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Kawamyita wagenda baligira nkaituoha

Kigara Kyamasiriba

Kigara kyamsiriba

  • Authors: Babyesiga , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169664 , vital:41784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-07
  • Description: "There was a certain magician who declared that a lion could be killed by the bare hands alone. No one believes him." The singer yodells in typically African fashion. The tuning of this harp is as follows:- 336, 304, 252, 200, 168, (152), (126) vs, strings 7 and 8 were slightly out of tune, and should be 152 and 126. Topical song with Ekidongo eitht string horizontal harp.
  • Full Text: false
  • Date Issued: 1950

Kijamukuku

Kijamukuku

Kirungi Ngweyo

Kishwaga

  • Authors: Kabyoma Mashulamo , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172129 , vital:42164 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-02
  • Description: "When he fights he does not retreat but threatens all the chiefs.". The trough zithers are like long bowls of wood with the strings stretched along over the hollow of the highest note downwards, the friction of the string caught in slits at either end of the trough is enough to retain the tuning for quite a while before returning is necessary. The structure if the phrasing of the accompaniment can be well observed in this recording. Praise song for chief with Nanga trough zither, 7 notes.
  • Full Text: false
  • Date Issued: 1950

Kitwekize kya Winyi Part 1

Kitwekize kya Winyi Part 2

Kitwekize kya Winyi Part I

  • Authors: Bomera and Tibuhoire , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169715 , vital:41791 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-12
  • Description: One of the traditional methods of reciting praises in this country is for the reciter to manipulate a marionette, in this case the skin with head and legs of a small civet cat. The animal is decorated with bead necklets and a small bell which can be heard during the recitation by the two men. The leader manipulated the civet cat with his hand inside the skin as a glove puppet. Winiyi is one of the names of the Mukama, the king of Bunyoro (Now Sir Winyi). Praise song, with clapping.
  • Full Text: false
  • Date Issued: 1950

Kitwekize kya Winyi Part II

  • Authors: Bomera and Tibuhoire , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169724 , vital:41792 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-13
  • Description: One of the traditional methods of reciting praises in this country is for the reciter to manipulate a marionette, in this case the skin with head and legs of a small civet cat. The animal is decorated with bead necklets and a small bell which can be heard during the recitation by the two men. The leader manipulated the civet cat with his hand inside the skin as a glove puppet. Winiyi is one of the names of the Mukama, the king of Bunyoro (Now Sir Winyi). Praise song, with clapping.
  • Full Text: false
  • Date Issued: 1950

Kotabijuba

Kotabijuba

  • Authors: Stephen Kaholya and Nyoro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169742 , vital:41794 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-15
  • Description: The subjects of these short dance songs, such as this, they say, may be lazy people who do not weed their gardens or banana plantations or those who drink too much banana beer. The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. The Engwara horns are built up of sections of gourds bound together with plantain string and re-inforced longitudinally by lathes of bamboo. The are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36 inches. Engwara N'orunyege dance song for men, with Engwara side blown horns, Ebinyege rattles and clapping.
  • Full Text: false
  • Date Issued: 1950

Kotabijuba

Kuhiga

Kuhiga

Kukoikya

Kukoikya (Riddles)

Kurungi Ngewyo

Kurungi Ngweyo

  • Authors: Fersia Binoberwa with Ruguru girls , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Rubirizi f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169991 , vital:41846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-04
  • Description: Song praising the beauties of their land, the Banyaguru county, with its many crater lakes along the edge of the rift valley, its fresh and its bananas. The style of singing suggested foreign influence although the singers assured us it was indigenous. Patriotic song, used as dance song for boys and girls, with two conical drums, laced, single and a raft rattle.
  • Full Text: false
  • Date Issued: 1950
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