The Women’s Development Foundation Award to Nosakhele Elizabeth Phantsi
- Date: 1999 , 2022-10-17
- Subjects: Bam, Brigalia , Phantsi, Nosakhele Elizabeth -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57366 , vital:57599
- Description: The Women's Development Award to Nosakhele Elizabeth Pantsi, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
- Date: 1999 , 2022-10-17
- Subjects: Bam, Brigalia , Phantsi, Nosakhele Elizabeth -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57366 , vital:57599
- Description: The Women's Development Award to Nosakhele Elizabeth Pantsi, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
The Women’s Development Foundation Award to Ntombi Regan Shope
- Date: 1999 , 2022-20-13
- Subjects: Bam, Brigalia , Shope, Ntombi Regan -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57202 , vital:57488
- Description: The Women's Development Award to Ntombi Regan Shope, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
- Date: 1999 , 2022-20-13
- Subjects: Bam, Brigalia , Shope, Ntombi Regan -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57202 , vital:57488
- Description: The Women's Development Award to Ntombi Regan Shope, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
The Women’s Development Foundation Award to Olive Ntombikayise Khobe
- Date: 1999 , 2022-10-13
- Subjects: Bam, Brigalia , Khobe, Olive Ntombikayise -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57244 , vital:57492
- Description: The Women's Development Award to Olive Ntombikayise Khobe, honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
- Date: 1999 , 2022-10-13
- Subjects: Bam, Brigalia , Khobe, Olive Ntombikayise -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57244 , vital:57492
- Description: The Women's Development Award to Olive Ntombikayise Khobe, honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
The Women’s Development Foundation Award to Priscilla Malesane Themba
- Date: 1999 , 2022-10-17
- Subjects: Bam, Brigalia , Themba, Priscilla Malesane -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57340 , vital:57597
- Description: The Women's Development Award to Priscilla Malesane Themba, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
- Date: 1999 , 2022-10-17
- Subjects: Bam, Brigalia , Themba, Priscilla Malesane -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57340 , vital:57597
- Description: The Women's Development Award to Priscilla Malesane Themba, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
The Women’s Development Foundation Award to Senorita Nombulelo Ntlabati
- Date: 1999 , 2022-10-13
- Subjects: Bam, Brigalia , Ntlabati, Senorita Nombulelo -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57231 , vital:57491
- Description: The Women's Development Award to Senorita Nombulelo Ntlabati, honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
- Date: 1999 , 2022-10-13
- Subjects: Bam, Brigalia , Ntlabati, Senorita Nombulelo -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57231 , vital:57491
- Description: The Women's Development Award to Senorita Nombulelo Ntlabati, honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
The Women’s Development Foundation Award to Sophia Makatse Morule-Maine
- Date: 1999 , 2022-10-13
- Subjects: Bam, Brigalia , Morule-Maine, Sophia Makatse -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57311 , vital:57509
- Description: The Women's Development Award to Sophia Makatse Morule-Maine, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
- Date: 1999 , 2022-10-13
- Subjects: Bam, Brigalia , Morule-Maine, Sophia Makatse -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57311 , vital:57509
- Description: The Women's Development Award to Sophia Makatse Morule-Maine, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
The Women’s Development Foundation Award to Thembeka Gamdana
- Date: 1999 , 2022-10-17
- Subjects: Bam, Brigalia , Gamdama, Thembeka -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57321 , vital:57511
- Description: The Women's Development Award to Thembeka Gamdana, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
- Date: 1999 , 2022-10-17
- Subjects: Bam, Brigalia , Gamdama, Thembeka -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57321 , vital:57511
- Description: The Women's Development Award to Thembeka Gamdana, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
The Women’s Development Foundation Award to Veronica Marlene Reubenheimer
- Date: 1999 , 2022-10-13
- Subjects: Bam, Brigalia , Reubenheimer, Veronica Marlene -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57280 , vital:57504
- Description: The Women's Development Award to Veronica Marlene Reubenheimer, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
- Date: 1999 , 2022-10-13
- Subjects: Bam, Brigalia , Reubenheimer, Veronica Marlene -- Awards
- Language: English
- Type: realia
- Identifier: http://hdl.handle.net/10948/57280 , vital:57504
- Description: The Women's Development Award to Veronica Marlene Reubenheimer, "honoring your contribution to the first Democratic National Assembly of the Republic of South Africa 1994-1999". , Donated/gifted to Nelson Mandela University Archives , Forms part of: Brigalia Bam collection
- Full Text: false
- Date Issued: 1999
Thermoregulatory capabilities of the woodland dormouse, Graphiurus murinus
- Whittington-Jones, Craig A, Brown, C R
- Authors: Whittington-Jones, Craig A , Brown, C R
- Date: 1999
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/447349 , vital:74613 , https://doi.org/10.1080/02541858.1999.11448485
- Description: The woodland dormouse, Graphiurus murinus, in common with many other small rodents, enters torpor under conditions of food deprivation and low temperatures. Its thermoregulatory capabilities under more favourable conditions, however, have not been investigated. We measured metabolism and thermoregulation in woodland dormice acclimated to long-day length, moderate temperature and abundant food over a temperature range (Ta) of approximately 5–37°C. The thermal neutral zone for this species lay between 29 and 35°C. Estimated resting metabolic rate (RMR) within this range averaged 21.10 ± 3.28 J g-1 h-1.
- Full Text:
- Date Issued: 1999
- Authors: Whittington-Jones, Craig A , Brown, C R
- Date: 1999
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/447349 , vital:74613 , https://doi.org/10.1080/02541858.1999.11448485
- Description: The woodland dormouse, Graphiurus murinus, in common with many other small rodents, enters torpor under conditions of food deprivation and low temperatures. Its thermoregulatory capabilities under more favourable conditions, however, have not been investigated. We measured metabolism and thermoregulation in woodland dormice acclimated to long-day length, moderate temperature and abundant food over a temperature range (Ta) of approximately 5–37°C. The thermal neutral zone for this species lay between 29 and 35°C. Estimated resting metabolic rate (RMR) within this range averaged 21.10 ± 3.28 J g-1 h-1.
- Full Text:
- Date Issued: 1999
Through our eyes: teachers using cameras to engage in environmental education curriculum development processes
- Authors: du Toit, Derick
- Date: 1999
- Subjects: Environmental education -- South Africa Curriculum change -- South Africa Photography in education Competency-based education -- South Africa
- Language: English
- Type: Thesis , Masters , MEd
- Identifier: vital:1800 , http://hdl.handle.net/10962/d1003685
- Description: This research explores the potential for engaging teachers in school-based environmental education curriculum development processes by using camera. The research, through its epistemological and ontological position, is closely linked to educational orientations associated with aspects of outcomes-based educational transformation in South Africa. A participatory approach that recognises teachers as co-researchers, each bringing to the inquiry her or his questions and constructions of meaning, was adopted. Participatory inquiry was initiated by setting up cluster meetings that allowed for teacher inputs through open dialogic processes. Fundamental to the inquiry is the notion that context shapes curriculum and curriculum development processes. It was from this orientation that a group of 13 teachers, using cameras to create visual narratives, explored their own diverse and complex contexts. These narratives (or stories) form the basis for further inquiry and development of sophistication with respect to the concept of environment. The research process is critically and reflexively documented as a series of field and research texts constructed from a variety of data sources gathered over the period of one year. The work is presented as a process of engaging critically with environmental education curriculum development and an opportunity to raise questions, rather than seek answers in this regard.
- Full Text:
- Date Issued: 1999
- Authors: du Toit, Derick
- Date: 1999
- Subjects: Environmental education -- South Africa Curriculum change -- South Africa Photography in education Competency-based education -- South Africa
- Language: English
- Type: Thesis , Masters , MEd
- Identifier: vital:1800 , http://hdl.handle.net/10962/d1003685
- Description: This research explores the potential for engaging teachers in school-based environmental education curriculum development processes by using camera. The research, through its epistemological and ontological position, is closely linked to educational orientations associated with aspects of outcomes-based educational transformation in South Africa. A participatory approach that recognises teachers as co-researchers, each bringing to the inquiry her or his questions and constructions of meaning, was adopted. Participatory inquiry was initiated by setting up cluster meetings that allowed for teacher inputs through open dialogic processes. Fundamental to the inquiry is the notion that context shapes curriculum and curriculum development processes. It was from this orientation that a group of 13 teachers, using cameras to create visual narratives, explored their own diverse and complex contexts. These narratives (or stories) form the basis for further inquiry and development of sophistication with respect to the concept of environment. The research process is critically and reflexively documented as a series of field and research texts constructed from a variety of data sources gathered over the period of one year. The work is presented as a process of engaging critically with environmental education curriculum development and an opportunity to raise questions, rather than seek answers in this regard.
- Full Text:
- Date Issued: 1999
Tibilila
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128668 , vital:36137 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-09
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Conde (balafon) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128668 , vital:36137 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-09
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Tile
- Namakoro Fomba (author, composer, callebasse, Donso n'goni), Koko Dembele (guitar), Abdoul Wahab Berthe (bass guitar, karignan), Assanatou Kouyate, Assetou Kone (chorus), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Namakoro Fomba (author, composer, callebasse, Donso n'goni) , Koko Dembele (guitar) , Abdoul Wahab Berthe (bass guitar, karignan) , Assanatou Kouyate, Assetou Kone (chorus) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Religious aspects , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130393 , vital:36412 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC42-04
- Description: Traditional Malian music that reflects the spiritual rhythm of Komo worship of the Malinke, Bambara, Kagoro, Fulani, Manding, Fouladougou and Girgo and Bougouni peoples of Mali
- Full Text: false
- Date Issued: 1999
- Authors: Namakoro Fomba (author, composer, callebasse, Donso n'goni) , Koko Dembele (guitar) , Abdoul Wahab Berthe (bass guitar, karignan) , Assanatou Kouyate, Assetou Kone (chorus) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Religious aspects , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130393 , vital:36412 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC42-04
- Description: Traditional Malian music that reflects the spiritual rhythm of Komo worship of the Malinke, Bambara, Kagoro, Fulani, Manding, Fouladougou and Girgo and Bougouni peoples of Mali
- Full Text: false
- Date Issued: 1999
Title not specified
- Mafika, N, Ndzelani, M, Magqirha, N, Tukani, N, Tukani, M, Pintshana, T, Mukwena, E, Thukani, M. J., Ndzelani, N, Dargie, Dave
- Authors: Mafika, N , Ndzelani, M , Magqirha, N , Tukani, N , Tukani, M , Pintshana, T , Mukwena, E , Thukani, M. J. , Ndzelani, N , Dargie, Dave
- Date: 1999
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Hogsback sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344475 , vital:63135 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC347a-01
- Description: Traditional music
- Full Text: false
- Date Issued: 1999
- Authors: Mafika, N , Ndzelani, M , Magqirha, N , Tukani, N , Tukani, M , Pintshana, T , Mukwena, E , Thukani, M. J. , Ndzelani, N , Dargie, Dave
- Date: 1999
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Hogsback sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344475 , vital:63135 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC347a-01
- Description: Traditional music
- Full Text: false
- Date Issued: 1999
Title not specified
- Mafika, N., Ndzelani, M, Magqirha, N, Tukani, N, Tukani, M, Pintshana, T, Mukwena, E, Thukani, M. J., Ndzelani, N., Dargie, Dave
- Authors: Mafika, N. , Ndzelani, M , Magqirha, N , Tukani, N , Tukani, M , Pintshana, T , Mukwena, E , Thukani, M. J. , Ndzelani, N. , Dargie, Dave
- Date: 1999
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Hogsback sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344590 , vital:63150 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC347a-09
- Description: Xhosa Singers at the Hogsback mini festival
- Full Text: false
- Date Issued: 1999
- Authors: Mafika, N. , Ndzelani, M , Magqirha, N , Tukani, N , Tukani, M , Pintshana, T , Mukwena, E , Thukani, M. J. , Ndzelani, N. , Dargie, Dave
- Date: 1999
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Hogsback sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344590 , vital:63150 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC347a-09
- Description: Xhosa Singers at the Hogsback mini festival
- Full Text: false
- Date Issued: 1999
Toma Sero
- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Drame (guitar solo), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Drame (guitar solo) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128627 , vital:36131 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-04
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
- Authors: Amadou Sodia (lead singer, bolon, kora) , Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus) , Ansoumane Kante, Yeye (percussions) , Adama Drame (guitar solo) , Alpha Camara (congas) , Ousmane Kouyate, Djely Moussa Kouyate,Manfila Kante (guitar) , Djessou Mory (rythm guitar, solo) , Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone) , Phillipe Guez (arrangement, keyboard) , Patrick Mareck
- Date: 1999
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: Susu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128627 , vital:36131 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC13-04
- Description: Fusion between traditional Guinean song structures and instruments and western instruments and influence
- Full Text: false
- Date Issued: 1999
Towards a semiotic approach to dramatic texts for the purposes of staging as expounded in the analysis of an early Pinter play: The Dumb Waiter
- Authors: Thomas, Jeswinne Mary
- Date: 1999
- Subjects: Uncatalogued
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/193203 , vital:45309
- Description: The aim of this thesis is to promote the dramatological approach, as opposed to a literary critical one, for the analysis of dramatic texts for the purposes of staging. The reason for such a promotion is that the dramatological approach upholds the integrity of the text in interpretation for the performance text by its detailed and semiotic analysis. The focus of such an approach is on the analysis of discourse, that is a micro-proairetic approach (illuminating the extralinguistic action and interaction gained from speech events and deixis), rather than a macro-proairetic approach (that is, plot and story-line) which a literary critical approach would take into consideration. In Chapter one the focus is on the justification for the dramatological approach as well as a review of prominent literary criticism to the playwright’s work (used as an example of dramatic text in this thesis). Rather than the promotion of ordinary literary theory in relation to the need for a performance methodology, explanation for their negation is offered here. Chapter two focuses on the actual methodology of the dramatological approach. In section one of this chapter, we find that basic to dramatological methodology is the linguistic function appropriate to the dramatic: that is the semantic, rhetorical and pragmatic principles of dramatic dialogue. In addition, we find that it is a formal and systematic approach which imposes restrictions on dualisms thereby upholding the integrity of the text. Moreover, that it focuses on the “performative-deictic” character (that is extralinguistic, kinesic and indexical orientations) of the dramatic text - analysis of which is crucial for the purposes of staging. In this way, the analysis of the interpersonal, interactional and contextual areas of dramatic texts is promoted. Thus section one offers an overview of the analytical criteria appropriate to such investigation in order to illuminate dramatic discourse. Section two offers a guide to the application of the methodology, utilizing an extraction of text. Central to the application is the formation of a preliminary analytical ‘grid’ from the range of criteria discussed in section one; that is, how these may be put together. A micro-segmentation of text is utilized to illustrate the application of the methodology. Chapter three offers an application of the methodology to a whole text, that is The Dumb Waiter. The results and benefits for the theatre practitioner of such application are directly illustrated in the deictic (that is section one) and proairetic (that is section two) segmentations of the text since what the text and discourse signify is illustrated in a detailed manner as opposed to paraphrase. That is, the interpersonal, contextual and interactional levels of the drama are defined. From this, typologies of discourse, character and interrelationships are drawn, as well as a creation of the dramatic world (that is section three) constructed as a result of the discourse, interrelationships and dramatic action. Finally the Conclusion offers an evaluation of the dramatological approach by applying it to a practical situation for the theatre practitioner (that is, director or actor). , Thesis (MA) -- Faculty of Humanities, Drama, 1999
- Full Text:
- Date Issued: 1999
- Authors: Thomas, Jeswinne Mary
- Date: 1999
- Subjects: Uncatalogued
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/193203 , vital:45309
- Description: The aim of this thesis is to promote the dramatological approach, as opposed to a literary critical one, for the analysis of dramatic texts for the purposes of staging. The reason for such a promotion is that the dramatological approach upholds the integrity of the text in interpretation for the performance text by its detailed and semiotic analysis. The focus of such an approach is on the analysis of discourse, that is a micro-proairetic approach (illuminating the extralinguistic action and interaction gained from speech events and deixis), rather than a macro-proairetic approach (that is, plot and story-line) which a literary critical approach would take into consideration. In Chapter one the focus is on the justification for the dramatological approach as well as a review of prominent literary criticism to the playwright’s work (used as an example of dramatic text in this thesis). Rather than the promotion of ordinary literary theory in relation to the need for a performance methodology, explanation for their negation is offered here. Chapter two focuses on the actual methodology of the dramatological approach. In section one of this chapter, we find that basic to dramatological methodology is the linguistic function appropriate to the dramatic: that is the semantic, rhetorical and pragmatic principles of dramatic dialogue. In addition, we find that it is a formal and systematic approach which imposes restrictions on dualisms thereby upholding the integrity of the text. Moreover, that it focuses on the “performative-deictic” character (that is extralinguistic, kinesic and indexical orientations) of the dramatic text - analysis of which is crucial for the purposes of staging. In this way, the analysis of the interpersonal, interactional and contextual areas of dramatic texts is promoted. Thus section one offers an overview of the analytical criteria appropriate to such investigation in order to illuminate dramatic discourse. Section two offers a guide to the application of the methodology, utilizing an extraction of text. Central to the application is the formation of a preliminary analytical ‘grid’ from the range of criteria discussed in section one; that is, how these may be put together. A micro-segmentation of text is utilized to illustrate the application of the methodology. Chapter three offers an application of the methodology to a whole text, that is The Dumb Waiter. The results and benefits for the theatre practitioner of such application are directly illustrated in the deictic (that is section one) and proairetic (that is section two) segmentations of the text since what the text and discourse signify is illustrated in a detailed manner as opposed to paraphrase. That is, the interpersonal, contextual and interactional levels of the drama are defined. From this, typologies of discourse, character and interrelationships are drawn, as well as a creation of the dramatic world (that is section three) constructed as a result of the discourse, interrelationships and dramatic action. Finally the Conclusion offers an evaluation of the dramatological approach by applying it to a practical situation for the theatre practitioner (that is, director or actor). , Thesis (MA) -- Faculty of Humanities, Drama, 1999
- Full Text:
- Date Issued: 1999
Towards modelling the formation of ore bodies initial results dealing with the fluid mechanical aspects of magma chamber convection
- Authors: Botha, André Erasmus
- Date: 1999
- Subjects: Ore deposits , Fluid mechanics , Magmatism
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5492 , http://hdl.handle.net/10962/d1005278 , Ore deposits , Fluid mechanics , Magmatism
- Description: This thesis forms part of a larger effort which aims to establish the means of assessing the fluid mechanical behaviour of magma 1 as it cools inside a magma chamber surrounded by porous country rock. The reason for doing so is to advance the understanding of some types of mineral deposits; for example,the Platinum Group Elements (PGEs). The magma is modelled with the governing equations for a single-phase incompressible Newtonian fluid with variable viscosity and density. In this thesis, thermal conductivity and specific heat are approximated as constants and the country rock is treated as a conducting solid so as to save on computational time in the initial phases of the project. A basic review of the relevant literature is presented as background material and three basic models of magma chambers are discussed: crystal settling, compositional convection and double diffusive convection.The results presented in this thesis are from finite element calculations by a commercial computer code: ANSYS 5.4. This code has been employed in industry for over 26 years and has a long and successful benchmark history. In this context, finite element methods that are applicable to the code are discussed in chapter 5. In chapter 6, results that were obtained in the course of this research are presented. The thesis concludes with an indication of the possible geological significance of the results and various refinements that should be made to future models.
- Full Text:
- Date Issued: 1999
- Authors: Botha, André Erasmus
- Date: 1999
- Subjects: Ore deposits , Fluid mechanics , Magmatism
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5492 , http://hdl.handle.net/10962/d1005278 , Ore deposits , Fluid mechanics , Magmatism
- Description: This thesis forms part of a larger effort which aims to establish the means of assessing the fluid mechanical behaviour of magma 1 as it cools inside a magma chamber surrounded by porous country rock. The reason for doing so is to advance the understanding of some types of mineral deposits; for example,the Platinum Group Elements (PGEs). The magma is modelled with the governing equations for a single-phase incompressible Newtonian fluid with variable viscosity and density. In this thesis, thermal conductivity and specific heat are approximated as constants and the country rock is treated as a conducting solid so as to save on computational time in the initial phases of the project. A basic review of the relevant literature is presented as background material and three basic models of magma chambers are discussed: crystal settling, compositional convection and double diffusive convection.The results presented in this thesis are from finite element calculations by a commercial computer code: ANSYS 5.4. This code has been employed in industry for over 26 years and has a long and successful benchmark history. In this context, finite element methods that are applicable to the code are discussed in chapter 5. In chapter 6, results that were obtained in the course of this research are presented. The thesis concludes with an indication of the possible geological significance of the results and various refinements that should be made to future models.
- Full Text:
- Date Issued: 1999
Transformational leadership and organisational effectiveness in the administration of cricket in South Africa
- Authors: Amos, Trevor L
- Date: 1999
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/270958 , vital:54495 , xlink:href="https://hdl.handle.net/10520/EJC-682622887"
- Description: After years of isolation from the international sporting arena, South African sports teams have recently achieved much success. This article is concerned specifically with managing for organisational effectiveness in South African cricket According to the theory of transformational leadership, there should be a positive relationship between this style of leadership and organisational effectiveness. The Multifactor Leadership Questionnaire was used to collect information about leadership while data for organisational effectiveness, the dependent variable, was collected using the Effectiveness Survey for Cricket Administration. Most of the results regarding the relationship of the transformational leadership factors and organisational effectiveness were significant. On the other hand, most of the results regarding the relationship of the transactional leadership factors and organisational effectiveness were not significant. The overall results provide general support of Bass' (1990) argument of the universal application of the transformational leadership theory.
- Full Text:
- Date Issued: 1999
- Authors: Amos, Trevor L
- Date: 1999
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/270958 , vital:54495 , xlink:href="https://hdl.handle.net/10520/EJC-682622887"
- Description: After years of isolation from the international sporting arena, South African sports teams have recently achieved much success. This article is concerned specifically with managing for organisational effectiveness in South African cricket According to the theory of transformational leadership, there should be a positive relationship between this style of leadership and organisational effectiveness. The Multifactor Leadership Questionnaire was used to collect information about leadership while data for organisational effectiveness, the dependent variable, was collected using the Effectiveness Survey for Cricket Administration. Most of the results regarding the relationship of the transformational leadership factors and organisational effectiveness were significant. On the other hand, most of the results regarding the relationship of the transactional leadership factors and organisational effectiveness were not significant. The overall results provide general support of Bass' (1990) argument of the universal application of the transformational leadership theory.
- Full Text:
- Date Issued: 1999
Umngqokolo
- Mafika, N., Ndzelani, M, Magqirha, N, Tukani, N, Tukani, M, Pintshana, T, Mukwena, E, Thukani, M. J., Ndzelani, N., Dargie, Dave
- Authors: Mafika, N. , Ndzelani, M , Magqirha, N , Tukani, N , Tukani, M , Pintshana, T , Mukwena, E , Thukani, M. J. , Ndzelani, N. , Dargie, Dave
- Date: 1999
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Hogsback sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344616 , vital:63153 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC347b-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1999
- Authors: Mafika, N. , Ndzelani, M , Magqirha, N , Tukani, N , Tukani, M , Pintshana, T , Mukwena, E , Thukani, M. J. , Ndzelani, N. , Dargie, Dave
- Date: 1999
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Hogsback sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344616 , vital:63153 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC347b-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1999
Umngqokolo
- Mafika, N., Ndzelani, M, Magqirha, N, Tukani, N, Tukani, M, Pintshana, T, Mukwena, E, Thukani, M. J., Ndzelani, N., Dargie, Dave
- Authors: Mafika, N. , Ndzelani, M , Magqirha, N , Tukani, N , Tukani, M , Pintshana, T , Mukwena, E , Thukani, M. J. , Ndzelani, N. , Dargie, Dave
- Date: 1999
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Hogsback sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344607 , vital:63151 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC347b-01
- Description: Indigenous music
- Full Text: false
- Date Issued: 1999
- Authors: Mafika, N. , Ndzelani, M , Magqirha, N , Tukani, N , Tukani, M , Pintshana, T , Mukwena, E , Thukani, M. J. , Ndzelani, N. , Dargie, Dave
- Date: 1999
- Subjects: Folk music , Sacred music , Field recordings , Africa, Sub-Saharan , Africa South Africa Hogsback sa
- Language: IsiXhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344607 , vital:63151 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC347b-01
- Description: Indigenous music
- Full Text: false
- Date Issued: 1999