojela's people, are Christians. We were given the rod (badge) of prayer. Sekoere's heifer, Moahloli white and red spotted Lejoetsa. Listen, the Tebang chief rules. The Chief rules at Tebang. The pool is dirty and full of crab holes." Mokorotlo riding song.
  • Full Text: false
  • Date Issued: 1959

Khotso (peace)

- Mpara Mosienyane and large group of men, Hugh Tracey

Khutsanyana (An orphan)

- Group of 15 Sotho girls, Hugh Tracey

  • Authors: Group of 15 Sotho girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162286 , vital:40829 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-11
  • Description: "I want to write to my brother, Lethula, to come and see this cruel act perpetrated on his mother's child who has gone round Kolo (mountain) five times looking for the women's charm. She has seen it today. Women are hard hearted, they will not initiate a decent person. They initiate orphans. An orphan who has lost her mother. Whom death has imbued with courage. Losing one's parent is painful. I should have had an uncle who would have given me a goat to give to the waterman. To please the waterman so that he would return to the water." The "waterman" is a water sprite. Lelingoana women's initiation song with slapping hands on leather skirts.
  • Full Text: false
  • Date Issued: 1959

Ko gae, gae, ko gae (At home, home, at home)

- Large group of about 60 young men, Hugh Tracey

Kob'a ntja (The blanket made of dog skin)

- Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and group of women, Hugh Tracey

  • Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and group of women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161127 , vital:40594 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-13
  • Description: Note the interesting change in the middle of the song. "O Mother! She is wearing a dog's skin blanket. The people despise her. They want me in the cool places, where the Dhlamini live. I am not a Zulu. I am a 'Portuguese'. I, Maboshabane, speak. I speak with a sore heart. I tell you, I am suffering from a stomach-ache. Come and cure me." The singer could not explain the reference to being a 'Portuguese'. African tribesmen who come from the Portuguese territory of Mozambique often refer to themselves as 'Portuguese', i.e. a citizen of Portuguese territory. Mathuela diviner's song with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1959

Koekoe (Partridge)

- Matumo Matsinyane, Hugh Tracey

Koekoe (Partridge)

- Matumo Matsinyane, Hugh Tracey

Kunyete (Girls dresses)

- Jacquot Mokete, Hugh Tracey

  • Authors: Jacquot Mokete , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161117 , vital:40593 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-12
  • Description: The player placed an empty condensed milk tin picked up off the ground nearby, over the free end of the harmonica, vibrating it to and from as far as his mouth position would allow, thus producing not only greater resonance to his own ear but a vibrato as well. Self delectative song, with harmonica.
  • Full Text: false
  • Date Issued: 1959

Lako (Lako, place name)

- Mokemane Mokemane and group of men, Hugh Tracey

Le reng oe? (What do you say)

- Lefu Rajane and a group of men, Hugh Tracey

Lesole lea lema (The soilder is an indulgent man)

- Nkhethoa Leuta and Silas Khiba, Hugh Tracey

  • Authors: Nkhethoa Leuta and Silas Khiba , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161272 , vital:40611 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-03
  • Description: "The soilder, Mpoi's relative is a violent man. The cow which has been claimed by Malito custom is a soilder boy. It has happened in spite of the 'cousin' (relationship). We, Mpoi's relatives, are Christians. We have been given the staff of Christianity." The staff or rod is meant to indicate the badge or symbol of the professing person, in this case, his religious association. The Malito custom is such that a thing dropped or neglected can be claimed by another, like 'Snap' in the child's game. Mokorotlo songs to be sung on horseback.
  • Full Text: false
  • Date Issued: 1959

Lethisa (Uninitiated)

- Group of 15 Sotho girls, Hugh Tracey

  • Authors: Group of 15 Sotho girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162277 , vital:40828 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-10
  • Description: The singers were daubed entirely with white clay and were wearing traditional costume, leather skirts. rows of tubular grass girdles or, in some cases, girdles made of short lengths of reed strung together and grass masks shaped like screens. Two or three women wore deep fringes of reed over their leather skirts. "Ho, stop it! Ho, ho, what is that? She wishes to enter the initiation school. She is just a dog." Lelingoana women's initiation song.
  • Full Text: false
  • Date Issued: 1959

Libajele (They have eaten them)

- Makhooa Mosese and Sotho men, Hugh Tracey

  • Authors: Makhooa Mosese and Sotho men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161992 , vital:40745 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-02
  • Description: The use of the word 'Amen' is not to be taken as religious. Without knowing its meaning, they used it here to indicate the end of the song. "They have eaten them (people) and left nothing except their faces. Seeiso left his Chieftainship place and went to the outlaying villages. Amen!" Mokorotlo riding song.
  • Full Text: false
  • Date Issued: 1959

Likhomo (Cattle)

- Liphapang Mokopu and small group of men, Hugh Tracey

Lithoko (Praises)

- Makopo Macheli and John Mahase, Hugh Tracey

  • Authors: Makopo Macheli and John Mahase , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161213 , vital:40603 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-07
  • Description: The first speaker spoke shortly his own personal praises. The second spoke the praises of the late Morena Tumaole Koali Masupha, husband of the present 'Regent'. These Lithoko were followed by Tlala performed by various men who dashed out leaping and exclaiming. In Basutoland several widows of various chiefs act as 'Chief' or 'Deputy' during the minority of their sons who will eventually become chief of the clan. This, they say, is unusual but was made necessary by the endless factions and jealousies perpetrated by the near relatives of the dead chief in the hope pf takin over the chieftainship illegally. Praise song.
  • Full Text: false
  • Date Issued: 1959

Lithoko tsa hae (Praise for himself)

- James Mofokeng, Hugh Tracey

  • Authors: James Mofokeng , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161204 , vital:40602 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-06
  • Description: These praises were personal and referred to the speaker and opened the divining procedure which follwed. The small group of diviners was composed of a man and two women all wearing theri traditional diviners costume and beads. The older woman wore a skin cap, the younger one's long dress was of cloth treated with red ochre and lightly embroidered and decorated with white beads. Praise song.
  • Full Text: false
  • Date Issued: 1959

Litsoanya I (A nice song)

- Julius Mochekoana and Leboea March, Hugh Tracey

Litsoanya II (A nice song)

- Julius Mochekoana and Leboea March, Hugh Tracey

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