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Bolelela Ramonogeng (Tell Ramonogeng we are going home)

- Silas Kgaragoba, Hugh Tracey

Bolelela Ramonogeng (Tell Ramonogeng)

- Mamideo Motlokwa and 22 men and women, Hugh Tracey

Buyani Sangweni (Come to the gate)

- Elderly men of Chief Njolomole, Hugh Tracey

  • Authors: Elderly men of Chief Njolomole , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
  • Language: Ngoni
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154865 , vital:39787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-07
  • Description: The old Nguni fighting song calls out the men of the village to come and fight, having had the good wishes and blessing of the Isangoma, the woman diviner, assuring them of victory like the prophets of Baal in the Bible story "Go up and prosper." "Ayaye Eye! Come to the gate. There goes the diviner. Yes we hear! What kind of a thing is this and how have you heard it from the wife of a man. It is right, it is right, we agree. Regimental song.
  • Full Text: false
  • Date Issued: 1959

Ca a nelwe kolobe (Give the pig to no one)

- Young school girls, Hugh Tracey

Chikangaide (The bird)

- Young police, Hugh Tracey

  • Authors: Young police , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Poilce Headquaters, Zomba, Ncheu District, Central Nyasaland f-mw
  • Language: Ngoni
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154956 , vital:39797 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-17
  • Description: Once there were some children who took their mother's clothes and gave them to a bird, and the bird started singing and said, "The children were playing and took their mother's clothes and gave them to me knowing nothing because I am only a bird from the bush." The father came and waited for the bird to kill it, but hearing the bird singing so prettily he forgot his anger and in fact went anf gave the bird still more clothes. This is a variation of the old theme of the enchantment of music. It perhaps does not indicate an aeshetic pleasure in the natural song of the blind but rather in the words of the song which it is supposed to have sung. Nthano story song with clapping.
  • Full Text: false
  • Date Issued: 1959

Chilungulungu madje (The water snake)

- Chintuta Banda and group of Ngoni men and women, Hugh Tracey

De Aar (De Aar)

- Matumo Matsinyane, Hugh Tracey

Ditshene tsa Mmuputsoane)

- Rautana Dinake and large group of men and women, Hugh Tracey

  • Authors: Rautana Dinake and large group of men and women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Ngwaketse (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Botswana Kanye f-bs
  • Language: Tswana/Ngwaketse
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162515 , vital:40942 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0108-05
  • Description: "The baboons of Mmuputsoane eat fruit of the Mumpudu tree, unripe. But not the fruit of the Monyenyana. They would rather eat the Mothwanye fruit, but they must spare the fruit of the Mogwana for we use that to make our cider. Sing my birds." The Mogwana tree is one of the trees of the bushveld. It bears fruit which is used by the Tswana people to make a very potent alcoholic brew, much stronger than beer made from grain. Pina dance with clapping and stamping
  • Full Text: false
  • Date Issued: 1959

Dumedisa Moeng

- Mamidse Motlokwa and 22 men, Hugh Tracey

Dumele le teme teme lengwe le godimo (Greetings to the most respected Chief)

- Levi Matlapeng, Hugh Tracey

Ea Tuka (It burns)

- Malefetsane Mosese and large group of men, Hugh Tracey

  • Authors: Malefetsane Mosese and large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162139 , vital:40763 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-12
  • Description: "It is burning! An island is burning! Thaba Bosiu is burning! At the pass there are flames. Thaba Bosiu is burning. You will burn and burst into flames, you witches. You have left the son of God out on the veld. You will have to go back and fetch him. The island is burning!" The song refers to the wild storm which raged around the mountain Thaba Bosiu in 1957 which blew away the roof of a Church and did much damage to homes in the region. Although the song is an initiation song, it is couched in essentially Christian trems. Lengae men's initiation song.
  • Full Text: false
  • Date Issued: 1959

Edele Nkosi

- Robert Golozera and 3 elderly women with the chief, Hugh Tracey

Eh, dumedisa moeng (Greetings to the visitor)

- Mokgele Mokgejane and group of men and women, Hugh Tracey

  • Authors: Mokgele Mokgejane and group of men and women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165556 , vital:41256 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-05
  • Description: "Greetings to the visitors, good day to you, visitors. Tell us where you come from." This song of greetings was followed by a series of praises, spoken by different men, in honour of their own village, Motswedi, which is a pleasantly located village lying on the slopes of a hill which forms a headland jutting out above the plain. This song was prefaced by Chief Lucas Mangape saying "Pula" and everyone responding "Pula" - "Rain", which is a Tswana greeting in this low rainfall region. Greeting song with praises.
  • Full Text: false
  • Date Issued: 1959

Eh, Pula aene, e le mogogo (Let it rain)

- Tietse Modisane and group of about 30 women, Hugh Tracey

  • Authors: Tietse Modisane and group of about 30 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165565 , vital:41257 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-06
  • Description: "Let it rain! Let it rain so that it washes all the rubbish away with its waters!" The Western Transvaal has inadequate rainfall in many places as low as 15 to 18 inches a year, gradually becoming reduced towards the West and the Kalahari Desert where recently in one region no rain at all has fallen for five years. This accounts for the numerous rain songs to be found among the Tswana tribes who have good cause for anxiety for their crops each year. No rain songs are sung in high rainfall areas. The praise lines or verses are set lines, not impromptu. The words are both archaic and poetic used only for Leboko. The clapping is ritual, but it is always correct to clap the hands when asking for something. The Moroka or rainmaker was the officiant in a rain-making ceremony. Rain song, with clapping.
  • Full Text: false
  • Date Issued: 1959

Ei, ei, ei, ngoana oa l-la (Ei, ei, ei, the child cries)

- Agnes Lekhoti and Nuku Lesoetsa, Hugh Tracey

Ekwane ka marumo (Come out with assegais)

- Jemina Pheha and 24 women, Hugh Tracey

  • Authors: Jemina Pheha and 24 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165969 , vital:41302 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-06
  • Description: "Mother, I am born for the assegai. Come out with the assegais people of Dikgale, Come out with the assegais. I was born for the leopard, I was born at the place where the Lehiliri trees grow. Come out with assegais. An old song from the fighting days of the last century. First Mazilikazi and later the whites fought in this district while the tribal headquaters were still here and later near Mochudi in Bechuanaland. Fighting song.
  • Full Text: false
  • Date Issued: 1959

Ena khotso (This peace)

- Mpara Masienyabe abd large group of men, Hugh Tracey

  • Authors: Mpara Masienyabe abd large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162322 , vital:40833 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-15
  • Description: "The girl will marry into the Chief's family. This peace! The cows produce nice milk. We, friends of Lesenyebo's brother, Tau, we, of Phakoe's family, speak well. Mother witches, you will not allow us, your aprons (front covers). My child will soon marry into the Chief's family, my Moliehi! There is fighting where it is where there is no fighting. Even at Maseru there is fighting. Initiation song with hand clapping.
  • Full Text: false
  • Date Issued: 1959

Endai kwenyu watonga, usare machinda (Go away home Watonga, leaving the sons of Chiefs)

- S. Murira, C. Madzikuminga, Z. Muzengedza and S. Madera, Hugh Tracey

Etso ga ke batle e ejwa (I don't want to give my cow)

- Group of Lete men, Hugh Tracey

  • Authors: Group of Lete men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165317 , vital:41232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-04
  • Description: "This dark cow of mine must not be given for lobola because it belongs to the rain. It cannot be given to cowards." This refers to the old custom of sacrificing a dark-coloured or black beast for the rain ceremony. It is sung when the bride-price has been to the girl's parents. At the end of the song one of the men declaims a praise, Maboko, for the grandfather of the present Chief - Chief Ikaneng who died about 1896. Engagement song.
  • Full Text: false
  • Date Issued: 1959

Ga a nelwe Kolobe (Give the pig to no one)

- Lentswe Male and 20 Kgatla men, Hugh Tracey

  • Authors: Lentswe Male and 20 Kgatla men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
  • Language: Tswana/Kgatla
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166014 , vital:41307 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-11
  • Description: "Give the pig to no one. Warn those dogs, Kolobe, and give the pig to no one. Pig is not given to one in confinement. Give it to no one. Hoki has not had some." This song reflects the play of words on the name Kolobe and its literal translation, meaning 'pig'. The song's origin is obsecure. There is little hunting now-a-days and there are few buck or pig left in the vivinity. This song is well-known, it appears, among most, if not all, Tswana tribes. Hunting song.
  • Full Text: false
  • Date Issued: 1959
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