Food and Nihilism :a Nietzschean and Deleuzian exploration of contemporary dominant food discourses
- Authors: Du Plessis, Karen
- Date: 2020
- Subjects: Nihilism (Philosophy) -- History , Food culture -- Religious Aspects
- Language: English
- Type: Thesis , Masters , DPhil
- Identifier: http://hdl.handle.net/10948/46870 , vital:39718
- Description: This study is based on the proposition that the respective philosophies of Nietzsche and Deleuze, including his collaborative work with Guattari, provide a way to rethink the underlying structures that inform ways of thinking about food and eating. In Nietzschean and Deleuzian terms, many of the dominant ways that humans currently think about food and eating are fraught with multiple anxieties that lead to passivity and despair, as well as obsessive concerns and feelings of guilt. This can be understood as various ways to say No to life and to difference‘. For the sake of overcoming (or at least addressing) such forms of eating-related nihilism, or life-denying attitudes, I argue that there is an urgent need for philosophical research that deals critically with the underlying food values‘ that lead to contemporary nihilistic ways of thinking about food. Further, I argue that critiquing contemporary dominant nihilistic food discourses and values from a Deleuzian and Nietzschean perspective, as well as exploring what produces nihilism, opens up Avenues/possibilities for shifts in approaching the problem of food and eating in a more life-affirming way. Specifically, Nietzsche‘s work on active and reactive forces, coupled with Deleuze and Guattari‘s account of concepts, allows for an exploration of what a starting point for overcoming nihilism might look like. In this case I argue that in order to think in a new way about the different aspects of eating, a more life-affirming and active concept of a body‘ should be produced.
- Full Text:
- Date Issued: 2020
- Authors: Du Plessis, Karen
- Date: 2020
- Subjects: Nihilism (Philosophy) -- History , Food culture -- Religious Aspects
- Language: English
- Type: Thesis , Masters , DPhil
- Identifier: http://hdl.handle.net/10948/46870 , vital:39718
- Description: This study is based on the proposition that the respective philosophies of Nietzsche and Deleuze, including his collaborative work with Guattari, provide a way to rethink the underlying structures that inform ways of thinking about food and eating. In Nietzschean and Deleuzian terms, many of the dominant ways that humans currently think about food and eating are fraught with multiple anxieties that lead to passivity and despair, as well as obsessive concerns and feelings of guilt. This can be understood as various ways to say No to life and to difference‘. For the sake of overcoming (or at least addressing) such forms of eating-related nihilism, or life-denying attitudes, I argue that there is an urgent need for philosophical research that deals critically with the underlying food values‘ that lead to contemporary nihilistic ways of thinking about food. Further, I argue that critiquing contemporary dominant nihilistic food discourses and values from a Deleuzian and Nietzschean perspective, as well as exploring what produces nihilism, opens up Avenues/possibilities for shifts in approaching the problem of food and eating in a more life-affirming way. Specifically, Nietzsche‘s work on active and reactive forces, coupled with Deleuze and Guattari‘s account of concepts, allows for an exploration of what a starting point for overcoming nihilism might look like. In this case I argue that in order to think in a new way about the different aspects of eating, a more life-affirming and active concept of a body‘ should be produced.
- Full Text:
- Date Issued: 2020
Reconfiguring international pharmaceutical patent protection principles to combat linkage evergreening :|b'de-linking the evergreen' and proposing a solution for developing countries
- Authors: Omino, Akinyi Melissa Anne
- Date: 2016
- Subjects: Patent medicines--Developing countries Drugs--Developing countries Patent laws and legislation--Developing countries
- Language: English
- Type: Thesis , Masters , Law
- Identifier: http://hdl.handle.net/10353/11663 , vital:39094
- Description: Recent remarks made by the current South African Minister of Health describing as a plot to ‘genocide’ a leaked document allegedly authored by a group of multinational pharmaceutical companies in response to the country’s Draft IP Policy is evidence of the importance of both pharmaceutical patents and the national intellectual property policies underpinning their legislative landscape. The proliferation of linkage evergreening provisions through multilateral agreements has also recently become a trend globally. Evergreening has been described as the various ways in which pharmaceutical patent owners use the law and related regulatory processes to extend the patent term of their high profit-making pharmaceuticals. The evergreening phenomenon has also been referred to as patent evergreening, which involves the practice of obtaining multiple patents that cover different aspects of the same product. Linkage evergreening however specifically refers to the phenomenon where generics pharmaceutical manufacturers cannot receive regulatory approval or marketing authorization for developing a pharmaceutical product that is still protected by a patent. The evergreening phenomenon is achieved through Free Trade Agreements (FTAs) which require participating nations to incorporate linkage and other intellectual property provisions in their national patent systems in exchange for preferential trade terms. These agreements generally provide for stronger provisions than the Agreement on Trade Related Aspects of Intellectual Property Rights (TRIPS) and are thus referred to as “TRIPS Plus". Not surprisingly, these “TRIPS Plus” FTAs are negotiated outside the purview of the World Trade Organization (WTO). This thesis examines the role, legality and impact of bilateral free trade agreements which include wide ranging provisions that allow the proliferation of linkage evergreening and thereby frustrate and delay generic medicines’ market entry, prolong and expand patent protections and constrain the exercise of TRIPS flexibilities intended to support access and promote public health. The free trade agreements discussed include the North American Free Trade Agreement (NAFTA), the US - Australia Free Trade Agreement (AUSFTA) and the US - Korea Free Trade Agreement (KORUSFTA). This study also examines the Economic Partnership Agreements (EPAs) in the context of access to medicines and linkage evergreening in developing countries and LDCs in Africa, with a focus on the recently concluded EU – SADC EPA and the EU-EAC EPA still under negotiation. Relevant legislation, policy documents and case law from South Africa, India, the EAC and ARIPO are also explored in this study to gauge their potential to effectively address the challenges of access to medicines and evergreening. This thesis offers a solution to evergreening through the recommendation of guidelines which show law and policy makers how to curtail linkage evergreening. More specifically, it is hoped that the said guidelines as well as the discussion and analyses presented in this thesis will assist in the development of national and regional intellectual property policies, amendment of national and regional legislative instruments as well as the negotiation of regional trade agreements aimed at securing the interests of LDCs and developing countries. It is further hoped that the recommendations made will contribute to ongoing efforts to improve access to affordable medicines in the developing world.
- Full Text:
- Date Issued: 2016
- Authors: Omino, Akinyi Melissa Anne
- Date: 2016
- Subjects: Patent medicines--Developing countries Drugs--Developing countries Patent laws and legislation--Developing countries
- Language: English
- Type: Thesis , Masters , Law
- Identifier: http://hdl.handle.net/10353/11663 , vital:39094
- Description: Recent remarks made by the current South African Minister of Health describing as a plot to ‘genocide’ a leaked document allegedly authored by a group of multinational pharmaceutical companies in response to the country’s Draft IP Policy is evidence of the importance of both pharmaceutical patents and the national intellectual property policies underpinning their legislative landscape. The proliferation of linkage evergreening provisions through multilateral agreements has also recently become a trend globally. Evergreening has been described as the various ways in which pharmaceutical patent owners use the law and related regulatory processes to extend the patent term of their high profit-making pharmaceuticals. The evergreening phenomenon has also been referred to as patent evergreening, which involves the practice of obtaining multiple patents that cover different aspects of the same product. Linkage evergreening however specifically refers to the phenomenon where generics pharmaceutical manufacturers cannot receive regulatory approval or marketing authorization for developing a pharmaceutical product that is still protected by a patent. The evergreening phenomenon is achieved through Free Trade Agreements (FTAs) which require participating nations to incorporate linkage and other intellectual property provisions in their national patent systems in exchange for preferential trade terms. These agreements generally provide for stronger provisions than the Agreement on Trade Related Aspects of Intellectual Property Rights (TRIPS) and are thus referred to as “TRIPS Plus". Not surprisingly, these “TRIPS Plus” FTAs are negotiated outside the purview of the World Trade Organization (WTO). This thesis examines the role, legality and impact of bilateral free trade agreements which include wide ranging provisions that allow the proliferation of linkage evergreening and thereby frustrate and delay generic medicines’ market entry, prolong and expand patent protections and constrain the exercise of TRIPS flexibilities intended to support access and promote public health. The free trade agreements discussed include the North American Free Trade Agreement (NAFTA), the US - Australia Free Trade Agreement (AUSFTA) and the US - Korea Free Trade Agreement (KORUSFTA). This study also examines the Economic Partnership Agreements (EPAs) in the context of access to medicines and linkage evergreening in developing countries and LDCs in Africa, with a focus on the recently concluded EU – SADC EPA and the EU-EAC EPA still under negotiation. Relevant legislation, policy documents and case law from South Africa, India, the EAC and ARIPO are also explored in this study to gauge their potential to effectively address the challenges of access to medicines and evergreening. This thesis offers a solution to evergreening through the recommendation of guidelines which show law and policy makers how to curtail linkage evergreening. More specifically, it is hoped that the said guidelines as well as the discussion and analyses presented in this thesis will assist in the development of national and regional intellectual property policies, amendment of national and regional legislative instruments as well as the negotiation of regional trade agreements aimed at securing the interests of LDCs and developing countries. It is further hoped that the recommendations made will contribute to ongoing efforts to improve access to affordable medicines in the developing world.
- Full Text:
- Date Issued: 2016
"Museum spaces in post-apartheid South Africa": the Durban Art Gallery as a case study
- Authors: Brown, Carol
- Date: 2006
- Subjects: Durban Art Gallery -- History Museums -- South Africa -- Durban Art museums -- South Africa -- Durban Art -- South Africa -- Durban -- Exhibitions Art, Modern -- 20th century -- Exhibitions Art, Modern -- 19th century -- Exhibitions
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2446 , http://hdl.handle.net/10962/d1006231
- Description: This dissertation examines the history of the Durban Art Gallery from its founding in 1892 until 2004, a decade after the First Democratic Election. While the emphasis is on significant changes that were introduced in the post-1994 period, the earlier section of the study locates these initiatives within a broad historical framework. The collecting policies of the museum as well as its exhibitions and programmes are considered in the light of the institution 's changing social and political context as well as shifting imperatives within a local, regional and national art world. The Durban Art Gallery was established in order to promote a European, and particularly British, culture, and the acquisition and appreciation of art was considered an important element in the formation of a stable society. By providing a broad overview of the early years of the gallery, I identify reasons for the choice of acquisitions and explore the impact and reception of a selection of exhibitions. I investigate changes during the 1960s and 1970s through an examination of the Art South Africa Today exhibitions: in addition to opening up institutional spaces to a racially mixed community, these exhibitions marked the beginning of an imperative to show protest art. I argue that, during the political climate of the 1980s, there was a tension in the cultural arena between, on the one hand, a motivation to retain a Western ideal of 'high art' and, on the other, a drive to accommodate the new forms of people's art and to challenge the values and ideological standpoints that had been instrumental in shaping collecting and exhibiting policies in the South African art arena. I explore this tension through a discussion of the Cape Town Triennial exhibitions, organised jointly by all the official museums, which ran alongside more inclusive and independently curated exhibitions, such as Tributaries, which were shown mainly outside the country. The post-1994 period marked an opening up of spaces, both literally and conceptually. This openness was manifest in the revised strategies that were introduced to show the Durban Art Gallery 's permanent collection as well as in two key public projects that were started - Red Eye @rt and the AIDS 2000 ribbon. Through an examination of these strategies and initiatives, I argue that the central role of the Durban Art Gallery has shifted from being a repository to providing an interactive public space.
- Full Text:
- Date Issued: 2006
- Authors: Brown, Carol
- Date: 2006
- Subjects: Durban Art Gallery -- History Museums -- South Africa -- Durban Art museums -- South Africa -- Durban Art -- South Africa -- Durban -- Exhibitions Art, Modern -- 20th century -- Exhibitions Art, Modern -- 19th century -- Exhibitions
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2446 , http://hdl.handle.net/10962/d1006231
- Description: This dissertation examines the history of the Durban Art Gallery from its founding in 1892 until 2004, a decade after the First Democratic Election. While the emphasis is on significant changes that were introduced in the post-1994 period, the earlier section of the study locates these initiatives within a broad historical framework. The collecting policies of the museum as well as its exhibitions and programmes are considered in the light of the institution 's changing social and political context as well as shifting imperatives within a local, regional and national art world. The Durban Art Gallery was established in order to promote a European, and particularly British, culture, and the acquisition and appreciation of art was considered an important element in the formation of a stable society. By providing a broad overview of the early years of the gallery, I identify reasons for the choice of acquisitions and explore the impact and reception of a selection of exhibitions. I investigate changes during the 1960s and 1970s through an examination of the Art South Africa Today exhibitions: in addition to opening up institutional spaces to a racially mixed community, these exhibitions marked the beginning of an imperative to show protest art. I argue that, during the political climate of the 1980s, there was a tension in the cultural arena between, on the one hand, a motivation to retain a Western ideal of 'high art' and, on the other, a drive to accommodate the new forms of people's art and to challenge the values and ideological standpoints that had been instrumental in shaping collecting and exhibiting policies in the South African art arena. I explore this tension through a discussion of the Cape Town Triennial exhibitions, organised jointly by all the official museums, which ran alongside more inclusive and independently curated exhibitions, such as Tributaries, which were shown mainly outside the country. The post-1994 period marked an opening up of spaces, both literally and conceptually. This openness was manifest in the revised strategies that were introduced to show the Durban Art Gallery 's permanent collection as well as in two key public projects that were started - Red Eye @rt and the AIDS 2000 ribbon. Through an examination of these strategies and initiatives, I argue that the central role of the Durban Art Gallery has shifted from being a repository to providing an interactive public space.
- Full Text:
- Date Issued: 2006
- «
- ‹
- 1
- ›
- »