Showing items 1 - 20 of 144

Your selections:

Wathi wa mbebe

- Munyithya wa Kyenze, Hugh Tracey

  • Authors: Munyithya wa Kyenze , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Kamba , Kamba (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Machakos f-ke
  • Language: Kamba
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175824 , vital:42627 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-01
  • Description: This lute is peculiar to the district. The stick which forms the neck of the lute is pierced right through the gourd body, protruding about 5" on the opposite side. The single string is attached to the tip of this end, passes over the membrane on the gourd and a bridge (which is also made from pieces of gourd and is attached by means of a short piece of wire to avoid losing it when the instrument is slackened off after playing) and is attached at the end to a short fork in the stick which effectively prevents slipping. It is played by means of a short bow with sisal fibre. Topical song with Mbebe string lute.
  • Full Text: false
  • Date Issued: 1952

Achelamukani mulole Msego

- Kanga Mayele with Giryama men, Hugh Tracey

Alego

- Muruku Ndai Fula, Hugh Tracey

Alego, tat yien matingo tek

- Muruka Ndai Fula, Hugh Tracey

  • Authors: Muruka Ndai Fula , Hugh Tracey
  • Date: 1950
  • Subjects: Luo (Kenyan and Tanzanian people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Siaya f-ke
  • Language: Luo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/177871 , vital:42884 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR166-12
  • Description: A local proverb runs "a wooden roof is hard to carry". This means that it is not easy to rule over men. Alego is a rich grain growing district and the singer exhorts his countrymen to help and no hinder those in authority. Patriotic song with Gara leg bells and stamping
  • Full Text: false
  • Date Issued: 1950

Alume yerani malo

- Kanga Mayele with Giryama men, Hugh Tracey

  • Authors: Kanga Mayele with Giryama men , Hugh Tracey
  • Date: 1950
  • Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
  • Language: Giryama
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176603 , vital:42719 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-10
  • Description: The singer calls to those behind to hurry and catch up with the dance team as they are going to a big dance competition. This item is a fascinating example of the authentic 2 against 3 African cross rhythm. Msego dance song for men and women with Kayamba raft rattles and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1950

Arap chemonget

- Kipkemo Arap Sitonik and Kepkoske Arap Chepkwony, Hugh Tracey

  • Authors: Kipkemo Arap Sitonik and Kepkoske Arap Chepkwony , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapkatet f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176994 , vital:42779 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-13
  • Description: This lyre is strummed and fingered like the Bangwe zither of Nyasaland. The right hand strums the strings and the left mutes or opens the siz strings making it possible to play two or three chords on the open unmuted strings. The singer mentions by name his home village, places of common interest to his friends. The player flips the body of his lyre on the 2nd and 4th beats. In common with several African verse makers the singer sings in complets, repeating the second phrase and making it the first line of the next. Praise song with Chepkongo 6 string bowl lyre.
  • Full Text: false
  • Date Issued: 1950

Arap Chepsiolei

- Malakwen Chepsaikut, Hugh Tracey

  • Authors: Malakwen Chepsaikut , Hugh Tracey
  • Date: 1950
  • Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
  • Language: Nandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176838 , vital:42764 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-03
  • Description: This lyre is strummed like a guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was:- 308, 256, 232, 206, 180, (154) vs. Praise and topical song with Kipukandet 5 string lyre.
  • Full Text: false
  • Date Issued: 1950

Arap Chepsiolei II

- Akito Arap Yeko, Hugh Tracey

Arap Kapero

- Kipkeino Arap Rop, Hugh Tracey

Arap Kibaigong (The son of Kibaigong)

- Kipkemo Arap Sitonik and Kepkoske Arap Chepkwony, Hugh Tracey

Arap Momoen I

- Arap Ng'asuru, Hugh Tracey

Arap Momoen II

- Arap Ng'asuru, Hugh Tracey

Arap Tapartele oleiy o laleiy o

- Kepkoske Arap Chepkwony with Kipsigis men, Hugh Tracey

  • Authors: Kepkoske Arap Chepkwony with Kipsigis men , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kericho f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176963 , vital:42777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-11
  • Description: The player flips the bridge of the lyre with a finger tip as he plays. The song is largely a repetition by the chorus of the words 'olei yo lalei yo' a kind of "Hey - nonny - nonny." The singer also brings into his song the names of many places he has visited and likes in common with his audience. Both Kipsigis and Nandi are noted for their patriotism, their love of country as such, which they frequently express in song. This is comparatively rare with Bantu people who do not as a rule praise the beauty of the countryside and are mostly insensitive to scenery. Praise song with Chepkong 6 string bowl lyre.
  • Full Text: false
  • Date Issued: 1950

Arwa Otieno

- Ogalo Mirasi, Hugh Tracey

Balozi na upange

- Jaji Simba with Giryama men, Hugh Tracey

  • Authors: Jaji Simba with Giryama men , Hugh Tracey
  • Date: 1950
  • Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kaloleni f-ke
  • Language: Giryama
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176572 , vital:42717 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-09
  • Description: Chandaluwa is said to be the best composer and dancer in Kaloleni. He has a 'panga' - a knife, they say which cuts into the voices of all the other singers and so he always wins the competitions. Msego dance song for men and women with Kayamba raft rattles.
  • Full Text: false
  • Date Issued: 1950

Bazungu banashindana Malindi

- Chad Obuyi with Giryama men, Hugh Tracey

  • Authors: Chad Obuyi with Giryama men , Hugh Tracey
  • Date: 1950
  • Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
  • Language: Giryama
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176689 , vital:42740 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-04
  • Description: The Gonda was danced by a small group of dark skinned boys and girls who were dressed in the equivalent of the ballet dancers 'Tutu', a short multiple skirt made of banana stalk fibres which exaggerated every movement of the hips. It was one of the most pleasing and attractive dance displays by child dancers in the whole of East Africa, all of whom were expert performers. The excessive noise of the drums and the somewhat shrill voices of the singers do not do justice to the expert dancing which went with them. Gonda dance song for men and women, with 4 Mabumbumbu cylindrical drums, pegged and footed (-14.01101-), 1 Mushondo conical drum (-14.21201-). 1 Kaamuri goblet drum (-14.51101-).
  • Full Text: false
  • Date Issued: 1950

Bengeria

- Feituk Arap Sumeiyot, Hugh Tracey

  • Authors: Feituk Arap Sumeiyot , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/177390 , vital:42817 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR165-02
  • Description: A particulary charming little song. The girl was with her lover when they saw her father coming to look for her. She begged people to help her by distracting her father's attention while she escaped. They did so and afterwards she sang this song to thank the men who helped her escape. Love song with Kipungandet 5 string lyre.
  • Full Text: false
  • Date Issued: 1950

Bengeria

- Feituk Arap Sumeiyot, Hugh Tracey

  • Authors: Feituk Arap Sumeiyot , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/177395 , vital:42818 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR165-02
  • Description: A particulary charming little song. The girl was with her lover when they saw her father coming to look for her. She begged people to help her by distracting her father's attention while she escaped. They did so and afterwards she sang this song to thank the men who helped her escape. Love song with Kipungandet 5 string lyre.
  • Full Text: false
  • Date Issued: 1950

Bolo neno kari koongo

- Abisolom Abunda and Luo men, Hugh Tracey

  • Authors: Abisolom Abunda and Luo men , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya South Nyanza Province f-ke
  • Language: Luo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/178819 , vital:42989 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-09
  • Description: Bolo achieved an unenviable reputation for having neither shield nor ostrich feathers, and for being an univited guest at drinking parties. The playing drums by these Nilotic people is usually far simpler in rhythm than that of the Bantu. It appears to be essential in Luo society near Kisii to have your shield and your ostrich feathers with you when you attend a funeral. Bul dance song for men with Bunde 5 bass drums, laced and Gara leg bells (-12.55-).
  • Full Text: false
  • Date Issued: 1950

Burai

- Teituk Arap Sumiyot, Hugh Tracey

  • Authors: Teituk Arap Sumiyot , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Sotik f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/177730 , vital:42853 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR165-18
  • Description: This song, it was claimed, was composed by the singer when he was an askari in the Kings African Rifles. He urges everyone to cheer up for as soon as the war is over they will be going home again. It is sung in a mixture of Kipsigis and Swahili. He plays an attractive little melody on the Kibungandet as accompaniment. Topical song, with Kibungandet 5 string lyre.
  • Full Text: false
  • Date Issued: 1950
  • Disclaimer
  • Privacy
  • Copyright
  • Contact