"Rest and unrest": some rural and romantic themes in the poetry of Edward Thomas
- Authors: Lagan, Charles J
- Date: 1985-12
- Subjects: Thomas, Edward, 1878-1917 , Thomas, Edward, 1878-1917 -- Criticism and interpretation , English poetry -- 20th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2264 , http://hdl.handle.net/10962/d1004770 , Thomas, Edward, 1878-1917 , Thomas, Edward, 1878-1917 -- Criticism and interpretation , English poetry -- 20th century
- Description: From Preface: The scope and focus of this thesis has been determined by the fact that I have tried to present a thematic, though not exhaustive, account of the poetry of Edward Thomas. (I have analysed a representative selection of the poems.) Much has been written on his life and poetry in this past decade to coincide with the centenary of his birth which was celebrated in 1978. Edna Longley, William Cooke and more recently, Andrew Motion have thrown much light on his poetry and I am indebted to them. I acknowledge especially the work of Edna Longley; her Edward Thomas: Poems and Last Poems, though it does not include all the poems, has proved to be an invaluable source because of the many extracts from Thomas's prose incorporated into her notes on his poems. Her book is also rich in suggestive insights into Thomas's poetry. Unfortunately not all of Thomas's works are available in South Africa. On a brief visit overseas I tried without success to obtain the more important books not available here. I have had to make use of anthologies of Thomas's prose where a particular text was not available, for example, In Pursuit of Spring and The South Country. I thank Ms Yolisa Soul who through the Inter Library Loan services of the University of Fort Hare managed to obtain for me a substantial number of Thomas's prose works.
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- Date Issued: 1985-12
- Authors: Lagan, Charles J
- Date: 1985-12
- Subjects: Thomas, Edward, 1878-1917 , Thomas, Edward, 1878-1917 -- Criticism and interpretation , English poetry -- 20th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2264 , http://hdl.handle.net/10962/d1004770 , Thomas, Edward, 1878-1917 , Thomas, Edward, 1878-1917 -- Criticism and interpretation , English poetry -- 20th century
- Description: From Preface: The scope and focus of this thesis has been determined by the fact that I have tried to present a thematic, though not exhaustive, account of the poetry of Edward Thomas. (I have analysed a representative selection of the poems.) Much has been written on his life and poetry in this past decade to coincide with the centenary of his birth which was celebrated in 1978. Edna Longley, William Cooke and more recently, Andrew Motion have thrown much light on his poetry and I am indebted to them. I acknowledge especially the work of Edna Longley; her Edward Thomas: Poems and Last Poems, though it does not include all the poems, has proved to be an invaluable source because of the many extracts from Thomas's prose incorporated into her notes on his poems. Her book is also rich in suggestive insights into Thomas's poetry. Unfortunately not all of Thomas's works are available in South Africa. On a brief visit overseas I tried without success to obtain the more important books not available here. I have had to make use of anthologies of Thomas's prose where a particular text was not available, for example, In Pursuit of Spring and The South Country. I thank Ms Yolisa Soul who through the Inter Library Loan services of the University of Fort Hare managed to obtain for me a substantial number of Thomas's prose works.
- Full Text:
- Date Issued: 1985-12
A study of the numinous presence in Tennyson's poetry
- Louw, Denise Elizabeth Laurence
- Authors: Louw, Denise Elizabeth Laurence
- Date: 1985
- Subjects: Tennyson, Alfred Tennyson, Baron, 1809-1892 -- Criticism and interpretation , English poetry -- 19th century -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2268 , http://hdl.handle.net/10962/d1005891 , Tennyson, Alfred Tennyson, Baron, 1809-1892 -- Criticism and interpretation , English poetry -- 19th century -- History and criticism
- Description: From Preface: A reader looking to this study for a charting of the diverse religious views held by Tennyson at different periods in his life may be disappointed. My primary concern has been not with religious forms, but with the numinous impulse. However, though I approached the topic with a completely open mind, I find my own Christian convictions have been strengthened through the study of Tennyson's poetry. As the title indicates, I have not attempted to deal with the plays. To explore both the poetry and the plays in a study of this length would have been impossible. I have perhaps been somewhat unorthodox in attempting to combine several disciplines, especially since I cannot claim to be a specialist in the areas concerned. However, I felt it necessary to approach the subject from a number of points of view, and to see to what extent the results could be said to converge on some sort of central "truth". When I have despaired of being able to do justice to a particular aspect within the imposed limits, I have sometimes found comfort in the words of Alan Sinfield (The Language of Tennyson's "In Memoriam", p.211): "We can only endeavour continually to approach a little closer to the central mystery; the ma j or advances will be infrequent, but most attempts should furnish one or two hints which others will develop. "
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- Date Issued: 1985
- Authors: Louw, Denise Elizabeth Laurence
- Date: 1985
- Subjects: Tennyson, Alfred Tennyson, Baron, 1809-1892 -- Criticism and interpretation , English poetry -- 19th century -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2268 , http://hdl.handle.net/10962/d1005891 , Tennyson, Alfred Tennyson, Baron, 1809-1892 -- Criticism and interpretation , English poetry -- 19th century -- History and criticism
- Description: From Preface: A reader looking to this study for a charting of the diverse religious views held by Tennyson at different periods in his life may be disappointed. My primary concern has been not with religious forms, but with the numinous impulse. However, though I approached the topic with a completely open mind, I find my own Christian convictions have been strengthened through the study of Tennyson's poetry. As the title indicates, I have not attempted to deal with the plays. To explore both the poetry and the plays in a study of this length would have been impossible. I have perhaps been somewhat unorthodox in attempting to combine several disciplines, especially since I cannot claim to be a specialist in the areas concerned. However, I felt it necessary to approach the subject from a number of points of view, and to see to what extent the results could be said to converge on some sort of central "truth". When I have despaired of being able to do justice to a particular aspect within the imposed limits, I have sometimes found comfort in the words of Alan Sinfield (The Language of Tennyson's "In Memoriam", p.211): "We can only endeavour continually to approach a little closer to the central mystery; the ma j or advances will be infrequent, but most attempts should furnish one or two hints which others will develop. "
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- Date Issued: 1985
Spenser's Colin Clout : an introductory study
- Authors: Brown, Molly Anne
- Date: 1985
- Subjects: Spenser, Edmund, 1552?-1599 -- Criticism and interpretation , Faerie Queene , English poetry , Epic , Criticism , Interpretation , Clout, Colin (Fictitious character)
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2180 , http://hdl.handle.net/10962/d1001831
- Description: From introduction: In the sixth book of The Faerie Qveene, the reader is presented with a vision of the Graces and their attendants dancing on Mount Acidale to the piping of a simple shepherd. Spenser identifies this favoured musician as Colin Clout and then goes on to pose a seemingly inconsequential rhetorical question. "Who knowes not Colin Cloute?” he asks. The note of confident pride which can be discerned in the query clearly reveals Spenser's peculiar interest in one of his most intriguing creations. It is almost impossible to read a representative selection of Spenser's poetical works without noticing the hauntingly frequent appearances of his "Southerne shepheardes boye". Colin appears or is named in no fewer than six of Spenser's poems.
- Full Text:
- Date Issued: 1985
- Authors: Brown, Molly Anne
- Date: 1985
- Subjects: Spenser, Edmund, 1552?-1599 -- Criticism and interpretation , Faerie Queene , English poetry , Epic , Criticism , Interpretation , Clout, Colin (Fictitious character)
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2180 , http://hdl.handle.net/10962/d1001831
- Description: From introduction: In the sixth book of The Faerie Qveene, the reader is presented with a vision of the Graces and their attendants dancing on Mount Acidale to the piping of a simple shepherd. Spenser identifies this favoured musician as Colin Clout and then goes on to pose a seemingly inconsequential rhetorical question. "Who knowes not Colin Cloute?” he asks. The note of confident pride which can be discerned in the query clearly reveals Spenser's peculiar interest in one of his most intriguing creations. It is almost impossible to read a representative selection of Spenser's poetical works without noticing the hauntingly frequent appearances of his "Southerne shepheardes boye". Colin appears or is named in no fewer than six of Spenser's poems.
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- Date Issued: 1985
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