Ha yelele
- Sesotho people, Composer not specified, Dargie, Dave, Jehle, Richard
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471012 , vital:77408 , DDC223a-04
- Description: Traditional Sesotho song with clapping and ululation accompaniment
- Full Text: false
- Date Issued: 1974
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471012 , vital:77408 , DDC223a-04
- Description: Traditional Sesotho song with clapping and ululation accompaniment
- Full Text: false
- Date Issued: 1974
Hehadima le a duma
- Sesotho people, Composer not specified, Dargie, Dave, Jehle, Richard
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471121 , vital:77420 , DDC223a-15
- Description: Traditional Sesotho song with clapping accompaniment
- Full Text: false
- Date Issued: 1974
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471121 , vital:77420 , DDC223a-15
- Description: Traditional Sesotho song with clapping accompaniment
- Full Text: false
- Date Issued: 1974
Jean Butler with Fr [Blamores] and Fr George [Sidebothem] at Mirfield, home of the Community of the Resurrection, 1974
- Date: 1974
- Subjects: Butler, Guy, 1918-2001 -- Photographs Butler family -- Photographs Butler, Jean -- Photographs
- Type: still image
- Identifier: http://hdl.handle.net/10962/41826 , vital:25138 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 4943/10.23
- Full Text: false
- Date Issued: 1974
- Date: 1974
- Subjects: Butler, Guy, 1918-2001 -- Photographs Butler family -- Photographs Butler, Jean -- Photographs
- Type: still image
- Identifier: http://hdl.handle.net/10962/41826 , vital:25138 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 4943/10.23
- Full Text: false
- Date Issued: 1974
John Wesley's means of evangelism
- Authors: Gribble, James
- Date: 1974
- Subjects: Wesley, John, 1703-1791 Evangelistic work Methodist Church -- Doctrines
- Language: English
- Type: Thesis , Bachelor , BDiv
- Identifier: vital:1255 , http://hdl.handle.net/10962/d1012096
- Description: This essay is an attempt to evaluate the methods of evangelism used by John Wesley during the course of his long ministry in the eighteenth century. Wesley's methods are important, since by their use he exercised a remarkable influence upon the religious and social life of eighteenth-century England. They have a continuing importance, too, for a Church that wants to carry out her Lord's "Great Commission" effectively. In the history of the Church Wesley stands in the front rank of those who have significantly carried forward the mission of the Church. Therefore we do well to pause and learn what we can from his example and experience. Intro., p. 1.
- Full Text:
- Date Issued: 1974
- Authors: Gribble, James
- Date: 1974
- Subjects: Wesley, John, 1703-1791 Evangelistic work Methodist Church -- Doctrines
- Language: English
- Type: Thesis , Bachelor , BDiv
- Identifier: vital:1255 , http://hdl.handle.net/10962/d1012096
- Description: This essay is an attempt to evaluate the methods of evangelism used by John Wesley during the course of his long ministry in the eighteenth century. Wesley's methods are important, since by their use he exercised a remarkable influence upon the religious and social life of eighteenth-century England. They have a continuing importance, too, for a Church that wants to carry out her Lord's "Great Commission" effectively. In the history of the Church Wesley stands in the front rank of those who have significantly carried forward the mission of the Church. Therefore we do well to pause and learn what we can from his example and experience. Intro., p. 1.
- Full Text:
- Date Issued: 1974
Lerato le fedile
- Sesotho people, Composer not specified, Dargie, Dave, Jehle, Richard
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471219 , vital:77430 , DDC223a-21
- Description: Unaccompanied traditional Sesotho song
- Full Text: false
- Date Issued: 1974
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471219 , vital:77430 , DDC223a-21
- Description: Unaccompanied traditional Sesotho song
- Full Text: false
- Date Issued: 1974
Ligand substitution effects in uranyl ο-hydroxyarylcarbonyl complexes
- Authors: Haigh, John M
- Date: 1974
- Language: English
- Type: text , Article
- Identifier: vital:6372 , http://hdl.handle.net/10962/d1006075
- Description: Twenty-two base adducts of uranyl o-hydroxyarylcarbonyl complexes [UO2L2B] (L = o-hydroxyarylcarbonyl compound, B = H2O, pyridine, pyridine N-oxide) have been prepared. Pure field substituent parameters are used to derive a quantitative order of the electronic effects of the chelate ring substituents. Values of v(U=O) correlate well with these values. Evidence is cited suggesting almost complete non-aromaticity of the chelate ring, and the transmission of the electronic effects of the chelate ring substituent through the uranium atom in the pyridine and pyridine N-oxide base adducts.
- Full Text:
- Date Issued: 1974
- Authors: Haigh, John M
- Date: 1974
- Language: English
- Type: text , Article
- Identifier: vital:6372 , http://hdl.handle.net/10962/d1006075
- Description: Twenty-two base adducts of uranyl o-hydroxyarylcarbonyl complexes [UO2L2B] (L = o-hydroxyarylcarbonyl compound, B = H2O, pyridine, pyridine N-oxide) have been prepared. Pure field substituent parameters are used to derive a quantitative order of the electronic effects of the chelate ring substituents. Values of v(U=O) correlate well with these values. Evidence is cited suggesting almost complete non-aromaticity of the chelate ring, and the transmission of the electronic effects of the chelate ring substituent through the uranium atom in the pyridine and pyridine N-oxide base adducts.
- Full Text:
- Date Issued: 1974
Mangolo a ile
- Sesotho people, Composer not specified, Dargie, Dave, Jehle, Richard
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471189 , vital:77427 , DDC223a-19
- Description: Unaccompanied traditional Sesotho song
- Full Text: false
- Date Issued: 1974
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471189 , vital:77427 , DDC223a-19
- Description: Unaccompanied traditional Sesotho song
- Full Text: false
- Date Issued: 1974
Margaret Evans, daughter of Arthur, 1974
- Date: 1974
- Subjects: Workman family -- Photographs , Evans, Margaret -- Photographs
- Type: still image
- Identifier: http://hdl.handle.net/10962/48932 , vital:25846 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 7036
- Description: Margaret Evans, daughter of Arthur, 1974.
- Full Text: false
- Date Issued: 1974
- Date: 1974
- Subjects: Workman family -- Photographs , Evans, Margaret -- Photographs
- Type: still image
- Identifier: http://hdl.handle.net/10962/48932 , vital:25846 , This image is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PIC/M 7036
- Description: Margaret Evans, daughter of Arthur, 1974.
- Full Text: false
- Date Issued: 1974
Martin Luther's attack on monasticism
- Authors: Enslin, Donovan Bryan
- Date: 1974
- Subjects: Luther, Martin, 1483-1546 -- Influence Luther, Martin, 1483-1546 -- Criticism and interpretation Monastic and religious life -- History Monasticism and religious order Monasteries
- Language: English
- Type: Thesis , Bachelor , BDiv
- Identifier: vital:1251 , http://hdl.handle.net/10962/d1011766
- Description: No comprehensive study of Luther's attitude towards monasticism is available in English. Most of the English works on Luther devote only a few pages or part of a chapter to this aspect of his life. Two reasons account for the cursory treatment. First, concern with the great themes of Luther's theology has led (Protestants at least) to concentrate on the theological aspects of his critique monasticism as a denial of the free grace of God, and as involving a mistaken view of perfection. Pelikan has commented: "Valid though this concentration on the theological aspects of Luther's polemic against monasticism is, it may obscure the bearing of that polemic upon the structures of the church." Moreover, a concern for theology 'pure and simple': (if such is possible) has led to a tendency to arrive at Luther's view of monasticism by a process of deduction from his great theme of justification by grace through faith alone, so that many of the niceties of his position, and especially the gentleness of his approach, have been obscured. Second, the cursory treatment is possible because there is a real sense in which the arguments Luther adduced in his major work on monasticism - though comprehensive and systematic - were by no means original. Yet, The Judgement of Martin Luther on Monastic Vows was the most decisive critique of monasticism ever presented. Summary, p. 2-3.
- Full Text:
- Date Issued: 1974
- Authors: Enslin, Donovan Bryan
- Date: 1974
- Subjects: Luther, Martin, 1483-1546 -- Influence Luther, Martin, 1483-1546 -- Criticism and interpretation Monastic and religious life -- History Monasticism and religious order Monasteries
- Language: English
- Type: Thesis , Bachelor , BDiv
- Identifier: vital:1251 , http://hdl.handle.net/10962/d1011766
- Description: No comprehensive study of Luther's attitude towards monasticism is available in English. Most of the English works on Luther devote only a few pages or part of a chapter to this aspect of his life. Two reasons account for the cursory treatment. First, concern with the great themes of Luther's theology has led (Protestants at least) to concentrate on the theological aspects of his critique monasticism as a denial of the free grace of God, and as involving a mistaken view of perfection. Pelikan has commented: "Valid though this concentration on the theological aspects of Luther's polemic against monasticism is, it may obscure the bearing of that polemic upon the structures of the church." Moreover, a concern for theology 'pure and simple': (if such is possible) has led to a tendency to arrive at Luther's view of monasticism by a process of deduction from his great theme of justification by grace through faith alone, so that many of the niceties of his position, and especially the gentleness of his approach, have been obscured. Second, the cursory treatment is possible because there is a real sense in which the arguments Luther adduced in his major work on monasticism - though comprehensive and systematic - were by no means original. Yet, The Judgement of Martin Luther on Monastic Vows was the most decisive critique of monasticism ever presented. Summary, p. 2-3.
- Full Text:
- Date Issued: 1974
Mollo ola
- Sesotho people, Composer not specified, Dargie, Dave, Jehle, Richard
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471039 , vital:77411 , DDC223a-07
- Description: Unaccompanied traditional Sesotho song
- Full Text: false
- Date Issued: 1974
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471039 , vital:77411 , DDC223a-07
- Description: Unaccompanied traditional Sesotho song
- Full Text: false
- Date Issued: 1974
Morena ore ke bale dinaledi
- Sesotho people, Composer not specified, Dargie, Dave, Jehle, Richard
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471066 , vital:77414 , DDC223a-10
- Description: Unaccompanied traditional Sesotho praise song
- Full Text: false
- Date Issued: 1974
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471066 , vital:77414 , DDC223a-10
- Description: Unaccompanied traditional Sesotho praise song
- Full Text: false
- Date Issued: 1974
Nthekele Seanamarena Hea
- Sesotho people, Composer not specified, Dargie, Dave
- Authors: Sesotho people , Composer not specified , Dargie, Dave
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471003 , vital:77407 , DDC223a-03
- Description: Traditional Sesotho song with clapping accompaniment
- Full Text: false
- Date Issued: 1974
- Authors: Sesotho people , Composer not specified , Dargie, Dave
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471003 , vital:77407 , DDC223a-03
- Description: Traditional Sesotho song with clapping accompaniment
- Full Text: false
- Date Issued: 1974
Physico-chemical and substructural studies on Nudaurelia capensis β virus
- Authors: Struthers, J Keith
- Date: 1974
- Subjects: Imbrasia cytherea , Insects -- Viruses , RNA viruses , DNA
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4075 , http://hdl.handle.net/10962/d1007327 , Imbrasia cytherea , Insects -- Viruses , RNA viruses , DNA
- Description: From Introduction: The pine emperor moth, Nudaurelia cytherea capensis Stoll is an insect which, during the larval stage, causes extensive defoliation of the pine tree, Pinus radiata in the Cape province. These insects are susceptible to a virus disease, which on occasions causes large scale mortality. Five nonoccluded viruses have been shown to infect the pine emperor moth, and of these, one found in the greatest concentration, Nudaurelia capensis β virus (NβV) has been characterised to the greatest extent. This virus has been shown to contain RNA, to be isometric with a diameter of 36 mm, and to have a molecular weight of 16 million. The virus occurs in all stages of the insect's development, and by fluorescent antibody staining has been shown to develop in the cytoplasm of the host's cells. There have in recent years been a number of reports describing nonoccluded RNA viruses which appear to be similar to NβV. These are the viruses isolated from the moths Gonometa podocarpi and Antheraea eucalypti, and the one from the citrus red mite, Panonychus citri. These viruses have not been as extensively characterised as NβV, so the extent of the similarity between them and NβV is not known. However it would appear as if their discovery collectively heralds the emergence of a distinct new grouping within the nonoccluded RNA viruses of insects. This work reports the isolation and further characterisation of N. capensis β virus, its protein and nucleic acid.
- Full Text:
- Date Issued: 1974
- Authors: Struthers, J Keith
- Date: 1974
- Subjects: Imbrasia cytherea , Insects -- Viruses , RNA viruses , DNA
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:4075 , http://hdl.handle.net/10962/d1007327 , Imbrasia cytherea , Insects -- Viruses , RNA viruses , DNA
- Description: From Introduction: The pine emperor moth, Nudaurelia cytherea capensis Stoll is an insect which, during the larval stage, causes extensive defoliation of the pine tree, Pinus radiata in the Cape province. These insects are susceptible to a virus disease, which on occasions causes large scale mortality. Five nonoccluded viruses have been shown to infect the pine emperor moth, and of these, one found in the greatest concentration, Nudaurelia capensis β virus (NβV) has been characterised to the greatest extent. This virus has been shown to contain RNA, to be isometric with a diameter of 36 mm, and to have a molecular weight of 16 million. The virus occurs in all stages of the insect's development, and by fluorescent antibody staining has been shown to develop in the cytoplasm of the host's cells. There have in recent years been a number of reports describing nonoccluded RNA viruses which appear to be similar to NβV. These are the viruses isolated from the moths Gonometa podocarpi and Antheraea eucalypti, and the one from the citrus red mite, Panonychus citri. These viruses have not been as extensively characterised as NβV, so the extent of the similarity between them and NβV is not known. However it would appear as if their discovery collectively heralds the emergence of a distinct new grouping within the nonoccluded RNA viruses of insects. This work reports the isolation and further characterisation of N. capensis β virus, its protein and nucleic acid.
- Full Text:
- Date Issued: 1974
Pikoko
- Sotho people, Composer not specified, Dargie, Dave, Jehle, Richard
- Authors: Sotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471017 , vital:77409 , DDC223a-05
- Description: Traditional Sesotho song with clapping and ululation accompaniment
- Full Text: false
- Date Issued: 1974
- Authors: Sotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471017 , vital:77409 , DDC223a-05
- Description: Traditional Sesotho song with clapping and ululation accompaniment
- Full Text: false
- Date Issued: 1974
Rhodes University Graduation Ceremony 1974
- Authors: Rhodes University
- Date: 1974
- Language: English
- Type: text
- Identifier: vital:8108 , http://hdl.handle.net/10962/d1004563
- Description: Rhodes University Graduation Ceremonies on Friday 5th April 1974 at 8 p.m. [and] on Saturday 6th April 1974 at 10:30 a.m. in the University Great Hall.
- Full Text:
- Date Issued: 1974
- Authors: Rhodes University
- Date: 1974
- Language: English
- Type: text
- Identifier: vital:8108 , http://hdl.handle.net/10962/d1004563
- Description: Rhodes University Graduation Ceremonies on Friday 5th April 1974 at 8 p.m. [and] on Saturday 6th April 1974 at 10:30 a.m. in the University Great Hall.
- Full Text:
- Date Issued: 1974
Rhodesian African art, 1857-1974
- Authors: Des Fontaine, Fayne
- Date: 1974
- Subjects: Art, African Art -- Zimbabwe
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2481 , http://hdl.handle.net/10962/d1011136
- Description: ART is life, and life is for living. This is the essential function of Mankind. Everything interrelates. African life and thought are inseparable. Art is an implement of power; it bridges the gap between Man and his Gods, and Man and Nature. The ability to understand art, does not depend on the ability to see and appreciate but to understand the culture of the people, to know the past). When considering AFRICAN ART, one can be sure that the ART OF RHODESIA is certainly the last to come to one's mind; that is, if one excludes the Prehistoric Artist of Rhodesia and the ART of the Zimbabwian culture, and concentrates on ART executed after the PIONEER PERIOD (circa 1857) to the turn of the century. Comparatively little has been written on the aspect of local art, and when it bas, it is primarily concerned with SHONA SCULPTURE. Rhodesian art is primarily functional, and the range of materials as well as the range of techniques are equally vast. The art of sculpture and carving particularly in wood, is a well-known characteristic of Africa. Rhodesia, however, does not offer such a vast selection of traditional art today, whether in wood, stone or metal. The carvers in Rhodesia, unlike those of some African States have long since downed their tools as there are no longer the rituals that at one time inspired the artist. These rituals have almost died out and the Kings that were his patrons have been out of power for centuries. The destruction of traditional African values is inevitable because of cultural change, white civilization, and more recently, ex:ploi ta tion has forced the traditional carver to become a carpenter or to join a co-operative in order to provide Tourist Art. Intro., p. 1.
- Full Text:
- Date Issued: 1974
- Authors: Des Fontaine, Fayne
- Date: 1974
- Subjects: Art, African Art -- Zimbabwe
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2481 , http://hdl.handle.net/10962/d1011136
- Description: ART is life, and life is for living. This is the essential function of Mankind. Everything interrelates. African life and thought are inseparable. Art is an implement of power; it bridges the gap between Man and his Gods, and Man and Nature. The ability to understand art, does not depend on the ability to see and appreciate but to understand the culture of the people, to know the past). When considering AFRICAN ART, one can be sure that the ART OF RHODESIA is certainly the last to come to one's mind; that is, if one excludes the Prehistoric Artist of Rhodesia and the ART of the Zimbabwian culture, and concentrates on ART executed after the PIONEER PERIOD (circa 1857) to the turn of the century. Comparatively little has been written on the aspect of local art, and when it bas, it is primarily concerned with SHONA SCULPTURE. Rhodesian art is primarily functional, and the range of materials as well as the range of techniques are equally vast. The art of sculpture and carving particularly in wood, is a well-known characteristic of Africa. Rhodesia, however, does not offer such a vast selection of traditional art today, whether in wood, stone or metal. The carvers in Rhodesia, unlike those of some African States have long since downed their tools as there are no longer the rituals that at one time inspired the artist. These rituals have almost died out and the Kings that were his patrons have been out of power for centuries. The destruction of traditional African values is inevitable because of cultural change, white civilization, and more recently, ex:ploi ta tion has forced the traditional carver to become a carpenter or to join a co-operative in order to provide Tourist Art. Intro., p. 1.
- Full Text:
- Date Issued: 1974
Rosina
- Sesotho people, Composer not specified, Dargie, Dave, Jehle, Richard
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471139 , vital:77422 , DDC223a-16
- Description: Unaccompanied traditional Sesotho song
- Full Text: false
- Date Issued: 1974
- Authors: Sesotho people , Composer not specified , Dargie, Dave , Jehle, Richard
- Date: 1974
- Subjects: Folk music Africa , Sacred music South Africa , Church music South Africa , Field recordings South Africa , Africa South Africa Ficksburg, Free State Province sa
- Language: Southern Sotho
- Type: sound recordings , field recordings , audio recording
- Identifier: http://hdl.handle.net/10962/471139 , vital:77422 , DDC223a-16
- Description: Unaccompanied traditional Sesotho song
- Full Text: false
- Date Issued: 1974
Same time, same place
- Authors: Mann, Chris
- Date: 1974
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/459656 , vital:75850 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_457
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1974
- Authors: Mann, Chris
- Date: 1974
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/459656 , vital:75850 , https://journals.co.za/doi/epdf/10.10520/AJA00284459_457
- Description: New Coin is one of South Africa's most established and influential poetry journals. It publishes poetry, and poetry-related reviews, commentary and interviews. New Coin places a particular emphasis on evolving forms and experimental use of the English language in poetry in the South African context. In this sense it has traced the most exciting trends and currents in contemporary poetry in South Africa for a decade of more. The journal is published twice a year in June and December by the Institute for the Study of English in Africa (ISEA), Rhodes University.
- Full Text:
- Date Issued: 1974
Social criteria in the drama of Molìère
- Authors: Brooks, Beverley Anne
- Date: 1974
- Subjects: Molière, 1622-1673 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3627 , http://hdl.handle.net/10962/d1009758
- Description: It is by no means an easy task to analyse and interpret the work of a dramatist such as Molière, for an interval of three hundred years inevitably blurs our perspective of the man and his intentions. We find ourselves unconsciously reading more into his lines than he possibly meant us to. We are tempted to attach significance to certain words and disregard others, in an arbitrary fashion. We try to reconstruct Molière's attitude towards his contemporaries and theirs to him, from evidence that is often flimsy and seldom reliable. Molière's very identity has been questioned to the extent that the authorship of his plays has been variously attributed to such different personalities as Louis XIV and the great Corneilleo. To these problems is added a further complication when one embarks upon a thesis dealing with the picture of society as it emerges from Molière's plays. Not only are we confronted with the difficulty of interpretation already mentioned, but also with the vastly different way in which pre-enlightenment man regarded social and political institutions. We of the twentieth century tend to take for granted the notions of liberty, fraternity, and equality. Had anyone formulated such ideas in the seventeenth century, it is doubtful whether they would have been accepted, since they contradict the very concept upon which society was based in the age of Louis XIV. This concept, broadly speaking, is that of a strict hierarchy in which everyone has his own appointed place. Obviously the notion of a hierarchy pre-supposes the inferiority of some and the superiority of others in the social structure of the day; and post-enlightenment thinking does not readily accept that some men should be privileged and others regarded as belonging naturally to the lower orders. Intro., p. 1-2.
- Full Text:
- Date Issued: 1974
- Authors: Brooks, Beverley Anne
- Date: 1974
- Subjects: Molière, 1622-1673 -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3627 , http://hdl.handle.net/10962/d1009758
- Description: It is by no means an easy task to analyse and interpret the work of a dramatist such as Molière, for an interval of three hundred years inevitably blurs our perspective of the man and his intentions. We find ourselves unconsciously reading more into his lines than he possibly meant us to. We are tempted to attach significance to certain words and disregard others, in an arbitrary fashion. We try to reconstruct Molière's attitude towards his contemporaries and theirs to him, from evidence that is often flimsy and seldom reliable. Molière's very identity has been questioned to the extent that the authorship of his plays has been variously attributed to such different personalities as Louis XIV and the great Corneilleo. To these problems is added a further complication when one embarks upon a thesis dealing with the picture of society as it emerges from Molière's plays. Not only are we confronted with the difficulty of interpretation already mentioned, but also with the vastly different way in which pre-enlightenment man regarded social and political institutions. We of the twentieth century tend to take for granted the notions of liberty, fraternity, and equality. Had anyone formulated such ideas in the seventeenth century, it is doubtful whether they would have been accepted, since they contradict the very concept upon which society was based in the age of Louis XIV. This concept, broadly speaking, is that of a strict hierarchy in which everyone has his own appointed place. Obviously the notion of a hierarchy pre-supposes the inferiority of some and the superiority of others in the social structure of the day; and post-enlightenment thinking does not readily accept that some men should be privileged and others regarded as belonging naturally to the lower orders. Intro., p. 1-2.
- Full Text:
- Date Issued: 1974
Sociology : promise and problems : inaugural lecture delivered at Rhodes University
- Authors: Higgins, Edward
- Date: 1974
- Subjects: Sociology
- Language: English
- Type: Text
- Identifier: vital:636 , http://hdl.handle.net/10962/d1020705 , ISBN 0949980501
- Description: Inaugural lecture delivered at Rhodes University , Rhodes University Libraries (Digitisation)
- Full Text:
- Date Issued: 1974
- Authors: Higgins, Edward
- Date: 1974
- Subjects: Sociology
- Language: English
- Type: Text
- Identifier: vital:636 , http://hdl.handle.net/10962/d1020705 , ISBN 0949980501
- Description: Inaugural lecture delivered at Rhodes University , Rhodes University Libraries (Digitisation)
- Full Text:
- Date Issued: 1974