Amabele-o-iye
- Mosis, Magdalena, and Terasa (Mambuti women), Hugh Tracey
- Authors: Mosis, Magdalena, and Terasa (Mambuti women) , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mbau-Mbili f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168178 , vital:41548 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-04
- Description: These songs were sung by three very small pygmy women all crouching on the ground close together. Their songs, it is said, asre composed mostly of vowel sounds or very simple words without much attempt to form a lyric. They were clothed only in a small strip of cloth each strung between the legs with each supported by a waist band of bark string. Each had a single string of beads around the neck and black markings were painted on their faces and necks. These songs, they said,could also be used as lullabies. At the end of the second and third items the bleat of a goat kid can be heard. Party song.
- Full Text: false
- Date Issued: 1952
- Authors: Mosis, Magdalena, and Terasa (Mambuti women) , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mbau-Mbili f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168178 , vital:41548 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-04
- Description: These songs were sung by three very small pygmy women all crouching on the ground close together. Their songs, it is said, asre composed mostly of vowel sounds or very simple words without much attempt to form a lyric. They were clothed only in a small strip of cloth each strung between the legs with each supported by a waist band of bark string. Each had a single string of beads around the neck and black markings were painted on their faces and necks. These songs, they said,could also be used as lullabies. At the end of the second and third items the bleat of a goat kid can be heard. Party song.
- Full Text: false
- Date Issued: 1952
Iyo-o-u-o
- Mosis, Magdalena, and Terasa (Mambuti women), Hugh Tracey
- Authors: Mosis, Magdalena, and Terasa (Mambuti women) , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mbau-Mbili f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168183 , vital:41549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-05
- Description: These songs were sung by three very small pygmy women all crouching on the ground close together. Their songs, it is said, asre composed mostly of vowel sounds or very simple words without much attempt to form a lyric. They were clothed only in a small strip of cloth each strung between the legs with each supported by a waist band of bark string. Each had a single string of beads around the neck and black markings were painted on their faces and necks. These songs, they said,could also be used as lullabies. At the end of the second and third items the bleat of a goat kid can be heard. Wedding song.
- Full Text: false
- Date Issued: 1952
- Authors: Mosis, Magdalena, and Terasa (Mambuti women) , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mbau-Mbili f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168183 , vital:41549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-05
- Description: These songs were sung by three very small pygmy women all crouching on the ground close together. Their songs, it is said, asre composed mostly of vowel sounds or very simple words without much attempt to form a lyric. They were clothed only in a small strip of cloth each strung between the legs with each supported by a waist band of bark string. Each had a single string of beads around the neck and black markings were painted on their faces and necks. These songs, they said,could also be used as lullabies. At the end of the second and third items the bleat of a goat kid can be heard. Wedding song.
- Full Text: false
- Date Issued: 1952
Mai-o-da
- Mosis, Magdalena, and Terasa (Mambuti women), Hugh Tracey
- Authors: Mosis, Magdalena, and Terasa (Mambuti women) , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mbau-Mbili f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168169 , vital:41547 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-03
- Description: These songs were sung by three very small pygmy women all crouching on the ground close together. Their songs, it is said, asre composed mostly of vowel sounds or very simple words without much attempt to form a lyric. They were clothed only in a small strip of cloth each strung between the legs with each supported by a waist band of bark string. Each had a single string of beads around the neck and black markings were painted on their faces and necks. These songs, they said,could also be used as lullabies. At the end of the second and third items the bleat of a goat kid can be heard. Song after fishing.
- Full Text: false
- Date Issued: 1952
- Authors: Mosis, Magdalena, and Terasa (Mambuti women) , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Mbau-Mbili f-cg
- Language: Congo Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168169 , vital:41547 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-03
- Description: These songs were sung by three very small pygmy women all crouching on the ground close together. Their songs, it is said, asre composed mostly of vowel sounds or very simple words without much attempt to form a lyric. They were clothed only in a small strip of cloth each strung between the legs with each supported by a waist band of bark string. Each had a single string of beads around the neck and black markings were painted on their faces and necks. These songs, they said,could also be used as lullabies. At the end of the second and third items the bleat of a goat kid can be heard. Song after fishing.
- Full Text: false
- Date Issued: 1952
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