- Title
- The South African Art Centre: a bygone ideology of Critical Selfhood?
- Creator
- Lochner, Eben
- Date Issued
- 2013
- Date
- 2013
- Type
- text
- Type
- article
- Identifier
- http://hdl.handle.net/10962/147615
- Identifier
- vital:38654
- Identifier
- https://0-doi.org.wam.seals.ac.za/10.1080/09528822.2013.795697
- Description
- The political posters produced by art centres are their most celebrated contribution to the struggle to end Apartheid. However art centres made another valuable contribution by encouraging a form of critical selfhood. This type of internal struggle against inferiority was formulated by the Black Consciousness Movement and is an important element in transformation. However with the end of Apartheid this contribution seems to have been dismissed, alongside poster production, as irrelevant to the new nation. The author investigates how the art centre functioned as a vehicle for critical selfhood and argues for its contemporary relevance.
- Format
- 12 pages
- Format
- Language
- English
- Relation
- Third Text
- Relation
- Lochner, E., 2013. The South African Art Centre: A Bygone Ideology of Critical Selfhood?. Third Text, 27(3), pp.315-326.
- Relation
- Third Text volume 27 number 3 315 326 June 2013 1475-5297
- Rights
- Publisher
- Rights
- Use of this resource is governed by the terms and conditions of the Taylor and Francis Online Terms and Conditions Statement (https://www.tandfonline.com/terms-and-conditions)
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RU Department of Fine Art
| Thumbnail | File | Description | Size | Format | |||
|---|---|---|---|---|---|---|---|
| View Details Download | SOURCE1 | The South African Art Centre.pdf | 634 KB | Adobe Acrobat PDF | View Details Download |