Lethisa (Uninitiated)
- Group of 15 Sotho girls, Hugh Tracey
- Authors: Group of 15 Sotho girls , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162277 , vital:40828 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-10
- Description: The singers were daubed entirely with white clay and were wearing traditional costume, leather skirts. rows of tubular grass girdles or, in some cases, girdles made of short lengths of reed strung together and grass masks shaped like screens. Two or three women wore deep fringes of reed over their leather skirts. "Ho, stop it! Ho, ho, what is that? She wishes to enter the initiation school. She is just a dog." Lelingoana women's initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Group of 15 Sotho girls , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162277 , vital:40828 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-10
- Description: The singers were daubed entirely with white clay and were wearing traditional costume, leather skirts. rows of tubular grass girdles or, in some cases, girdles made of short lengths of reed strung together and grass masks shaped like screens. Two or three women wore deep fringes of reed over their leather skirts. "Ho, stop it! Ho, ho, what is that? She wishes to enter the initiation school. She is just a dog." Lelingoana women's initiation song.
- Full Text: false
- Date Issued: 1959
Mamosi oa Theoloa ke mang? (Who will bring Mamosi down?
- Mapheelo Maklelebe and large group of Sotho women, Hugh Tracey
- Authors: Mapheelo Maklelebe and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161349 , vital:40619 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-08
- Description: "Who will bring Mamosi down? The 'municipality' is the wizard of the whites. He has brought the railway train into 'Naesifili'. At my home at Majara Leshoboro's place. Smoke drifts far away out in the veld. I have no Chief, I am ruled by a woman. Mother Mantsala, give me food. When horses race for prizes, yours runs for nothing. My family is disappointed with Mateseliso. It does not like people who cover their heads with cloth. I have not come here to see you, I have come to condole with you." The 'Municipality', they explained, is looked upon as a single person, a person of wealth who can do things rather like the Government. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
- Authors: Mapheelo Maklelebe and large group of Sotho women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/161349 , vital:40619 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-08
- Description: "Who will bring Mamosi down? The 'municipality' is the wizard of the whites. He has brought the railway train into 'Naesifili'. At my home at Majara Leshoboro's place. Smoke drifts far away out in the veld. I have no Chief, I am ruled by a woman. Mother Mantsala, give me food. When horses race for prizes, yours runs for nothing. My family is disappointed with Mateseliso. It does not like people who cover their heads with cloth. I have not come here to see you, I have come to condole with you." The 'Municipality', they explained, is looked upon as a single person, a person of wealth who can do things rather like the Government. Mokibo women's kneeling dances, with clapping.
- Full Text: false
- Date Issued: 1959
Marola Bila Kile
- Authors: Richard Majafe , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165868 , vital:41290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-11
- Description: Four boys initiation song.
- Full Text: false
- Date Issued: 1959
- Authors: Richard Majafe , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Zeerust f-sa
- Language: Tswana/Hurutshe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165868 , vital:41290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0115-11
- Description: Four boys initiation song.
- Full Text: false
- Date Issued: 1959
Ndithi khawuthiye nkwenkwe ndala (Please dance, big boy)
- Young men and boys, Hugh Tracey
- Authors: Young men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150652 , vital:38993 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-11
- Description: The roaring or grunting in this dance song is a sound peculiar to the Xhosa. The Luo and Giriyama of Kenya also do it and some of the East Coast Swahili, notably in their religious songs. It is possibly a vestigial remain of Arab influence acquired during the tribe's sojourn in East Africa some 500 years ago. Mbayizelo dance song, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Young men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150652 , vital:38993 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-11
- Description: The roaring or grunting in this dance song is a sound peculiar to the Xhosa. The Luo and Giriyama of Kenya also do it and some of the East Coast Swahili, notably in their religious songs. It is possibly a vestigial remain of Arab influence acquired during the tribe's sojourn in East Africa some 500 years ago. Mbayizelo dance song, with clapping.
- Full Text: false
- Date Issued: 1957
Nisiri pa Wankie (I have come to Wankie, I have cone to find money to pay my lobola)
- Authors: America Kanada , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Safwa (African people)--Music , Africa Malawi Tukuyu f-mw
- Language: Nyakyusa-Ngonde , Safwa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151848 , vital:39179 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-04
- Description: The singer was a strange shy little man who did not even stay to hear his own songs played to the end. His second song gained rounds of applause. The burden of it was;- "I want to to go home, I am wasting my time here, I do not want to stay, I would rather desert. Please, boss, give me my money. I want to go home. Self-delectative song with Pango board zither.
- Full Text: false
- Date Issued: 1957
- Authors: America Kanada , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Safwa (African people)--Music , Africa Malawi Tukuyu f-mw
- Language: Nyakyusa-Ngonde , Safwa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151848 , vital:39179 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-04
- Description: The singer was a strange shy little man who did not even stay to hear his own songs played to the end. His second song gained rounds of applause. The burden of it was;- "I want to to go home, I am wasting my time here, I do not want to stay, I would rather desert. Please, boss, give me my money. I want to go home. Self-delectative song with Pango board zither.
- Full Text: false
- Date Issued: 1957
Sabwabwa
- Group of 5 Kete men, Hugh Tracey
- Authors: Group of 5 Kete men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139402 , vital:37735 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-03
- Description: The slit drum is called mutumba (the canoe) and the cylindrical drum is Nguma. This group is situated between the Lunda and the Luba. A notably fierce and savage people. They come from the extreme south of the Kasai-near the Angola border. This dance was (in the old days) danced with a slave in the midst. At the final "Ho" (characteristic of the dance) the slave's head was severed at a single blow. The 3 xylophones were propped up at sn angle of about 45 degrees by small forked sticks. The resonators were either gourds or lengths of bamboo with open mirliton. The bamboo resonators were palstered with mud, presumably to stop their cracking. Each note was attached to the frame with a simple cord, but prevented from slipping by a second string attached near the node and made fast onto the frame. The insulating material on the frame was a bundle of long grass in each case. The three xylophones were called:- Dujimba devase. " dwapakadie. " dwa mukuma. Maza dance for men and women with 1 slit drum (canoe), 1 weighted cylindrical drum (Nguma), open hand beaten and 3 xylophones.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 5 Kete men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139402 , vital:37735 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-03
- Description: The slit drum is called mutumba (the canoe) and the cylindrical drum is Nguma. This group is situated between the Lunda and the Luba. A notably fierce and savage people. They come from the extreme south of the Kasai-near the Angola border. This dance was (in the old days) danced with a slave in the midst. At the final "Ho" (characteristic of the dance) the slave's head was severed at a single blow. The 3 xylophones were propped up at sn angle of about 45 degrees by small forked sticks. The resonators were either gourds or lengths of bamboo with open mirliton. The bamboo resonators were palstered with mud, presumably to stop their cracking. Each note was attached to the frame with a simple cord, but prevented from slipping by a second string attached near the node and made fast onto the frame. The insulating material on the frame was a bundle of long grass in each case. The three xylophones were called:- Dujimba devase. " dwapakadie. " dwa mukuma. Maza dance for men and women with 1 slit drum (canoe), 1 weighted cylindrical drum (Nguma), open hand beaten and 3 xylophones.
- Full Text: false
- Date Issued: 1957
Simbayoka mwisale kwa limubunga (The Simbayoka is a dance for loose women)
- Group of 12 Lozi men and women, Hugh Tracey
- Authors: Group of 12 Lozi men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139796 , vital:37784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-08
- Description: "Simbayuka musiyele kwa limulanga. Simbayuka, Simbayukamusiyele kwa limulanga ngoma ya mahule omu omu shimbi Kayenge. Omu omu shimbi kayenge.". Morality song.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 12 Lozi men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139796 , vital:37784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-08
- Description: "Simbayuka musiyele kwa limulanga. Simbayuka, Simbayukamusiyele kwa limulanga ngoma ya mahule omu omu shimbi Kayenge. Omu omu shimbi kayenge.". Morality song.
- Full Text: false
- Date Issued: 1957
Omukaire ayabire ha
- Boys of Busoga College, Hugh Tracey
- Authors: Boys of Busoga College , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171171 , vital:42026 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-02
- Description: "Where has the old woman gone, she has got a stick and a pipe, and she has gone to the place we have been talking about." School song.
- Full Text: false
- Date Issued: 1952
- Authors: Boys of Busoga College , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171171 , vital:42026 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-02
- Description: "Where has the old woman gone, she has got a stick and a pipe, and she has gone to the place we have been talking about." School song.
- Full Text: false
- Date Issued: 1952
Ngorombe
- Several boys with Nyere flutes, Hugh Tracey
- Authors: Several boys with Nyere flutes , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180316 , vital:43352 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-03
- Description: The Zezuru play ensembles of flutes, each player having two or three loose end blown flutes which blows in his turn interpolating his notes at the right moments in the melody after the fashion of bell ringers. The players perform a number of variations interpreting voiced notes into the sequence of pipe notes. Ngorombe flute dance.
- Full Text: false
- Date Issued: 1949
- Authors: Several boys with Nyere flutes , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180316 , vital:43352 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-03
- Description: The Zezuru play ensembles of flutes, each player having two or three loose end blown flutes which blows in his turn interpolating his notes at the right moments in the melody after the fashion of bell ringers. The players perform a number of variations interpreting voiced notes into the sequence of pipe notes. Ngorombe flute dance.
- Full Text: false
- Date Issued: 1949
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