The experiences of Fringe producers at the South African National Arts Festival: production, profits and non-market benefits

Snowball, Jeanette D; Antrobus, Geoffrey G

Title: The experiences of Fringe producers at the South African National Arts Festival: production, profits and non-market benefits
Creator: Snowball, Jeanette D
Creator: Antrobus, Geoffrey G
Date Issued: 2011
Date: 2011
Type: text
Type: article
Identifier: http://hdl.handle.net/10962/143123
Identifier: vital:38203
Identifier: DOI: 10.1080/10137548.2009.9687901
Description: Unlike the performing arts generally, festivals and special events have been growing in popularity worldwide: since the 1980s there has been an explosion of the number of festival of all types, not just arts festivals, but folk festivals, harvest festivals, food festivals, family festivals, carnivals, literary festivals – the list is long. It is estimated that there are more than 300 festivals in the UK (British Federation of Festivals 2004), 1300 in Australia (Johnson et al 2005) and more than 5000 in the US (Blumenthal 2002).
Format: 15 pages
Format: pdf
Language: English
Relation: South African Theatre Journal
Relation: Snowball, J.D. and Antrobus, G.G., 2009. The experiences of Fringe producers at the South African National Arts Festival: Production, profits and non-market benefits. South African Theatre Journal, 23(1), pp.53-67.
Relation: South African Theatre Journal volume 23 number 1 53 67 August 2011
Rights: Publisher
Rights: Use of this resource is governed by the terms and conditions of the Taylor and Francis Online Terms and Conditions Statement (https://www.tandfonline.com/terms-and-conditions)

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Antrobus, Geoffrey Gordon (Prof Emeritus)

Snowball, Jeanette D (Prof)

RU Department of Economics and Economic History

SDG 08. Decent Work and Economic Growth

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