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Xey Baax

- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi

Xoyma

- Didier Sourou Awadi aka DJ Awadi (performer), Amadou Barry aka Doug E Tee or Duggy-Tee (performer), Positive Black Soul (band name aka PBS), MALI K7 S.A. Ali Furka Toure Associe, Bamako

Yaafa N'ma

- Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar), Coco Mbassi, Rokia Traore (chorus), Adama Diarra (balafon), Mamah Diabate (N'Goni), Sidiki Camara (percussion), Label Bleu

Yal Nafi Yag

- Ndaye Marie Ndiaye (lead vocal), Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus), Tapha Faye (keyboard, arrangements), Papis Diouf (solo guitar), Badou Dieme (bass guitar), Jules Diop (drums), Papu Ndiaye (percussion), Dara Guisse (xalam), Habib Mbengue, Ousmane Ndiaye (additional percussion), Ndiago Ndour, Samassa Records

Yalla Bahna

- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall

Yama

- Youssou N'Dour, John Sharp, Simon Richmond, Steve Hopwood (written by), Habib Faye (bass), Vinia Mojica (backing vocals), Kevin Armstrong (guitar), Babacar Faye (Senegalese percussion), Assane Thiam (Tama Senegalese talking drum), Kevin Armstrong, Pape Oumar Ngom (guitar), Youssoupha Camara (drums), YoussouN'Dour (vocals), Johnny $, Youssou N'Dour

Yama Daboon Ci Yoon

- Badou Boy and Pape Armand (composers), Badou Boy (lead vocal, accoustic guitar, harmonica, Pape Armand Boye (accousitc guitar, guitar solo, electric guitar, vocals), Mbaye Dieye Feye (Sabar and Percussions), Pathe Diassy (bass guitar), Straun Douglas

Yaq Faaxee

- Mbaye Ndiaye (lead vocal, riiti), Ibou Tine, Moustapha Dione, Fatou Talla Ndiaye, Arame Camara (chorus), Alioune Gueye (guitar), Elou Fall (keyboard, programming, drums), Pape Ndiaye (percussion), Jololi

Yere Oulo

- Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar), Coco Mbassi, Rokia Traore (chorus), Adama Diarra (balafon), Mamah Diabate (N'Goni), Andra Kouyate (N'Goni Ba), Sidiki Camara (percussion), Label Bleu

Yoni Ropalane

- Pap Jibi Ba (lead vocal), Ndeye Marie Ndiaye, Zacaria Niang, Ousmane Seck (vocals), Cheikh Tidiane Tall (guitar), Pape Ndiaye (sabar, talmba tamb), Dame Mbaye (xalam), Studio 2000

Youth development in Grahamstown: a social map: a guide to organisations catering for youth development

- Van Hees, Charlotte

  • Authors: Van Hees, Charlotte
  • Date: 2000
  • Subjects: Arts -- Study and teaching Associations, institutions, etc. -- South Africa -- Grahamstown -- Directories Community development -- South Africa -- Grahamstown Community education -- South Africa -- Grahamstown Culture -- Social aspects -- South Africa -- Grahamstown Mass media -- South Africa -- Grahamstown Public health -- South Africa -- Grahamstown Public welfare -- South Africa -- Grahamstown Schools -- South Africa -- Grahamstown Sports -- South Africa -- Grahamstown Unemployment -- South Africa -- Grahamstown Youth -- South Africa -- Grahamstown Youth -- South Africa Grahamstown (South Africa) -- Directories Grahamstown (South Africa) -- Social conditions
  • Language: English
  • Type: Book , Text
  • Identifier: http://hdl.handle.net/10962/2420 , vital:20288 , ISBN 0868103640
  • Description: Grahamstown is a town in the Eastern Cape with a population of approximately 110 000 of which the vast majority live in the former black township, known as Grahamstown East. Unemployment, poor housing, a high crime rate and a lack of primary facilities like toilets, electricity and water are daily facts for a large number of the inhabitants of Grahamstown East. Every day government departments, non-government organisations (NGOs) and volunteers work to improve the lives of the people. Youth merit special attention, after all “youth make the future”. The spectrum of organisations catering for youth development is broad: from local schools providing basic education to organisations like the Grahamstown Foundation trying to involve youth in national art projects. They all have one thing in common. They are all aiming to give youth a grip on their lives, to give them a future by empowering them. But what do we actually know about the youth? Where do they come from? What are their expectations and aspirations in life? What kind of leisure activities do they have? What kind of organisations do they use to get ahead in life? And what do we actually know about these organisations? How do they form their policy and activities? Which role does the government play and which role is left for the non-governmental organisations? In what ways do they work together? How do youth participate in the policy making of these organisations? The Institute of Social and Economic Research (ISER) of Rhodes University is working together with the Centre for Policy and Management of the University of Utrecht (The Netherlands) to find answers to these questions. A sample survey was conducted in May 1999 to compile baseline information on youth from Grahamstown East in terms of social characteristics, motivations for personal and collective development, and expectations for the future. From January until July 1999 the project team has visited organisations in Grahamstown focusing on (youth) development to identify existing youth programmes and to see how these programmes are incorporated in the town’s context. This social map is a product of this research. The research defines youth as young people living in Grahamstown East in the age category of 14 to 25 years old. This social map however also includes organisations catering for younger children, by displaying the pre-schools and organisations like Child and Family Welfare Society that focus on children up to the age of 13. The National Youth Commission defines youth development in “Youth Policy 2000” (1997) as a process whereby young men and women are able to improve their skills, talents and abilities to extend their intellectual, physical and emotional capabilities to express themselves and to live full lives. This definition is used in this research. , Digitised by Rhodes University Library on behalf of the Institute of Social and Economic Research (ISER)
  • Full Text:
  • Date Issued: 2000

Zahi

- Gnaore Djimi (vocals, creator), Gnaore Djimi The Best (album title), Showbiz

  • Authors: Gnaore Djimi (vocals, creator) , Gnaore Djimi The Best (album title) , Showbiz
  • Date: 2000
  • Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
  • Language: French
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/128889 , vital:36187 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC17-01
  • Description: Ivorian popular song in the Polihet style that is based on the traditional sounds, gestures and heritage of Niamboua people who live in the southwest reagion of Cote d'Ivoire. Polihet is performed at funerals, baptisms,weddings with the themes of love, hate, death and peace
  • Full Text: false
  • Date Issued: 2000

Zignon

- Gnaore Djimi (vocals, creator), Gnaore Djimi The Best (album title), Showbiz

  • Authors: Gnaore Djimi (vocals, creator) , Gnaore Djimi The Best (album title) , Showbiz
  • Date: 2000
  • Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
  • Language: French
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/128917 , vital:36190 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC17-04
  • Description: Ivorian popular song in the Polihet style that is based on the traditional sounds, gestures and heritage of Niamboua people who live in the southwest reagion of Cote d'Ivoire. Polihet is performed at funerals, baptisms,weddings with the themes of love, hate, death and peace
  • Full Text: false
  • Date Issued: 2000

Ziguehi

- Gnaore Djimi (vocals, creator), Gnaore Djimi The Best (album title), Showbiz

  • Authors: Gnaore Djimi (vocals, creator) , Gnaore Djimi The Best (album title) , Showbiz
  • Date: 2000
  • Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
  • Language: French
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/128897 , vital:36188 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC17-02
  • Description: Ivorian popular song in the Polihet style that is based on the traditional sounds, gestures and heritage of Niamboua people who live in the southwest reagion of Cote d'Ivoire. Polihet is performed at funerals, baptisms,weddings with the themes of love, hate, death and peace
  • Full Text: false
  • Date Issued: 2000

Zougo

- Gnaore Djimi (vocals, creator), Gnaore Djimi The Best (album title), Showbiz

  • Authors: Gnaore Djimi (vocals, creator) , Gnaore Djimi The Best (album title) , Showbiz
  • Date: 2000
  • Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
  • Language: French
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/128960 , vital:36197 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC17-05
  • Description: Ivorian popular song in the Polihet style that is based on the traditional sounds, gestures and heritage of Niamboua people who live in the southwest reagion of Cote d'Ivoire. Polihet is performed at funerals, baptisms,weddings with the themes of love, hate, death and peace
  • Full Text: false
  • Date Issued: 2000

Zozagne

- Beta Simon (performer), Joe (bass), Alfred Young (guitar), Koukougnon, Kalua Dayag (percussion), Amos Stephen (pianos), Brass: Andre Laourou (trumpet), Manu Yodan (sax), Pinheiro Michel (trombone), Astrid, Brou Julie, Liazou Ped (chorus), Soro Mamadou (djembe), Amos Stephen (arranged by), Liazou Ped (duet), Sea Charif, Djedje Honorat

δ13C and δ15N biogeographic trends in rocky intertidal communities along the coast of South Africa: evidence of strong environmental signatures

- Hill, Jaclyn M, McQuaid, Christopher D

  • Authors: Hill, Jaclyn M , McQuaid, Christopher D
  • Date: 2000
  • Subjects: To be catalogued
  • Language: English
  • Type: text , article
  • Identifier: http://hdl.handle.net/10962/444664 , vital:74258 , https://doi.org/10.1016/j.ecss.2008.08.005
  • Description: Ecosystem dynamics driven by top-down controls have been well documented in rocky intertidal communities, while the effects of bottom-up influences are comparatively poorly understood. We hypothesized that large-scale signatures of the physical environment may be identifiable along the South African coastline as it is subject to two very different current systems (Benguela and Agulhas Currents) that profoundly influence primary production and thus both food type and availability. Through stable isotope analysis, we examined biogeographic patterns in multiple trophic levels at four sites along a 1400-km stretch of South African coastline and investigated the dietary role of macroalgal-derived organic carbon in rocky intertidal communities. The general positioning of trophic groups was comparable across all sites, with animals from the same trophic levels grouping together and with a δ15N fractionation of 1–2‰ between levels.
  • Full Text:
  • Date Issued: 2000
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