Trespassing beyond the borders Harriet Ward as writer and commentator on the Eastern Cape frontier
- Authors: Letcher, Valerie Helen
- Date: 1996
- Subjects: Ward, Harriet, 1808-1872 Women authors, South African -- 19th century -- Biography -- History and criticism Frontier and pioneer life -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2240 , http://hdl.handle.net/10962/d1002283
- Description: The aim of this thesis is to provide an introduction to the work of writer and journalist Harriet Ward, resident in the Eastern Cape from 1842 to 1848. She was a prolific correspondent to various periodicals published both in South Africa and in London. It would be true to say, to judge from the evidence, that she fulfilled a need felt by the British public for information on life and events in South Africa, and that she became the trusted guide of the middle-class reader. Her range covers reports from the frontiers of war, journalistic articles, memoirs, short stories, novels, autobiography, and editions of other writers' work. After the publication of her articles on the Seventh Frontier War (1846-7), she was recognised and respected as a commentator on the situation at the Eastern Cape, an unusual role for a woman at this time. She was also amongst the foremost victorian women writers published from the early eighteen forties until the end of the eighteen-fifties. Harriet Ward has left a vivid historical and sociological account of the Cape frontier, and her observations and judgements provide a hitherto virtually unknown perspective on an important part of South African history and letters. What makes her even more interesting, as this study seeks to show, is that she was far from conventional in her response to her new environment, both as as a woman and as a representative of a colonialist power. The record she has left of her thoughts on the people, landscape and situations of the time has the capacity to surprise the post-colonial literary critic and historian. Her struggle to find a discursive mode in which to express her consciousness of the oppression, patriarchal and colonial, of the marginalised, whether woman, indigene, Afrikaner, or creole, reveals a significantly transgressive or subversive response to the issues of the day. In re-discovering Harriet Ward, we are forced to reassess our assumptions regarding the period of colonial history to which she was a witness.
- Full Text:
- Date Issued: 1996
- Authors: Letcher, Valerie Helen
- Date: 1996
- Subjects: Ward, Harriet, 1808-1872 Women authors, South African -- 19th century -- Biography -- History and criticism Frontier and pioneer life -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2240 , http://hdl.handle.net/10962/d1002283
- Description: The aim of this thesis is to provide an introduction to the work of writer and journalist Harriet Ward, resident in the Eastern Cape from 1842 to 1848. She was a prolific correspondent to various periodicals published both in South Africa and in London. It would be true to say, to judge from the evidence, that she fulfilled a need felt by the British public for information on life and events in South Africa, and that she became the trusted guide of the middle-class reader. Her range covers reports from the frontiers of war, journalistic articles, memoirs, short stories, novels, autobiography, and editions of other writers' work. After the publication of her articles on the Seventh Frontier War (1846-7), she was recognised and respected as a commentator on the situation at the Eastern Cape, an unusual role for a woman at this time. She was also amongst the foremost victorian women writers published from the early eighteen forties until the end of the eighteen-fifties. Harriet Ward has left a vivid historical and sociological account of the Cape frontier, and her observations and judgements provide a hitherto virtually unknown perspective on an important part of South African history and letters. What makes her even more interesting, as this study seeks to show, is that she was far from conventional in her response to her new environment, both as as a woman and as a representative of a colonialist power. The record she has left of her thoughts on the people, landscape and situations of the time has the capacity to surprise the post-colonial literary critic and historian. Her struggle to find a discursive mode in which to express her consciousness of the oppression, patriarchal and colonial, of the marginalised, whether woman, indigene, Afrikaner, or creole, reveals a significantly transgressive or subversive response to the issues of the day. In re-discovering Harriet Ward, we are forced to reassess our assumptions regarding the period of colonial history to which she was a witness.
- Full Text:
- Date Issued: 1996
A view of Herrick's poetic world and its values: with some reference to his fairy poetry
- Authors: Letcher, Valerie Helen
- Date: 1986
- Subjects: Herrick, Robert, 1591-1674 , Fairy poetry, English , English poetry -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2265 , http://hdl.handle.net/10962/d1004773 , Herrick, Robert, 1591-1674 , Fairy poetry, English , English poetry -- History and criticism
- Description: From the preface: Herrick was a prolific poet, and a remarkably consistent one. Hesperides encompasses a lifelong collection of poems on themes as diverse as serious reflections on life's brevity and the playful examination of the minutely imagined world of the fairies, yet his vision of life remains coherent. My purpose in this study is to try to see ·Herrick's secular work in its unity and as a whole, without claiming to consider every aspect of his secular poetry. (I have not attempted, for example, to consider his classical sources.) As my interest lies mainly in his values and vision, my emphasis is on theme and tone, and the way they indicate his conception of life. For this reason, I only occasionally consider Herrick's poetic techniques, such as his versification and language, and there are no detailed analyses of individual poems which examine them from every angle. In addition, I am almost entirely concerned here with Hesperides , the secular poetry, and not with Herrick's religious verse, which is collected under the title of His Noble Numbers. (Although Herrick calls his book Hesperides: or The Works both Humane and Divine, the arrangement within is clearly a division into Hesperides, the secular poetry, and His Noble Numbers, the religious verse.)
- Full Text:
- Date Issued: 1986
- Authors: Letcher, Valerie Helen
- Date: 1986
- Subjects: Herrick, Robert, 1591-1674 , Fairy poetry, English , English poetry -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2265 , http://hdl.handle.net/10962/d1004773 , Herrick, Robert, 1591-1674 , Fairy poetry, English , English poetry -- History and criticism
- Description: From the preface: Herrick was a prolific poet, and a remarkably consistent one. Hesperides encompasses a lifelong collection of poems on themes as diverse as serious reflections on life's brevity and the playful examination of the minutely imagined world of the fairies, yet his vision of life remains coherent. My purpose in this study is to try to see ·Herrick's secular work in its unity and as a whole, without claiming to consider every aspect of his secular poetry. (I have not attempted, for example, to consider his classical sources.) As my interest lies mainly in his values and vision, my emphasis is on theme and tone, and the way they indicate his conception of life. For this reason, I only occasionally consider Herrick's poetic techniques, such as his versification and language, and there are no detailed analyses of individual poems which examine them from every angle. In addition, I am almost entirely concerned here with Hesperides , the secular poetry, and not with Herrick's religious verse, which is collected under the title of His Noble Numbers. (Although Herrick calls his book Hesperides: or The Works both Humane and Divine, the arrangement within is clearly a division into Hesperides, the secular poetry, and His Noble Numbers, the religious verse.)
- Full Text:
- Date Issued: 1986
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