Versions of hospitality in recent writing on the fiction of JM Coetzee:
- Authors: Marais, Mike
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/144039 , vital:38305 , DOI: 10.4314/eia.v40i1.8
- Description: In one of the interviews in Summertime, Martin, a former colleague, claims that he and the deceased John Coetzee felt their "presence" in South Africa "was legal but illegitimate," that it "was grounded in a crime, namely colonial conquest," which rendered them "sojourners, temporary residents, and to that extent without a home, without a homeland" (209-10). With this statement in mind, Maria J. Lopez argues that a sense of unbelonging underlies J. M. Coetzee's entire oeuvre, including the Australian fiction, and forms a kind of "imaginative and intellectual masterplot" (xii). ). It is this "narrative" that she traces in her monograph, starting with the early fiction and concluding with chapters on the fictionalised autobiographies and Australian fiction.
- Full Text:
- Date Issued: 2013
- Authors: Marais, Mike
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/144039 , vital:38305 , DOI: 10.4314/eia.v40i1.8
- Description: In one of the interviews in Summertime, Martin, a former colleague, claims that he and the deceased John Coetzee felt their "presence" in South Africa "was legal but illegitimate," that it "was grounded in a crime, namely colonial conquest," which rendered them "sojourners, temporary residents, and to that extent without a home, without a homeland" (209-10). With this statement in mind, Maria J. Lopez argues that a sense of unbelonging underlies J. M. Coetzee's entire oeuvre, including the Australian fiction, and forms a kind of "imaginative and intellectual masterplot" (xii). ). It is this "narrative" that she traces in her monograph, starting with the early fiction and concluding with chapters on the fictionalised autobiographies and Australian fiction.
- Full Text:
- Date Issued: 2013
“A road that may lead nowhere”: JM Coetzee, Tayeb Salih, and the Hospitality of Vagrant Writing
- Authors: Marais, Mike
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/144072 , vital:38308 , https://dialnet.unirioja.es/servlet/articulo?codigo=4568814
- Description: In this article, I argue that Coetzee's writing, being alienated from history but unable to transcend it, is forced to treat its own representations with a measure of suspicion. By extension, the Coetzee text is always divided against itself. It is, in the idiom of hospitality, never quite at home with itself because it is aware that home is premised on exclusion, on the existence of an outsider, one for whom home is not a home.
- Full Text:
- Date Issued: 2013
- Authors: Marais, Mike
- Date: 2013
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/144072 , vital:38308 , https://dialnet.unirioja.es/servlet/articulo?codigo=4568814
- Description: In this article, I argue that Coetzee's writing, being alienated from history but unable to transcend it, is forced to treat its own representations with a measure of suspicion. By extension, the Coetzee text is always divided against itself. It is, in the idiom of hospitality, never quite at home with itself because it is aware that home is premised on exclusion, on the existence of an outsider, one for whom home is not a home.
- Full Text:
- Date Issued: 2013
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