Africa‘s Heritage No. 5: Out of the deep South
- Authors: Tracey, Hugh
- Subjects: Guitar , Boll Weevil Holler , Negro woman of Livingston Alabama , Alan Lomax , Arkansas , Mississippi , Banjo , Mandolin , Fiddles , Bass , Jesse James , Spirituals , Nigger Minstrel bands , Atlantic , Baptism , Anglo-American , European , Southern white , Is there anybody here that love my Jesus , Baptizing scene , Negro congregation , Tyre , Church , Gospel , Swing Low Sweet Chariots , Little David , Transvaal , Natal , Quill , Georgia , Hybrid , Afro-American , Negro , Negro ragtime , Congo , Bantu , Panpipes , Northern Mississippi , Come on boys let‘s go to the ball , Hillbilly , Southern mountain hoedown , Kentucky , Kolwezi , Luba panpipes , Mishiba dance , Work songs , Georgian ports , Brunswick , Join the Band , A gang of Negro convicts , Mississippi Penitentiary , Hoeing song , I be so glad when the sun goes down , Eighteen hammers , Paul Robesons , There aint no hammer on all this mountain that ring like mine boy that ring like mine , Blues
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15101 , http://hdl.handle.net/10962/d1008529 , Reel number: BC131
- Description: 5th programme in the ‘Africa‘s Heritage‘ Series with African music in America and Africa, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
Change in music among Africans in the Unions
- Authors: Tracey, Hugh
- Subjects: Change , African , Music , Southern Africa , Suburban values , Compose , Composers , Songs , Vanish , Written down , Semi professional , African musician , American dance , Local , Film , Hymn , Choirs , European , Town music , Country music , Modern , Ancient , Folk music , Wedding song , Meaning , White teachers , African words , Foreign tune , Music standard , Foreign style , Eminent linguist , Serial repugnance , Social contaminated , Indigenous music , Distortion , Sotho , Heathen music , Nationalist , Politics , Prejudice , Sense , Nosense , Natural , Recordings , Penny whistle , Guitar , Kwela , Johannesburg , Initiation song , Mafikeng , Tswana
- Language: English
- Type: Sound , Broadcast , Music
- Identifier: vital:15135 , http://hdl.handle.net/10962/d1012455 , Reel number: BC162
- Description: Broadcast entitled 'Change in music among Africans in the Union', broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: Southern Rhodesia - The Federation of Rhodesia Nyasaland No.3
- Authors: Tracey, Hugh
- Subjects: Marimba , Gold miners , Traders , Persia , Baboons , Sprites , Rocks , History , Shona , Identity , Culture , Indigenous music , Modern music , Musicians , Personality , Poetry , Call and response , Singing , Choir , Language , Naming , Names , Mbira , Hand piano , Dances , Jazz , Rock ‘n roll , African nationalism , Village , Food , Subsistence economy , Drums , Yodelling , Utopia , Politicians , European , Politics , Zulu , Ndebele , Colonisation , Conquer , Class system , Law and order , Organised society , Stability , Discipline , Zidukwana , Donda chawane mauyo , Processional , Chipunza , Story , Acetate , Shamuyarira , Musarurwa , Savanhu , Peter Nahlanzu
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15095 , http://hdl.handle.net/10962/d1008523 , Reel number: BC125
- Description: 3rd programme of The Federation of Rhodesia and Nyasaland of ‘The Sound of Africa‘ Series of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false