Showing items 1 - 9 of 9

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Abamalaya

  • Authors: Salima with Haya women , Hugh Tracey
  • Date: 1950
  • Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172604 , vital:42227 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-12
  • Description: The subject of this song refers to the burning question in Bukoba at the time (1950), that of the recent rebellion on the part of the women against virtual enslavement by the men. It has given rise to the most interesting social complications. The rattle is played with a circular movement of the wrist. Ngondo dance song for girls, with 1 laced conical drum and gourd rattle (-12.54-) and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1950

Batele bwankya

Dikitari Tiyakuyia

  • Authors: Felisiano Karungula with Haya boys , Hugh Tracey
  • Date: 1950
  • Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172622 , vital:42230 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-14
  • Description: "The hospitals is a good place and should not be burnt down. Why, I myself was once treated there." A sentiment which could be echoed through many regions of Africa where rioters are notorious for burning down hospitals, clinics and schools. Ruyaigo dance song for boys and girls, with conical laced drum, 1 gourd rattle (-12.54-) and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1950

Kyanyina Maraiga

  • Authors: Felisiano Karungula with Haya boys , Hugh Tracey
  • Date: 1950
  • Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172631 , vital:42232 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-15
  • Description: Kyayina Maraiga is the name of a certain woman who played the Nyimba gourd rattles very well. She was popular on this account. She also had a large shamba or garden of cassava. The song speeds up considerably towards the end. Ruyaigo dance song for boys and girls, with conical laced drum, 1 gourd rattle (-12.54-) and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1950

Maria Dolosta

  • Authors: Bukondi Paulo with Haya boys , Hugh Tracey
  • Date: 1950
  • Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172609 , vital:42229 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-13
  • Description: "Why should you forget me, Maria Dolosta." The dance is a series of pas seuls, each dancer in turn coming out into the ring and doing steps and leaps of his own invention. Kyanyenamaraiga dance song for boys, with 2 laced conical drums, 1 bell (-12.55-) and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1950

Marombogo

  • Authors: Komile Kaiyage with 5 Haya men , Hugh Tracey
  • Date: 1950
  • Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172547 , vital:42217 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-07
  • Description: Another reflection upon the local rebellion by the women against the domination and virtual enslavement by their menfolk. This feminist movement has had the most surprising results. The song was used, they say, in the past after fighting, and sung in the presense of the chief. Enkoito dance song for men, with 5 conical laced drums played with sticks.
  • Full Text: false
  • Date Issued: 1950

Mpyaile entongo

  • Authors: Atanasi Gamanya with Haya men , Hugh Tracey
  • Date: 1950
  • Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172595 , vital:42225 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-11
  • Description: "I have planted my seeds and if I reap six of them it will be enough." "Should anyone steal my crops I would be very hungry." This item was recorded by a group of Haya men who were working on the diamond mines near Shinyanga at Mwadui. Like several other Haya items it gives the impression of having strong affinity if not its origin with Arab music. Ngoma yawakazi dance song for women, with metal cylindrical laced drum.
  • Full Text: false
  • Date Issued: 1950

Nkulagilienye omwaitu

Mitongo Batike

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