- Title
- The indigenous I/Eye: transgressive performativities of blackness within the South African Visual Arts
- Creator
- Maneli, Vuyolwethu Pola
- Subject
- Art, Black -- South Africa
- Subject
- Art Criticism -- South Africa
- Date Issued
- 2020
- Date
- 2020
- Type
- Thesis
- Type
- Masters
- Type
- MA
- Identifier
- http://hdl.handle.net/10948/46900
- Identifier
- vital:39729
- Description
- South African Black visual artists have to contend with the racialized economic disparities of the country within which they are enmeshed. This make them susceptible to producing work with the sole motivation of not slipping (further) into poverty, which can greatly hinder our creative autonomy. We are further constrained by the fact that visual arts institutions, whose role it is to decide and regulate what constitutes legitimate art, still operate in accordance with whiteness and a white supremacist logic. The combination of these two factors can lead to the interpellation and artistic production of a Black subjectivity that predominantly caters to – and understands itself in relation to - whiteness. This process of subjectivation, which is performative, can - and regularly does - materialize in various ways through our studio practice. However, with the intervention of critical theory (and the application of strategies of resistance to hegemony that it can provide), interrogative self-reflexivity, and a singular perspective, it is possible to create work that disrupts and transgresses these norms, ultimately contesting the prevalent notion of Black identity as a homogenous experience.
- Format
- 76 leaves
- Format
- Publisher
- Nelson Mandela University
- Publisher
- Faculty of Arts
- Language
- English
- Rights
- Nelson Mandela University
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| Thumbnail | File | Description | Size | Format | |||
|---|---|---|---|---|---|---|---|
| View Details Download | SOURCE1 | Maneli, PV 209083588 Dissertation April 2020.pdf | 1 MB | Adobe Acrobat PDF | View Details Download |