Nyiti inkwekwezi (We are the star)
- Mushumbo Dlamini and the Star Brothers, Hugh Tracey
- Authors: Mushumbo Dlamini and the Star Brothers , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Swazi (African people) , Folk music , Africa Eswatini Havelock Mine, N. Eswatini f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153187 , vital:39417 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR075-03
- Description: "We are the star when the sun sets and when sun rises." (i.e. "We shine by night and by day.") The words are in Swati, English and Xhosa. Many such Small groups of singers give themselves fanciful names mostly in English and not in their own vernacular. Topical song (Mbude style).
- Full Text: false
- Date Issued: 1959
- Authors: Mushumbo Dlamini and the Star Brothers , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Swazi (African people) , Folk music , Africa Eswatini Havelock Mine, N. Eswatini f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153187 , vital:39417 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR075-03
- Description: "We are the star when the sun sets and when sun rises." (i.e. "We shine by night and by day.") The words are in Swati, English and Xhosa. Many such Small groups of singers give themselves fanciful names mostly in English and not in their own vernacular. Topical song (Mbude style).
- Full Text: false
- Date Issued: 1959
Ah la la Mama
- Mpunyuka Madonsela, Hugh Tracey
- Authors: Mpunyuka Madonsela , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Bremersdorp District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152686 , vital:39331 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-09
- Description: "No woman is any better than any other woman. The only difference is whether you love them or not." This piece of homely philosophy no doubt reflects far more than a merely personal opinion. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
- Authors: Mpunyuka Madonsela , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Bremersdorp District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152686 , vital:39331 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-09
- Description: "No woman is any better than any other woman. The only difference is whether you love them or not." This piece of homely philosophy no doubt reflects far more than a merely personal opinion. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
Babe kasenankomo (Father has no cattle left)
- Masitela with 2 boys and 3 girls, Hugh Tracey
- Authors: Masitela with 2 boys and 3 girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152330 , vital:39247 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-18
- Description: A "reed ceremony" song, sung for the Mhlanga or reed ceremony. The words of the song imply that father has gone to court over various cases so often that all his cattle have been attacked. The reed ceremony is carried out when the girls of the tribe all go together to the reed beds to cut reeds for the palings of the villages which are a feature of the Swazi Kraals. Mhlanga song for the reed ceremony.
- Full Text: false
- Date Issued: 1958
- Authors: Masitela with 2 boys and 3 girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152330 , vital:39247 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-18
- Description: A "reed ceremony" song, sung for the Mhlanga or reed ceremony. The words of the song imply that father has gone to court over various cases so often that all his cattle have been attacked. The reed ceremony is carried out when the girls of the tribe all go together to the reed beds to cut reeds for the palings of the villages which are a feature of the Swazi Kraals. Mhlanga song for the reed ceremony.
- Full Text: false
- Date Issued: 1958
Babe lidzela nyoni (Father neglects the bird)
- Four married girls, one unmarried and men of the Queen mother's village, Hugh Tracey
- Authors: Four married girls, one unmarried and men of the Queen mother's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152258 , vital:39239 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-10
- Description: The song is sung by the bride's party at a Swati wedding. The singers could not explain the context of their song. Wedding song.
- Full Text: false
- Date Issued: 1958
- Authors: Four married girls, one unmarried and men of the Queen mother's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152258 , vital:39239 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-10
- Description: The song is sung by the bride's party at a Swati wedding. The singers could not explain the context of their song. Wedding song.
- Full Text: false
- Date Issued: 1958
Barberton Special
- The Star Brothers, Hugh Tracey
- Authors: The Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152756 , vital:39339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-04
- Description: This "gnome-like"" music, so easily played and accompanied has swept into popularity since 1956. It has an immediate effect upon young Africans, especially those under twenty and perhaps even more so upon the under ten year olds. Every tune on the whistle-flutes or penny whistles enjoys the mane of "special: a trick learnt from gramophone record titles. They all imitate other tunes in an urban/folk manner until there is no telling which tune came first, which is the original, and which is the imitation. Town dance with 2 guitars (-10.58-), 2 penny whistle-flutes.
- Full Text: false
- Date Issued: 1958
- Authors: The Star Brothers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152756 , vital:39339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-04
- Description: This "gnome-like"" music, so easily played and accompanied has swept into popularity since 1956. It has an immediate effect upon young Africans, especially those under twenty and perhaps even more so upon the under ten year olds. Every tune on the whistle-flutes or penny whistles enjoys the mane of "special: a trick learnt from gramophone record titles. They all imitate other tunes in an urban/folk manner until there is no telling which tune came first, which is the original, and which is the imitation. Town dance with 2 guitars (-10.58-), 2 penny whistle-flutes.
- Full Text: false
- Date Issued: 1958
Belebe la yee-lo! (He is far, far away)
- Cushane Dlamini (woman of about 24 years), Hugh Tracey
- Authors: Cushane Dlamini (woman of about 24 years) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152823 , vital:39346 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-10
- Description: The fingering was done by stopping the lower segment (the higher fundamental) with the back of the first and second fingers together. The song is a lament for the man who has abondoned her. Lament with Makweyana musical bow.
- Full Text: false
- Date Issued: 1958
- Authors: Cushane Dlamini (woman of about 24 years) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152823 , vital:39346 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-10
- Description: The fingering was done by stopping the lower segment (the higher fundamental) with the back of the first and second fingers together. The song is a lament for the man who has abondoned her. Lament with Makweyana musical bow.
- Full Text: false
- Date Issued: 1958
Belebe la yee-lo! (He is far, far away)
- Cushane Dlamini (woman of about 24 years), Hugh Tracey
- Authors: Cushane Dlamini (woman of about 24 years) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152818 , vital:39345 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-10
- Description: The fingering was done by stopping the lower segment (the higher fundamental) with the back of the first and second fingers together. The song is a lament for the man who has abondoned her. Lament with Makweyana musical bow.
- Full Text: false
- Date Issued: 1958
- Authors: Cushane Dlamini (woman of about 24 years) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152818 , vital:39345 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-10
- Description: The fingering was done by stopping the lower segment (the higher fundamental) with the back of the first and second fingers together. The song is a lament for the man who has abondoned her. Lament with Makweyana musical bow.
- Full Text: false
- Date Issued: 1958
Bengiyo shela
- Group of 8 young Swazi men, Hugh Tracey
- Authors: Group of 8 young Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153042 , vital:39376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-13
- Description: The singers, who were sitting on the ground, all bent their heads on their folded arms while singing this song. It is the first opening movement of this dance before actully dancing. The dance itself is a variation of the Ndlamu stamping dance found all through Zululand and as far south as Thabankulu in the Transkei. "Bengiyo shela. Bengiyo shela ka lo bamba. Ngiyoshele malangena." Youn men's dance. Isibacha.
- Full Text: false
- Date Issued: 1958
- Authors: Group of 8 young Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153042 , vital:39376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-13
- Description: The singers, who were sitting on the ground, all bent their heads on their folded arms while singing this song. It is the first opening movement of this dance before actully dancing. The dance itself is a variation of the Ndlamu stamping dance found all through Zululand and as far south as Thabankulu in the Transkei. "Bengiyo shela. Bengiyo shela ka lo bamba. Ngiyoshele malangena." Youn men's dance. Isibacha.
- Full Text: false
- Date Issued: 1958
Bungalile utshuala (Drinking is not good for me)
- Group of 10 young Swazi men, Hugh Tracey
- Authors: Group of 10 young Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine, Endhlagene District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153028 , vital:39374 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-11
- Description: "Drinking doesn't agree with me, when I'm drunk I can't stop talking. I tell everything." The impeccable sentiments expressed in this song seem to be universal. Each of the singers held a pair of hardwood clappers. The drum was a bass drum type common to the present day Nguni. Dance for young people. Ibaca with drum amd wooden clappers.
- Full Text: false
- Date Issued: 1958
- Authors: Group of 10 young Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine, Endhlagene District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153028 , vital:39374 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-11
- Description: "Drinking doesn't agree with me, when I'm drunk I can't stop talking. I tell everything." The impeccable sentiments expressed in this song seem to be universal. Each of the singers held a pair of hardwood clappers. The drum was a bass drum type common to the present day Nguni. Dance for young people. Ibaca with drum amd wooden clappers.
- Full Text: false
- Date Issued: 1958
Demelabantu ungangezwe (Attack, for you are as great as the world)
- Ntsandvose Mucina, with 5 women and 5 men, Hugh Tracey
- Authors: Ntsandvose Mucina, with 5 women and 5 men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152292 , vital:39243 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-14
- Description: The sangoma wore a fur hat and feathers. The word, no doubt, in this case was contained by the hills and a few miles outside. Divination song
- Full Text: false
- Date Issued: 1958
- Authors: Ntsandvose Mucina, with 5 women and 5 men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152292 , vital:39243 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-14
- Description: The sangoma wore a fur hat and feathers. The word, no doubt, in this case was contained by the hills and a few miles outside. Divination song
- Full Text: false
- Date Issued: 1958
Imale yami idliwa yingwababane (My money has been eaten up by courtesans)
- Five young girls and group of women, Hugh Tracey
- Authors: Five young girls and group of women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153019 , vital:39373 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-10
- Description: One of the young women performed a dance during this recording. She had rattles made from the dry cocoons of a kind of bag worm found on trees, strapped on her ankles ("Magano" Umsinsi). Ukutsamba, with clapping and ankle rattles.
- Full Text: false
- Date Issued: 1958
- Authors: Five young girls and group of women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153019 , vital:39373 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-10
- Description: One of the young women performed a dance during this recording. She had rattles made from the dry cocoons of a kind of bag worm found on trees, strapped on her ankles ("Magano" Umsinsi). Ukutsamba, with clapping and ankle rattles.
- Full Text: false
- Date Issued: 1958
Imbube Ingonyama (You are the lion)
- Five girls from the Queen mother's village, Hugh Tracey
- Authors: Five girls from the Queen mother's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152240 , vital:39237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-08
- Description: The song goes on:- "You are growing up to eat man and kill people." The song is sung by the brides' party when the king's daughter is going to be married. The song is addressed to the bridegroom. Lamkhwanse Tsemba was the leader. The prefix "la" indicates she is married. Four of these girls were married and wore their hair in the "Swati dome", the other had her hair painted and combed to form a circular cap. Wedding song.
- Full Text: false
- Date Issued: 1958
- Authors: Five girls from the Queen mother's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152240 , vital:39237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-08
- Description: The song goes on:- "You are growing up to eat man and kill people." The song is sung by the brides' party when the king's daughter is going to be married. The song is addressed to the bridegroom. Lamkhwanse Tsemba was the leader. The prefix "la" indicates she is married. Four of these girls were married and wore their hair in the "Swati dome", the other had her hair painted and combed to form a circular cap. Wedding song.
- Full Text: false
- Date Issued: 1958
Imiziyabola kaNgwane (Kraals are being destroyed)
- Large group of Swazi men, Hugh Tracey
- Authors: Large group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152455 , vital:39280 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR069-07
- Description: "Imiziyabola kangwane ngendzaba yempi Uyexa jaha wasalele kuyichitisi miti nasise nyakathwo." "Kraals are being destroyed in the country of the Ngwane (Swaziland), because of the war. You understand, you young men, you who stayed behind to destroy our villages while we were up north." (This seems to refer to a faction fight when the houses of the soilders up north were burnt while they were away). Umgubo group song.
- Full Text: false
- Date Issued: 1958
- Authors: Large group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152455 , vital:39280 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR069-07
- Description: "Imiziyabola kangwane ngendzaba yempi Uyexa jaha wasalele kuyichitisi miti nasise nyakathwo." "Kraals are being destroyed in the country of the Ngwane (Swaziland), because of the war. You understand, you young men, you who stayed behind to destroy our villages while we were up north." (This seems to refer to a faction fight when the houses of the soilders up north were burnt while they were away). Umgubo group song.
- Full Text: false
- Date Issued: 1958
Incaba KaNcofula (We capyured the fortress of Ncofula)
- Group of young Swazi men and girls, Hugh Tracey
- Authors: Group of young Swazi men and girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Swazi (African people) , Folk music , Africa Eswatini Labamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153169 , vital:39415 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR075-01
- Description: This version of the famous Swati song was sung quietly by a small group of young men and women inside a 12 foot Swazi beehive hut in order to demonstrate the structure and harmonies involved. Regimental song, Umgubo.
- Full Text: false
- Date Issued: 1958
- Authors: Group of young Swazi men and girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Swazi (African people) , Folk music , Africa Eswatini Labamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153169 , vital:39415 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR075-01
- Description: This version of the famous Swati song was sung quietly by a small group of young men and women inside a 12 foot Swazi beehive hut in order to demonstrate the structure and harmonies involved. Regimental song, Umgubo.
- Full Text: false
- Date Issued: 1958
Incaba no Ncofula (Come out of your cave Ncofula)
- Large group of Swazi men, Hugh Tracey
- Authors: Large group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152537 , vital:39307 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-04
- Description: "Inkuzi yethu ye wukasilo yewukanduba nonsincaba ka ncofula." "Come down you, Chief Ncofula from your small cave to our large one!" Umgubo group song.
- Full Text: false
- Date Issued: 1958
- Authors: Large group of Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152537 , vital:39307 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-04
- Description: "Inkuzi yethu ye wukasilo yewukanduba nonsincaba ka ncofula." "Come down you, Chief Ncofula from your small cave to our large one!" Umgubo group song.
- Full Text: false
- Date Issued: 1958
Indlaliso (Games)
- Swazi men of the "Lindimbi" age group., Hugh Tracey
- Authors: Swazi men of the "Lindimbi" age group. , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152509 , vital:39303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-01
- Description: The singers belonged to the Lindimbi group or regiment. The chant is one of these performed in their barracks when dancing is over. It seems each regiment has many such chants. They accompany the military exercises or drill by which the young men used to keep themselves in fighting trim. The chant with its frequent changes of rhythms which mark the change to a different movement. This performance was very well done. The men were all between the ages of 18 and 30, and belonged to the age group Lindimbi. They perform a number of movements, leaping forward and backward, tuning into file, marching around in a circle and many other actions. It is a most attractive dance drill. ENTONJENI is the old royal kraal. The hill nearby is still used as a burial ground for some members of the royal lineage. Tiga chant to accompany military games or drill.
- Full Text: false
- Date Issued: 1958
- Authors: Swazi men of the "Lindimbi" age group. , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Entonjeni, Pigg's Peak f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152509 , vital:39303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR070-01
- Description: The singers belonged to the Lindimbi group or regiment. The chant is one of these performed in their barracks when dancing is over. It seems each regiment has many such chants. They accompany the military exercises or drill by which the young men used to keep themselves in fighting trim. The chant with its frequent changes of rhythms which mark the change to a different movement. This performance was very well done. The men were all between the ages of 18 and 30, and belonged to the age group Lindimbi. They perform a number of movements, leaping forward and backward, tuning into file, marching around in a circle and many other actions. It is a most attractive dance drill. ENTONJENI is the old royal kraal. The hill nearby is still used as a burial ground for some members of the royal lineage. Tiga chant to accompany military games or drill.
- Full Text: false
- Date Issued: 1958
Inganile Intombi Yami Nokuzula (My girl Nokuzula has left me)
- Yelanjani Matula, Hugh Tracey
- Authors: Yelanjani Matula , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152666 , vital:39329 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-07
- Description: A phrase in this song refers to the custom of reserving a portion of an animal, the heart or chops for the younger people. So comparing this to the loss of the girl, he says, waiting in anticipation of his share of the chops, he is disappointed. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
- Authors: Yelanjani Matula , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152666 , vital:39329 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR071-07
- Description: A phrase in this song refers to the custom of reserving a portion of an animal, the heart or chops for the younger people. So comparing this to the loss of the girl, he says, waiting in anticipation of his share of the chops, he is disappointed. Topical song with concertina.
- Full Text: false
- Date Issued: 1958
Inkonjana emnyama (Black swallow)
- Obed Mazia, Jameson Hlope and Wilton Macabo, Hugh Tracey
- Authors: Obed Mazia, Jameson Hlope and Wilton Macabo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152769 , vital:39340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-05
- Description: Dance with 2 penny whistles and guitar.
- Full Text: false
- Date Issued: 1958
- Authors: Obed Mazia, Jameson Hlope and Wilton Macabo , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Usutu Forest, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152769 , vital:39340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-05
- Description: Dance with 2 penny whistles and guitar.
- Full Text: false
- Date Issued: 1958
Intombi isonile KaNgwane (A girl has been led astray in Swaziland)
- Lompahlo Dlamini (women of about 28 years), Hugh Tracey
- Authors: Lompahlo Dlamini (women of about 28 years) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152796 , vital:39343 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-08
- Description: "Intombi izonile kaNgwane. Ubongiyehla babe Ngubani lontshitshinpondo, Ayinihe emashangane?" "A girl has spoiled herself in KaNgwane. Father, you should leave me alone. You, who changes a pound note and gives it to the Shangaans?" Topical song with Makweyana musical bow, stressed and gourd resonated.
- Full Text: false
- Date Issued: 1958
- Authors: Lompahlo Dlamini (women of about 28 years) , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152796 , vital:39343 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR072-08
- Description: "Intombi izonile kaNgwane. Ubongiyehla babe Ngubani lontshitshinpondo, Ayinihe emashangane?" "A girl has spoiled herself in KaNgwane. Father, you should leave me alone. You, who changes a pound note and gives it to the Shangaans?" Topical song with Makweyana musical bow, stressed and gourd resonated.
- Full Text: false
- Date Issued: 1958
Intombi zegoli zilalemagenwane (The girls of Johannesburg are immoral)
- Four married women and one young girl, and men of the Queen's village, Hugh Tracey
- Authors: Four married women and one young girl, and men of the Queen's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152321 , vital:39246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-17
- Description: Sung for the "reed" ceremonies or Mhlanga. Mhlanga reed ceremony song.
- Full Text: false
- Date Issued: 1958
- Authors: Four married women and one young girl, and men of the Queen's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Ewatini Lobamba, Mbabane f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152321 , vital:39246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR068-17
- Description: Sung for the "reed" ceremonies or Mhlanga. Mhlanga reed ceremony song.
- Full Text: false
- Date Issued: 1958