Ngoma ya kare I
- Authors: Zhanke Masingi , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Folk songs, Ndau , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Makulane f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181807 , vital:43770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-13
- Description: The Mbira is not played from the dance itself, these two tunes being taken from the melodies used by the dancers. The tumbling dance of these Ndau people is very popular at the mines of Johannesburg. The tuning of the Mbira was:- 368, 328, 288, 252, 216, 202, 184 v.s. Dance tune for Mandowa tumbling dance with Mbira dza WaNdau
- Full Text: false
- Date Issued: 1954
- Authors: Zhanke Masingi , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Folk songs, Ndau , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Makulane f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181807 , vital:43770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-13
- Description: The Mbira is not played from the dance itself, these two tunes being taken from the melodies used by the dancers. The tumbling dance of these Ndau people is very popular at the mines of Johannesburg. The tuning of the Mbira was:- 368, 328, 288, 252, 216, 202, 184 v.s. Dance tune for Mandowa tumbling dance with Mbira dza WaNdau
- Full Text: false
- Date Issued: 1954
Ngoma ya kare II
- Authors: Zhanke Masingi , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Folk songs, Ndau , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Makulane f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181816 , vital:43771 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-14
- Description: The Mbira is not played from the dance itself, these two tunes being taken from the melodies used by the dancers. The tumbling dance of these Ndau people is very popular at the mines of Johannesburg. The tuning of the Mbira was:- 368, 328, 288, 252, 216, 202, 184 v.s. Dance tune for Mandowa tumbling dance with Mbira dza WaNdau
- Full Text: false
- Date Issued: 1954
- Authors: Zhanke Masingi , Hugh Tracey
- Date: 1954
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Folk songs, Ndau , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Makulane f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181816 , vital:43771 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-14
- Description: The Mbira is not played from the dance itself, these two tunes being taken from the melodies used by the dancers. The tumbling dance of these Ndau people is very popular at the mines of Johannesburg. The tuning of the Mbira was:- 368, 328, 288, 252, 216, 202, 184 v.s. Dance tune for Mandowa tumbling dance with Mbira dza WaNdau
- Full Text: false
- Date Issued: 1954
Amasewe
- Authors: unknown , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Folk songs, Ndau , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chipunga f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181856 , vital:43775 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-18
- Description: Self delectative song, with Mbira
- Full Text: false
- Date Issued: 1951
- Authors: unknown , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Folk songs, Ndau , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chipunga f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181856 , vital:43775 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-18
- Description: Self delectative song, with Mbira
- Full Text: false
- Date Issued: 1951
Caminingwa
- Teachers Training College, Penhalonga, Hugh Tracey
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180699 , vital:43603 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-12
- Description: Long ago, there was a widow with one small daughter. Every day the mother used to go out collecting wild vegetables. One day when she came back home she found that several of her corn cobs hanging up in the hut were bare of corn and she asked the child how this had happened. She said 'Mother while you were away a little animal came here, danced and sang and as it danced the mealies fell off their cob onto the ground and he ate them all up! The animal asked her where her father was. She said "My father is dead". "And where is your mother?" "She is out collecting green food." "What kind?" "Watercress and spinach". So the mother said "Tomorrow I will stay at home and see this little animal." The animal came again and did the very same thing and she was astonished at what she saw. Story song, with 2 rattles.
- Full Text: false
- Date Issued: 1951
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180699 , vital:43603 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-12
- Description: Long ago, there was a widow with one small daughter. Every day the mother used to go out collecting wild vegetables. One day when she came back home she found that several of her corn cobs hanging up in the hut were bare of corn and she asked the child how this had happened. She said 'Mother while you were away a little animal came here, danced and sang and as it danced the mealies fell off their cob onto the ground and he ate them all up! The animal asked her where her father was. She said "My father is dead". "And where is your mother?" "She is out collecting green food." "What kind?" "Watercress and spinach". So the mother said "Tomorrow I will stay at home and see this little animal." The animal came again and did the very same thing and she was astonished at what she saw. Story song, with 2 rattles.
- Full Text: false
- Date Issued: 1951
Chirombo woye nditerere
- Mugadzikwa Mwangona (aged 13), Hugh Tracey
- Authors: Mugadzikwa Mwangona (aged 13) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Muzeze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181547 , vital:43745 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-13
- Description: An unusaual example of a young Karanga boy playing a Kalimba Mbira instead of the Njari played by his father. The instrument was fan shaped as in Nyasaland. The player is unusually young to be so proficient and was much applauded by the audience. Self delectative song with Kalimba (Mbira)
- Full Text: false
- Date Issued: 1951
- Authors: Mugadzikwa Mwangona (aged 13) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Muzeze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181547 , vital:43745 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-13
- Description: An unusaual example of a young Karanga boy playing a Kalimba Mbira instead of the Njari played by his father. The instrument was fan shaped as in Nyasaland. The player is unusually young to be so proficient and was much applauded by the audience. Self delectative song with Kalimba (Mbira)
- Full Text: false
- Date Issued: 1951
Chitima
- Muchabaiwa and two others, Hugh Tracey
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180646 , vital:43596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-07
- Description: Onomatopoeic words or phrases describing the sounds of a train. "Chuma changu chakapera nemahuri." All my possessions (literally my beads) have been wasted on girls. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
- Full Text: false
- Date Issued: 1951
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180646 , vital:43596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-07
- Description: Onomatopoeic words or phrases describing the sounds of a train. "Chuma changu chakapera nemahuri." All my possessions (literally my beads) have been wasted on girls. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
- Full Text: false
- Date Issued: 1951
Dendera Jikwa
- Authors: Raimon Jaket , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181558 , vital:43746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-14
- Description: The otes were produced by the peerformer drawing his breath in past tha Ilala string of the bow, forming the notes at the same time with the fingers of his left hand. Self delectative song with Chizambi friction bow.
- Full Text: false
- Date Issued: 1951
- Authors: Raimon Jaket , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181558 , vital:43746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-14
- Description: The otes were produced by the peerformer drawing his breath in past tha Ilala string of the bow, forming the notes at the same time with the fingers of his left hand. Self delectative song with Chizambi friction bow.
- Full Text: false
- Date Issued: 1951
Du-du-du
- Mukomondera Moyo, Hugh Tracey
- Authors: Mukomondera Moyo , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181585 , vital:43749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-17
- Description: Du-du-du is the sound of pounding. "At my home I did not do this work" says the young bride. Story song
- Full Text: false
- Date Issued: 1951
- Authors: Mukomondera Moyo , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181585 , vital:43749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-17
- Description: Du-du-du is the sound of pounding. "At my home I did not do this work" says the young bride. Story song
- Full Text: false
- Date Issued: 1951
Jabulani
- Authors: unknown , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Folk songs, Ndau , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chipunga f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181839 , vital:43774 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-17
- Description: Self delectative song, with Mbira
- Full Text: false
- Date Issued: 1951
- Authors: unknown , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Folk songs, Ndau , Ndau (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chipunga f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181839 , vital:43774 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-17
- Description: Self delectative song, with Mbira
- Full Text: false
- Date Issued: 1951
Kuwe kuwe ngoma
- Teachers Training College, Penhalonga, Hugh Tracey
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180681 , vital:43601 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-10
- Description: Story song, with 2 rattles.
- Full Text: false
- Date Issued: 1951
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180681 , vital:43601 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-10
- Description: Story song, with 2 rattles.
- Full Text: false
- Date Issued: 1951
Kwa ambuya asina keriya
- Muchabaiwa and two others, Hugh Tracey
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180637 , vital:43595 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-06
- Description: "You must bring your mother-in-law a present on your bicycle carrier when you go to see her, or she will be angry." Towards the end of the second tune the bow player can be heard whistling out of the side of his mouth. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
- Full Text: false
- Date Issued: 1951
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180637 , vital:43595 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-06
- Description: "You must bring your mother-in-law a present on your bicycle carrier when you go to see her, or she will be angry." Towards the end of the second tune the bow player can be heard whistling out of the side of his mouth. The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth. Self delectative song, with Chipendani musical bow, mouth resonated
- Full Text: false
- Date Issued: 1951
Madebura
- Authors: Dudzai Sigauke , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180725 , vital:43607 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-15
- Description: "I play on my kness because I am bound. I cannot do it any more. Changamire (Chief). You come out showing the marks. Like the marks of scorching on your legs." the mouth resonated harmonics can be clearly heard in this recording. Self delectative tune with friction bow, mouth resonated, and rattle.
- Full Text: false
- Date Issued: 1951
- Authors: Dudzai Sigauke , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180725 , vital:43607 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-15
- Description: "I play on my kness because I am bound. I cannot do it any more. Changamire (Chief). You come out showing the marks. Like the marks of scorching on your legs." the mouth resonated harmonics can be clearly heard in this recording. Self delectative tune with friction bow, mouth resonated, and rattle.
- Full Text: false
- Date Issued: 1951
Mai vandoswere piko
- Muchabaiwa and two others, Hugh Tracey
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180628 , vital:43594 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-05
- Description: "Mother where have you been all the day? I have been to Tinyandoro where the baboons live! Climb up the Musasa tree and see." The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth.
- Full Text: false
- Date Issued: 1951
- Authors: Muchabaiwa and two others , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Marandellas f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180628 , vital:43594 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-05
- Description: "Mother where have you been all the day? I have been to Tinyandoro where the baboons live! Climb up the Musasa tree and see." The performer of the mouth bow sometimes resonates the harmonics out of the side of the mouth and sometimes whistles without taking the bow from his mouth.
- Full Text: false
- Date Issued: 1951
Mai wa Aruna (Mother of Aruna)
- James Gwezhe Soko, Hugh Tracey
- Authors: James Gwezhe Soko , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180610 , vital:43592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-03
- Description: A traditional song, sung after a party. No one knows who the mother of Aruna might have been. The song has been sung for over 30 years to my certain knowledge and is likely to be much older. Traditional song with "Mbira Huru".
- Full Text: false
- Date Issued: 1951
- Authors: James Gwezhe Soko , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Goromonze f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180610 , vital:43592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-03
- Description: A traditional song, sung after a party. No one knows who the mother of Aruna might have been. The song has been sung for over 30 years to my certain knowledge and is likely to be much older. Traditional song with "Mbira Huru".
- Full Text: false
- Date Issued: 1951
Matye rupanga (Fear of the knife)
- Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga), Hugh Tracey
- Authors: Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mutasa f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180718 , vital:43606 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-14
- Description: The 'diatonic progression' (the two similar phrases sung one after the other) is typical of a great number of Shona songs. Installation of a Chief, with rattle and clapping (-12.03-).
- Full Text: false
- Date Issued: 1951
- Authors: Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mutasa f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180718 , vital:43606 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-14
- Description: The 'diatonic progression' (the two similar phrases sung one after the other) is typical of a great number of Shona songs. Installation of a Chief, with rattle and clapping (-12.03-).
- Full Text: false
- Date Issued: 1951
Munandi
- Authors: Dudzai Sigauke , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180749 , vital:43610 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-16
- Description: "Dance gently so that your breasts do not drop. You, from heaven, what do they talk about there? They talk about the punishment for theft." It appears that the player had recently been in gaol for theft. The mouth resonated harmonics can be clearly heard in this recording. Self delectative tune with friction bow, mouth resonated, and rattle.
- Full Text: false
- Date Issued: 1951
- Authors: Dudzai Sigauke , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180749 , vital:43610 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-16
- Description: "Dance gently so that your breasts do not drop. You, from heaven, what do they talk about there? They talk about the punishment for theft." It appears that the player had recently been in gaol for theft. The mouth resonated harmonics can be clearly heard in this recording. Self delectative tune with friction bow, mouth resonated, and rattle.
- Full Text: false
- Date Issued: 1951
Murombo
- Authors: Raimon Jaket , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181563 , vital:43747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-15
- Description: The otes were produced by the peerformer drawing his breath in past tha Ilala string of the bow, forming the notes at the same time with the fingers of his left hand. Self delectative song with Chizambi friction bow.
- Full Text: false
- Date Issued: 1951
- Authors: Raimon Jaket , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181563 , vital:43747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-15
- Description: The otes were produced by the peerformer drawing his breath in past tha Ilala string of the bow, forming the notes at the same time with the fingers of his left hand. Self delectative song with Chizambi friction bow.
- Full Text: false
- Date Issued: 1951
Ndagado kufa
- Muchaenda Sigauke with Ndau men, Hugh Tracey
- Authors: Muchaenda Sigauke with Ndau men , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180758 , vital:43611 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-17
- Description: 'I nearly died." A typical threshing song which will keep the team of threshers wprking for long s[ells at a time. The yodeling is also typical of the music of the eastern and central parts of Southern Rhodesia. The Garwe clan lives halfway betwenn the Manyika and the WaNdau in the Melsetter district. The Ndau call them "Manyika" and the Manyika call them "Ndau". Threshing song with clapping.
- Full Text: false
- Date Issued: 1951
- Authors: Muchaenda Sigauke with Ndau men , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180758 , vital:43611 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-17
- Description: 'I nearly died." A typical threshing song which will keep the team of threshers wprking for long s[ells at a time. The yodeling is also typical of the music of the eastern and central parts of Southern Rhodesia. The Garwe clan lives halfway betwenn the Manyika and the WaNdau in the Melsetter district. The Ndau call them "Manyika" and the Manyika call them "Ndau". Threshing song with clapping.
- Full Text: false
- Date Issued: 1951
Ndiripo
- Muchaenda Sigauke and Ndau men, Hugh Tracey
- Authors: Muchaenda Sigauke and Ndau men , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181717 , vital:43761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-04
- Description: If i am there you speak nicely, if I am away you slander me." Drinking song, with clapping and stamping.
- Full Text: false
- Date Issued: 1951
- Authors: Muchaenda Sigauke and Ndau men , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181717 , vital:43761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-04
- Description: If i am there you speak nicely, if I am away you slander me." Drinking song, with clapping and stamping.
- Full Text: false
- Date Issued: 1951
Pfeni nengoma
- Muchaenda Sigauke and Ndau men, Hugh Tracey
- Authors: Muchaenda Sigauke and Ndau men , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181688 , vital:43758 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-01
- Description: There was a man who had the brilliant idea of putting a pole across the path by which a baboon entered his fields, and a drum on the far side. The baboon leaping over the pole landed on the drum and did a back somersault over the pole again. The sound so delighted the baboon that he went on leaning and back somersaulting until he died of exhaustion. Story with song.
- Full Text: false
- Date Issued: 1951
- Authors: Muchaenda Sigauke and Ndau men , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Melsetter f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181688 , vital:43758 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-01
- Description: There was a man who had the brilliant idea of putting a pole across the path by which a baboon entered his fields, and a drum on the far side. The baboon leaping over the pole landed on the drum and did a back somersault over the pole again. The sound so delighted the baboon that he went on leaning and back somersaulting until he died of exhaustion. Story with song.
- Full Text: false
- Date Issued: 1951