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Xaxae ndi zwanya ludavhalisa

Xylophone Orchestral Dance movement

Ya ya woye

  • Authors: Large group of Lunda women and Kalemba , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
  • Language: Lunda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139495 , vital:37744 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-10
  • Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
  • Full Text: false
  • Date Issued: 1957

Yachipondeka 'owe owe'

  • Authors: Masaria and other Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138126 , vital:37596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-01
  • Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
  • Full Text: false
  • Date Issued: 1957

Yakhal' ingane encanane

Yakonyomba

  • Authors: Timoti Sadimbi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138956 , vital:37689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-02
  • Description: Played with 3 notes. The notes were roughly hewn pieces of wood laid across the thighs ans played by means of sticks. In this case, the player stood behind the back of the young man on whose thighs the notes were played and beat the notes bending forward over his shoulders. The man acting as xylophone stand sat on a stool with his feet on another stool. Beneath his thighs was a large pot used as simple external resonator. The instrument is played out in the fields when preparing the winter gardens in May. Once the gardens are planted, the xylophone notes are discarded and used as fire wood, new ones being cut each year. The position of the loose notes was changed with each change of tune to facilitate the playing of the item. The pause during the 3rd recording was caused by one of the notes rolling down the boys's thigh and having to be replaced. Self-delectative song with Chikirekore loose note xylophone x 4 notes, pot resonated.
  • Full Text: false
  • Date Issued: 1957

Yaku Kasama munenu wamukake Nshimbi (At Kasama they put the handcuffs on me)

  • Authors: Stephen Tsotsi Kasumali and 3 friends , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kazembe f-za
  • Language: Ruund
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139945 , vital:37816 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
  • Description: "I was handcuffed at Kasama by the police, sat down and was taken to the Boma, saying; "I did nothing wrong." But it appears that when he was charged, he said he was guilty and blamed his uncle's wife. She came to give evidence on his behalf but she did not get him off. So he said: "You are the one who must get me off." Bust she did not do so." "You are my relative, you must send me home." In this outburst one can see the childlike faith in the blood relationships eben to the point of working miracles.
  • Full Text: false
  • Date Issued: 1957

Yalila ngololo kutwaga belega (You were praised by the man you worked for)

Yarira ngosa (Ngosa declares Adolescent verses)

  • Authors: B. Makariki and 3 boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Luba (African people) , Kaonde (African people) , Folk music , Africa, Sub-Saharan , Africa Zambia Kasempa f-za
  • Language: Kaonde
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139292 , vital:37723 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0047-07
  • Description: Ngosa declares that he has just come from Ndola where he has seen a fine caterpillar tractor. Ngosa tells his friend about this tractor and goes back himself to Ndola. "On your way back, replies his friend, convey our greetings to Teresa who lives in the Lamba country." The pre occupation of small boys with the shape of new motoe cars and other pieces of machinery such as tractors, appears to be shared by African boys as well. Adolescent verses.
  • Full Text: false
  • Date Issued: 1957

Yave- yave (Kafoya greetings)

Yavela i motokari (Here comes the motor car)

  • Authors: Group of Xhosa women and Notembile and Nopenrose , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136100 , vital:37338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-05
  • Description: The women listened very intently to the playback of their song and laughed when the baby's voice was heard in the recording. Self-delectative song with Hadi musical bow, unbraced, open and resonated.
  • Full Text: false
  • Date Issued: 1957

Yawiyanga, ya kulumbata nyama

Yawiyanga, ya Kulumbata nyama

Yazula inkabi endxla

Yazula inkabi endxla

Ye magwaza (To stab)

Yeapinalekosi (Where does this Chief belong)

  • Authors: Khotso and Mpondo men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136506 , vital:37385 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR031-08
  • Description: "Yeapinalekosi? Yeye Lizilamapono." "Where does this Chief belong? He is of the country of the Mpondos." Khotso was in charge of this group of men and women and he is regarded as the most important of the local Izangoma, or herbalists in the Transkei. He bought them all down from Kokstad for the purpose. Divination song with clapping and 5 drums.
  • Full Text: false
  • Date Issued: 1957

Yizane Mbiza (Bring the pot)

  • Authors: Young boys , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/150660 , vital:38994 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-12
  • Description: This Mbayizelo or Impezu dance is not performed for any special occasion but just for fun. One young boy plays the repeated melody or the mouth organ, while the others do a kind of prancing dance while making a rhythmic roaring noise in their throats. Mbayizelo dance song, with mouth organ (harmonica).
  • Full Text: false
  • Date Issued: 1957

Yombela (Clap hands)

  • Authors: Jury Mpelho , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135916 , vital:37311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-04
  • Description: "Over on the other side of the Kei River, the people are losing all their cattle on account of this "yombela" business.- We must try and stop it. The explanation behind these words is that the people who consult a diviner are always asked to slaughter one of their cattle. They consult diviners frequently and thus become gradually improverished.- The word "yombela" or hand clapping alludes to the custom of clapping at the command of the diviner when he tells a man's fortune. Diviner = Igqiya. (Sangoma in Zulu). Town dance with small band including a piano, saxaphone, trumpet, guitar and drum.
  • Full Text: false
  • Date Issued: 1957

Yombela = Clap hands

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