Showing items 101 - 120 of 146

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Serago ko gae ngwania maphokoje (Serago, at home, the child of the female jackal

- Large group of about 60 young men, Hugh Tracey

Sutha tseleng (Get out of the way)

- Jacquot Mokete, Hugh Tracey

  • Authors: Jacquot Mokete , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161104 , vital:40592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-11
  • Description: "Get out of the way. Don't be frightened by gossip, girls, gossip is always a storm in a village. Don't change your abode just because somebody says he loves you. You will find people like that wherever you go. A woman is a dog for whom everybody wants to die." The last line seems to mean that just as an owner is ready to die for his dog should anyone molest it, so a man is ready to die for a woman should she be attacked. The player placed an empty condensed milk tin picked up off the ground nearby, over the free end of the harmonica, vibrating it to and from as far as his mouth position would allow, thus producing not only greater resonance to his own ear but a vibrato as well. Self delectative song, with harmonica.
  • Full Text: false
  • Date Issued: 1959

Tau lia rora (Lions roar)

- Group of 15 Sotho girl initiates, Hugh Tracey

  • Authors: Group of 15 Sotho girl initiates , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162256 , vital:40827 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-09
  • Description: The singers sat in a close circle on the ground with one in the middle. The grass or masks decorated with fringes of beads or woollen balls. Patterns were worked in the clay daubed on their legs. The singers made their exit in single file to dance in a circle some distance away. They carried long forked wands. "Far down, Lions are roaring. What are they eating that causes them to roar so? They eat small insects. The owner of the grey horse gallops it towards Taung. The Tembu woman who has run away must be brought back to the place where the women are. The song is finished. The song of your companions." Lelingoana women's initiation song.
  • Full Text: false
  • Date Issued: 1959

Teohela Silatsatsi(Go down Silatsatsi)

- School girls of Qeme, Hugh Tracey

  • Authors: School girls of Qeme , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161821 , vital:40681 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-05
  • Description: This singing game is done in a circle, each girl kneeling with a stone in her hand. They beat their stones on the ground and in some cases hand them onto the next girl to their right in an anti-clockwise direction. This singing is also found among the Tswana. Singing game.
  • Full Text: false
  • Date Issued: 1959

Teohela Silatsatsi(Go down Silatsatsi)

- School girls of Qeme, Hugh Tracey

  • Authors: School girls of Qeme , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161834 , vital:40680 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-05
  • Description: This singing game is done in a circle, each girl kneeling with a stone in her hand. They beat their stones on the ground and in some cases hand them onto the next girl to their right in an anti-clockwise direction. This singing is also found among the Tswana. Singing game.
  • Full Text: false
  • Date Issued: 1959

Terene ea malahla (The train)

- Sehloho, Hugh Tracey

Thatholla (Unwind)

- Mpara Mosienyane and large group of men, Hugh Tracey

  • Authors: Mpara Mosienyane and large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Tswana/Rolong
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162446 , vital:40933 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-09
  • Description: "Where does the chief want us to go today? To leave in the evening when it is cold. With a drizzle of rain like a mist. With all the lads afraid of mounting their horses. Our saddles will be wet, and our trousers creased. By Morake's child, I will curse somebody! We of the Tau family, are one-handed. We receive food with it and feel pleased. We kill our own monkey's at Matsau-Tsau. Where did they see him? They saw him at the sugarcane fields. Why does he say he wants Basotho? He says he wants a Basotho blanket. Jump on my back and away we go. Fathers, let us go." Riding song.
  • Full Text: false
  • Date Issued: 1959

Thota peli na Molapo (The rolling downs of Molapo)

- Group of 20 women, Hugh Tracey

  • Authors: Group of 20 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161066 , vital:40588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-08
  • Description: The soloist rises in pitch throughout the song. "Rolling downs of Molapo. Mokale and Khethisa are quarreling over the spring at Nkala. Horses are saddled. Who is the mother of the unmarried girl? Giver her a letter, Makamore, the marriage letter. There is a fight at the rolling downs. Horses should be saddled. They are going to Maseru. The worst singer is Raphane's mother. I shouted with a sad voice. I shouted and shook the graves. Women's party song with clapping.
  • Full Text: false
  • Date Issued: 1959

Tomolang ka diatla (like putting up carrots with your hands)

- Dintsa Marumolo and about 60 young men, Hugh Tracey

  • Authors: Dintsa Marumolo and about 60 young men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Folk songs, Tswana , Sotho-Tswana languages , Tswana (African people) , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tshidilamolomo f-lo
  • Language: Tswana/Rolong
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162382 , vital:40925 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0107-02
  • Description: The singers had just come back from initiation school. Here they use floor polish instead of the traditional red ochre with which to stain themselves. Several of them looked like Nilo Hamite men from Kenya and some of their songs also suggested the modality of those Northern tribes coincidence perhaps, but noticable. The singers were waering tribal attire, skins, carrying sticks and knockberries, had their heads shaved except for a patch in the crwon and were stained red. "It is like pulling up carrots (by hand)! To be a policeman is a battle with your hands! Let us go and do it with our hands." 'Diatla'-hands. The word 'hands' is significant and the meaning of the song plays upon this word. Male initiation song performed while in the veld.
  • Full Text: false
  • Date Issued: 1959

Tsa Mehlaka(Marsh mice)

- Motlatsi Manene, Hugh Tracey

Tsemeli e Telele (The Butcher bird)

- Small boys of Koali, Hugh Tracey

Tsoanya (Sweet sound)

- Tlokotsi Lesikara and Mohomane, Hugh Tracey

Mamsadi msadi evamakguva (A fair woman is our woman)

- Nelson Siboza and the Montanas Brothers, Hugh Tracey

"Lefatse le tletse meea e mebe." (Take this letter home.)

- Two diviners (Izangoma) and a group of pupils (Performers), Composer not specified, Hugh Tracey

"Lefatse le tletse meea e mebe." (The country is full of evil spirits)

- Two diviners (Izangoma) and a group of pupils (Performers), Composer not specified, Hugh Tracey

"Litsebe nka lengolo y ec hae." (Take this letter home)

- Group of Sotho men (Performers), Composer not specified, Hugh Tracey

Ahe likalakati

- Group of Sotho women, Hugh Tracey

Ea ema nthodona matsetsela

- Two diviners (Izangoma) and a group of pupils (Performers), Composer not specified, Hugh Tracey

  • Authors: Two diviners (Izangoma) and a group of pupils (Performers) , Composer not specified , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Sotho , Divination , Africa South Africa Matatiele f-za
  • Language: Southern Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/134250 , vital:37107 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR018-11
  • Description: This Izangoma and his wife were both dressed in scarlet, with skirts lavishly sewn with beads and many bead and "lucky seed" necklaces and bangles and leggings. Bead bands and strands on the head. The learner-izangomaare distinguished by a string of white beads round their heads.The Izangoma were supposed to be finding and throwing a "spirit" out of someone who had ben bewitched. At the end of the recording, one member of the audience remarked:- "There is no tokolosh (imp) here." Much laughter. The words were partly in Zulu, although the performers were actually Sotho.
  • Full Text: false
  • Date Issued: 1957

Ha setimela se tsamaea (While the train goes)

- Lesholu Molai, Hugh Tracey

  • Authors: Lesholu Molai , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Folk songs, Sotho , Sotho (African people) , Africa South Africa Matatiele f-sa
  • Language: Southern Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/151601 , vital:39146 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR064-15
  • Description: The player said he had made his Sitolotolo only that day, so it had not had time to dry out and resonate the sound properly. Consequently the overtones resonated in the month were relatively weak. Self-delectative song with Sitolotolo mouth bow. (Tube with 2 end sections of bow-braced).
  • Full Text: false
  • Date Issued: 1957

Haopala pitsi

- Group of Sotho men (Perfomers), Composer not specified, Hugh Tracey

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