Showing items 41 - 60 of 262

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Be Cheketa (Cut my breast)

- Madura Rabecu and G. Coffee, Hugh Tracey

Bi-i-i! a Bikoko cigamba (Dirt! Bikoko, rags!)

- Five elderly Chewa women, Hugh Tracey

  • Authors: Five elderly Chewa women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160605 , vital:40482 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-06
  • Description: A husband is scolding his wife in public. She replies that he should not scold her in public but at the house because he is in rags himself and she is not like him - he who wears short trousers all in tatters and patches. "Bi-i-i! A Bikoko, rags. Tatters, tatters, tatters! Don't you scold me in front of other people, I am not the same as you because you are all ragged and wear short trousers. Konsolo dance song with clapping.
  • Full Text: false
  • Date Issued: 1958

Bilimankhwe (The Chameleon)

- The boys of Kawere school, Hugh Tracey

Chanta andidaine kaya (God is punishing me)

- Bifi Phiri and friend, Hugh Tracey

  • Authors: Bifi Phiri and friend , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/158954 , vital:40244 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-14
  • Description: "God is punishing me because all my relatives are dead, and I am left alone." "I met a woman along the road whose teeth were as white as rice." The words of these two songs as written may have been interchanged. The tuning of the Bangwe Board Zither was; 400, 380, 368, 332, 312, 284, 200. Self delectative song with board zither.
  • Full Text: false
  • Date Issued: 1958

Charo Charo (The country, country)

- Adija Nyamkhomo and Chewa women and children, Hugh Tracey

Chifundo chamanga (I long for my mother)

- Samson Zimba, Hugh Tracey

Chitako Bitileshi (Beatrice's thighs)

- Joey Ngwira, Hugh Tracey

  • Authors: Joey Ngwira , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156876 , vital:40060 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-09
  • Description: The Pango (Bango or Bangwe) is the instrument most commonly found throughout Nyasaland. Here the local dialect changes the more usual Bangwe to Pango and sometimes Pangwe. I was strummed with a swaying of the fingers. "Oh! the thighs of Beatrice. I could not sleep well last night." Self delectative song with board zither (Pango).
  • Full Text: false
  • Date Issued: 1958

Chumba (Barren)

- Denis Yolambo, Hugh Tracey

  • Authors: Denis Yolambo , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dowa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153806 , vital:39524 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-05
  • Description: "You have taken a barren woman and I am very tired of her barren, barren, but today I am tired of her. My friend will have children. Mother, mother, but today mother I want a child but today, I Davis, I am protesting, I came to this land (of his in-laws) with the money of my brother, brother, brother but today! You have just come for trouble, brother, but today I make it clear to you. Topical song with guitar.
  • Full Text: false
  • Date Issued: 1958

Cimbwiwe (The Hyena)

- Chewa girls, Hugh Tracey

Cinan'gomba (The Eagle)

- Jason Kafunda and Chewa boys, Hugh Tracey

  • Authors: Jason Kafunda and Chewa boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mwadzama, Kotakota, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153971 , vital:39549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-02
  • Description: A child hunting mice dug a hole and found an eagle inside. The bird told him not to tell his mother that he had found him. As the boy was on his way home the bird sang his song. When he met his mother she asked him why the bird was singing. The boy answered "Because I dug it out". The singing chased the bird until it was tired, so she caught it and killed it. S. "Cinang'omba cinang'omba coyaya ine, CH. Siico cinang'omba. S. Mwanawe, usakanene kwa amako kuti yaye Cimbalame ca banga pa msana ye. CH. Siico cinang'omba." "There is the eagle, there is the eagle. You, child, do not tell your mother that you have seen the eagle with spots on his back." Story and song (Nthanu)
  • Full Text: false
  • Date Issued: 1958

Coka Coka (Go away, go away)

- 9 small girls, Hugh Tracey

  • Authors: 9 small girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153491 , vital:39458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-20
  • Description: The 9 small girls put their 5 mortars in one row and with osne exception two girls pounded in each mortar. "Go away, go away. I don't go! Why shoild I leave this place? An orpahn child is difficult to nurse. Where shall I, an orphan, go? No. no. no, I am sorry for you." The difficulty of bringing up an orphan child is often referred to in African songs. Pounding song with pestle and mortar.
  • Full Text: false
  • Date Issued: 1958

Coka coka Nate (Go to Nate)

- Four girls, Hugh Tracey

  • Authors: Four girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Ncheu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160079 , vital:40381 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-12
  • Description: There was once a certain man who took his wife to his home. Later on he got tired of her and he started to turn her away saying, "Go, go back to your home." "No" she said, "I must have a child before I go home and what is more you have not bought me any clothes to go dancing tsaba-tsaba." Pounding song, pestle and mortar.
  • Full Text: false
  • Date Issued: 1958

Dongo-Dongola (The Clay child)

- Children of Salima Government school, Hugh Tracey

  • Authors: Children of Salima Government school , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Salima f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160143 , vital:40392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-19
  • Description: "A woman who had no child went to the 'doctor' who gave her medicine to make a child out of clay. He warned her that the child should never get wet. When it had grown up it was playing outside one day when the rain came. The mother quickly climbed onto an anthill and called the child 'Dongola. Dongola'! (clay). But the child got wet in the rain and when it came to the mother and she tried to pick it up it just melted away." This story which illustrates the intense desire of every African woman to have a child of her own is found in several parts of Africa. I first heard it in Southern Rhodesia among the Karanga of the Bikita district. In other socities the same instinct is frequently sublimated with pets or adoptions. Story song.
  • Full Text: false
  • Date Issued: 1958

Dzombe Rija (My Grasshopper)

- Muzize Mware, Hugh Tracey

Ede! Ede!

- Young Chewa boys and girls, Hugh Tracey

Elo-e mokwata-e (Hullo, marry)

- Losani Malewa, Hugh Tracey

  • Authors: Losani Malewa , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Lomwe (African people) , Chewa (African people) , Folk music , Africa Malawi Mkanda f-mw
  • Language: Lomwe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160670 , vital:40496 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-12
  • Description: "All right! let him go and get himself married, he is far too young but let him try. He will come howling home again." "Hullo, marry! Let him go and marry. And he will come back howling." The Tangara bowed lute had one string. It was tuned by means of a tuning peg and a straining loop of string for more a accurate pitch. From straining string to bridge was 13 inches and the lute itself was two and a half inches overall. The resonating body was five and half inches tall gourd with a hole pierced in one side. Self delectative song with one-stringed stressed lute Thangara.
  • Full Text: false
  • Date Issued: 1958

Fedina (Name of a man)

- Jason Kafunda and Chewa boys, Hugh Tracey

  • Authors: Jason Kafunda and Chewa boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mwadzama, Kotakota, Central Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153990 , vital:39551 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-04
  • Description: "Fedina and John went to Salisbury. On their way John killed Fedina to get hold of his cloth which was better than his own. From Fedina's blood sprang a bird which sang a song telling of Fedina's death. So John was killed because of what he did, and the bird disappeared into the ground as the blood had done." The bird in circumstances such as this is constantly featured as a form of conscience or sense of guilt which brings the malefactor to justice. The blood of his friend brings the murderer to his end. "Fedina. Fedina is dead. He was dead because of a cloth."
  • Full Text: false
  • Date Issued: 1958

Gulu wangu (My dog)

- Chikaku and friend, Hugh Tracey

  • Authors: Chikaku and friend , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153942 , vital:39539 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-14
  • Description: There was once a man who went hunting and caught a buck. He gave the liver and innards to his mother-in-law to cook. She not only cooked them but ate them all herself and tried to hide the fact from her son-in-law who sang to his dog. "Galu wanga, galu wanga n'kamanga. Wanimana matumbo apatsa mkomweni wa lero kamangeni galu." "My dog, my dog, I am going to tie my dog to a tree so that he never goes again to hunt in the bush." "They have not given me the innards, they have given the meat to another. Son-in-law " Go and tie your dog to a tree." Story and song with clapping.
  • Full Text: false
  • Date Issued: 1958

Gunde (Gunde and the crocodile)

- Kezia Chilumpha and girls, Hugh Tracey

  • Authors: Kezia Chilumpha and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160251 , vital:40426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-10
  • Description: "Gunde, yes, who is the man brave enough to take the 'wife' of the crocodile. There was once a certain woman who killed her only child and buried her outside the hut. After a while only the skelton remained and the rain fell and washed away the earth, exposing a leg. A crocodile nearby dug up all the bones joined them together and made another child out of them. "Who has done this" the woman cried. Now the child grew up with the crocodile and became a beautiful girl. So the mother sang. "Who is brave enough to take my daughter from the crocodile." No one in the village was brave enough so the crocodile kept his girl from himself. The mother continually came to the lake to sing for her daughter. One day the daughter heard her mother and as the crocodile was away she came out and went with her to the village. But the crocodile came and begged for the girl as he himself had brought her up and given her life. The mother could not refuse him and so the daughter went back to the lake and married the crocodile. Nthano story song.
  • Full Text: false
  • Date Issued: 1958

Huwa lero (Huwa-today)

- 7 small boys, Hugh Tracey

  • Authors: 7 small boys , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kachere, Dedza, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153551 , vital:39477 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-03
  • Description: Herd boys are one of Africa's sources of original songs. The life of thee youngsters is full of the intimate knowledge of creatures and their ways. The discomforts of nature and the constant search for food or sweet things. A herd boy's education is second to none at that tender age and the pleasures are never forgotten. They use a well known proverb concerning their food, referring to their work for other people's cattle. "The one who cooks does not eat the food." "Huwa, somebody's child is your child, so do not be jealous of him." Herd boy song.
  • Full Text: false
  • Date Issued: 1958
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