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Eky’evugo Ky’okwema kwa Omugaba Gasyonga II

- Rusania, Hugh Tracey

Eky’omutwe gw’abarwane

- Katakura, Hugh Tracey

  • Authors: Katakura , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamakuzi f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170056 , vital:41853 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-11
  • Description: This strange and rather unmusical instrument is a plain J shaped bow of round section. The long arm of the J is held onto the left shoulder and the base of the bow stands on a resonator; a petrol tin, held there by the left hand. There are 3 strings two across the lower end of the bow which are plucked by the left thumb. The third (plucked with a stick plectrum) is stretched across the bow from the lower tip to near the upper hip. It is stoped by the player's chin, in one, two or three positions. A very simple accompaniment only is possible. The tuning of these strings was as follows; 364, 292, 198. 1. 364 vs. the shortest strng across the head of the bow. 2. 292 is the second string above it. 3. 198 is the stopped string. 1 is played by plucking with the left thumb. 2 is played by both the left thumb and by the plectrum in the right hand. 3 is played by the plectrum only. The song recalls the fighting with a certain tribe to the south which is now part of Tanganyika territory, and praises the old army. In this part of Africa and especially around the great lakes several reciters of legend use relatively unmusical instruments with which to provide a thrumming background to their declamations. Historic recitation with musical bow of three strings. Ekiningo.
  • Full Text: false
  • Date Issued: 1950

Elia Lazaro soka

- Kamanga, Beti, Tracey, Hugh

  • Authors: Kamanga, Beti , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/314256 , vital:59579 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2689-XYZ6193
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Elia Lazaro soka

- Beti Kamanga, performer not specified, Tracey, Hugh

Elija

- Joshua Omwami and John Manyasi, Hugh Tracey

  • Authors: Joshua Omwami and John Manyasi , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Bunyore f-ke
  • Language: Luya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176554 , vital:42714 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-07
  • Description: The lyre was played horizontally with the right hand plucking the group of four strings and near the bridge. The left hand extended to pluck the group of 3 strings near the crossbar. The scale was:- 416, 352, 304, 268, 248, 232, 208 vs. The lyre is used more as a rhythmic base rather than melodic instrument, though the player can and indeed frequently does play the melody. Praise song, with Litungu lyre, 7 string leg bells and gourd rattle (-12.54-).
  • Full Text: false
  • Date Issued: 1950

Eliso lyamukatata

- Tegalyoma Tilwesobwa with Zinza women, Hugh Tracey

Elosi aberu akipore imaniti abiro

- Iganitiyo Ekacholi and Teso men, Hugh Tracey

  • Authors: Iganitiyo Ekacholi and Teso men , Hugh Tracey
  • Date: 1950
  • Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
  • Language: Adhola
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169309 , vital:41713 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-13
  • Description: It is interesting to note the apparent differences in tone between the scale of the harp and the voice. Iganitiyo, the harp, made friends with Chief K. Omudeka and he visited him at his place over the border in Kenya. He was surprised at the great amount of land which was under cultivation there. He entertained the chief every evening of his visit by playing and singing to his Adedeu harp. Topical song with five string Adedeu horizontal harp, clapping and leg rattles, 1 side blown Aluti horn.
  • Full Text: false
  • Date Issued: 1950

Elosi aberu akipore imaniti abiro

- Ekacholi, Iganitiyo, Teso men, Tracey, Hugh

Embrukoi

- Ndasimi Sarubare, Arusha men, composer not specified, Tracey, Hugh

Embrukoi

- Ndasimi Sarubare, Arusha men, Folk, Tracey, Hugh

Embrukoi

- Ndasimi Sarubare with Arusha men, Hugh Tracey

  • Authors: Ndasimi Sarubare with Arusha men , Hugh Tracey
  • Date: 1950
  • Subjects: Maasai (African people) , Songs, Maasai , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Arusha f-tz
  • Language: Masai
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174081 , vital:42438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR154-03
  • Description: The Embrukoi dance is characterised by high leaps into the air with a rigid body. The dancers will leap as much as 18 inches clear into the air, at the same time giving a characteristic lift to the chin. The song praises his friends who kill lions. He sings also that he himself found a lion beside the path and killed it with his spear, a not uncommon feat among these people. He also sings of a faction fight in his district between neighbouring villages. This is a well known song in the Arusha district. The use of a thin falsetto by the solo singer quite belies the look of the man, which is far from being effeminate and typical of the young Masai moran. Embrukoi dance song for men and women.
  • Full Text: false
  • Date Issued: 1950

Embrukoi ongisho

- Nyangus Siokino, Arusha men, composer not specified, Tracey, Hugh

Embrukoi ongisho

- Nyangus Siokino with Arusha men, Hugh Tracey

  • Authors: Nyangus Siokino with Arusha men , Hugh Tracey
  • Date: 1950
  • Subjects: Maasai (African people) , Songs, Maasai , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Arusha f-tz
  • Language: Masai
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/173981 , vital:42428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR153-11
  • Description: "With my spear and my sheild I will go out to raid cattle. Then I shall sell them to the butcher so that the folk will not go short of meat. This item might be described as a recitative or narrative rather than a song. It has a two note response at the end of each phrase. There is more behind the idea of selling cattle to the butcher than one would guess at first sight. The Masai are loathe to sell or trade any of their own cattle for slaughter but trading stolen cattle to satisfy the constant demands of trade is another matter. Cattle raiding song.
  • Full Text: false
  • Date Issued: 1950

Embrukoi ongisho

- Nyangu Siokino, Arusha men, Folk, Tracey, Hugh

Emily

- Bulawayo Sweet Rythms, Composer not specified, Tracey, Hugh

Emomong’o oluki papakimong’ini

- Iganitiyo Ekacholi and Teso men, Hugh Tracey

Emong'o oluku papakimongini

- Iganitiyo Ekacholi, Teso men, Composer not specified, Tracey, Hugh

Enaku zita amalembo

- Kabyoma Mashulamo, Hugh Tracey

Enanga rwanzira

- Evanise Kanengere, Toro men and girls, composer not specified, Tracey, Hugh

Enanga rwanzira

- Evanise Kanengere and Toro men and girls, Hugh Tracey

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