Anya vindelu tayani uyanga (Be careful, you who wear beards)
- Authors: Jefaserase Lungu and 4 Ngoni men , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Zambia Roan Antelope Mine, Northern Rhodesia f-za
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154947 , vital:39796 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-16
- Description: There is a belief that those who wear moustaches or beards are given to the practise of witchcraft. And the song warns them to be careful or they will not receive proper burial when they die, but their bodies will be thrown away in the bush. The leader of this song of Ngoni dancers was a much older man than the dancers. Mbanda dance song with leg rattles.
- Full Text: false
- Date Issued: 1959
Ntoeng (To the war)
- Authors: Mpara Masienyane and large group of men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/162182 , vital:40817 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-01
- Description: This Lengae is sung when boys are going up to the initiation school. "Maluke's husband captured Seleke, a cow for which there had been much fighting. A question is asked about Maphaleng's grave. 'Is it where we have been fighting? Who do you say should take me to war? I am afraid when men go out armed.' Men, you do not make sufficient sound. Is it because of all that beard? Lengae men's initiation song.
- Full Text: false
- Date Issued: 1959
Pududu we-e (Old one)
- Authors: Group of 70 men , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Mochudi f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166209 , vital:41338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0117-01
- Description: "Grey ox-grey home. There at the place we have come from, we have destroyed. The heart of the enemy, grey home, we have slaughtered for the birds of prey. The ox of the enemy, they have destroyed us and we also have destroyed them. Men, we are people who have spilt blood on the grass. We are the blood spilt on the grass-Grey home. The ox of the enemy, we are those whose blood is spilt everywhere upon the earth. Brindled one, with a blackback, beast of the enemy." The song was introduced by the Chief, Murusi Pilane. Regimental song.
- Full Text: false
- Date Issued: 1959
Mlembe special (Havelock compound special)
- Authors: The Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152751 , vital:39338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-03
- Description: This "gnome-like"" music, so easily played and accompanied has swept into popularity since 1956. It has an immediate effect upon young Africans, especially those under twenty and perhaps even more so upon the under ten year olds. Mlembe is a native Swati name for this Havelock asbestos mine. Every tune on the whistle-flutes or penny whistles enjoys the mane of "special: a trick learnt from gramophone record titles. They all imitate other tunes in an urban/folk manner until there is no telling which tune came first, which is the original, and which is the imitation. Town dance with 2 guitars (-10.58-), 2 penny whistle-flutes.
- Full Text: false
- Date Issued: 1958
Musengu
- Authors: Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Zimbabwe Mkota, Mtoko District f-rh
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156559 , vital:40020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-15
- Description: A lovely and typical melody of the district in this north eastern section of Southern Rhodesia. The Matebe were played without their deme resonators. The range of these instruments is over 3 octaves. When he heard himself on the recording the leader Sani said, "I can die now, it does not matter, because I am inside that (record) now." "Why are you not consistent? You say one thing today and another tomorrow." Range of the instrument:- 79 to 688 vs. 3 octaves - 148. Mondoro song for ancestral rites with 3 Matebe dza Mondoro.
- Full Text: false
- Date Issued: 1958
Tilira ife (We cry for those who left Gwero)
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159574 , vital:40313 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-03
- Description: "We cry for the boys who have left Gwero (the boma of Kasungu). Such as Kaziyambe Zimba, Mbelere Phiri who went to Lusaka. Stars shone on them, teaching them cleanliness. They are pround in Cape Town." The Muganda dance with Malipenga horns is usually performed in three parts, the first and third parts being with horns and the second, of which this is an example, without horns. Muganda dance (part 2) with brass drum.
- Full Text: false
- Date Issued: 1958
Umtagato-we! (I am held)
- Authors: The Coal Brothers (Four young Swazi youth) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152742 , vital:39337 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-02
- Description: One flute played the melody and the other two played an accompaniment at different pitches while the guitarist stummed out a couple of chords. Town dance with 3 penny whistles (whistle flutes) and a guitar.
- Full Text: false
- Date Issued: 1958
Amapoyisa ahlal' esangweni
- Authors: Group of Baca Men (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Zulu , Africa South Africa Mahlabatini f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133452 , vital:36978 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR012-07
- Description: Wedding song with sticks
- Full Text: false
- Date Issued: 1957
Bino Siabungu balu oba mboma, wewe (We 'honour' those who killed the mother of Siabungu)
- Authors: Group of Tonga men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138035 , vital:37586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-07
- Description: The sound of the women's feet can be heard on the hard dusty ground. "Honour" is used in the opposite sense, really meaning "hate." In this song the usual African belief that death is caused by ill-wishing or magic, is implied. Funeral dance song with ensemble of Nyele end-blown antelope horns and Ngoma drums.
- Full Text: false
- Date Issued: 1957
Kame-lo
- Authors: Ilunga Patrice and Misomba Victor, and friends , Misomba Victor , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical song , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135686 , vital:37289 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR025-09
- Description: Topical song with 2 guitars and bottle
- Full Text: false
- Date Issued: 1957
Katikalepuke, katikatobeke (About to snap, about to break)
- Authors: Isaac Matafwana and Sunkutu , Hugh Tracey
- Date: 1957
- Subjects: Folk songs, Ambo (Zambia) , Folk songs, Bemba , Topical songs , Africa Zambia Mufulira f-za
- Language: bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135125 , vital:37239 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0023-07
- Description: The words are mostly in Bemba with a little Swahili here and there. "About to snap, about to break. Leave me by myself, so that I can enjoy the pleasure of it. Let the others indulge in their eartly pleasures. Don't worry about them. I like my girl because she dresses well." Topical song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
Lala drum rhythms
- Authors: Safuke, Mwape and Kunda , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Instrumental music , Drum , Africa Zambia Serenje f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134715 , vital:37193 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0021-08
- Description: This dance, they say, is done upon ant festive occasion. For Fwandoula dance, with 3 conical drums, hand beaten (Kumgulumi, Tiwira and Chirarira), with Nkonkonto stick and Misewe tin rattle. For Sai dance with 3 conical drums, hand-beaten, with 2 pairs of rattles.
- Full Text: false
- Date Issued: 1957
Lolo inamukinga
- Authors: Ngoi Nono and Kabango Anastase with 9 Luba men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Topical songs , Instrumental music , Africa Democratic Republic of Congo Katanga f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134524 , vital:37171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0020-09
- Description: The singers of this song were all employed on the Kolwezi Copper mine, the most westerly of the great copper mines of the Katanga province of Southern Congo. Topical songs with 2 guitars, bottle and small rattle.
- Full Text: false
- Date Issued: 1957
Masalela
- Authors: Group of young Xhosa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150394 , vital:38971 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR060-01
- Description: This group of "Amakwenkwe" (young unitiated men) all wrapped in red blankets, carrying sticks and wearing bead leggings, sang very well with gravity and intersity. They were all under 18 years of age. In the interval between the songs, they went off to fetch their sticks and struck them together during the song to mark the rhythm. Three group fighting song, with sticks and whistles.
- Full Text: false
- Date Issued: 1957
Mobai
- Authors: Group of Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138617 , vital:37656 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-03
- Description: This seems to be one of the Masabe dances for both men and women- connected with the worship or propitiation of souls or spirits called Masabe. The difference between the two does not appear to be clear cut but the Tonga recognize a number of spiritual entities which are connected with their respective Sabe dance. Masabe dance with 2 drums, hand beaten, pegged, 1 goblet (-14.5101-), 1 cylindrical.
- Full Text: false
- Date Issued: 1957
Mutombo ko saye
- Authors: Group of 7 Luba men and 1 woman , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabongo f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137831 , vital:37564 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-12
- Description: The player sat on the box drum, and raised or lowered the pitch by pressing his heels on the membrane, whilst beating it. The Fwila danced with fresh leaves and twigs worn round the waist. Fwila dance song with 1 smaill goblet drum, closed, pinned, hand beaten, and 1 box drum, hand beaten and tapped on side.
- Full Text: false
- Date Issued: 1957
Mwana wa maangu (Child of my mother)
- Authors: Saizi Sihole , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Folk songs, Ndau , Ndau (African people) , Africa Mozambique Sipungabera f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152021 , vital:39204 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-06
- Description: "Child of my mother, I am playing at Kariba. When a child sees flowers, he forgets to go on his way. Self-delectative song with mbira dza waNdau with bell, 2 manuals.
- Full Text: false
- Date Issued: 1957
Nalinamayo nshale chula (When I had a mother, I did not starve)
- Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ruund (African people) , Ushi (African people) , Congo (Democratic Republic) , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139994 , vital:37821 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-12
- Description: The main theme is about his mother, and he continues:- "My mouth should not get excited and curse people because some of them are gentlemen, and better than myslef. Even in the presence of all you people, I should still be myself. I am very pleased to see this "Bwana", as he makes it possible for me to have my songs recorded." Topical song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
Ndarembokutwa muzheni (I am tired of pounding)
- Authors: Shenge Mashowa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Folk songs, Ndau , Ndau (African people) , Africa Mozambique Maceques f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152033 , vital:39205 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-07
- Description: "I am tired of pounding for a lizard who is too tired to go to Johannesburg to work. Get out of that house. If you refuse to come out I will come and pull you out. If it were me I would go to Johannesburg because if women were always telling me to go and work, I would do so." Topical song with mbira dza waNdau.
- Full Text: false
- Date Issued: 1957
Ngej kaku mumeneka, weya ya mama (Greetings to the stranger)
- Authors: Large group of Chokwe men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Chokwe (African people) , Folk music , Angola , Congo (Democratic Republic) , Africa Democratic Republic of Congo Sandoa f-cg
- Language: Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137025 , vital:37480 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR036-01
- Description: The 2 drums set up a quick ripplig rhythm which is quickly followed by the typically antiphonal, call and reply singing of the leader and his group, with their constant repetition of the word "Mama". At the end of the recording the sound of the stick, and each drum is brought up and each part can be clearly heard. Chiyanda dance song with 2 conical drums, pegged, open, hand beaten and 2 pieces of wood struck together.
- Full Text: false
- Date Issued: 1957