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Du-du-du

- Mukomondera Moyo, Hugh Tracey

Terera Machangwa

- Mukomondera Moyo, Hugh Tracey

  • Authors: Mukomondera Moyo , Hugh Tracey
  • Date: 1951
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Zaka f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181576 , vital:43748 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-16
  • Description: The otes were produced by the peerformer drawing his breath in past tha Ilala string of the bow, forming the notes at the same time with the fingers of his left hand. The Machangwa they said was a small kind of jackal found along the streams. The singer was blind. Self delectative song with Chizambi friction bow.
  • Full Text: false
  • Date Issued: 1951

Andisaguta (I am not full)

- Zazi with Karanga women, Hugh Tracey

Dududu, ndakaringo

- Duma men, Hugh Tracey

Ndinoda kuyenda mbuyawe

- Mashanje Shawa, Hugh Tracey

  • Authors: Mashanje Shawa , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180492 , vital:43394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-07
  • Description: These three short tunes also demonstrate the sound of the friction bow as heard by the player. One end of the palm leaf strip is held across the open mouth and the whole is set in vibration by the rattle stick rubbing across serations in the bow. The mouth harmonies can be heard through the piercing noise of the rattle and the rubbing. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
  • Full Text: false
  • Date Issued: 1949

Ndinosara nani (With whom shall I stay)

- Muroiwa Musobenzo, Hugh Tracey

  • Authors: Muroiwa Musobenzo , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180403 , vital:43360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-06
  • Description: a) This tune in 5 time is very well known in the southern part of the country, and has been set to the Njari Mbira as well as the bow and was recorded by H. T. T. in 1933, sixteen years earlier. b) The player strained up his bow for the second tune. Both tunes were recorded with the microphone very near the performer's mouth in order to demonstrate the sound of the Chipedani as heard by the player himself. The mouthed harmonics can be clearly heard. Only those very nearby would in fact hear the bow clearly and the mouth harmonics. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
  • Full Text: false
  • Date Issued: 1949

Were

- Zaka Shawa, Hugh Tracey

  • Authors: Zaka Shawa , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180372 , vital:43357 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-05
  • Description: The Songano Souls (Mashawi) are the guardians of the parental instinct in both men and women. They are said to be the most important of all the souls. They represent the affection for children on the part of both parents. The traditional instrument with which to honour the Masongano souls in this part of panpipes of which there are very few left. The player, a very old man holds the panpipes in one hand and a gourd rattle in the other. This brief recording of less than half a minute's duration may be one of the best echoes of a faith which believed in the virtue of the sound of the panpipes as a devotional exercise. Tune for the Songano Mashawi with Mikwati Wenyere (Pan pipes) and Hosho (rattke).
  • Full Text: false
  • Date Issued: 1949

Zainyanyatoko

- Muchuru Zhou, Hugh Tracey

  • Authors: Muchuru Zhou , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180520 , vital:43397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-10
  • Description: The story of a woman who was driven away from the village as they said she was a 'witch' and her husband too rude. The common name for a person whose behaviour or presence is a cause of offence to the others in the community was a 'witch' as used in the mediaeval sense. Story song.
  • Full Text: false
  • Date Issued: 1949

Zuwa rawira mukaiwe (The sun is setting, wake up)

- Muchuru Zhou with a man and woman, Hugh Tracey

  • Authors: Muchuru Zhou with a man and woman , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180501 , vital:43395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-08
  • Description: There was, once upon a time a baboon who was walking in amongst the hills and found plenty of fruit. Matamba ('Kaffir oranges', strychnos spinosa). He ate a great many and went to sleep on the path, full to the brim. Presently an old woman who was collecting firewood came along and said "My child, why are you sleeping on the path like this?" He did not reply. So she said, "Wake up, the sun is setting." He said, "I don't want to, I am full." Then he said "Come here and listen to my song". So she came near and the baboon sang his song. "The sun is setting, wake up, wake up! Ha-hey-ha, old woman! She makes me laugh. I have discovered this hill here. Which is full of fruit, so I go here and there, eating my fill and laughing." Now when he had finished singing, he woke up, got up and followed the old woman all the way to her home. Son story.
  • Full Text: false
  • Date Issued: 1949
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