Yal Nafi Yag
- Ndaye Marie Ndiaye (lead vocal), Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus), Tapha Faye (keyboard, arrangements), Papis Diouf (solo guitar), Badou Dieme (bass guitar), Jules Diop (drums), Papu Ndiaye (percussion), Dara Guisse (xalam), Habib Mbengue, Ousmane Ndiaye (additional percussion), Ndiago Ndour, Samassa Records
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130228 , vital:36389 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-05
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130228 , vital:36389 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-05
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
Sadioulou
- Namakoro Fomba (author, composer, callebasse, Donso n'goni), Koko Dembele (guitar), Abdoul Wahab Berthe (bass guitar, karignan), Assanatou Kouyate, Assetou Kone (chorus), MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Authors: Namakoro Fomba (author, composer, callebasse, Donso n'goni) , Koko Dembele (guitar) , Abdoul Wahab Berthe (bass guitar, karignan) , Assanatou Kouyate, Assetou Kone (chorus) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Religious aspects , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130402 , vital:36413 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC42-05
- Description: Traditional Malian music that reflects the spiritual rhythm of Komo worship of the Malinke, Bambara, Kagoro, Fulani, Manding, Fouladougou and Girgo and Bougouni peoples of Mali
- Full Text: false
- Date Issued: 1999
- Authors: Namakoro Fomba (author, composer, callebasse, Donso n'goni) , Koko Dembele (guitar) , Abdoul Wahab Berthe (bass guitar, karignan) , Assanatou Kouyate, Assetou Kone (chorus) , MALI K7 S.A. Ali Furka Toure Associe, Bamako
- Date: 1999
- Subjects: Popular music--Religious aspects , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130402 , vital:36413 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC42-05
- Description: Traditional Malian music that reflects the spiritual rhythm of Komo worship of the Malinke, Bambara, Kagoro, Fulani, Manding, Fouladougou and Girgo and Bougouni peoples of Mali
- Full Text: false
- Date Issued: 1999
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