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Kupa lomba uachi lela mezhi

- Large group of Kasai women and 5 men, Hugh Tracey

  • Authors: Large group of Kasai women and 5 men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bakwakulumba-Kalamuzeu f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/183913 , vital:44083 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-04
  • Description: One drummer raised and lowered the pitch of his drum by pressing his left elbow on and off the membrane of the drum. This excellent item gives a good impression of the spirit of the Mambala dance, the attractive lift to the rhythm, the sure participation of the dancers and the clever drumming of the men. The tone value of the mirliton placed on the side of the closed drums is well illustrated. The Mambala is clearly an enjoyable dance. Mambala dance with 4 goblet drums, closed, pinned, weighted with mirlitons and hand beaten, pieces of wood struck together, metal bell used as rattle
  • Full Text: false
  • Date Issued: 1957

Lolo inamukinga

- Ngoi Nono and Kabango Anastase with 9 Luba men, Hugh Tracey

Luba Drum Rhythms

- Kabongo Alfred, Kayemba Donatien, Kayemba Dita, Mukendi Jean, Mukendi Crispin, Punga Justin, Muleka Therese, Hugh Tracey

Lulua mukwabumba

- Anastasia Bampelea, Luba women, Hugh Tracey

Luwendo

- Group of 6 Luba men, Hugh Tracey

Mama Josefina

- Ilunga Patrice and Misomba Victor, and friends, Misomba Victor, Hugh Tracey

Mama Josefuia

- Ilunga Patrice, Misomba Victor, Tracey, Hugh

Mamwana kufiki munda

- Ilunga Patrice, Misomba Victor and friends, Tracey, Hugh

Mamwana kufiki mundi

- Ilunga Patrice and Misomba Victor, and friends, Misomba Victor, Hugh Tracey

Masenga wa Bena Nomba (Masenga of the Bena Nomba

- Ngoi Nono and Kabongo Anastase with friends, Hugh Tracey

  • Authors: Ngoi Nono and Kabongo Anastase with friends , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Topical songs , Instrumental music , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134497 , vital:37167 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0020-06
  • Description: This is a song set to a guitar accompaniment - in which the idiom both of melody and accompaniment follows the folk tradition. It is an excellent example of modern topical songs from this region of Southern Congo. Topical song with 2 guitars and bottle, small rattle and whistle.
  • Full Text: false
  • Date Issued: 1957

Masengo ma Bena Nomba

- Ngoi Nono, Kabongo Anastase and friends, Composer not specified, Tracey, Hugh

Masengu

- Ilunga Patrice and Misomba Victor, and friends, Misomba Victor, Hugh Tracey

Masengu

- Kasongo Adalbert, Hugh Tracey

Mazha

- Group of 6 Luba men, Hugh Tracey

  • Authors: Group of 6 Luba men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137680 , vital:37549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-03
  • Description: "Masha" , the player of the female xylophone turned his left hand rubber-headed beater around, and hit the tonic (194 vs) continously while playing normally with the right hand, after the fashion of the Kanyoka players. The male range is 194 vs through two octaves and 1 note to 880. The female has two notes below 194 i.e. 160 and 144. 194 appears to be the tone centre. The scale of the instrument as follows: 880 776, 640, 576, 520, 480, 440, 388, 320, 288, 260, 240, 220, 194, 160. Ceremonial pieces for a Chief with 2 Siimba xylophones, 3 goblet drums, pinned, weighted, closed, with mitlitons and hand beaten.
  • Full Text: false
  • Date Issued: 1957

Mbainaka (Farewell-I am going)

- Alexis Chovu and group of 12 Bena Shimba women, Hugh Tracey

Mbwiya ndalo Chalo

- Ilunga Patrice, Misomba Victor and friends, Tracey, Hugh

Mbwiya ndalo Chalo (Mbwiya, son of Chalo)

- Ilunga Patrice and Misomba Victor, and friends, Misomba Victor, Hugh Tracey

Mionde abana

- Ngoi Nono and Kabango Anastase with 9 Luba men, Hugh Tracey

Mishiba

- Group of 16 Bena Budia men, 16 Bena Budia men, Hugh Tracey

  • Authors: Group of 16 Bena Budia men , 16 Bena Budia men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ensemble playing , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Luba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135567 , vital:37276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR025-01
  • Description: This group were Bena Budia, a group allied to the Bekalehwe, who belong to the linguistic group of Luba/Songe. The ensemble of end-blown flutes consisted of three pitches, treble, tenor and bass, the middle register having several players holding a raft of 2 to 6 pipes and the bass and treble having 2 each only. Pipe ensemble with 2 weighted goblet drums, closed, hand beaten, and 16 sets of panpipes.
  • Full Text: false
  • Date Issued: 1957

Mudima zenzele

- Kaseba Anatole, Performer not specified, Tracey, Hugh

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