A study of Oliver Messiaen's song-cycles Poèms pour mi, Chants de terre et de ciel, and Harawi
- Authors: Donkin, Deborah Jean
- Date: 1992
- Subjects: Messiaen, Olivier, 1908-1992 Song cycles--Interpretation (Phrasing, dynamics, etc.)
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2635 , http://hdl.handle.net/10962/d1002300
- Description: This thesis ventures into the relatively neglected world of twentieth century vocal music, via the three song cycles of Oliver Messiaen. The song cycle is a comparatively young genre, generally dated from Beethoven's An die ferne Geliebte or by some, even later to Schubert's Die schone Miillerin. Nevertheless, considerable changes have taken place in the 160 years which separate Messiaen's cycles from those of the 'pioneers' mentioned above. A fuller appreciation of twentieth century cycles is facilitated by observing this evolutionary process and placing the works within an historical and cultural perspective. Such an introduction is provided in part one of this thesis, along with relevant details on the life and interests of Messiaen. The latter information gives insight into the compositions themselves and may satisfy the reader's curiosity on the origin of some of the more unexpected techniques or ideas Messiaen llses. Before embarking on a study of the cycles, it is necessary to look at the highly individual musical language of the composer. Section two undertakes this task in some depth, wherever possible relating the explanations directly to the songs which follow. In order to clarify the text and to simplify the exercise for the reader, numerous musical examples have been used. This contributes to the apparent bulk of this section. The main emphasis of the thesis is the detailed study of the 20 songs contained in Poemes pour Mi, Chants de Terre et de Cief and Harawi. The third section of the thesis deals with this material thoroughly and systematically, dividing it up into musical and extra-musical aspects. The texts are considered in terms of Surrealist, religious, Nature, numerological and, in the case of Harawi, mythological and Peruvian folk symbolism. The relationship of text to music is studied and evelopments highlighted. Musically, the study is further sub-divided into piano part and vocal part. In each case, an extensive exploration of the techniques required of the performer is presented. This makes possible the subsequent categorisation of the songs on the basis of similarities in the musical means. Conclusions reached show a progressive development through the three song cycles in the composer's handling of the text, his treatment of the voice, his use of the piano and his expansion of the voice-piano relationship. This body of solo vocal literature emerges as typical of Oliver Messiaen's compositional style in general and therefore properly representative of the meticulous craftsmanship with which his works are constructed. The detailed analysis of all aspects of the songs contributes original material to scholarship on Messiaen and on song cycles in the twentieth century.
- Full Text:
- Date Issued: 1992
- Authors: Donkin, Deborah Jean
- Date: 1992
- Subjects: Messiaen, Olivier, 1908-1992 Song cycles--Interpretation (Phrasing, dynamics, etc.)
- Language: English
- Type: Thesis , Masters , MMus
- Identifier: vital:2635 , http://hdl.handle.net/10962/d1002300
- Description: This thesis ventures into the relatively neglected world of twentieth century vocal music, via the three song cycles of Oliver Messiaen. The song cycle is a comparatively young genre, generally dated from Beethoven's An die ferne Geliebte or by some, even later to Schubert's Die schone Miillerin. Nevertheless, considerable changes have taken place in the 160 years which separate Messiaen's cycles from those of the 'pioneers' mentioned above. A fuller appreciation of twentieth century cycles is facilitated by observing this evolutionary process and placing the works within an historical and cultural perspective. Such an introduction is provided in part one of this thesis, along with relevant details on the life and interests of Messiaen. The latter information gives insight into the compositions themselves and may satisfy the reader's curiosity on the origin of some of the more unexpected techniques or ideas Messiaen llses. Before embarking on a study of the cycles, it is necessary to look at the highly individual musical language of the composer. Section two undertakes this task in some depth, wherever possible relating the explanations directly to the songs which follow. In order to clarify the text and to simplify the exercise for the reader, numerous musical examples have been used. This contributes to the apparent bulk of this section. The main emphasis of the thesis is the detailed study of the 20 songs contained in Poemes pour Mi, Chants de Terre et de Cief and Harawi. The third section of the thesis deals with this material thoroughly and systematically, dividing it up into musical and extra-musical aspects. The texts are considered in terms of Surrealist, religious, Nature, numerological and, in the case of Harawi, mythological and Peruvian folk symbolism. The relationship of text to music is studied and evelopments highlighted. Musically, the study is further sub-divided into piano part and vocal part. In each case, an extensive exploration of the techniques required of the performer is presented. This makes possible the subsequent categorisation of the songs on the basis of similarities in the musical means. Conclusions reached show a progressive development through the three song cycles in the composer's handling of the text, his treatment of the voice, his use of the piano and his expansion of the voice-piano relationship. This body of solo vocal literature emerges as typical of Oliver Messiaen's compositional style in general and therefore properly representative of the meticulous craftsmanship with which his works are constructed. The detailed analysis of all aspects of the songs contributes original material to scholarship on Messiaen and on song cycles in the twentieth century.
- Full Text:
- Date Issued: 1992
Criminal and civil aspects of bribery
- Authors: Leslie, Andrew Brian
- Date: 1988
- Subjects: Bribery
- Language: English
- Type: Thesis , Masters , LLM
- Identifier: vital:3701 , http://hdl.handle.net/10962/d1004607
- Description: The purpose of this work is to identify legal action which may be taken against parties to bribery in the fields of criminal and civil law. In particular, the element of mens rea is investigated with regard to criminal corruption. On the civil side, the principal, who has been the victim of bribery, has various remedies against the parties to the bribe. These remedies are analysed with special reference to the influence of English law on the South African law in this field. The options open to the principal, where his agent has made a secret profit which does not amount to bribery, are also considered.
- Full Text:
- Date Issued: 1988
- Authors: Leslie, Andrew Brian
- Date: 1988
- Subjects: Bribery
- Language: English
- Type: Thesis , Masters , LLM
- Identifier: vital:3701 , http://hdl.handle.net/10962/d1004607
- Description: The purpose of this work is to identify legal action which may be taken against parties to bribery in the fields of criminal and civil law. In particular, the element of mens rea is investigated with regard to criminal corruption. On the civil side, the principal, who has been the victim of bribery, has various remedies against the parties to the bribe. These remedies are analysed with special reference to the influence of English law on the South African law in this field. The options open to the principal, where his agent has made a secret profit which does not amount to bribery, are also considered.
- Full Text:
- Date Issued: 1988
Aspekte van die erotiek in enkele romans van André P Brink
- Authors: Milton, Laura
- Date: 1987
- Subjects: Brink, André P (André Philippus), 1935-2015 -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3571 , http://hdl.handle.net/10962/d1002094 , Brink, André P (André Philippus), 1935-2015 -- Criticism and interpretation
- Description: Die doel van hierdie studie is om ondersoek in te stel na aspekte van die erotiek in enkele romans van André P. Brink. Die studie bestaan uit twee afsonderlike dele: genoem 'teorie' en 'praktyk'. In die teoretiese deel sal daar eerstens kortliks gekyk word na 'n definiering van enkele kernbegrippe - onder andere 'seksualiteit', 'erotiek' en 'pornografie'. Daar word nie gepoog om algemeen-geldende definisies te formuleer nie, maar eerder definisies wat nuttig is vir die doel van hierdie studie. Daarna sal ondersoek ingestel word na Brink self se teoretiese formulerings met betrekking tot die erotiek. In die tweede deel sal gekonsentreer word op die erotiek in die praktyk van Brink se romans. Eerstens sal die keuse van romans verduidelik word en dan sal daar oorgegaan word tot 'n bespreking van drie romans: Die ambassadeur (1963), Kennis van die Aand (1973) en 'n Oomblik in die wind (1975). Ten slotte sal die gevolgtrekkings van die studie kortliks saamgevat word (Introduction, p. 1)
- Full Text:
- Date Issued: 1987
- Authors: Milton, Laura
- Date: 1987
- Subjects: Brink, André P (André Philippus), 1935-2015 -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3571 , http://hdl.handle.net/10962/d1002094 , Brink, André P (André Philippus), 1935-2015 -- Criticism and interpretation
- Description: Die doel van hierdie studie is om ondersoek in te stel na aspekte van die erotiek in enkele romans van André P. Brink. Die studie bestaan uit twee afsonderlike dele: genoem 'teorie' en 'praktyk'. In die teoretiese deel sal daar eerstens kortliks gekyk word na 'n definiering van enkele kernbegrippe - onder andere 'seksualiteit', 'erotiek' en 'pornografie'. Daar word nie gepoog om algemeen-geldende definisies te formuleer nie, maar eerder definisies wat nuttig is vir die doel van hierdie studie. Daarna sal ondersoek ingestel word na Brink self se teoretiese formulerings met betrekking tot die erotiek. In die tweede deel sal gekonsentreer word op die erotiek in die praktyk van Brink se romans. Eerstens sal die keuse van romans verduidelik word en dan sal daar oorgegaan word tot 'n bespreking van drie romans: Die ambassadeur (1963), Kennis van die Aand (1973) en 'n Oomblik in die wind (1975). Ten slotte sal die gevolgtrekkings van die studie kortliks saamgevat word (Introduction, p. 1)
- Full Text:
- Date Issued: 1987
The rituals of labour migration among the Gcaleka
- Authors: McAllister, Patrick Alister
- Date: 1979
- Subjects: Gcaleka (African people) -- Rites and ceremonies , Gcaleka (African people) -- Employment
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2081 , http://hdl.handle.net/10962/d1001598 , Gcaleka (African people) -- Rites and ceremonies , Gcaleka (African people) -- Employment
- Description: The Xhosa people of the south-eastern part of South Africa have been involved in migratory labour for three generations and more. This study is concerned with the experience of migrant labour among the Gcaleka, who form part of the Xhosa cluster, and who reside in the Willowvale district of the Transkei. It is primarily an attempt to examine and understand the ways in which conservative ("red") Gcaleka society has adapted to the institution of large scale, oscillating labour migration, by looking at the "meaning" of migrant labour to the people involved, and in terms of the relationship between rural social structure and going out to work in town or mine. Much of this meaning and of the relationship between structure and migration is evident in certain ritual and symbolic actions which are associated with a labour migrant's departure from and return to the community. The bulk of the study, therefore, is taken up with a description and analysis of these "rituals of labour migration". An attempt has been made also to relate the rituals of labour migration to the structural principles of society and to underlying moral and religious beliefs and values, and also to the wider Southern African socio-political framework of which the Gcaleka are part. During fieldwork constant reference was made by informants to (ukwakh' umzi) the importance of "building the homestead" and the role of migrant labour in this. The procedure followed here, therefore, after having dealt with basic "background" material and having given an indication of the economic dependence of Gcaleka on migrant labour, is to take the individual homestead as a central reference point. Certain important aspects of social and religious life (kinship, ward section organization, economic relationships and the ancestor cult) are discussed from the point of view of the homestead and the relationships between homesteads in order to outline basic social organizational principles and to identify the socio-economic importance and cultural meaning of migratory labour to conservative Gcaleka. This leads into a discussion of Gcaleka morality in an attempt to demonstrate that the two basic organizational pr inc iples, patrilineali ty and neighbourhood, and their interrelationship, have a counterpart in moral thought. This discussion involves also some tentative ideas regarding the nature of the relationship between morality and religion in this society. All this, it is hoped, provides a basis for the description and analysis of the rituals of labour migration, which follow and which express, inter alia, the importance of the homestead, the organizational importance of kinship and neighbourhood, and certain basic moral precepts. Particular attention is paid to the most elaborate and spectacular of these rituals, the umsindleko beer drink. A separate section is devoted to an attempted analysis of the rituals in terms of Van Gennep's well known schema of rites de passage. Here the absent migrant is viewed as being one who has been separated from society and who has entered a liminal state, to be incorporated back into society once he returns from work. The extent to which liminality is accompanied by the experience of what Victor Turner calls "communitas" is also considered. The general conclusion is that the rituals of labour migration serve as a cultural device to rigidly separate the world of work from the morally superior home reality, to reinforce acceptance of the culturally determined role of migratory labour and migrant labourers and to relate the migratory experience to rural social structure in such a way that the threat of migrant labour is overcome and the rural structure strengthened. To answer the question of why this standpoint towards labour migration has been adopted, it is necessary to outline the position of the Gcaleka within the political economy of Southern Africa, and it is argued that the maintenance of conservatism and the interpretation of migrant labour in terms of the rural structure is largely a response to this position
- Full Text:
- Date Issued: 1979
- Authors: McAllister, Patrick Alister
- Date: 1979
- Subjects: Gcaleka (African people) -- Rites and ceremonies , Gcaleka (African people) -- Employment
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2081 , http://hdl.handle.net/10962/d1001598 , Gcaleka (African people) -- Rites and ceremonies , Gcaleka (African people) -- Employment
- Description: The Xhosa people of the south-eastern part of South Africa have been involved in migratory labour for three generations and more. This study is concerned with the experience of migrant labour among the Gcaleka, who form part of the Xhosa cluster, and who reside in the Willowvale district of the Transkei. It is primarily an attempt to examine and understand the ways in which conservative ("red") Gcaleka society has adapted to the institution of large scale, oscillating labour migration, by looking at the "meaning" of migrant labour to the people involved, and in terms of the relationship between rural social structure and going out to work in town or mine. Much of this meaning and of the relationship between structure and migration is evident in certain ritual and symbolic actions which are associated with a labour migrant's departure from and return to the community. The bulk of the study, therefore, is taken up with a description and analysis of these "rituals of labour migration". An attempt has been made also to relate the rituals of labour migration to the structural principles of society and to underlying moral and religious beliefs and values, and also to the wider Southern African socio-political framework of which the Gcaleka are part. During fieldwork constant reference was made by informants to (ukwakh' umzi) the importance of "building the homestead" and the role of migrant labour in this. The procedure followed here, therefore, after having dealt with basic "background" material and having given an indication of the economic dependence of Gcaleka on migrant labour, is to take the individual homestead as a central reference point. Certain important aspects of social and religious life (kinship, ward section organization, economic relationships and the ancestor cult) are discussed from the point of view of the homestead and the relationships between homesteads in order to outline basic social organizational principles and to identify the socio-economic importance and cultural meaning of migratory labour to conservative Gcaleka. This leads into a discussion of Gcaleka morality in an attempt to demonstrate that the two basic organizational pr inc iples, patrilineali ty and neighbourhood, and their interrelationship, have a counterpart in moral thought. This discussion involves also some tentative ideas regarding the nature of the relationship between morality and religion in this society. All this, it is hoped, provides a basis for the description and analysis of the rituals of labour migration, which follow and which express, inter alia, the importance of the homestead, the organizational importance of kinship and neighbourhood, and certain basic moral precepts. Particular attention is paid to the most elaborate and spectacular of these rituals, the umsindleko beer drink. A separate section is devoted to an attempted analysis of the rituals in terms of Van Gennep's well known schema of rites de passage. Here the absent migrant is viewed as being one who has been separated from society and who has entered a liminal state, to be incorporated back into society once he returns from work. The extent to which liminality is accompanied by the experience of what Victor Turner calls "communitas" is also considered. The general conclusion is that the rituals of labour migration serve as a cultural device to rigidly separate the world of work from the morally superior home reality, to reinforce acceptance of the culturally determined role of migratory labour and migrant labourers and to relate the migratory experience to rural social structure in such a way that the threat of migrant labour is overcome and the rural structure strengthened. To answer the question of why this standpoint towards labour migration has been adopted, it is necessary to outline the position of the Gcaleka within the political economy of Southern Africa, and it is argued that the maintenance of conservatism and the interpretation of migrant labour in terms of the rural structure is largely a response to this position
- Full Text:
- Date Issued: 1979
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