Malemba
- Mukoko Michel, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Mukoko Michel , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/322705 , vital:60590 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2974-XYZ7138
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Mukoko Michel , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of the Congo City not specified f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/322705 , vital:60590 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2974-XYZ7138
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Malemba
- Authors: Mukoko Michel , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kabinda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181977 , vital:43786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-07
- Description: The mirliton of this instrument was broken. The scale may be Hexatonic. The Kalebwe clan are reported to have aggressive tendencies. A complex interplay of several rhythms with the Chisazhi acting as a gourd, although once the singers get going the sound of the instrument is lost. The clapping appears to follow the same basic rhythm found all over Southern Congo, in which a measure of sixteen pulses is accented as follows:- //1, 3, 5, 7, /, 10, 12, 14, , // or more usually // 1, 3, 5, 78, 10, 12, 14, 15, //. In this part of Africa the leader often starts and stops his men by the cry "A,,,r,r,r,r." Malemba song after funeral with Chisazhi Likembe
- Full Text: false
- Date Issued: 1952
- Authors: Mukoko Michel , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kabinda f-rh
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181977 , vital:43786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR177-07
- Description: The mirliton of this instrument was broken. The scale may be Hexatonic. The Kalebwe clan are reported to have aggressive tendencies. A complex interplay of several rhythms with the Chisazhi acting as a gourd, although once the singers get going the sound of the instrument is lost. The clapping appears to follow the same basic rhythm found all over Southern Congo, in which a measure of sixteen pulses is accented as follows:- //1, 3, 5, 7, /, 10, 12, 14, , // or more usually // 1, 3, 5, 78, 10, 12, 14, 15, //. In this part of Africa the leader often starts and stops his men by the cry "A,,,r,r,r,r." Malemba song after funeral with Chisazhi Likembe
- Full Text: false
- Date Issued: 1952
- «
- ‹
- 1
- ›
- »