Kacaso wabotolo (Spirits from the bottle)
- Authors: Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160043 , vital:40374 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-08
- Description: The simple facts of life like the 'hotness' of chillies or the strength of liquor is quite enough to establish a dance melody. The women of this region appear to have a distinctive and separate musical life. "Brandy from the bottle I do not drink because I find it too hot for me." Chillies are sometimes added to the drink as flavouring. Kacaso, it was explained, meant any strong drink and from the women's point of view this also included bottled beer. Chintala dance.
- Full Text: false
- Date Issued: 1958
- Authors: Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160043 , vital:40374 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-08
- Description: The simple facts of life like the 'hotness' of chillies or the strength of liquor is quite enough to establish a dance melody. The women of this region appear to have a distinctive and separate musical life. "Brandy from the bottle I do not drink because I find it too hot for me." Chillies are sometimes added to the drink as flavouring. Kacaso, it was explained, meant any strong drink and from the women's point of view this also included bottled beer. Chintala dance.
- Full Text: false
- Date Issued: 1958
Kalulu nkulu wa bwalo (The Rabbit is Chief of the Court)
- J. W. Gwengwe and boys, Hugh Tracey
- Authors: J. W. Gwengwe and boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160188 , vital:40417 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-03
- Description: The dance is performed only at night by young men, the pricipal dancers themselves dancing naked, some with special masks called Nyau in the shape of an antelope, an elephant, and a lion, while some walk on stilts. The larger masks are usually carried by two men. Some observers have said that the dance is connected with fertility rites. Only males are permitted to participate and women can only observe from a distance. The dance, they say is usually performed on bright moonlight nights. The gist of the song appears to refer to a familiar story which is told and sung in the district. "Rabbit is the chief of the court (of animals) Hopping, hopping. The rabbit was elected to be the chief." Dance song for Nyau dance with rhythmic clapping and struck iron (-12.16-).
- Full Text: false
- Date Issued: 1958
- Authors: J. W. Gwengwe and boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160188 , vital:40417 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-03
- Description: The dance is performed only at night by young men, the pricipal dancers themselves dancing naked, some with special masks called Nyau in the shape of an antelope, an elephant, and a lion, while some walk on stilts. The larger masks are usually carried by two men. Some observers have said that the dance is connected with fertility rites. Only males are permitted to participate and women can only observe from a distance. The dance, they say is usually performed on bright moonlight nights. The gist of the song appears to refer to a familiar story which is told and sung in the district. "Rabbit is the chief of the court (of animals) Hopping, hopping. The rabbit was elected to be the chief." Dance song for Nyau dance with rhythmic clapping and struck iron (-12.16-).
- Full Text: false
- Date Issued: 1958
Kalulu nthawi ya cilala (Rabbit in the time of drought)
- J. W. Gwengwe and Chewa boys, Hugh Tracey
- Authors: J. W. Gwengwe and Chewa boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160205 , vital:40419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-05
- Description: There was once a time of drought and all the animals gathered together to find water. They deceided that rabbit would be able to find water for them. The rabbit told them that water would be found under the Msendekere tree. So the animals all gathered there and were all digging together. Eventually they got down to the water. They were all delighted and in gratitude they said they should make Kalulu the Rabbit their chief. "A big chief like Kachere himself", a chief over a large district. So rabbit was made chief and all the animals joined in a song of praise, each one making his own kind of noise. The lion roared, the hyenas laughed, the snakes hissed, the cattle lowed, the crocodile grunted, the zebra brayed, the elephant trumpeted and the sheep bleated. They all joined together in a heavy voice of praise. Nthano story song with guitar.
- Full Text: false
- Date Issued: 1958
- Authors: J. W. Gwengwe and Chewa boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160205 , vital:40419 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-05
- Description: There was once a time of drought and all the animals gathered together to find water. They deceided that rabbit would be able to find water for them. The rabbit told them that water would be found under the Msendekere tree. So the animals all gathered there and were all digging together. Eventually they got down to the water. They were all delighted and in gratitude they said they should make Kalulu the Rabbit their chief. "A big chief like Kachere himself", a chief over a large district. So rabbit was made chief and all the animals joined in a song of praise, each one making his own kind of noise. The lion roared, the hyenas laughed, the snakes hissed, the cattle lowed, the crocodile grunted, the zebra brayed, the elephant trumpeted and the sheep bleated. They all joined together in a heavy voice of praise. Nthano story song with guitar.
- Full Text: false
- Date Issued: 1958
Kamwana kamjomba (My uncle's child)
- Young Chewa women, Hugh Tracey
- Authors: Young Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159010 , vital:40250 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-19
- Description: Note the change of pitch towards the end of he recording which was initiated by the leaders. "I like the son of my uncle because he is light complexioned." Chintala dance for women.
- Full Text: false
- Date Issued: 1958
- Authors: Young Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159010 , vital:40250 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-19
- Description: Note the change of pitch towards the end of he recording which was initiated by the leaders. "I like the son of my uncle because he is light complexioned." Chintala dance for women.
- Full Text: false
- Date Issued: 1958
Kantengo (The tree)
- Authors: Muzize Mwane , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160025 , vital:40371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-06
- Description: "The tree that is in my father's garden has spoiled my dance. My friends, I worry too much about this tree spoiling my dance. Father, you have spoiled my dance with the tree you cut down in your garden." The Gule dance, they say, is done with masks. Dance song for Gule dance (Zinyau mask dance) with Karigo one stringed bowed lute.
- Full Text: false
- Date Issued: 1958
- Authors: Muzize Mwane , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160025 , vital:40371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-06
- Description: "The tree that is in my father's garden has spoiled my dance. My friends, I worry too much about this tree spoiling my dance. Father, you have spoiled my dance with the tree you cut down in your garden." The Gule dance, they say, is done with masks. Dance song for Gule dance (Zinyau mask dance) with Karigo one stringed bowed lute.
- Full Text: false
- Date Issued: 1958
Kaphika (Kaphika left his mother crying)
- Authors: Samson Zimba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156856 , vital:40058 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-08
- Description: What Kaphika the child of Masiye had done to make his mother cry is not certain. Some said he had gone away from home for a long time. "Kaphika the child of Masiye has left his mother crying." The tuning of his Zither was:- 432, 408, 368, 340, 308, 276, 244. The intervals used by stopping alternate strings would be 278, 315, 306, 360, 403 cents. Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Samson Zimba , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156856 , vital:40058 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-08
- Description: What Kaphika the child of Masiye had done to make his mother cry is not certain. Some said he had gone away from home for a long time. "Kaphika the child of Masiye has left his mother crying." The tuning of his Zither was:- 432, 408, 368, 340, 308, 276, 244. The intervals used by stopping alternate strings would be 278, 315, 306, 360, 403 cents. Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
Keke, keke garuyo 1 (Yap, yap, the dog barks)
- Four elderly Chewa women, Hugh Tracey
- Authors: Four elderly Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160576 , vital:40478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-04
- Description: The Konsolo dance is said to have been performed in the 1930's. Two wives in next door huts call to each other. The one hears the dog bark and calls out the other, "why is the dog barking?" thinking her husband is with her. But the other replies: "No! he is not with me. He is out with that young beauty". (Ndege-aeroplane). A young good looking girl is called 'Ndege' (aeroplane) in the local slang. "Yap, yau, yap, why is the dog barking? Don't you hate beating me because you think our husband is in my house. He is not here because there is Ndege elsewhere." Konsolo women's dance with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Four elderly Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160576 , vital:40478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-04
- Description: The Konsolo dance is said to have been performed in the 1930's. Two wives in next door huts call to each other. The one hears the dog bark and calls out the other, "why is the dog barking?" thinking her husband is with her. But the other replies: "No! he is not with me. He is out with that young beauty". (Ndege-aeroplane). A young good looking girl is called 'Ndege' (aeroplane) in the local slang. "Yap, yau, yap, why is the dog barking? Don't you hate beating me because you think our husband is in my house. He is not here because there is Ndege elsewhere." Konsolo women's dance with clapping.
- Full Text: false
- Date Issued: 1958
Keke, keke garuyo 2 (Yap, yap, the dogs barks)
- Four elderly Chewa women, Hugh Tracey
- Authors: Four elderly Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160596 , vital:40479 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-05
- Description: The Konsolo dance is said to have been performed in the 1930's. An adaptation of the previous item accompanied by a guitar. Konsolo women's dance with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Four elderly Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160596 , vital:40479 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-05
- Description: The Konsolo dance is said to have been performed in the 1930's. An adaptation of the previous item accompanied by a guitar. Konsolo women's dance with clapping.
- Full Text: false
- Date Issued: 1958
Ku Mchisi kuli mtengo (At Mchisi there is a tree)
- Visanza girl's school choir, Hugh Tracey
- Authors: Visanza girl's school choir , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160007 , vital:40367 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-04
- Description: The Nkaodi tree is used as a love charm, the roots being taken soaked in water and drunk, mostly by women in the hope that their husbands will love them more. It would appear that this tune, used as a dance theme in the 1930's reflected the European influence of the period, with the stress incorrectly applied to the ultimate syllables. "At Mchisi there is a tree as a medicine. It is Nkaodi. Two Nsita dance songs for women with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Visanza girl's school choir , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160007 , vital:40367 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-04
- Description: The Nkaodi tree is used as a love charm, the roots being taken soaked in water and drunk, mostly by women in the hope that their husbands will love them more. It would appear that this tune, used as a dance theme in the 1930's reflected the European influence of the period, with the stress incorrectly applied to the ultimate syllables. "At Mchisi there is a tree as a medicine. It is Nkaodi. Two Nsita dance songs for women with clapping.
- Full Text: false
- Date Issued: 1958
Kumtandizi (Mtandizi is not sorry)
- Eight Chewa women, Hugh Tracey
- Authors: Eight Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160048 , vital:40376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-09
- Description: Mtandizi is one of the local labour recuriting organizations. "Mtandizi is not sorry for taking my husband away from work." Chintala dance.
- Full Text: false
- Date Issued: 1958
- Authors: Eight Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160048 , vital:40376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-09
- Description: Mtandizi is one of the local labour recuriting organizations. "Mtandizi is not sorry for taking my husband away from work." Chintala dance.
- Full Text: false
- Date Issued: 1958
Kundandali ndanda (The hunter)
- Authors: Justina Banda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159658 , vital:40322 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-12
- Description: There was once a man, a hunter called Kundandali who had a wife who tried to stop him leaving the house, saying, "Do not go, you have gunpowder and your gun on your shoulder." But the man was always going away and she always tried to stop him by begging him to put down his gun and his gunpowder and stay at home. The transcription of the vernacular words as written by the singers in both cases is rather uncertain and open to correction. Story song.
- Full Text: false
- Date Issued: 1958
- Authors: Justina Banda , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159658 , vital:40322 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-12
- Description: There was once a man, a hunter called Kundandali who had a wife who tried to stop him leaving the house, saying, "Do not go, you have gunpowder and your gun on your shoulder." But the man was always going away and she always tried to stop him by begging him to put down his gun and his gunpowder and stay at home. The transcription of the vernacular words as written by the singers in both cases is rather uncertain and open to correction. Story song.
- Full Text: false
- Date Issued: 1958
Kupita Onaphili (Onaphili has died)
- Authors: Thawani Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mubvi, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156780 , vital:40049 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-04
- Description: A child sings about the death of the mother Onaphila and also laments the death of other membersof her family. Lament with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Thawani Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mubvi, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156780 , vital:40049 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-04
- Description: A child sings about the death of the mother Onaphila and also laments the death of other membersof her family. Lament with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
Kwa-kwa-kwa umaye (It is dry)
- Young men and women of Mwasi's village, Hugh Tracey
- Authors: Young men and women of Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159594 , vital:40315 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-05
- Description: The Nyau dance, they say is performed in the dry season. The dancers put on rags and cover their faces and heads with feathers or grass masks so that they cannot be recognised. In some cases disobedient girls can be caught and beaten. It is an initiation dance for boys but the women instructors can use them for this purpose. It always appears to be girls who need instruction and never the boys who merely go through their initiation ceremonies. Nyau dance (mask dance) with two drums.
- Full Text: false
- Date Issued: 1958
- Authors: Young men and women of Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159594 , vital:40315 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-05
- Description: The Nyau dance, they say is performed in the dry season. The dancers put on rags and cover their faces and heads with feathers or grass masks so that they cannot be recognised. In some cases disobedient girls can be caught and beaten. It is an initiation dance for boys but the women instructors can use them for this purpose. It always appears to be girls who need instruction and never the boys who merely go through their initiation ceremonies. Nyau dance (mask dance) with two drums.
- Full Text: false
- Date Issued: 1958
Kwende kwende ku mpilipili (Go, go to Mpilipili)
- Young Chewa boys (Under 20 years), Hugh Tracey
- Authors: Young Chewa boys (Under 20 years) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156894 , vital:40063 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-11
- Description: A strange dance in which the dancers move their necks forward and backward like a chicken walking. The sung music is not easily followed at first until the drums between them simplify the ensemble with their clear crossed rhythms, the one (Kachisi) maintaining the ground rhythm. "Go, go to Mpili where there is an affair starting up between Duri and Diki." Ilala dance with two drums (Mudewa and Kachisi).
- Full Text: false
- Date Issued: 1958
- Authors: Young Chewa boys (Under 20 years) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156894 , vital:40063 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-11
- Description: A strange dance in which the dancers move their necks forward and backward like a chicken walking. The sung music is not easily followed at first until the drums between them simplify the ensemble with their clear crossed rhythms, the one (Kachisi) maintaining the ground rhythm. "Go, go to Mpili where there is an affair starting up between Duri and Diki." Ilala dance with two drums (Mudewa and Kachisi).
- Full Text: false
- Date Issued: 1958
Kwiyo kwiyo (Catch the chicken)
- Authors: Joey Ngwira , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156885 , vital:40062 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-10
- Description: The Pango (Bango or Bangwe) is the instrument most commonly found throughout Nyasaland. Here the local dialect changes the more usual Bangwe to Pango and sometimes Pangwe. I was strummed with a swaying of the fingers. The singer begs for a chicken. People have been dancing and then are asking the owner of the house to give them a chicken to eat before they go home. Kwiyo-kwiyo is the sound of the fowl. "Kwiyo-kwiyo, catch the chicken even though it is a small one. There is the chicken." The sound of a bugle intrudes just before the end of the song. Self delectative song with board zither (Pango).
- Full Text: false
- Date Issued: 1958
- Authors: Joey Ngwira , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156885 , vital:40062 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-10
- Description: The Pango (Bango or Bangwe) is the instrument most commonly found throughout Nyasaland. Here the local dialect changes the more usual Bangwe to Pango and sometimes Pangwe. I was strummed with a swaying of the fingers. The singer begs for a chicken. People have been dancing and then are asking the owner of the house to give them a chicken to eat before they go home. Kwiyo-kwiyo is the sound of the fowl. "Kwiyo-kwiyo, catch the chicken even though it is a small one. There is the chicken." The sound of a bugle intrudes just before the end of the song. Self delectative song with board zither (Pango).
- Full Text: false
- Date Issued: 1958
Lembani kalata kwa Masula (Write to Masula)
- Three young girls of Masula, Hugh Tracey
- Authors: Three young girls of Masula , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158517 , vital:40201 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-06
- Description: A song sung as if far away from home. It was first sung at Citukula's district, about 3 miles away they say."Write a letter to Masula saying it is very far. No, I do not want to put money in the bus (pay for the bus fare)." Evening song.
- Full Text: false
- Date Issued: 1958
- Authors: Three young girls of Masula , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158517 , vital:40201 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-06
- Description: A song sung as if far away from home. It was first sung at Citukula's district, about 3 miles away they say."Write a letter to Masula saying it is very far. No, I do not want to put money in the bus (pay for the bus fare)." Evening song.
- Full Text: false
- Date Issued: 1958
Leni, Leni (Leni, the fighter)
- Young Chewa women, Hugh Tracey
- Authors: Young Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159021 , vital:40251 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-20
- Description: "Leni, Leni is a fighter, that man of mine. We talk together, not like two pigeons." One of the two bass drums was made out of a 44 gallon petrol drum and the other was made from a samller paint tin. These metal cylinders are more easily obtained than by the arduous task of cutting down and shaping large tress. Chintala dance for women with two brass drums.
- Full Text: false
- Date Issued: 1958
- Authors: Young Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159021 , vital:40251 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-20
- Description: "Leni, Leni is a fighter, that man of mine. We talk together, not like two pigeons." One of the two bass drums was made out of a 44 gallon petrol drum and the other was made from a samller paint tin. These metal cylinders are more easily obtained than by the arduous task of cutting down and shaping large tress. Chintala dance for women with two brass drums.
- Full Text: false
- Date Issued: 1958
Lile, Lile makonokaya (Lile, Lile, what will happen this year)
- Authors: Five Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160224 , vital:40421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-07
- Description: This was said to have been sung when the Europeans first came to the country and the people did not know what was going to happen. The friction sticks are held in the left hand, the serated parts downwards and scraped with a small stick. The song was originally sung by Matengo people, a small tribe who were overrun and absorbed by the Ngoni people, it is said. If the explanation of the singers is correct, the song must be about 60-70 years old. Who Lile may have been, no one knew. M'kwenda dance with 5 Umkwenda friction sticks.
- Full Text: false
- Date Issued: 1958
- Authors: Five Chewa men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160224 , vital:40421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-07
- Description: This was said to have been sung when the Europeans first came to the country and the people did not know what was going to happen. The friction sticks are held in the left hand, the serated parts downwards and scraped with a small stick. The song was originally sung by Matengo people, a small tribe who were overrun and absorbed by the Ngoni people, it is said. If the explanation of the singers is correct, the song must be about 60-70 years old. Who Lile may have been, no one knew. M'kwenda dance with 5 Umkwenda friction sticks.
- Full Text: false
- Date Issued: 1958
Lote-lote (Lote)
- Elefala Jeremiah Mbewe, Hugh Tracey
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mubvi, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156752 , vital:40046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-02
- Description: He calls his sister Lote to come with him to find the place where his mother was cast out after she was murdered so that they can bury her. The constant reference to 'sisters' in Chewa songs appears to stem from their matrilocal system. The Bangwe has wire strings. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mubvi, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156752 , vital:40046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-02
- Description: He calls his sister Lote to come with him to find the place where his mother was cast out after she was murdered so that they can bury her. The constant reference to 'sisters' in Chewa songs appears to stem from their matrilocal system. The Bangwe has wire strings. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
Luwanika
- Young Chewa girls, Hugh Tracey
- Authors: Young Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160537 , vital:40471 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-01
- Description: Girls invite other girls of different villages to come and dance with them at the time of harvesting when they sing and dance the kasodo together. Luwanika, the name of the Northern Rhodesian Lozi paramount Chief is invoked, as a famous name but for no other specific reason, except that locally in Dedza, Luwanika has a ficitious reputation for making magic medicines according to these simple and distant people...a kind of wizard of oz - 'whiz of a wizzard!' "Luwanika, to dance you must have strong legs." Kasodo girls dance, with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Young Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160537 , vital:40471 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-01
- Description: Girls invite other girls of different villages to come and dance with them at the time of harvesting when they sing and dance the kasodo together. Luwanika, the name of the Northern Rhodesian Lozi paramount Chief is invoked, as a famous name but for no other specific reason, except that locally in Dedza, Luwanika has a ficitious reputation for making magic medicines according to these simple and distant people...a kind of wizard of oz - 'whiz of a wizzard!' "Luwanika, to dance you must have strong legs." Kasodo girls dance, with clapping.
- Full Text: false
- Date Issued: 1958