Showing items 641 - 660 of 2904

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Helele nani nzovela

- Mwanahasha with Hehe women, Hugh Tracey

  • Authors: Mwanahasha with Hehe women , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) , Hehe (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kalenga f-tz
  • Language: Hehe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174990 , vital:42528 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR157-05
  • Description: "Even if you divorce me and leave me alone, I will still be able to look after myself." Women songs, injuctions to young women upon getting married. In Africa the women must be increasingly independent of her fickle and self indulgent man. Kuduo dance song for wedding ceremonies with clapping..
  • Full Text: false
  • Date Issued: 1950

Helele nani nzovela

- Mwanahasha, Hehe women, Composer not specified, Tracey, Hugh

Hii mwana wane uyu mazuba lyank-kangalyuba

- Musoma Abdulla, Nyamwezi men and women, composer not specified, Tracey, Hugh

Hijazai Bashraf

- Egyptian musical club, Hugh Tracey

  • Authors: Egyptian musical club , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
  • Language: Swahili
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179514 , vital:43073 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR169-14
  • Description: Taarab is the name given to an air after the Arab style composed and played Swahili musicians. The name of the club does not reflect its origin which is entirely local and composed of Swahili men all living in Dar-es-Salaam. The Arab 'Oud' is locally called 'Udi'. Instrumental Air, with 1 Oud (Arabic guitar), 3 violins, 1 Mandoline, 1 Kayamba flat grass rattle, 1 earthern ware drum, Damba, 1 Duff tambourine.
  • Full Text: false
  • Date Issued: 1950

Hijazi

- Egyptian Musical Band, Amberon, Bom, Tracey, Hugh

Hijazi

- Amberon, Bom, Tracey, Hugh

  • Authors: Amberon, Bom , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
  • Language: Swahili
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/313024 , vital:59443 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2588-XYZ6090
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Hijazi

- Egyptian Musical Club, Amberon, Bom, Tracey, Hugh

Hijazi

- Leader Ambenon, Egyptian Music Club, Tracey, Hugh

Hijazi

- Amberon, Bom, Tracey, Hugh

  • Authors: Amberon, Bom , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
  • Language: Swahili
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/313010 , vital:59441 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2587-XYZ6090
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Hijazi

- Leader Ambenon, Egyptian Music Club, Tracey, Hugh

Hijazi

- Madua, Rajabu, Composer not specified, Tracey, Hugh

Hijazi

- Madua, Rajabu, Tracey, Hugh

Hilele nani nzovela

- Mwai, Ahasha, Composer not specified, Tracey, Hugh

Hindu yamsegesa

- Mzee Juma, Shirazi men, composer not specified, Tracey, Hugh

Hindu yamsegesa

- Mzee Juma with Shirazi men, Hugh Tracey

Hinya nade

- Gindiloni Ngoma, Hugh Tracey

  • Authors: Gindiloni Ngoma , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185240 , vital:44356 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-02
  • Description: The Ugubu was a popular instrument with the Zulu of Natal several generations ago but few are now left in Natal. With the exception of one or two minor details this instrument is in the same as that of the Zulu. The chief modification is the use of a straining bridge to increase the tension of the bark string. This bow was made of a lenght of Tete reed 5 ft. 2 1/4 inches long and about 1 1/4 ins. diameter, and had an unusual method of straining the single string. There was a small bridge inserted between the reed and the string near the lower end and the resonating gourd was attached by means of a wore which also acted as a moveable tuning device dividing the string into two segements. The top segement was 3 ft. 10 ins. long and emitted a note of 71 vs. (81 vs. when stopped by clasping between the finger and thumb). The lower segment was not used. The interval between the two notes used is 220 cents. Self delectative song with Ugubu, musical bow, stressed and resonated
  • Full Text: false
  • Date Issued: 1950

Hinya nade

- Gindiloni Ngoma, performer not specified, Composer not specified, Tracey, Hugh

Hiyazi Bashraf

- Egyptian Musical Club, Composer not specified, Tracey, Hugh

Hiyazi Bashraf

- Bon Ambaron, Egyptian Musical Club, composer not specified, Tracey, Hugh

Hizazi

- Egyptian Musical Club, Amberon, Bom, Tracey, Hugh

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