Ngophi lonyaka sazesabanjwa
- Composer Not Specified, Xhosa Ladies, Dargie, Dave
- Authors: Composer Not Specified , Xhosa Ladies , Dargie, Dave
- Date: 1982-03-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/264601 , vital:53751 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD035-06
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1982-03-07
- Authors: Composer Not Specified , Xhosa Ladies , Dargie, Dave
- Date: 1982-03-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Lumko f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/264601 , vital:53751 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD035-06
- Description: Indigenous music.
- Full Text: false
- Date Issued: 1982-03-07
Sanctus from Missa Marymount
- Choir, Kolisi, G. M., Huwiler, Kurt, Dargie, Dave
- Authors: Choir , Kolisi, G. M. , Huwiler, Kurt , Dargie, Dave
- Date: 1977-12-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Mount Ayliff f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/254125 , vital:52437 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD003-09
- Description: Indigenous music, Choral music.
- Full Text: false
- Date Issued: 1977-12-27
- Authors: Choir , Kolisi, G. M. , Huwiler, Kurt , Dargie, Dave
- Date: 1977-12-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Mount Ayliff f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/254125 , vital:52437 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DD003-09
- Description: Indigenous music, Choral music.
- Full Text: false
- Date Issued: 1977-12-27
Mwemiso. 5th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193004 , vital:45288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-01
- Description: The dances did not dance for this movement as usual, thinking they were only needed for the song which goes with the movement. The name of this Mwemiso movement indicates the principal dance action, that of pointing both arms forward with shield and stick, but the meaning of the name is uncertain. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193004 , vital:45288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-01
- Description: The dances did not dance for this movement as usual, thinking they were only needed for the song which goes with the movement. The name of this Mwemiso movement indicates the principal dance action, that of pointing both arms forward with shield and stick, but the meaning of the name is uncertain. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Masengo ma Bena Nomba
- Nono, Ngoi, Anastase, Kabongo, Composer unknown, Tracey, Hugh
- Authors: Nono, Ngoi , Anastase, Kabongo , Composer unknown , Tracey, Hugh
- Date: 1957-07-24
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Katanga f-cg
- Language: Luba-Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/242783 , vital:51078 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT512-L134 , Research no. L2Z19
- Description: Topical song.
- Full Text: false
- Date Issued: 1957-07-24
- Authors: Nono, Ngoi , Anastase, Kabongo , Composer unknown , Tracey, Hugh
- Date: 1957-07-24
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Katanga f-cg
- Language: Luba-Lulua
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/242783 , vital:51078 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT512-L134 , Research no. L2Z19
- Description: Topical song.
- Full Text: false
- Date Issued: 1957-07-24
Linyalo laka le kimonem' libonela
- Group of Lozi men, Composer not specified, Tracey, Hugh
- Authors: Group of Lozi men , Composer not specified , Tracey, Hugh
- Date: 1957-05-17
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Wankie Colliery f-rh
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/230658 , vital:49803 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT442-L63 , Research no. L2A17
- Description: Indigenous folk song for the 'Siyomboka dance', with singing accompanied by a gourd rattle, a xylophone and a sticks being struck together.
- Full Text: false
- Date Issued: 1957-05-17
- Authors: Group of Lozi men , Composer not specified , Tracey, Hugh
- Date: 1957-05-17
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Wankie Colliery f-rh
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/230658 , vital:49803 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT442-L63 , Research no. L2A17
- Description: Indigenous folk song for the 'Siyomboka dance', with singing accompanied by a gourd rattle, a xylophone and a sticks being struck together.
- Full Text: false
- Date Issued: 1957-05-17
Linyalo laka le kimonem libonela (I knew our marriage would not last)
- Group of Lozi men, Hugh Tracey
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-sa
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139731 , vital:37775 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-03
- Description: "I always knew our marriage would not last, because even before we married you doubted me-Now, please hold my hand or I shall die. Siyomboka dance song with 1 xylophone on a stand, 3 Milupa drums, conical and pegged.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-sa
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139731 , vital:37775 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-03
- Description: "I always knew our marriage would not last, because even before we married you doubted me-Now, please hold my hand or I shall die. Siyomboka dance song with 1 xylophone on a stand, 3 Milupa drums, conical and pegged.
- Full Text: false
- Date Issued: 1957
Musambo
- Large group of of Luba men and women, Hugh Tracey
- Authors: Large group of of Luba men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137803 , vital:37561 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-09
- Description: In the course of the song and towards the end, one of the drummers turned his drum over completely and went on drumming without losing the rhythm. Mambala dance song with 5 goblet drums, closed, pinned, weighted, with mirlitons, hand beaten and 1 double bell and basket rattle.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of of Luba men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137803 , vital:37561 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-09
- Description: In the course of the song and towards the end, one of the drummers turned his drum over completely and went on drumming without losing the rhythm. Mambala dance song with 5 goblet drums, closed, pinned, weighted, with mirlitons, hand beaten and 1 double bell and basket rattle.
- Full Text: false
- Date Issued: 1957
Hauza muteto
- Teni Maposi (Leader), Tracey, Hugh
- Authors: Teni Maposi (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Johannesburg f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194707 , vital:45483 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-04
- Description: This item was recorded in the dance arenaat the consolidated main Reef Gold mine near Johannesburf. The large double bass Timbila (metal drum resonated) makes a full sounded recording. The leader and composer, Teni Maposi, from Regulo Canda's village has for many years been the leader of this mine's Chopi orchestra, over 400 miles from their home district. Other items by the same orchestra led by Teni Maposi at the mine have been published in the 'Music of Africa' series, 'African Dances of the Witwatersrand Gold Mines'. At the opening of the item the singers shout in their own language:- "Beer! Beer! we want at the time we want it! Beer!" Orchestral dance with eight Sange (Alto) Timbila, two Chilanzane (Treble) Timbila, one Debiinda (Bass) and two Gulu double bass Timbila and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1949
- Authors: Teni Maposi (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Johannesburg f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194707 , vital:45483 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-04
- Description: This item was recorded in the dance arenaat the consolidated main Reef Gold mine near Johannesburf. The large double bass Timbila (metal drum resonated) makes a full sounded recording. The leader and composer, Teni Maposi, from Regulo Canda's village has for many years been the leader of this mine's Chopi orchestra, over 400 miles from their home district. Other items by the same orchestra led by Teni Maposi at the mine have been published in the 'Music of Africa' series, 'African Dances of the Witwatersrand Gold Mines'. At the opening of the item the singers shout in their own language:- "Beer! Beer! we want at the time we want it! Beer!" Orchestral dance with eight Sange (Alto) Timbila, two Chilanzane (Treble) Timbila, one Debiinda (Bass) and two Gulu double bass Timbila and tin rattles (-12.54-).
- Full Text: false
- Date Issued: 1949
Migodo of Cabo Mahamba and Regulo Zandamela (Mzeno)
- Sancho Nyamchunbele, Tracey, Hugh
- Authors: Sancho Nyamchunbele , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194533 , vital:45459 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-12
- Description: This is said to be the best song ever composed by Sancho Nyamchungele. The Chopi of Zandamela consider this song excellent both in melody and lyric. It refers to the scattering of Chopi to the mines and other places away from their country when they go off to work. When they sing their song they feel deeply moved by both words and music, they say. The lyric is original, but the melody is very like one of the Mzeno composed by Komukomu of Banguza's village. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Sancho Nyamchunbele , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194533 , vital:45459 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-12
- Description: This is said to be the best song ever composed by Sancho Nyamchungele. The Chopi of Zandamela consider this song excellent both in melody and lyric. It refers to the scattering of Chopi to the mines and other places away from their country when they go off to work. When they sing their song they feel deeply moved by both words and music, they say. The lyric is original, but the melody is very like one of the Mzeno composed by Komukomu of Banguza's village. Orchestral dance with 28 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
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