Death situations in the short story : a study in structure
- Authors: Ruthrof, Horst
- Date: 1968
- Subjects: Short story , Death in literature
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2313 , http://hdl.handle.net/10962/d1013108
- Description: In an article on Ernst Cassirer, Konstantin Reichardt says, Since form is the only rational factor of every art, and the form of each art manifests a specific order, 'the order and form of the arts are to be investigated, if we want to examine the artist's imagination at work and the architecture of the world of art. It is the aim of this thesis to cast some light on a small, yet beautiful building within the complex architecture of this world of art, the genre of the short story. To isolate its structural and generic characteristics in general, however, would entail an analytical investigation into a huge number of short stcries, a task too great to be tackled in a thesis. Intro., p. 8.
- Full Text:
- Date Issued: 1968
- Authors: Ruthrof, Horst
- Date: 1968
- Subjects: Short story , Death in literature
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2313 , http://hdl.handle.net/10962/d1013108
- Description: In an article on Ernst Cassirer, Konstantin Reichardt says, Since form is the only rational factor of every art, and the form of each art manifests a specific order, 'the order and form of the arts are to be investigated, if we want to examine the artist's imagination at work and the architecture of the world of art. It is the aim of this thesis to cast some light on a small, yet beautiful building within the complex architecture of this world of art, the genre of the short story. To isolate its structural and generic characteristics in general, however, would entail an analytical investigation into a huge number of short stcries, a task too great to be tackled in a thesis. Intro., p. 8.
- Full Text:
- Date Issued: 1968
From myth to allegory: a study of the poetry of W.H. Auden, with special reference to the poet's intention
- Authors: Bell, I M
- Date: 1968
- Subjects: Auden, W. H., (Wystan Hugh), 1907-1973 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2290 , http://hdl.handle.net/10962/d1009514 , Auden, W. H., (Wystan Hugh), 1907-1973 -- Criticism and interpretation
- Description: The more attentively Auden's poetry is studied, the more one critical problem emerges. How can the poet of the "twenties and ' thirties be reconciled with the poet of the last three decades? "We've all got to come to terms with the later Auden" writes Professor Richard Hoggart, but he does not explain how. The man who wrote the pungent early poetry with its constant reiteration of warnings to a sick society that what was needed was " … death, death of the grain, our death, Death of the old gang … " before it could achieve "new styles of architecture, a change of heart", seems an entirely different person from the man who is on the side of Authority to-day; that is to say in so far as Auden can ever be said to be definitely on one side or another. Intro. p. 1.
- Full Text:
- Date Issued: 1968
- Authors: Bell, I M
- Date: 1968
- Subjects: Auden, W. H., (Wystan Hugh), 1907-1973 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2290 , http://hdl.handle.net/10962/d1009514 , Auden, W. H., (Wystan Hugh), 1907-1973 -- Criticism and interpretation
- Description: The more attentively Auden's poetry is studied, the more one critical problem emerges. How can the poet of the "twenties and ' thirties be reconciled with the poet of the last three decades? "We've all got to come to terms with the later Auden" writes Professor Richard Hoggart, but he does not explain how. The man who wrote the pungent early poetry with its constant reiteration of warnings to a sick society that what was needed was " … death, death of the grain, our death, Death of the old gang … " before it could achieve "new styles of architecture, a change of heart", seems an entirely different person from the man who is on the side of Authority to-day; that is to say in so far as Auden can ever be said to be definitely on one side or another. Intro. p. 1.
- Full Text:
- Date Issued: 1968
Tragic themes in the plays of Arthur Miller
- Authors: Wortham, Christopher John
- Date: 1968
- Subjects: Miller, Arthur, 1915-2005 , American drama (Tragedy) -- History and criticism -- 20th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2306 , http://hdl.handle.net/10962/d1012875
- Description: Aeschylus wrote that we learn through suffering. Whether one agrees with this statement or not, one has to recognise that it has given rise to a great deal of discussion about tragedy. What kind of suffering we can associate with tragedy will be considered in the chapters which follow. The more immediate concern is the business of learning. Man can learn a good deal about the problems that confront him, but he cannot learn all there is to know about anything. His knowledge is relative. He may postulate the absolute, but it is beyond the grasp of the human mind to perceive the absolute in its absoluteness. The relativist can avoid an epistemological quagmire by simply accepting that a relativistic attitude is only of relative value; he has the intellectual humility to recognise that whatever he thinks or says is likely to reveal only part of the truth. Arthur Miller has suggested that the best serious literature is concerned with the absolute, in that he criticises one of his contemporary playwrights for writing a work which "fails to extend itself so as to open up ultimate causes". Chap. 1, p. 1.
- Full Text:
- Date Issued: 1968
- Authors: Wortham, Christopher John
- Date: 1968
- Subjects: Miller, Arthur, 1915-2005 , American drama (Tragedy) -- History and criticism -- 20th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2306 , http://hdl.handle.net/10962/d1012875
- Description: Aeschylus wrote that we learn through suffering. Whether one agrees with this statement or not, one has to recognise that it has given rise to a great deal of discussion about tragedy. What kind of suffering we can associate with tragedy will be considered in the chapters which follow. The more immediate concern is the business of learning. Man can learn a good deal about the problems that confront him, but he cannot learn all there is to know about anything. His knowledge is relative. He may postulate the absolute, but it is beyond the grasp of the human mind to perceive the absolute in its absoluteness. The relativist can avoid an epistemological quagmire by simply accepting that a relativistic attitude is only of relative value; he has the intellectual humility to recognise that whatever he thinks or says is likely to reveal only part of the truth. Arthur Miller has suggested that the best serious literature is concerned with the absolute, in that he criticises one of his contemporary playwrights for writing a work which "fails to extend itself so as to open up ultimate causes". Chap. 1, p. 1.
- Full Text:
- Date Issued: 1968
- «
- ‹
- 1
- ›
- »