A case study of democratic debate on People's Choice (PC) FM "Thahameso" and Harvest FM "Tsa Mabatooa" in Lesotho
- Falatsa, Mamolise Martha, Thipa, Henry
- Authors: Falatsa, Mamolise Martha , Thipa, Henry
- Date: 2016
- Subjects: Radio addresses, debates, etc. -- Lesotho , Radio broadcasting -- Lesotho , Mass media -- Political aspects -- Lesotho , Civil rights -- Lesotho
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/7281 , vital:21314
- Description: The study investigates the role of media in promoting free debate in Lesotho: A case study of democratic debate on People’s Choice (PC) FM “Thahameso” and Harvest FM “Tsa Mabatooa in Lesotho. Firstly, the study looked at the democratic communication in the volatile democracy of Lesotho, by providing historical factors of pre-independence and authoritarian governments, democrocatic governments prevailing and the dependence on South Africa. Secondly, the study provided literature on the role of broadcast media in different forms of government globally. Thirdly, it provides the analysis and transcription of one month’s recordings of the two political talk shows in Sesotho and identifies the communicative strategies used in this live on-air political discussion by talk show hosts, guests and callers. In these talk shows the researcher identifies the caller, host and guest behaviour and attitudes in discussions that relate the current political situation to the historical development of democracy in Lesotho alongside the economic and political influences from South Africa. The researcher also identifies that the talk show, guests and callers in the challenging political climate use traditional figurative expressions and biblical quotations to express their views. This leads the researcher to conclude that the political talk shows indeed facilitate participatory communication.
- Full Text:
- Date Issued: 2016
- Authors: Falatsa, Mamolise Martha , Thipa, Henry
- Date: 2016
- Subjects: Radio addresses, debates, etc. -- Lesotho , Radio broadcasting -- Lesotho , Mass media -- Political aspects -- Lesotho , Civil rights -- Lesotho
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/7281 , vital:21314
- Description: The study investigates the role of media in promoting free debate in Lesotho: A case study of democratic debate on People’s Choice (PC) FM “Thahameso” and Harvest FM “Tsa Mabatooa in Lesotho. Firstly, the study looked at the democratic communication in the volatile democracy of Lesotho, by providing historical factors of pre-independence and authoritarian governments, democrocatic governments prevailing and the dependence on South Africa. Secondly, the study provided literature on the role of broadcast media in different forms of government globally. Thirdly, it provides the analysis and transcription of one month’s recordings of the two political talk shows in Sesotho and identifies the communicative strategies used in this live on-air political discussion by talk show hosts, guests and callers. In these talk shows the researcher identifies the caller, host and guest behaviour and attitudes in discussions that relate the current political situation to the historical development of democracy in Lesotho alongside the economic and political influences from South Africa. The researcher also identifies that the talk show, guests and callers in the challenging political climate use traditional figurative expressions and biblical quotations to express their views. This leads the researcher to conclude that the political talk shows indeed facilitate participatory communication.
- Full Text:
- Date Issued: 2016
A critical analysis of selected literary techniques in P.T. Mtuze’s prose narratives
- Authors: Kondowe, Zandile Ziyanda
- Date: 2016
- Subjects: Xhosa literature -- History and criticism Literary style
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/33217 , vital:32570
- Description: The main purpose of this study is to provide a critical analysis of selected literary techniques in P.T. Mtuze’s prose narratives. This study seeks to analyse his style of writing in all his texts. The aspects of his style under stylistic techniques and criticism will serve as a foundation theory that will link the study to the analysis of definitions and referencing under imagery and its aspects; including humour, satire, idioms, proverbs, literary techniques, and figures of speech. Mtuze is noted as one of the most prolific writers due to his ingenuity in language skills, especially in isiXhosa. Mtuze is one of the best humoristic writers; hence he is popular due to applying humour in the prose works he wrote. This study is divided into seven chapters, and the theory which is used for this study is also scrutinised in order to get a sense of what the author intended to deliver through his texts.
- Full Text:
- Date Issued: 2016
- Authors: Kondowe, Zandile Ziyanda
- Date: 2016
- Subjects: Xhosa literature -- History and criticism Literary style
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/33217 , vital:32570
- Description: The main purpose of this study is to provide a critical analysis of selected literary techniques in P.T. Mtuze’s prose narratives. This study seeks to analyse his style of writing in all his texts. The aspects of his style under stylistic techniques and criticism will serve as a foundation theory that will link the study to the analysis of definitions and referencing under imagery and its aspects; including humour, satire, idioms, proverbs, literary techniques, and figures of speech. Mtuze is noted as one of the most prolific writers due to his ingenuity in language skills, especially in isiXhosa. Mtuze is one of the best humoristic writers; hence he is popular due to applying humour in the prose works he wrote. This study is divided into seven chapters, and the theory which is used for this study is also scrutinised in order to get a sense of what the author intended to deliver through his texts.
- Full Text:
- Date Issued: 2016
A study of the art object as performative
- Authors: Minkley, Emma Smith
- Date: 2016
- Subjects: Arts -- Miscellanea , Art objects
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/12042 , vital:27022
- Description: My research project explores conventions in art-making and viewing via the notion of the performative art object. The performative (derived from J.L. Austin and Judith Butler’s formulations of the word) is here used predominantly as a term to denote a generative, experiential and iterative process (in this case outlined by art theorist Barbara Bolt) in which intuitive or playful actions of both artist and spectator dictate the route of research. The project, following an A/r/tographical cycle of theoriapraxis-poesis (or theory/research - doing/learning - art/making) as defined by Rita Irwin, thus investigates the relations inherent between artists, spectators or viewers, and objects, and how these may change according to the spaces they are conceived in; from art gallery to urban “non-art” environments. It deals with the inclusion of process or performativity within, or in relation to the art object and how this take on the traditionally static object may have the capacity to change how artworks are envisaged, and more significantly, how they are received, in terms of the effects they (in combination with the viewer) have on the world around them. Blurred in the context of performativity, the art object may become a means of documenting process and in a sense may act as a ‘prop’ for artistic research. This enquiry has involved the study of process and play, as related to creative practice, via a series of object-based events or interventions (including gallery exhibitions and other “non-art” events initiated by the artist outside of conventional art-related space) which have been documented and included in the theoretical research as a means of providing a first-hand narrative of theoretical ideas put into practice. Here Diana Taylor’s understanding of interrelated modes of storing and enacting knowledge as posed in the notion of the archive and repertoire has been utilised as a means of collecting and collating performative and ephemeral research. These events/interventions have further served as a means of gauging viewer interaction and participation, thus actively involving the viewer in the creative act. Jacques Rancière’s notion of the emancipated spectator is here utilised to activate the role of the viewer. In this regard, Martin Heidegger’s concept of handiness or handling serves as a means of “emancipating” spectators by encouraging tactile viewership. It is my intent to open up or reveal new modes of thinking or doing within the viewer when he or she enters a state of performative play within these events. Here the status of the art object is challenged and in this way has the potential to subvert or confront problematic repetitions, both in the identity of the viewer and the space occupied in each event.
- Full Text:
- Date Issued: 2016
- Authors: Minkley, Emma Smith
- Date: 2016
- Subjects: Arts -- Miscellanea , Art objects
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/12042 , vital:27022
- Description: My research project explores conventions in art-making and viewing via the notion of the performative art object. The performative (derived from J.L. Austin and Judith Butler’s formulations of the word) is here used predominantly as a term to denote a generative, experiential and iterative process (in this case outlined by art theorist Barbara Bolt) in which intuitive or playful actions of both artist and spectator dictate the route of research. The project, following an A/r/tographical cycle of theoriapraxis-poesis (or theory/research - doing/learning - art/making) as defined by Rita Irwin, thus investigates the relations inherent between artists, spectators or viewers, and objects, and how these may change according to the spaces they are conceived in; from art gallery to urban “non-art” environments. It deals with the inclusion of process or performativity within, or in relation to the art object and how this take on the traditionally static object may have the capacity to change how artworks are envisaged, and more significantly, how they are received, in terms of the effects they (in combination with the viewer) have on the world around them. Blurred in the context of performativity, the art object may become a means of documenting process and in a sense may act as a ‘prop’ for artistic research. This enquiry has involved the study of process and play, as related to creative practice, via a series of object-based events or interventions (including gallery exhibitions and other “non-art” events initiated by the artist outside of conventional art-related space) which have been documented and included in the theoretical research as a means of providing a first-hand narrative of theoretical ideas put into practice. Here Diana Taylor’s understanding of interrelated modes of storing and enacting knowledge as posed in the notion of the archive and repertoire has been utilised as a means of collecting and collating performative and ephemeral research. These events/interventions have further served as a means of gauging viewer interaction and participation, thus actively involving the viewer in the creative act. Jacques Rancière’s notion of the emancipated spectator is here utilised to activate the role of the viewer. In this regard, Martin Heidegger’s concept of handiness or handling serves as a means of “emancipating” spectators by encouraging tactile viewership. It is my intent to open up or reveal new modes of thinking or doing within the viewer when he or she enters a state of performative play within these events. Here the status of the art object is challenged and in this way has the potential to subvert or confront problematic repetitions, both in the identity of the viewer and the space occupied in each event.
- Full Text:
- Date Issued: 2016
A study of the integration of technology in the school arts classroom
- Authors: Sauls, Maxwell Martin
- Date: 2016
- Subjects: Computer-assisted instruction , Educational technology , Computer managed instruction
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/7364 , vital:21342
- Description: This study explores the use of Information and Communications Technology (ICT) and Educational Technology (ET) as an educational resource in the school Arts classroom. Many teachers lack the qualifications to teach the Performing Arts (PA) of the Curriculum and Policy Statement (CAPS). Therefore, teachers rely on curriculum documentation and textbooks to help guide planning of lessons and the execution thereof. Technology as a resource tool can assist teachers as they incorporate an overwhelming amount of content/concepts in lessons. In this way they could improve classroom practice in the PA disciplines. With the emergence of Operation Phakisa: ICT in Education (Department of Education [DoE] 2015), the researcher acknowledges that the integration of ET is unavoidable. Moreover, the research highlights the importance of engaging with the rising hegemony of ICT as the defining characteristic of the information society. Literature supporting the inclusivity of media and media-related resources in education are discussed. In addition, the literature review focuses on a wide variety of ET and concludes with the implementation of ET in a South African context. Teachers from the Foundation Phase (FP), Intermediate Phase (IP) and Senior Phase (SP), namely grade R – 7, were invited to participate in the study where they were observed during contact time drawing on technology to aid teaching pedagogy. The research design involved a qualitative inquiry with aspects of crystallization where the data was collected through observations, interviews and teacher’s self-assessment. The findings suggest that teachers received little or no training in one or more PA disciplines. The integration of technology in the teaching pedagogy led to an enhanced learning environment where the teacher could actively engage learners in meaningful activities. The findings furthermore revealed that the use of technology was not uniform and did not lead to neat conclusion. Instead the researcher found that a great deal of divergence in the use of technology. This divergence was found across art disciplines and the use of technology also differed among teachers. Finally, individual teachers also differed in their use of technology across the art disciplines that they taught. The learners benefited from the use of technology insofar as they displayed a better understanding of the concepts in subsequent lessons. Furthermore, by the end of the study, teachers had begun to implement the new teaching style in learning areas other than the PA.
- Full Text:
- Date Issued: 2016
- Authors: Sauls, Maxwell Martin
- Date: 2016
- Subjects: Computer-assisted instruction , Educational technology , Computer managed instruction
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/7364 , vital:21342
- Description: This study explores the use of Information and Communications Technology (ICT) and Educational Technology (ET) as an educational resource in the school Arts classroom. Many teachers lack the qualifications to teach the Performing Arts (PA) of the Curriculum and Policy Statement (CAPS). Therefore, teachers rely on curriculum documentation and textbooks to help guide planning of lessons and the execution thereof. Technology as a resource tool can assist teachers as they incorporate an overwhelming amount of content/concepts in lessons. In this way they could improve classroom practice in the PA disciplines. With the emergence of Operation Phakisa: ICT in Education (Department of Education [DoE] 2015), the researcher acknowledges that the integration of ET is unavoidable. Moreover, the research highlights the importance of engaging with the rising hegemony of ICT as the defining characteristic of the information society. Literature supporting the inclusivity of media and media-related resources in education are discussed. In addition, the literature review focuses on a wide variety of ET and concludes with the implementation of ET in a South African context. Teachers from the Foundation Phase (FP), Intermediate Phase (IP) and Senior Phase (SP), namely grade R – 7, were invited to participate in the study where they were observed during contact time drawing on technology to aid teaching pedagogy. The research design involved a qualitative inquiry with aspects of crystallization where the data was collected through observations, interviews and teacher’s self-assessment. The findings suggest that teachers received little or no training in one or more PA disciplines. The integration of technology in the teaching pedagogy led to an enhanced learning environment where the teacher could actively engage learners in meaningful activities. The findings furthermore revealed that the use of technology was not uniform and did not lead to neat conclusion. Instead the researcher found that a great deal of divergence in the use of technology. This divergence was found across art disciplines and the use of technology also differed among teachers. Finally, individual teachers also differed in their use of technology across the art disciplines that they taught. The learners benefited from the use of technology insofar as they displayed a better understanding of the concepts in subsequent lessons. Furthermore, by the end of the study, teachers had begun to implement the new teaching style in learning areas other than the PA.
- Full Text:
- Date Issued: 2016
A text-critical analysis of potentially conflict-provoking genres of the Christian bible
- Authors: Grigor, Pierre
- Date: 2016
- Subjects: Church history , Transformation groups , Conflict management
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/11289 , vital:26906
- Description: This dissertation wants to understand the church history regarding the divide which resulted in the so called fundamentalist and the liberal movements in the church being birthed in identifying the reasons for the conflict between the aforementioned groups. It then presents principles of conflict transformation and management in order to understand and to help transform and manage potential confrontational situations between the aforementioned groups effectively. It further propose alternative interpretations to potential conflict-generating Bible texts by extrapolating new information from those texts in order to stir the potential of birthing a second naïve love for the discredited texts by offering new meanings to those same texts. Unfortunately, this objective can’t effectively be measured within the scope of this dissertation, but will nevertheless remain as an objective of hope.
- Full Text:
- Date Issued: 2016
- Authors: Grigor, Pierre
- Date: 2016
- Subjects: Church history , Transformation groups , Conflict management
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/11289 , vital:26906
- Description: This dissertation wants to understand the church history regarding the divide which resulted in the so called fundamentalist and the liberal movements in the church being birthed in identifying the reasons for the conflict between the aforementioned groups. It then presents principles of conflict transformation and management in order to understand and to help transform and manage potential confrontational situations between the aforementioned groups effectively. It further propose alternative interpretations to potential conflict-generating Bible texts by extrapolating new information from those texts in order to stir the potential of birthing a second naïve love for the discredited texts by offering new meanings to those same texts. Unfortunately, this objective can’t effectively be measured within the scope of this dissertation, but will nevertheless remain as an objective of hope.
- Full Text:
- Date Issued: 2016
Against all odds: the effect of electoral violence on the political participation of citizens: a case study of voters in Nairobi
- Authors: Plata, Stephanie
- Date: 2016
- Subjects: Elections -- Kenya -- Nairobi , Political participation -- Kenya -- Nairobi , Political violence -- Kenya -- Nairobi
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10948/5589 , vital:20913
- Description: Competitive national elections can play a significant role in the consolidation process of developing and established democracies alike. Nevertheless, if not handled adequately, they have the potential to bring long-existing, existential conflict lines to the surface. This electoral conflict, becoming manifest in election violence, has the potential to shy people off from voting and negatively affect their attitude towards elections and democracy in general. The present study examined the ways in which violent electoral conflict affected the political participation and the personal attitudes towards democracy of ordinary Kenyan citizens. Kenya has experienced violent electoral conflict repeatedly since the re-introduction of competitive elections in 1992 and became one of its prime examples due to the devastating 2008 post-election clashes. In order to answer the research questions, 32 semi-structured interviews with 34 victims of electoral violence coming from four main ‘hotspot areas’ of the 2008 post-election violence as well as four expert interviews were conducted. The study finds that the experience of violent electoral conflict led to diametrically opposed reactions in the behaviour of political participation among respondents. About two-thirds of them indicated a change in their behaviour of political participation. With 33% of the respondents found to be “participating more”, this group even outnumbers its “participating less” counterpart (30%). This finding is rather surprising as the experience of electoral violence is usually associated with the tendency to shy off from political participation, not only in Kenya. Based on their attitudinal dispositions towards democracy in general and towards democracy in Kenya more specifically, as well as towards Kenyan elections, politics and politicians, a fourfold typology of Kenyan citizens was developed from the sample. It includes: the voting citizen, the resigned citizen, the passive citizen, and the active citizen. The voting citizen with no further interest in politics or political participation was found to be the most prevalent type of citizen in the sample. Attention needs to be taken towards the resigned citizen, which could, in case of further violent electoral conflict and the continuing marginalization of specific ethnic groups, cause a threat to the stabilization process of Kenya’s democracy. Contributions of this study were in designing a destination identity framework as well as in discovering the identity of the city of Nelson Mandela Bay. Directions for future studies include the possibility to conduct a qualitative study on place identity so as to obtain a more nuanced understanding of sub-identities in the city.
- Full Text:
- Date Issued: 2016
- Authors: Plata, Stephanie
- Date: 2016
- Subjects: Elections -- Kenya -- Nairobi , Political participation -- Kenya -- Nairobi , Political violence -- Kenya -- Nairobi
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10948/5589 , vital:20913
- Description: Competitive national elections can play a significant role in the consolidation process of developing and established democracies alike. Nevertheless, if not handled adequately, they have the potential to bring long-existing, existential conflict lines to the surface. This electoral conflict, becoming manifest in election violence, has the potential to shy people off from voting and negatively affect their attitude towards elections and democracy in general. The present study examined the ways in which violent electoral conflict affected the political participation and the personal attitudes towards democracy of ordinary Kenyan citizens. Kenya has experienced violent electoral conflict repeatedly since the re-introduction of competitive elections in 1992 and became one of its prime examples due to the devastating 2008 post-election clashes. In order to answer the research questions, 32 semi-structured interviews with 34 victims of electoral violence coming from four main ‘hotspot areas’ of the 2008 post-election violence as well as four expert interviews were conducted. The study finds that the experience of violent electoral conflict led to diametrically opposed reactions in the behaviour of political participation among respondents. About two-thirds of them indicated a change in their behaviour of political participation. With 33% of the respondents found to be “participating more”, this group even outnumbers its “participating less” counterpart (30%). This finding is rather surprising as the experience of electoral violence is usually associated with the tendency to shy off from political participation, not only in Kenya. Based on their attitudinal dispositions towards democracy in general and towards democracy in Kenya more specifically, as well as towards Kenyan elections, politics and politicians, a fourfold typology of Kenyan citizens was developed from the sample. It includes: the voting citizen, the resigned citizen, the passive citizen, and the active citizen. The voting citizen with no further interest in politics or political participation was found to be the most prevalent type of citizen in the sample. Attention needs to be taken towards the resigned citizen, which could, in case of further violent electoral conflict and the continuing marginalization of specific ethnic groups, cause a threat to the stabilization process of Kenya’s democracy. Contributions of this study were in designing a destination identity framework as well as in discovering the identity of the city of Nelson Mandela Bay. Directions for future studies include the possibility to conduct a qualitative study on place identity so as to obtain a more nuanced understanding of sub-identities in the city.
- Full Text:
- Date Issued: 2016
An anthropological investigation on the marginalization of women in sport: the case of women soccer in Gelvandale
- Authors: Sait, Shaabiera
- Date: 2016
- Subjects: Sports for women -- South Africa -- Port Elizabeth Sex discrimination in sports -- South Africa -- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/10773 , vital:26822
- Description: During the Apartheid era in South Africa, women were marginalized from sport. The ability to participate in sport in South Africa is inherently linked to the political history of the country. Sport played a dynamic role in the struggle against the diabolical system of apartheid in South Africa and has a powerful role to play in the transformation and nation building of South Africa. Women have made great strides in sport in recent years in South Africa. However, at times we find that there is unfair media coverage. The unfair coverage of women’s sport displays gender based attitudes which systematically disadvantage women’s position in society. Women’s participation in sport has grown dramatically but despite this growth coverage of women in sport remains inferior. This research study investigated the marginalization of women in soccer in the Gelvandale area, Port Elizabeth. The objective of this study is to investigate if women are being marginalised in Gelvandale where soccer is concern as well as determining the meaning of gender inequality from an anthropological perspective within the context of soccer in the Gelvandale area. Further, to contribute within the anthropology of soccer in South Africa particularly in the Eastern Cape Province and to come up with recommendations that will contribute towards improvement of soccer in Gelvandale and beyond.
- Full Text:
- Date Issued: 2016
- Authors: Sait, Shaabiera
- Date: 2016
- Subjects: Sports for women -- South Africa -- Port Elizabeth Sex discrimination in sports -- South Africa -- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/10773 , vital:26822
- Description: During the Apartheid era in South Africa, women were marginalized from sport. The ability to participate in sport in South Africa is inherently linked to the political history of the country. Sport played a dynamic role in the struggle against the diabolical system of apartheid in South Africa and has a powerful role to play in the transformation and nation building of South Africa. Women have made great strides in sport in recent years in South Africa. However, at times we find that there is unfair media coverage. The unfair coverage of women’s sport displays gender based attitudes which systematically disadvantage women’s position in society. Women’s participation in sport has grown dramatically but despite this growth coverage of women in sport remains inferior. This research study investigated the marginalization of women in soccer in the Gelvandale area, Port Elizabeth. The objective of this study is to investigate if women are being marginalised in Gelvandale where soccer is concern as well as determining the meaning of gender inequality from an anthropological perspective within the context of soccer in the Gelvandale area. Further, to contribute within the anthropology of soccer in South Africa particularly in the Eastern Cape Province and to come up with recommendations that will contribute towards improvement of soccer in Gelvandale and beyond.
- Full Text:
- Date Issued: 2016
An anthropological perspective of destitute families in the Walmer Township, Port Elizabeth
- Authors: Thornton, Jessica Leigh
- Date: 2016
- Subjects: Poverty -- South Africa -- Port Elizabeth Families, Black -- South Africa -- Social conditions , Economic assistance, Domestic -- South Africa -- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/45690 , vital:38927
- Description: It is noticeable that poverty and deprivation exists in all forms in most, if not all, societies. Poverty and destitution have led to the formation and development of rural settlements within an urban context, which is known as informal housing. An example of this is Port Elizabeth’s Walmer Township. Walmer Township is seen to be one of the poorest informal settlements within the Eastern Cape, and has common problems of unemployment, violence, substance abuse, HIV/Aids and illiteracy. These problems adversely affect the community’s living conditions and plummets the society further into a state of destitution. In a last attempt to alleviate poverty among communities, such as the Walmer Township, organizations and external agencies have stepped in to reduce the harmful effects caused by poverty. These include shelters, feeding schemes and job empowerment. However, questions as to whether these organizations actually assist those living in poverty, and how can the organizations or current policy be improved, still exist and are raised regularly today. Thus, the research attempts to investigate the social effects of poverty and how it compromises family units, in order to understand what external organizations are in place to assist these families in destitution, and to come up with recommendations with the view of improving the existing policy
- Full Text:
- Date Issued: 2016
- Authors: Thornton, Jessica Leigh
- Date: 2016
- Subjects: Poverty -- South Africa -- Port Elizabeth Families, Black -- South Africa -- Social conditions , Economic assistance, Domestic -- South Africa -- Port Elizabeth
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/45690 , vital:38927
- Description: It is noticeable that poverty and deprivation exists in all forms in most, if not all, societies. Poverty and destitution have led to the formation and development of rural settlements within an urban context, which is known as informal housing. An example of this is Port Elizabeth’s Walmer Township. Walmer Township is seen to be one of the poorest informal settlements within the Eastern Cape, and has common problems of unemployment, violence, substance abuse, HIV/Aids and illiteracy. These problems adversely affect the community’s living conditions and plummets the society further into a state of destitution. In a last attempt to alleviate poverty among communities, such as the Walmer Township, organizations and external agencies have stepped in to reduce the harmful effects caused by poverty. These include shelters, feeding schemes and job empowerment. However, questions as to whether these organizations actually assist those living in poverty, and how can the organizations or current policy be improved, still exist and are raised regularly today. Thus, the research attempts to investigate the social effects of poverty and how it compromises family units, in order to understand what external organizations are in place to assist these families in destitution, and to come up with recommendations with the view of improving the existing policy
- Full Text:
- Date Issued: 2016
An investigation into the provision of government social grants to people with disabilities in Amathole Distrcit municipality
- Authors: Aplom, Thobeka
- Date: 2016
- Subjects: South African Social Security Agency , Public welfare -- South Africa , Grants-in-aid -- South Africa , Welfare fraud -- South Africa -- Eastern Cape , Social service -- South Africa
- Language: English
- Type: Thesis , Masters , MPA
- Identifier: http://hdl.handle.net/10948/5754 , vital:20998
- Description: This study seeks to investigate the efficiency and effectiveness of the process for providing government social grants to people with disabilities in the South African Social Security Agency (SASSA) Amathole District Municipality in order to determine the need for any improvement measures. Taylor’s scientific management theory and the Total Quality Management (TQM) concept were used to interpret efficiency in the functional activities of the officials working in the Disability Grant Unit in Amathole District. The study also sought to answer the question of whether exit programmes existed that were designed to assist the beneficiaries to support them and cater for their needs related to their disabilities. The study followed a qualitative method. Face-to-face interviews were conducted and the sample of this study consisted of ten participants who are working at Grant Administration. These participants included one General Manager; one District Manager; one SASSA doctor; one Head of Grants Administration in the district and six officials who are at lower levels of the hierarchy at Amathole District Municipality in East London service office. Thematic analysis was used to identify themes from the interviews. The findings of this study revealed that the majority of the respondents experienced challenges such as lack of assessment doctors, turn around-time, corruption, poor consultation, lack of managerial commitment and doctors regarding the assessment of applications. In this regards, the study made a set of recommendations on the measures and strategies that could improve efficiency in the provision of this service.
- Full Text:
- Date Issued: 2016
- Authors: Aplom, Thobeka
- Date: 2016
- Subjects: South African Social Security Agency , Public welfare -- South Africa , Grants-in-aid -- South Africa , Welfare fraud -- South Africa -- Eastern Cape , Social service -- South Africa
- Language: English
- Type: Thesis , Masters , MPA
- Identifier: http://hdl.handle.net/10948/5754 , vital:20998
- Description: This study seeks to investigate the efficiency and effectiveness of the process for providing government social grants to people with disabilities in the South African Social Security Agency (SASSA) Amathole District Municipality in order to determine the need for any improvement measures. Taylor’s scientific management theory and the Total Quality Management (TQM) concept were used to interpret efficiency in the functional activities of the officials working in the Disability Grant Unit in Amathole District. The study also sought to answer the question of whether exit programmes existed that were designed to assist the beneficiaries to support them and cater for their needs related to their disabilities. The study followed a qualitative method. Face-to-face interviews were conducted and the sample of this study consisted of ten participants who are working at Grant Administration. These participants included one General Manager; one District Manager; one SASSA doctor; one Head of Grants Administration in the district and six officials who are at lower levels of the hierarchy at Amathole District Municipality in East London service office. Thematic analysis was used to identify themes from the interviews. The findings of this study revealed that the majority of the respondents experienced challenges such as lack of assessment doctors, turn around-time, corruption, poor consultation, lack of managerial commitment and doctors regarding the assessment of applications. In this regards, the study made a set of recommendations on the measures and strategies that could improve efficiency in the provision of this service.
- Full Text:
- Date Issued: 2016
An investigation of the history and works of the Keiskamma Art Project
- Authors: Osner, Heather
- Date: 2016
- Subjects: Community arts projects -- South Africa -- Eastern Cape , Artists and community -- South Africa
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/13038 , vital:27146
- Description: This research study focusses on how and why Carol Hofmeyr began the Keiskamma Art Project in Hamburg, Eastern Cape, as well as the development of the project’s infrastructure, history and detailed business practices and how it has evolved. A chronological detailed pictorial record has been drawn up of the major/monumental works it has produced, its achievements, awards and the accolades it has won. The recurrent narrative themes of HIV/AIDS, Nguni cattle, the Nongquawuse story, local birds, plants and fish which are also discussed. A comparable study, comparing the business practices of the Keiskamma Art Project with the research of Professor Ingrid Stevens on Morris & Co and five other successful, sustained South African Art Projects. Data has been tabulated in an effort to recognise the variances, similarities and differences in an effort to identify a “best practise” business model. Such a model may assist in the development of further art projects, so as to uplift other poverty stricken communities in South Africa. This research study focusses on how and why Carol Hofmeyr began the Keiskamma Art Project in Hamburg, Eastern Cape, as well as the development of the project’s infrastructure, history and detailed business practices and how it has evolved. A chronological detailed pictorial record has been drawn up of the major/monumental works it has produced, its achievements, awards and the accolades it has won. The recurrent narrative themes of HIV/AIDS, Nguni cattle, the Nongquawuse story, local birds, plants and fish which are also discussed. A comparable study, comparing the business practices of the Keiskamma Art Project with the research of Professor Ingrid Stevens on Morris & Co and five other successful, sustained South African Art Projects. Data has been tabulated in an effort to recognise the variances, similarities and differences in an effort to identify a “best practise” business model. Such a model may assist in the development of further art projects, so as to uplift other poverty-stricken communities in South Africa.This research study focusses on how and why Carol Hofmeyr began the Keiskamma Art Project in Hamburg, Eastern Cape, as well as the development of the project’s infrastructure, history and detailed business practices and how it has evolved. A chronological detailed pictorial record has been drawn up of the major/monumental works it has produced, its achievements, awards and the accolades it has won. The recurrent narrative themes of HIV/AIDS, Nguni cattle, the Nongquawuse story, local birds, plants and fish which are also discussed. A comparable study, comparing the business practices of the Keiskamma Art Project with the research of Professor Ingrid Stevens on Morris & Co and five other successful, sustained South African Art Projects. Data has been tabulated in an effort to recognise the variances, similarities and differences in an effort to identify a “best practise” business model. Such a model may assist in the development of further art projects, so as to uplift other poverty stricken communities in South Africa.This research study focusses on how and why Carol Hofmeyr began the Keiskamma Art Project in Hamburg, Eastern Cape, as well as the development of the project’s infrastructure, history and detailed business practices and how it has evolved. A chronological detailed pictorial record has been drawn up of the major/monumental works it has produced, its achievements, awards and the accolades it has won. The recurrent narrative themes of HIV/AIDS, Nguni cattle, the Nongquawuse story, local birds, plants and fish which are also discussed. A comparable study, comparing the business practices of the Keiskamma Art Project with the research of Professor Ingrid Stevens on Morris & Co and five other successful, sustained South African Art Projects. Data has been tabulated in an effort to recognise the variances, similarities and differences in an effort to identify a “best practise” business model. Such a model may assist in the development of further art projects, so as to uplift other poverty stricken communities in South Africa.
- Full Text:
- Date Issued: 2016
- Authors: Osner, Heather
- Date: 2016
- Subjects: Community arts projects -- South Africa -- Eastern Cape , Artists and community -- South Africa
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: http://hdl.handle.net/10948/13038 , vital:27146
- Description: This research study focusses on how and why Carol Hofmeyr began the Keiskamma Art Project in Hamburg, Eastern Cape, as well as the development of the project’s infrastructure, history and detailed business practices and how it has evolved. A chronological detailed pictorial record has been drawn up of the major/monumental works it has produced, its achievements, awards and the accolades it has won. The recurrent narrative themes of HIV/AIDS, Nguni cattle, the Nongquawuse story, local birds, plants and fish which are also discussed. A comparable study, comparing the business practices of the Keiskamma Art Project with the research of Professor Ingrid Stevens on Morris & Co and five other successful, sustained South African Art Projects. Data has been tabulated in an effort to recognise the variances, similarities and differences in an effort to identify a “best practise” business model. Such a model may assist in the development of further art projects, so as to uplift other poverty stricken communities in South Africa. This research study focusses on how and why Carol Hofmeyr began the Keiskamma Art Project in Hamburg, Eastern Cape, as well as the development of the project’s infrastructure, history and detailed business practices and how it has evolved. A chronological detailed pictorial record has been drawn up of the major/monumental works it has produced, its achievements, awards and the accolades it has won. The recurrent narrative themes of HIV/AIDS, Nguni cattle, the Nongquawuse story, local birds, plants and fish which are also discussed. A comparable study, comparing the business practices of the Keiskamma Art Project with the research of Professor Ingrid Stevens on Morris & Co and five other successful, sustained South African Art Projects. Data has been tabulated in an effort to recognise the variances, similarities and differences in an effort to identify a “best practise” business model. Such a model may assist in the development of further art projects, so as to uplift other poverty-stricken communities in South Africa.This research study focusses on how and why Carol Hofmeyr began the Keiskamma Art Project in Hamburg, Eastern Cape, as well as the development of the project’s infrastructure, history and detailed business practices and how it has evolved. A chronological detailed pictorial record has been drawn up of the major/monumental works it has produced, its achievements, awards and the accolades it has won. The recurrent narrative themes of HIV/AIDS, Nguni cattle, the Nongquawuse story, local birds, plants and fish which are also discussed. A comparable study, comparing the business practices of the Keiskamma Art Project with the research of Professor Ingrid Stevens on Morris & Co and five other successful, sustained South African Art Projects. Data has been tabulated in an effort to recognise the variances, similarities and differences in an effort to identify a “best practise” business model. Such a model may assist in the development of further art projects, so as to uplift other poverty stricken communities in South Africa.This research study focusses on how and why Carol Hofmeyr began the Keiskamma Art Project in Hamburg, Eastern Cape, as well as the development of the project’s infrastructure, history and detailed business practices and how it has evolved. A chronological detailed pictorial record has been drawn up of the major/monumental works it has produced, its achievements, awards and the accolades it has won. The recurrent narrative themes of HIV/AIDS, Nguni cattle, the Nongquawuse story, local birds, plants and fish which are also discussed. A comparable study, comparing the business practices of the Keiskamma Art Project with the research of Professor Ingrid Stevens on Morris & Co and five other successful, sustained South African Art Projects. Data has been tabulated in an effort to recognise the variances, similarities and differences in an effort to identify a “best practise” business model. Such a model may assist in the development of further art projects, so as to uplift other poverty stricken communities in South Africa.
- Full Text:
- Date Issued: 2016
A memory work project for Marikana
- Authors: Snyman, Emile Alexander
- Date: 2016
- Subjects: Monuments -- South Africa -- Rustenburg Memorials -- South Africa -- Rustenburg
- Language: English
- Type: Thesis , Masters , MArch
- Identifier: http://hdl.handle.net/10948/38885 , vital:35010
- Description: This treatise suggests one possible strategy for engaging the memory of the Marikana Massacre through different representational modes. Part 1 of this treatise takes the form of the research conducted, which was explorative in nature and focused on coming to an understanding of collective memory, the role of monuments and memorials within this process, the contemporary South African memorial landscape and the events that transpired at Marikana between 9 and 16 August 2012 and what their historical significance may be. As it was found that strikes featuring on the platinum belt were not only related to wage issues, Marikana as a settlement within the context of South Africa’s platinum belt was further investigated in order to highlight what the multiple challenges and issues are with which communities are faced on a daily basis. Part 2 sets out the strategy of a memory work project for Marikana which involves three components, namely a web- and phone-based application called ‘Remembering Marikana’ which provides a discursive arena for the politics of memory, a memorial for the victims of the Marikana Massacre at Thaba (Marikana Mountain) which facilitates annual commemoration of the massacre, and the design of a Mgcineni Noki Memorial Sports Centre, a community institution which embodies the values of the strike leaders and makes a positive contribution to the impoverished urban economy of the Wonderkop neighbourhood in Marikana.
- Full Text:
- Date Issued: 2016
- Authors: Snyman, Emile Alexander
- Date: 2016
- Subjects: Monuments -- South Africa -- Rustenburg Memorials -- South Africa -- Rustenburg
- Language: English
- Type: Thesis , Masters , MArch
- Identifier: http://hdl.handle.net/10948/38885 , vital:35010
- Description: This treatise suggests one possible strategy for engaging the memory of the Marikana Massacre through different representational modes. Part 1 of this treatise takes the form of the research conducted, which was explorative in nature and focused on coming to an understanding of collective memory, the role of monuments and memorials within this process, the contemporary South African memorial landscape and the events that transpired at Marikana between 9 and 16 August 2012 and what their historical significance may be. As it was found that strikes featuring on the platinum belt were not only related to wage issues, Marikana as a settlement within the context of South Africa’s platinum belt was further investigated in order to highlight what the multiple challenges and issues are with which communities are faced on a daily basis. Part 2 sets out the strategy of a memory work project for Marikana which involves three components, namely a web- and phone-based application called ‘Remembering Marikana’ which provides a discursive arena for the politics of memory, a memorial for the victims of the Marikana Massacre at Thaba (Marikana Mountain) which facilitates annual commemoration of the massacre, and the design of a Mgcineni Noki Memorial Sports Centre, a community institution which embodies the values of the strike leaders and makes a positive contribution to the impoverished urban economy of the Wonderkop neighbourhood in Marikana.
- Full Text:
- Date Issued: 2016
Beyond commercial design: a critique of design and graphic design writings in Emigre and Dot Dot Dot magazines
- Authors: Muir, Margot
- Date: 2016
- Subjects: Graphic design (Typography) Graphic arts Magazine design
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/12436 , vital:27066
- Description: Graphic design faces the contradictions of commercial intent and social relevance. This study explores the contribution of criticism, in two independent, seminal graphic design magazines, towards shifting the dominant preferences of graphic design from a purely commercial pursuit to a human-centred practice. Emigre magazine (c.1984 - 2005) and Dot Dot Dot magazine (c.2000 - 2010) are recognised for their critical intent and within them are emerging critical issues that suggest a potential niche for graphic design beyond consumerism and commerce. In the discipline of graphic design, designers define what it is to be human (and thus equally the realities of dehumanisation) in very particular ways (Rose, 2001:135; Freire, 1993:43). Graphic design has a history of commercial practice. This commercial history continues to define its identity and reinforce a particular body of knowledge. Graphic design criticism, however, is an inventive voice that has the potential to contribute to change. Both Emigre and Dot Dot Dot were representative of a “constructive marginality” (Bennett, 1993:64), drawing from their own set of references and awareness of graphic design’s potential to inform their identities, instead of looking to established definitions of practice to do so. This analysis explores how they anticipated a modern conception of graphic design that has become part of a recently adopted (2015) and more widely embedded discourse. This discourse involves critical design that interrogates multiculturalism, interdisciplinarity, environmental sustainability, social and political agency, and speculative futures. Graphic design engages social institutions and practices that denote social constructions of difference and inequality, and is never neutral. Any work, any representation of ideology, is at once individual and discursive at the level of social, cultural and political formations. The critical issues evident in Emigre and Dot Dot Dot, with the exception of an absence of speculative futures, anticipate a more humanising perspective in graphic design. They invite critique and the potential for change that is relevant to the surrounding world, as a counter to commercial self-interest.
- Full Text:
- Date Issued: 2016
- Authors: Muir, Margot
- Date: 2016
- Subjects: Graphic design (Typography) Graphic arts Magazine design
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/12436 , vital:27066
- Description: Graphic design faces the contradictions of commercial intent and social relevance. This study explores the contribution of criticism, in two independent, seminal graphic design magazines, towards shifting the dominant preferences of graphic design from a purely commercial pursuit to a human-centred practice. Emigre magazine (c.1984 - 2005) and Dot Dot Dot magazine (c.2000 - 2010) are recognised for their critical intent and within them are emerging critical issues that suggest a potential niche for graphic design beyond consumerism and commerce. In the discipline of graphic design, designers define what it is to be human (and thus equally the realities of dehumanisation) in very particular ways (Rose, 2001:135; Freire, 1993:43). Graphic design has a history of commercial practice. This commercial history continues to define its identity and reinforce a particular body of knowledge. Graphic design criticism, however, is an inventive voice that has the potential to contribute to change. Both Emigre and Dot Dot Dot were representative of a “constructive marginality” (Bennett, 1993:64), drawing from their own set of references and awareness of graphic design’s potential to inform their identities, instead of looking to established definitions of practice to do so. This analysis explores how they anticipated a modern conception of graphic design that has become part of a recently adopted (2015) and more widely embedded discourse. This discourse involves critical design that interrogates multiculturalism, interdisciplinarity, environmental sustainability, social and political agency, and speculative futures. Graphic design engages social institutions and practices that denote social constructions of difference and inequality, and is never neutral. Any work, any representation of ideology, is at once individual and discursive at the level of social, cultural and political formations. The critical issues evident in Emigre and Dot Dot Dot, with the exception of an absence of speculative futures, anticipate a more humanising perspective in graphic design. They invite critique and the potential for change that is relevant to the surrounding world, as a counter to commercial self-interest.
- Full Text:
- Date Issued: 2016
Brain-based learning and music education
- Authors: Viljoen, Jacobus Frederick
- Date: 2016
- Subjects: Music -- Instruction and study , Cognitive learning , Music teachers
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: http://hdl.handle.net/10948/7359 , vital:21336
- Description: In the theoretical framework he highlights further implications of the Brain-based theory, which are (1) the importance of early development in children, (2) the importance of attention in class, (3) the inclusion of physical education in the learning process and (4) the value of an enriched learning environment. Furthermore, the researcher explores the types of stress found in the ordinary classroom as well as specific types of stress habitual to the music classroom, while also presenting possible solutions to these types of stress using the Brain-based learning theory. In chapter four, the researcher draws on the theoretical framework presented in the study to devise a Brain-based model for the music class. The study concludes with a summary of the literature and a brief concluding statement to music educators.
- Full Text:
- Date Issued: 2016
- Authors: Viljoen, Jacobus Frederick
- Date: 2016
- Subjects: Music -- Instruction and study , Cognitive learning , Music teachers
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: http://hdl.handle.net/10948/7359 , vital:21336
- Description: In the theoretical framework he highlights further implications of the Brain-based theory, which are (1) the importance of early development in children, (2) the importance of attention in class, (3) the inclusion of physical education in the learning process and (4) the value of an enriched learning environment. Furthermore, the researcher explores the types of stress found in the ordinary classroom as well as specific types of stress habitual to the music classroom, while also presenting possible solutions to these types of stress using the Brain-based learning theory. In chapter four, the researcher draws on the theoretical framework presented in the study to devise a Brain-based model for the music class. The study concludes with a summary of the literature and a brief concluding statement to music educators.
- Full Text:
- Date Issued: 2016
Conflict management in Kenyan electoral conflict: 2002-2012
- Muhindi, Solomon Peter Kavai
- Authors: Muhindi, Solomon Peter Kavai
- Date: 2016
- Subjects: Conflict management -- Africa Elections -- Kenya Kenya -- Politics and government
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10948/12286 , vital:27051
- Description: In the recent years, majority of African countries have been faced by conflicts during election periods. Some of the electoral related conflicts escalated into violence, and they have been transformed or managed. While other electoral related conflicts have just been prevented during the election periods but remain latent conflicts that would escalate triggered by future elections. This study focuses specifically on electoral conflicts in Kenya and its conflict management perspective from 2002-2013. To transform and manage the conflict, peacebuilding initiatives have been integrated in the study. The prime actors in Kenya electoral conflict includes the; the ruling party coalition, the leading opposition coalition and ethnic groupings affiliated to the ruling party and opposition. Other peripheral actors include: the Independent, Electoral and Boundary Commission (IEBC), the International Criminal Court (ICC) and the judiciary. Triangulation (the combination of two or more methods of collecting and analysing data) has been adopted both in data collection and analysis. Focus group interviews, selected individual interviews, and literature reviews were used to collect data, while research findings were analysed systematically using the constructivist grounded theory. Moreover, the liberal peace theory, Institutionalisation before Liberalisation (IBL) and findings from other researchers like (Elder, Stigant and Claes 2014:1-20), and the Afrobarometer research findings (Kivuva 2015) have been used to authenticate the research findings. Research findings indicates that claims of election rigging, numerous institutional failures, negative ethnicity and economic disparity, among other factors heighten the fear and anxiety that escalates during elections. Towards achieving peacebuilding and sustainable peace, the following reforms were undertaken: constitutional changes and reviews, electoral body reform, judicial reform, pursuit of transitional justice, extensive range of local initiatives reforms and police reforms. However, findings in the study also reveal that despite the latter reforms, peacebuilding measures have been short-term, temporal, and not fully successful, leaving behind a latent conflict that could be triggered again with future electoral conflicts. Besides that, negotiation, dialogue and mediation played a role in restoring trust and confidence in the democratic structures after escalated elections. We also recommend that multi-ethnic composition for electoral coalitions should also be adopted as a means to mitigate ethnic triggered conflicts.
- Full Text:
- Date Issued: 2016
- Authors: Muhindi, Solomon Peter Kavai
- Date: 2016
- Subjects: Conflict management -- Africa Elections -- Kenya Kenya -- Politics and government
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10948/12286 , vital:27051
- Description: In the recent years, majority of African countries have been faced by conflicts during election periods. Some of the electoral related conflicts escalated into violence, and they have been transformed or managed. While other electoral related conflicts have just been prevented during the election periods but remain latent conflicts that would escalate triggered by future elections. This study focuses specifically on electoral conflicts in Kenya and its conflict management perspective from 2002-2013. To transform and manage the conflict, peacebuilding initiatives have been integrated in the study. The prime actors in Kenya electoral conflict includes the; the ruling party coalition, the leading opposition coalition and ethnic groupings affiliated to the ruling party and opposition. Other peripheral actors include: the Independent, Electoral and Boundary Commission (IEBC), the International Criminal Court (ICC) and the judiciary. Triangulation (the combination of two or more methods of collecting and analysing data) has been adopted both in data collection and analysis. Focus group interviews, selected individual interviews, and literature reviews were used to collect data, while research findings were analysed systematically using the constructivist grounded theory. Moreover, the liberal peace theory, Institutionalisation before Liberalisation (IBL) and findings from other researchers like (Elder, Stigant and Claes 2014:1-20), and the Afrobarometer research findings (Kivuva 2015) have been used to authenticate the research findings. Research findings indicates that claims of election rigging, numerous institutional failures, negative ethnicity and economic disparity, among other factors heighten the fear and anxiety that escalates during elections. Towards achieving peacebuilding and sustainable peace, the following reforms were undertaken: constitutional changes and reviews, electoral body reform, judicial reform, pursuit of transitional justice, extensive range of local initiatives reforms and police reforms. However, findings in the study also reveal that despite the latter reforms, peacebuilding measures have been short-term, temporal, and not fully successful, leaving behind a latent conflict that could be triggered again with future electoral conflicts. Besides that, negotiation, dialogue and mediation played a role in restoring trust and confidence in the democratic structures after escalated elections. We also recommend that multi-ethnic composition for electoral coalitions should also be adopted as a means to mitigate ethnic triggered conflicts.
- Full Text:
- Date Issued: 2016
Die hantering van etikette in woordeboeke, met spesiale verwysing na Xhosa-woordeboeke
- Landman, Kie-Mari, Kwatsha, Linda Loretta, Otto, PR
- Authors: Landman, Kie-Mari , Kwatsha, Linda Loretta , Otto, PR
- Date: 2016
- Subjects: Xhosa language -- Lexicology Xhosa language -- Terms and phrases
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/21845 , vital:29793
- Description: The researcher’s decision to study the labelling of lexical items in dictionaries was prompted by the frustration experienced with subjective labelling in Afrikaans and English dictionaries. Some lexicographers rely too much on their subjective judgement when it comes to labelling lexical items. The problem with this is that the different dictionaries often label the same word differently or that words in the same dictionary which should get the same label are labelled differently. The question arose as to what exactly constitutes the correct handling of labels, especially with regard to Xhosa dictionaries. The search for an answer to achieve this aim dictated the necessity to examine the essence of the concept “label” in order to establish criteria for evaluating the effective usage of labels, because as Harteveld (1993:143) stated: “…the incorrect treatment of labels or the lack thereof can have important implications for a dictionary”. Since the hypothesis of this study is that it is possible to use labels objectively and correctly it is therefore possible to establish criteria that can be used to achieve this end. A literature review was undertaken to identify criteria for the handling of labels. Fieldwork with the aid of a questionnaire was conducted to supplement the establishment of such criteria. A number of criteria for handling labels was determined. Each criterion was discussed and its implementation was practically demonstrated by means of exemplars.
- Full Text:
- Date Issued: 2016
- Authors: Landman, Kie-Mari , Kwatsha, Linda Loretta , Otto, PR
- Date: 2016
- Subjects: Xhosa language -- Lexicology Xhosa language -- Terms and phrases
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/21845 , vital:29793
- Description: The researcher’s decision to study the labelling of lexical items in dictionaries was prompted by the frustration experienced with subjective labelling in Afrikaans and English dictionaries. Some lexicographers rely too much on their subjective judgement when it comes to labelling lexical items. The problem with this is that the different dictionaries often label the same word differently or that words in the same dictionary which should get the same label are labelled differently. The question arose as to what exactly constitutes the correct handling of labels, especially with regard to Xhosa dictionaries. The search for an answer to achieve this aim dictated the necessity to examine the essence of the concept “label” in order to establish criteria for evaluating the effective usage of labels, because as Harteveld (1993:143) stated: “…the incorrect treatment of labels or the lack thereof can have important implications for a dictionary”. Since the hypothesis of this study is that it is possible to use labels objectively and correctly it is therefore possible to establish criteria that can be used to achieve this end. A literature review was undertaken to identify criteria for the handling of labels. Fieldwork with the aid of a questionnaire was conducted to supplement the establishment of such criteria. A number of criteria for handling labels was determined. Each criterion was discussed and its implementation was practically demonstrated by means of exemplars.
- Full Text:
- Date Issued: 2016
Embassy of the Federal Republic of Germany Pretoria
- Smith, Jan-Willem Christiaan
- Authors: Smith, Jan-Willem Christiaan
- Date: 2016
- Subjects: Embassy buildings -- South Africa -- Pretoria -- Design Architecture, Modern -- 21st century , Historic buildings -- South Africa --Pretoria
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/15400 , vital:28239
- Description: This treatise aims to demonstrate an understanding of the complexities involved in the design of a German Embassy in Pretoria, in terms of technicality and identity. Programmatic requirements will be considered, with an emphasis on creating the maximum level of security against any reasonable threat. The identity of the embassy will also be considered through the lens of a symbolic aesthetic that must be reconciled with the embassy’s physical and symbolic context. At a time of increasing cultural homogenisation and growing sameness within an ever more interconnected world, this treatise will explore the problem of creating a unique physical expression of German cultural and political identity. This aim exists in tension with the growing fluidity and porosity of cultural identity at the present moment, and the research herein therefore seeks to articulate a new vision of cultural identity that can coexist with globalisation without losing its own specificity. In essence, an attempt will be made to give a concrete expression to cultural identity and move beyond preconceptions of this idea.
- Full Text:
- Date Issued: 2016
- Authors: Smith, Jan-Willem Christiaan
- Date: 2016
- Subjects: Embassy buildings -- South Africa -- Pretoria -- Design Architecture, Modern -- 21st century , Historic buildings -- South Africa --Pretoria
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/15400 , vital:28239
- Description: This treatise aims to demonstrate an understanding of the complexities involved in the design of a German Embassy in Pretoria, in terms of technicality and identity. Programmatic requirements will be considered, with an emphasis on creating the maximum level of security against any reasonable threat. The identity of the embassy will also be considered through the lens of a symbolic aesthetic that must be reconciled with the embassy’s physical and symbolic context. At a time of increasing cultural homogenisation and growing sameness within an ever more interconnected world, this treatise will explore the problem of creating a unique physical expression of German cultural and political identity. This aim exists in tension with the growing fluidity and porosity of cultural identity at the present moment, and the research herein therefore seeks to articulate a new vision of cultural identity that can coexist with globalisation without losing its own specificity. In essence, an attempt will be made to give a concrete expression to cultural identity and move beyond preconceptions of this idea.
- Full Text:
- Date Issued: 2016
Examining public participation as a contributor to good governance: a local government perspective
- Authors: Nkuntse, Tulani
- Date: 2016
- Subjects: Public administration -- South Africa -- Nelson Mandela Bay Municipality Local government -- South Africa -- Citizen participation South Africa -- Politics and government
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/11854 , vital:26982
- Description: This study undertook to examine public participation as a contributor to good governance in the Nelson Mandela Bay Municipality (NMBM), as part of the process of improving this Municipality’s governance. The main objectives of the study were to analyse the existing processes and arrangements for public participation in the NMBM; to examine the extent to which community participation influences decision-making; to investigate the factors that improve or lead to good governance in a municipal environment; to examine a framework for robust participation, in which communities are able to influence decisions that affect them; and to propose recommendations to potentially improve the Municipality’s governance. The triangulation research methodology was employed with emphasis on both the quantitative and qualitative methodologies. The sample comprised of two Ward Councillors, two selected Mayoral Committee members and 14 Ward Committee members. Questionnaires, with open and closed questions, were employed for the Ward Committee members and semi-structured interviews were conducted with both the Ward Councillors and the two Mayoral Committee members. Statistical procedures supplied by the NMMU Unit of Statistics were utilised to interpret and analyse the quantitative data to determine the results for data analysis. The qualitative data analysis involved thematic content analysis. The findings suggest that the current public participation processes are inadequate. The correlation of results further revealed that a significant negative relationship exists between the Ward Councillors, the Municipality and Ward Committee members. Despite various legislative prescriptions pertaining to public participation requirements in local government, the results suggest that the NMBM may be undertaking the public participation exercise for the sake of compliance and therefore it might not be a genuine exercise. The thesis proposes specific recommendations on how the NMBM can address the current shortcomings in terms of its public participation processes and strategies. Recommendations include significant civic education for the public to understand that being in a democratic country involves active participation in local affairs; more participatory initiatives need to be done to make the public aware of the role of Ward Committees and to invite people to apply to be on these Committees; recommendations also suggested that it would be crucial that Ward Committees are not used as a political platform to push political agendas, as this deters public participation. The NMBM needs to establish a monitoring and evaluation process to track their progress with public participation and develop and implement a public participation strategy and policy for enhanced public participation is also proposed in the thesis.
- Full Text:
- Date Issued: 2016
- Authors: Nkuntse, Tulani
- Date: 2016
- Subjects: Public administration -- South Africa -- Nelson Mandela Bay Municipality Local government -- South Africa -- Citizen participation South Africa -- Politics and government
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/11854 , vital:26982
- Description: This study undertook to examine public participation as a contributor to good governance in the Nelson Mandela Bay Municipality (NMBM), as part of the process of improving this Municipality’s governance. The main objectives of the study were to analyse the existing processes and arrangements for public participation in the NMBM; to examine the extent to which community participation influences decision-making; to investigate the factors that improve or lead to good governance in a municipal environment; to examine a framework for robust participation, in which communities are able to influence decisions that affect them; and to propose recommendations to potentially improve the Municipality’s governance. The triangulation research methodology was employed with emphasis on both the quantitative and qualitative methodologies. The sample comprised of two Ward Councillors, two selected Mayoral Committee members and 14 Ward Committee members. Questionnaires, with open and closed questions, were employed for the Ward Committee members and semi-structured interviews were conducted with both the Ward Councillors and the two Mayoral Committee members. Statistical procedures supplied by the NMMU Unit of Statistics were utilised to interpret and analyse the quantitative data to determine the results for data analysis. The qualitative data analysis involved thematic content analysis. The findings suggest that the current public participation processes are inadequate. The correlation of results further revealed that a significant negative relationship exists between the Ward Councillors, the Municipality and Ward Committee members. Despite various legislative prescriptions pertaining to public participation requirements in local government, the results suggest that the NMBM may be undertaking the public participation exercise for the sake of compliance and therefore it might not be a genuine exercise. The thesis proposes specific recommendations on how the NMBM can address the current shortcomings in terms of its public participation processes and strategies. Recommendations include significant civic education for the public to understand that being in a democratic country involves active participation in local affairs; more participatory initiatives need to be done to make the public aware of the role of Ward Committees and to invite people to apply to be on these Committees; recommendations also suggested that it would be crucial that Ward Committees are not used as a political platform to push political agendas, as this deters public participation. The NMBM needs to establish a monitoring and evaluation process to track their progress with public participation and develop and implement a public participation strategy and policy for enhanced public participation is also proposed in the thesis.
- Full Text:
- Date Issued: 2016
Investigating emerging deleuzoguattarian connections to the environment via information technology
- Authors: Siwak, Jakub
- Date: 2016
- Subjects: Mass media and the environment , Neoliberalism
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/8329 , vital:26343
- Description: This thesis explores whether or not it is possible to positively inflect – via digital means – people’s orientations toward nature through connecting their duration to the time of animals. The thesis opens with an overview of the contemporary environmental crisis, mapping related significant discourses, events and responses from the early 1960s onward. In this regard, after thematizing the relatively ineffective global institutional response to the environmental crisis to date – in spite of both consistent criticisms proffered by a range of stakeholders and widely available information on the scope of current environmental degradation – the lack of any concerted effort to deal with this issue is accounted for in terms of the dimensions of what Kilbourne, Beckmann and Thelen refer to as the ‘Dominant Social Paradigm’ (DSP). However, it is argued that of these dimensions, the technological dimension is most amenable to pro-environmental inflection, particularly through recent developments within information technology. That is, despite the latter being the privileged technology of neoliberalism, and despite the environmental cost of its current material infrastructure, it is also highly unlikely that societies will abandon their dependence on information technology in the near future. Given this, the importance of considering how such technology can be harnessed to positively re-orientate users’ perceptions of the natural world, in a way that also avoids the pitfall of technophilia, is advanced. In terms of this, both positive and negative appraisals of information technology by prominent new media theorists are discussed, and information technology is put forward as a tool that remains indeterminate in terms of its use. After this, and with a view to exploring how the technological dimension of the DSP might possibly be inflected in a pro-environmental manner, the thesis draws on the works of Gilles Deleuze and Félix Guattari who promote desire and difference outside the ambit of capitalism, particularly through desubjectivation in relation to their concept of ‘becoming-animal.’ Finally, after dealing in addition with some potential theoretical challenges to the application of Deleuze’s ideas within the digital realm, focus shifts to three contemporary digital artefacts which have the capacity, albeit to varying degrees, to facilitate a becoming-animal. In this regard, a distinction is made between those artefacts that precipitate first-, second- and third-order hybrid durationality, and it is argued that the latter category presents the greatest promise of interfacing the time of humans with the time of animals.
- Full Text:
- Date Issued: 2016
- Authors: Siwak, Jakub
- Date: 2016
- Subjects: Mass media and the environment , Neoliberalism
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/8329 , vital:26343
- Description: This thesis explores whether or not it is possible to positively inflect – via digital means – people’s orientations toward nature through connecting their duration to the time of animals. The thesis opens with an overview of the contemporary environmental crisis, mapping related significant discourses, events and responses from the early 1960s onward. In this regard, after thematizing the relatively ineffective global institutional response to the environmental crisis to date – in spite of both consistent criticisms proffered by a range of stakeholders and widely available information on the scope of current environmental degradation – the lack of any concerted effort to deal with this issue is accounted for in terms of the dimensions of what Kilbourne, Beckmann and Thelen refer to as the ‘Dominant Social Paradigm’ (DSP). However, it is argued that of these dimensions, the technological dimension is most amenable to pro-environmental inflection, particularly through recent developments within information technology. That is, despite the latter being the privileged technology of neoliberalism, and despite the environmental cost of its current material infrastructure, it is also highly unlikely that societies will abandon their dependence on information technology in the near future. Given this, the importance of considering how such technology can be harnessed to positively re-orientate users’ perceptions of the natural world, in a way that also avoids the pitfall of technophilia, is advanced. In terms of this, both positive and negative appraisals of information technology by prominent new media theorists are discussed, and information technology is put forward as a tool that remains indeterminate in terms of its use. After this, and with a view to exploring how the technological dimension of the DSP might possibly be inflected in a pro-environmental manner, the thesis draws on the works of Gilles Deleuze and Félix Guattari who promote desire and difference outside the ambit of capitalism, particularly through desubjectivation in relation to their concept of ‘becoming-animal.’ Finally, after dealing in addition with some potential theoretical challenges to the application of Deleuze’s ideas within the digital realm, focus shifts to three contemporary digital artefacts which have the capacity, albeit to varying degrees, to facilitate a becoming-animal. In this regard, a distinction is made between those artefacts that precipitate first-, second- and third-order hybrid durationality, and it is argued that the latter category presents the greatest promise of interfacing the time of humans with the time of animals.
- Full Text:
- Date Issued: 2016
Investigating the manufacturing of consent and democratic resistance through legacy and new media, in relation to fracking
- Authors: Roodt, Jean-Pierre
- Date: 2016
- Subjects: Press and propaganda , Press and politics , Mass media
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/3665 , vital:20451
- Description: This dissertation concerns the extent to which the propaganda model advanced by Noam Chomsky and Edward Herman in their Manufacturing Consent: The Political Economy of the Mass Media is still applicable to the current media ecosystem, where both legacy and new media converge, especially given the emergence of global democratic resistance both to the excesses of neoliberalism in general, and to the problems associated with shale gas mining through hydraulic fracturing (or fracking) in particular. In this regard, firstly, the tensions between the views of seminal propaganda theorists and of critical theorists opposed to propaganda will be thematized in relation to Chomsky and Herman’s propaganda model, through which they sought to account for the negative impact of neoliberalism on journalistic freedom. Secondly, the primary features of neoliberalism will be considered in relation to the advent of the Internet, which has helped spread laissez-faire capitalism globally, both through integrating financial markets and augmenting consumerism, and through facilitating new practises of consent engineering via digital forms of censorship and surveillance. Thirdly, the correlative emergence around the world of digital democratic resistance on the part of new social movements and through both new and legacy media means, to the excesses of neoliberalism in general, will be investigated. Fourthly, the corporate underpinning of fracking in the United States will be explored, along with the media strategy by which anti-fracking groups – following Vera Scroggins’s activism – have contested government endorsement of such resource extraction. Fifthly, the resonances/dissonances between the media strategies of the American anti-fracking movement and the South African anti-fracking movement – most notably the Treasure the Karoo Action Group (TKAG) – along with the different contexts out of which they emerged and their respective efficacy, will be examined. Finally, some potential deficits in the TKAG media strategy will be identified, and appropriate recommendations will be made.
- Full Text:
- Date Issued: 2016
- Authors: Roodt, Jean-Pierre
- Date: 2016
- Subjects: Press and propaganda , Press and politics , Mass media
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/3665 , vital:20451
- Description: This dissertation concerns the extent to which the propaganda model advanced by Noam Chomsky and Edward Herman in their Manufacturing Consent: The Political Economy of the Mass Media is still applicable to the current media ecosystem, where both legacy and new media converge, especially given the emergence of global democratic resistance both to the excesses of neoliberalism in general, and to the problems associated with shale gas mining through hydraulic fracturing (or fracking) in particular. In this regard, firstly, the tensions between the views of seminal propaganda theorists and of critical theorists opposed to propaganda will be thematized in relation to Chomsky and Herman’s propaganda model, through which they sought to account for the negative impact of neoliberalism on journalistic freedom. Secondly, the primary features of neoliberalism will be considered in relation to the advent of the Internet, which has helped spread laissez-faire capitalism globally, both through integrating financial markets and augmenting consumerism, and through facilitating new practises of consent engineering via digital forms of censorship and surveillance. Thirdly, the correlative emergence around the world of digital democratic resistance on the part of new social movements and through both new and legacy media means, to the excesses of neoliberalism in general, will be investigated. Fourthly, the corporate underpinning of fracking in the United States will be explored, along with the media strategy by which anti-fracking groups – following Vera Scroggins’s activism – have contested government endorsement of such resource extraction. Fifthly, the resonances/dissonances between the media strategies of the American anti-fracking movement and the South African anti-fracking movement – most notably the Treasure the Karoo Action Group (TKAG) – along with the different contexts out of which they emerged and their respective efficacy, will be examined. Finally, some potential deficits in the TKAG media strategy will be identified, and appropriate recommendations will be made.
- Full Text:
- Date Issued: 2016
Isithako sohlahlubo-bunzululwazi-sakhono kwiimbalo zikaSaule: iinoveli ezintathu = decontsructive stylistic critique of Saule' s writings: the case of three novels
- Jaxa, Nontembiso Patricia, Kwatsha, Linda Loretta
- Authors: Jaxa, Nontembiso Patricia , Kwatsha, Linda Loretta
- Date: 2016
- Subjects: Xhosa literature -- Criticism, Textual , Literature -- Black authors -- History and criticism , South African literature -- History and criticism , Saule, N -- Criticism and interpretation , Saule, N -- Literary style
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10948/7762 , vital:23830
- Description: Kule ngxoxo kuqwalaselwa ukugqwesa kwesiThako Sohlahlubo-buNzululwazi-sakhono kuhlalutyo loncwadi. Olu phando lugxile ekuduliseni ukuba akukho luzalwano luthe ngqo, kwaye lusisigxina phakathi kwegama nentsingiselo, ngenxa yobumbaxa beentsingiselo zegama. Esi siThako siludondolo ekusinyelelwa ngalo kolu phando, ukuqaqambisa ukuba iitekisi azinantsingiselo izinzileyo. Ke ngoko ibe ayinabunyani mpela ingcamango yokuba igama linokunanyatheliswa intsingiselo ethile, ze loo ntsingiselo ibange ubuntsusa. Ingxoxo yophando, iphendula imibuzo ebuza ubuni besiThako Sohlahlubo-buNzululwazi-sakhono, nokuchana kwaso ekuhlalutyeni iitekisi zoncwadi. Imibuzo ikwabuza izizathu zokungazinzi kwentsingiselo yetekisi, nokungabi nakwalatheka ncam kwentsingiselo ajolise kuyo umbhali, ngotolo lwakhe oluluchongo-sigama. Le mibuzo iyaphenduleka kubuthumbu bengxoxo. Ingxoxo idandalazisa ukunzotshoba kwesi siThako kuhlahlubo, kuqanyelwa ngeengcingane zaso eziphambili. Ukuphendulwa kwemibuzo yophando, kufezekisa iinjongo zophando. Iinoveli ezichongelwe uphando, ziinoveli ezintathu zikaSaule, ezizezi: Ukhozi Olumaphiko, Umlimandlela kunye no-Vuleka Mhlaba, azikhethelwanga kuthelekiswa koko kukudandalazisa elubala ukunyanisa kwesiThako Sohlahlubo-buNzululwazi-sakhono, malunga nomba weentsingiselo. Ngazo, kudula ubunyani bophindaphindeko lwegama elinye kwimixholo ngemixholo, lizale iintsingiselo ezahlukileyo. Kanti, kukwadandalaza ukuba intsingiselo yegama ayixhomekekanga kumxholo, iyakwazi ukutyekeza ngaphaya kwawo, liveze nezinye iintsingiselo. Olu phando lungaluncedo kakhulu kubafundi nootitshala kuba kanye luphethe umba wokuhlalutywa kweetekisi, ngendlela ekhuthazwa yiNkcazelo yePolisi yeKharityhulam nokuHlola (2011). Ebethelela ukuba kufundo loncwadi kufuneka abafundi bayiqhaqhe ukuyihlalutya itekisi ukuze kuvele indlela eyakhiwe neyakheke ngayo, oko ke kukuHlahluba. Kanti ke nakubahlohli lungaluncedo kuba lutyhila okuninzi ngesiThako Sohlahlubo-buNzululwazi-sakhono. Ekuxoxeni, isiThako sobuNzululwazi Mlando-mbali, kurhatyulwe kuso, ukuxhasa imiba ethile kuphando. Ingxoxo Yahlulwe yazizahluko ngolu hlobo: Isahluko sokuqala, sidandalazisa ingxubakaxaka ethunuke yandulula uphando olu. Kwabekwa iinjongo, iziphumo-njongo zophando nemibuzo ekuza kucangcathwa kuyo kuphando. Kwaphengululwa iincwadi zeengcali kwisi-Thako Sohlahlubo-buNzululwazi-sakhono, kwarhewulwa nesiThako sobuNzululwazi beeNkumbulo noMlando-mbali. Isahluko sesibini, luphendululo lweencwadi olunzulileyo nolunabileyo, kupendlwa izimvo ezimalunga nobuni besiThako Sohlahlubo-buNzululwazi-sakhono. Kubekelelwa, kucutyungulwa iingcingane zaso, ezibe ludondolo lophando. Isahluko sesithathu, yingxoxo. Kuphicothwa iinoveli ezichongelwe uphando, zihlahlutywa, kusetyenziswa iingcamango neengcingane zesiThako Sohla-hlubo-buNzululwazi-sakhono. Ikakhulu kuqwalaselwa indlela izibini ezichasana ngokulinganayo ezivela ngayo. Kuduliswa ukuminxiselwa kwezo zikwinqanaba elingezantsi. Isahluko sesine, ingxoxo iyaqhuba, kuqwalselwa ukusetyenziswa kwamaze-nge nemiqondiso, neentsingiselo ezivelayo, nokwahluka kwazo, okukhokelela ukuba utekisi ibe nobuvumephika. Isahluko sesihlanu, uphando luqhubeka kudandalaziswa ukusetyenziswa kwezandi, isigama sokuchaza nezafobe, nemifanekiso-ngqondweni eyakhiwa zezi zixhobo zoncwadi, ze kuphendlwe iintsingiselo nefuthe lazo kwitekisi. Isahluko sesithandathu sigxile ekusetyenzisweni kwembali kuncwadi, ngendlela evuselela iinkumbulo. Kuso nakuba kuhlahlutywa kodwa kunce-diswa ngokurhabula kwisiThako sobuNzululwazi beeNkumbulo noMlando-mbali.
- Full Text:
- Date Issued: 2016
- Authors: Jaxa, Nontembiso Patricia , Kwatsha, Linda Loretta
- Date: 2016
- Subjects: Xhosa literature -- Criticism, Textual , Literature -- Black authors -- History and criticism , South African literature -- History and criticism , Saule, N -- Criticism and interpretation , Saule, N -- Literary style
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10948/7762 , vital:23830
- Description: Kule ngxoxo kuqwalaselwa ukugqwesa kwesiThako Sohlahlubo-buNzululwazi-sakhono kuhlalutyo loncwadi. Olu phando lugxile ekuduliseni ukuba akukho luzalwano luthe ngqo, kwaye lusisigxina phakathi kwegama nentsingiselo, ngenxa yobumbaxa beentsingiselo zegama. Esi siThako siludondolo ekusinyelelwa ngalo kolu phando, ukuqaqambisa ukuba iitekisi azinantsingiselo izinzileyo. Ke ngoko ibe ayinabunyani mpela ingcamango yokuba igama linokunanyatheliswa intsingiselo ethile, ze loo ntsingiselo ibange ubuntsusa. Ingxoxo yophando, iphendula imibuzo ebuza ubuni besiThako Sohlahlubo-buNzululwazi-sakhono, nokuchana kwaso ekuhlalutyeni iitekisi zoncwadi. Imibuzo ikwabuza izizathu zokungazinzi kwentsingiselo yetekisi, nokungabi nakwalatheka ncam kwentsingiselo ajolise kuyo umbhali, ngotolo lwakhe oluluchongo-sigama. Le mibuzo iyaphenduleka kubuthumbu bengxoxo. Ingxoxo idandalazisa ukunzotshoba kwesi siThako kuhlahlubo, kuqanyelwa ngeengcingane zaso eziphambili. Ukuphendulwa kwemibuzo yophando, kufezekisa iinjongo zophando. Iinoveli ezichongelwe uphando, ziinoveli ezintathu zikaSaule, ezizezi: Ukhozi Olumaphiko, Umlimandlela kunye no-Vuleka Mhlaba, azikhethelwanga kuthelekiswa koko kukudandalazisa elubala ukunyanisa kwesiThako Sohlahlubo-buNzululwazi-sakhono, malunga nomba weentsingiselo. Ngazo, kudula ubunyani bophindaphindeko lwegama elinye kwimixholo ngemixholo, lizale iintsingiselo ezahlukileyo. Kanti, kukwadandalaza ukuba intsingiselo yegama ayixhomekekanga kumxholo, iyakwazi ukutyekeza ngaphaya kwawo, liveze nezinye iintsingiselo. Olu phando lungaluncedo kakhulu kubafundi nootitshala kuba kanye luphethe umba wokuhlalutywa kweetekisi, ngendlela ekhuthazwa yiNkcazelo yePolisi yeKharityhulam nokuHlola (2011). Ebethelela ukuba kufundo loncwadi kufuneka abafundi bayiqhaqhe ukuyihlalutya itekisi ukuze kuvele indlela eyakhiwe neyakheke ngayo, oko ke kukuHlahluba. Kanti ke nakubahlohli lungaluncedo kuba lutyhila okuninzi ngesiThako Sohlahlubo-buNzululwazi-sakhono. Ekuxoxeni, isiThako sobuNzululwazi Mlando-mbali, kurhatyulwe kuso, ukuxhasa imiba ethile kuphando. Ingxoxo Yahlulwe yazizahluko ngolu hlobo: Isahluko sokuqala, sidandalazisa ingxubakaxaka ethunuke yandulula uphando olu. Kwabekwa iinjongo, iziphumo-njongo zophando nemibuzo ekuza kucangcathwa kuyo kuphando. Kwaphengululwa iincwadi zeengcali kwisi-Thako Sohlahlubo-buNzululwazi-sakhono, kwarhewulwa nesiThako sobuNzululwazi beeNkumbulo noMlando-mbali. Isahluko sesibini, luphendululo lweencwadi olunzulileyo nolunabileyo, kupendlwa izimvo ezimalunga nobuni besiThako Sohlahlubo-buNzululwazi-sakhono. Kubekelelwa, kucutyungulwa iingcingane zaso, ezibe ludondolo lophando. Isahluko sesithathu, yingxoxo. Kuphicothwa iinoveli ezichongelwe uphando, zihlahlutywa, kusetyenziswa iingcamango neengcingane zesiThako Sohla-hlubo-buNzululwazi-sakhono. Ikakhulu kuqwalaselwa indlela izibini ezichasana ngokulinganayo ezivela ngayo. Kuduliswa ukuminxiselwa kwezo zikwinqanaba elingezantsi. Isahluko sesine, ingxoxo iyaqhuba, kuqwalselwa ukusetyenziswa kwamaze-nge nemiqondiso, neentsingiselo ezivelayo, nokwahluka kwazo, okukhokelela ukuba utekisi ibe nobuvumephika. Isahluko sesihlanu, uphando luqhubeka kudandalaziswa ukusetyenziswa kwezandi, isigama sokuchaza nezafobe, nemifanekiso-ngqondweni eyakhiwa zezi zixhobo zoncwadi, ze kuphendlwe iintsingiselo nefuthe lazo kwitekisi. Isahluko sesithandathu sigxile ekusetyenzisweni kwembali kuncwadi, ngendlela evuselela iinkumbulo. Kuso nakuba kuhlahlutywa kodwa kunce-diswa ngokurhabula kwisiThako sobuNzululwazi beeNkumbulo noMlando-mbali.
- Full Text:
- Date Issued: 2016