Ekwane ka marumo (Come out with assegais)
- Jemina Pheha and 24 women, Hugh Tracey
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165969 , vital:41302 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-06
- Description: "Mother, I am born for the assegai. Come out with the assegais people of Dikgale, Come out with the assegais. I was born for the leopard, I was born at the place where the Lehiliri trees grow. Come out with assegais. An old song from the fighting days of the last century. First Mazilikazi and later the whites fought in this district while the tribal headquaters were still here and later near Mochudi in Bechuanaland. Fighting song.
- Full Text: false
- Date Issued: 1959
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165969 , vital:41302 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-06
- Description: "Mother, I am born for the assegai. Come out with the assegais people of Dikgale, Come out with the assegais. I was born for the leopard, I was born at the place where the Lehiliri trees grow. Come out with assegais. An old song from the fighting days of the last century. First Mazilikazi and later the whites fought in this district while the tribal headquaters were still here and later near Mochudi in Bechuanaland. Fighting song.
- Full Text: false
- Date Issued: 1959
Masilo tswalela kgoro (Masilo close the gate)
- Jemina Pheha and 24 women, Hugh Tracey
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166047 , vital:41311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-14
- Description: "Masilo, close the gate. Close our father's gate. I say, 'Phoroko'" The word 'Phoroko' has a dual meaning to "close the gate" in the sense of "goodbye". Farewell song with metal bucket used as a drum.
- Full Text: false
- Date Issued: 1959
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166047 , vital:41311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-14
- Description: "Masilo, close the gate. Close our father's gate. I say, 'Phoroko'" The word 'Phoroko' has a dual meaning to "close the gate" in the sense of "goodbye". Farewell song with metal bucket used as a drum.
- Full Text: false
- Date Issued: 1959
Matichere le go tshwana diketlele (Teachers and the way they hold their teapots)
- Jemina Pheha and 24 women, Hugh Tracey
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166038 , vital:41310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-13
- Description: "I have met Maloka. They have come to the valley of Marape. Teachers and the way they hold their teapots and their ties. They have run away from us." The Chief seemed to think this song was meant to be satirical with its allusion to teachers. Party song with metal bucket used as a drum.
- Full Text: false
- Date Issued: 1959
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166038 , vital:41310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-13
- Description: "I have met Maloka. They have come to the valley of Marape. Teachers and the way they hold their teapots and their ties. They have run away from us." The Chief seemed to think this song was meant to be satirical with its allusion to teachers. Party song with metal bucket used as a drum.
- Full Text: false
- Date Issued: 1959
Seeta le kgwale mosesetho (Visit the partridge)
- Jemina Pheha and 24 women, Hugh Tracey
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165933 , vital:41298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-02
- Description: "Visit the partridge, where have the mothers been last year? Visit the partridge." The initiation schools are held out in the country away from the village, hence the visit to the wild creatures, such as the partridge. Initiation song with drum.
- Full Text: false
- Date Issued: 1959
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165933 , vital:41298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-02
- Description: "Visit the partridge, where have the mothers been last year? Visit the partridge." The initiation schools are held out in the country away from the village, hence the visit to the wild creatures, such as the partridge. Initiation song with drum.
- Full Text: false
- Date Issued: 1959
Tumediso ya Morena (Greetings to the Chief)
- Jemina Pheha and 24 women, Hugh Tracey
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165924 , vital:41297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-01
- Description: "Great, greetings, owner of the home. Bird greetings. Greetings! Owner of the home, where do I put the shield?" "Bird greetings" implies that the people are the Chief's small birds. The singers are using a local Pedi dialect of Kgatla. Praise song.
- Full Text: false
- Date Issued: 1959
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/165924 , vital:41297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-01
- Description: "Great, greetings, owner of the home. Bird greetings. Greetings! Owner of the home, where do I put the shield?" "Bird greetings" implies that the people are the Chief's small birds. The singers are using a local Pedi dialect of Kgatla. Praise song.
- Full Text: false
- Date Issued: 1959
Waya waya le Makalatshane (You keep comapny with a rogue)
- Jemina Pheha and 24 women, Hugh Tracey
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166029 , vital:41309 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-12
- Description: "You go, you go with a rogue. My son has gone to work for money. The bus is broken. They have broken the bus. The red one with a hole. The bran breaks the spoon. The rogue is Mokgadi Kwekwe. Mmapula is the clan. Mmapula, do not swear at me. I am not your comrade. They give beer according to relationship. Mokgadi is a 'tsotsi', we are surprised." This song is full of topical allusions to local village scandals, and is only to be understood by those acqainted with them. "They give beer according to relationship" implies family favouritism, and friends being left out when the beer goes round. The girl who is keeping comapny with a rogue is not mentioned by name, but is known in the village. Drinking song with netal bucket used as a drum.
- Full Text: false
- Date Issued: 1959
- Authors: Jemina Pheha and 24 women , Hugh Tracey
- Date: 1959
- Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Saulspoort f-sa
- Language: Tswana/Kgatla
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/166029 , vital:41309 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0116-12
- Description: "You go, you go with a rogue. My son has gone to work for money. The bus is broken. They have broken the bus. The red one with a hole. The bran breaks the spoon. The rogue is Mokgadi Kwekwe. Mmapula is the clan. Mmapula, do not swear at me. I am not your comrade. They give beer according to relationship. Mokgadi is a 'tsotsi', we are surprised." This song is full of topical allusions to local village scandals, and is only to be understood by those acqainted with them. "They give beer according to relationship" implies family favouritism, and friends being left out when the beer goes round. The girl who is keeping comapny with a rogue is not mentioned by name, but is known in the village. Drinking song with netal bucket used as a drum.
- Full Text: false
- Date Issued: 1959
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