Brunayini Fofoza
- Mwamitwa, Fofoza (Chief), Shangaan men, Tracey, Hugh
- Authors: Mwamitwa, Fofoza (Chief) , Shangaan men , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187831 , vital:44701 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-12
- Description: Brunaini Khoza is a friend of the Chief Fofoza Mwamitwa and composed this song in his honour, here sung by the chief himself. The gist of the song is that without the Chief the people are likely to be in considerable distress which only his presence can dispel. "Brunaini Makosi. How is he? The sound of the light delivery van tells us it is coming with Mwamitwa." In the first line of the song the name of the Chief, Fofoza is pronounced "Fofozi'. Praise song with clapping
- Full Text: false
- Date Issued: 1963
- Authors: Mwamitwa, Fofoza (Chief) , Shangaan men , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187831 , vital:44701 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-12
- Description: Brunaini Khoza is a friend of the Chief Fofoza Mwamitwa and composed this song in his honour, here sung by the chief himself. The gist of the song is that without the Chief the people are likely to be in considerable distress which only his presence can dispel. "Brunaini Makosi. How is he? The sound of the light delivery van tells us it is coming with Mwamitwa." In the first line of the song the name of the Chief, Fofoza is pronounced "Fofozi'. Praise song with clapping
- Full Text: false
- Date Issued: 1963
Famba gathle Changani
- Mubombeni, Makahani, Shangaan girls, Tracey, Hugh
- Authors: Mubombeni, Makahani , Shangaan girls , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187799 , vital:44698 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-10
- Description: "Go well to Portuguese East Africa (Changani). Tell your relatives to take two knockberries. We shall arrive at sunrise by the morning bus." Pre-Marriage song
- Full Text: false
- Date Issued: 1963
- Authors: Mubombeni, Makahani , Shangaan girls , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187799 , vital:44698 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-10
- Description: "Go well to Portuguese East Africa (Changani). Tell your relatives to take two knockberries. We shall arrive at sunrise by the morning bus." Pre-Marriage song
- Full Text: false
- Date Issued: 1963
Ha-a, twanana
- Makanana, Daine Mutombeni, Shangaan women, Tracey, Hugh
- Authors: Makanana, Daine Mutombeni , Shangaan women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187781 , vital:44696 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-08
- Description: The name of this singer Makanana means 'Jump for joy'. These Shangan or Tsonga people of the Transvaal are related to the Shangaans of Mozambique many of them having come up onto the highlands during the war of pacification between Gungunyana and the Portuguese at the turn of the century. "When we were still in love, in Johannesburg, it was fine." Love song
- Full Text: false
- Date Issued: 1963
- Authors: Makanana, Daine Mutombeni , Shangaan women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187781 , vital:44696 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-08
- Description: The name of this singer Makanana means 'Jump for joy'. These Shangan or Tsonga people of the Transvaal are related to the Shangaans of Mozambique many of them having come up onto the highlands during the war of pacification between Gungunyana and the Portuguese at the turn of the century. "When we were still in love, in Johannesburg, it was fine." Love song
- Full Text: false
- Date Issued: 1963
Hambo nto yini
- Koza, Mpepo, Shangaan girls, Tracey, Hugh
- Authors: Koza, Mpepo , Shangaan girls , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187808 , vital:44699 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-11
- Description: Country work songs are usually plentiful all over Africa but few places have songs specifically associated with the picking of oranges. The Tzaneen district of the Transvaal has a great number of citrus orchards which call for casual labour at harvest time and no doubt this song has come to be associated with this season, May, June and July, when the southern hemisphere citrus crop ripens. Work song (collecting oranges)
- Full Text: false
- Date Issued: 1963
- Authors: Koza, Mpepo , Shangaan girls , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187808 , vital:44699 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-11
- Description: Country work songs are usually plentiful all over Africa but few places have songs specifically associated with the picking of oranges. The Tzaneen district of the Transvaal has a great number of citrus orchards which call for casual labour at harvest time and no doubt this song has come to be associated with this season, May, June and July, when the southern hemisphere citrus crop ripens. Work song (collecting oranges)
- Full Text: false
- Date Issued: 1963
Hina shirilo, ka Matebula
- Koza, Mpipo, 9 Shangaan girls, Tracey, Hugh
- Authors: Koza, Mpipo , 9 Shangaan girls , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187894 , vital:44707 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-14
- Description: The belief in magic and in the alleged power of one person to cause harm to another is growing, they said, in their district. The possibility of assaulting even the chief is not ruled out, although they explained he was a sufficiently strong personality to resist magical force. "We lament at Matebula. The wizard kills even chiefs. Chief Fofoza they would kill for no reason. Lament
- Full Text: false
- Date Issued: 1963
- Authors: Koza, Mpipo , 9 Shangaan girls , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187894 , vital:44707 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-14
- Description: The belief in magic and in the alleged power of one person to cause harm to another is growing, they said, in their district. The possibility of assaulting even the chief is not ruled out, although they explained he was a sufficiently strong personality to resist magical force. "We lament at Matebula. The wizard kills even chiefs. Chief Fofoza they would kill for no reason. Lament
- Full Text: false
- Date Issued: 1963
Hiwawanaru emabazini - e
- Mutombeni, Daine, Shangaan girls, Tracey, Hugh
- Authors: Mutombeni, Daine , Shangaan girls , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187951 , vital:44712 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-16
- Description: "On Wednesday we go to the bust stop, truly, yes!" The simple pleasures of the country folk who look forward to the one weekly bus which passes through their village is expressed in this tuneful little song. Tchatchula dance for young girls
- Full Text: false
- Date Issued: 1963
- Authors: Mutombeni, Daine , Shangaan girls , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187951 , vital:44712 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-16
- Description: "On Wednesday we go to the bust stop, truly, yes!" The simple pleasures of the country folk who look forward to the one weekly bus which passes through their village is expressed in this tuneful little song. Tchatchula dance for young girls
- Full Text: false
- Date Issued: 1963
Hola, hola wambilo
- Makanana, Daine Mutombeni, Koza, Mpepo, Tracey, Hugh
- Authors: Makanana, Daine Mutombeni , Koza, Mpepo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187790 , vital:44697 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-09
- Description: "Be still, my heart. Be still, free from anger. Pain, from the gossip of others, pain." Love song
- Full Text: false
- Date Issued: 1963
- Authors: Makanana, Daine Mutombeni , Koza, Mpepo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187790 , vital:44697 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-09
- Description: "Be still, my heart. Be still, free from anger. Pain, from the gossip of others, pain." Love song
- Full Text: false
- Date Issued: 1963
Khanya Kude
- Mwamitwa, Fanisa, Shangaan women, Tracey, Hugh
- Authors: Mwamitwa, Fanisa , Shangaan women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187885 , vital:44706 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-13
- Description: Fanisa Mwamitwa is the 'Sati waHosi', the wife of the Chief. The connection between the meaning of the words of the song and its description as a praise song is not clear. "Bright light (from afar) they mean you, Mindawaze, worrysome. Keep cool, you Mindawaze, the child is crying." Praise song - (in praise of herself)
- Full Text: false
- Date Issued: 1963
- Authors: Mwamitwa, Fanisa , Shangaan women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187885 , vital:44706 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-13
- Description: Fanisa Mwamitwa is the 'Sati waHosi', the wife of the Chief. The connection between the meaning of the words of the song and its description as a praise song is not clear. "Bright light (from afar) they mean you, Mindawaze, worrysome. Keep cool, you Mindawaze, the child is crying." Praise song - (in praise of herself)
- Full Text: false
- Date Issued: 1963
Salani mwana manani
- Mwamitwa, Juinu Thlongo, Tracey, Hugh
- Authors: Mwamitwa, Juinu Thlongo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187925 , vital:44710 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-15
- Description: The string was stopped with backs of two fingers. Note the change of tempo at c 1m.20s. This stressed bow had two segments of the 73" string, the one 38" and the other 35" long, creating two fundamental notes of 142 and 166 vs. respectively, an interval of 270 cents. "Goodbye, child of my mother. Mitarini came home with a child from Johannesburg." Self delectative song with Maringisa stressed bow
- Full Text: false
- Date Issued: 1963
- Authors: Mwamitwa, Juinu Thlongo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Tzaneen f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187925 , vital:44710 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-15
- Description: The string was stopped with backs of two fingers. Note the change of tempo at c 1m.20s. This stressed bow had two segments of the 73" string, the one 38" and the other 35" long, creating two fundamental notes of 142 and 166 vs. respectively, an interval of 270 cents. "Goodbye, child of my mother. Mitarini came home with a child from Johannesburg." Self delectative song with Maringisa stressed bow
- Full Text: false
- Date Issued: 1963
Bidera
- Mudzanani, Baranganani, Tracey, Hugh
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:44691 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-04
- Description: "To eat beef is to eat blood, I will see the daylight at Sibasa. Matasalutombo and Mwambale. Do not come with Mashawi (souls). I will see the daylight at Sibasa. And climb the trees at Chibasa. To eat beef is to eat blood. Self delectative song, without words and Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:44691 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-04
- Description: "To eat beef is to eat blood, I will see the daylight at Sibasa. Matasalutombo and Mwambale. Do not come with Mashawi (souls). I will see the daylight at Sibasa. And climb the trees at Chibasa. To eat beef is to eat blood. Self delectative song, without words and Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
Bidera
- Mudzanani, Baranganani, Tracey, Hugh
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187714 , vital:44689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-03
- Description: "To eat beef is to eat blood, I will see the daylight at Sibasa. Matasalutombo and Mwambale. Do not come with Mashawi (souls). I will see the daylight at Sibasa. And climb the trees at Chibasa. To eat beef is to eat blood. Self delectative song, with Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187714 , vital:44689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-03
- Description: "To eat beef is to eat blood, I will see the daylight at Sibasa. Matasalutombo and Mwambale. Do not come with Mashawi (souls). I will see the daylight at Sibasa. And climb the trees at Chibasa. To eat beef is to eat blood. Self delectative song, with Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
Marambeli waTiwafuni
- Mudzanani, Baranganani, Tracey, Hugh
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187743 , vital:44692 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-05
- Description: The prefixes Vho-X, Vho-Y refer to married folk. Marambele and Thirhafuni are either two young folk, male and female respectively. I doubt if they are children of John and Vele. Vele is usually a woman's name. John! John and Vele, Marambele and Thirhafuni. And Thirhafuni in the hut. What are they doing inside? Jona and Vele have eloped, At Tsilate. John (at) Tshilate. I saw Marambele and Vele. Inside the hut. What are they doing inside? Chigombera dance for girls with Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187743 , vital:44692 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-05
- Description: The prefixes Vho-X, Vho-Y refer to married folk. Marambele and Thirhafuni are either two young folk, male and female respectively. I doubt if they are children of John and Vele. Vele is usually a woman's name. John! John and Vele, Marambele and Thirhafuni. And Thirhafuni in the hut. What are they doing inside? Jona and Vele have eloped, At Tsilate. John (at) Tshilate. I saw Marambele and Vele. Inside the hut. What are they doing inside? Chigombera dance for girls with Mbira - 24 notes
- Full Text: false
- Date Issued: 1959
Mohodo
- Mudzanani, Baranganani, 2 friends, Tracey, Hugh
- Authors: Mudzanani, Baranganani , 2 friends , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187752 , vital:44693 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-06
- Description: "Wamalidha confuses me, An order of ten shillings! We are crying about it. Womalichi adds to their worries by asking for credit for ten shillings when no one has any such money to play with. There are two names among the Venda for this instrument, the Mbira or the Mbira Deza. (Mbira Mutondo is the Venda Xylophone). Drinking song with Mbira, 23 notes
- Full Text: false
- Date Issued: 1959
- Authors: Mudzanani, Baranganani , 2 friends , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187752 , vital:44693 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-06
- Description: "Wamalidha confuses me, An order of ten shillings! We are crying about it. Womalichi adds to their worries by asking for credit for ten shillings when no one has any such money to play with. There are two names among the Venda for this instrument, the Mbira or the Mbira Deza. (Mbira Mutondo is the Venda Xylophone). Drinking song with Mbira, 23 notes
- Full Text: false
- Date Issued: 1959
Pungo yoya
- Mudzanani, Baranganani, Tracey, Hugh
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187761 , vital:44694 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-07
- Description: "How did the chief fall down? How did he fall Chief Mbegenihe? How are the girls dancing. Because there are no boys there? The boys are away at work. The best singer of them is in the country. I am happy when I am at Duthuni. When I feel hungry I cry." There are two names among the Venda for this instrument, the Mbira Deza. (Mbira Mutondo is the Venda xylophone). Drinking songs with Mbira, 24 notes.
- Full Text: false
- Date Issued: 1959
- Authors: Mudzanani, Baranganani , Tracey, Hugh
- Date: 1959
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187761 , vital:44694 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-07
- Description: "How did the chief fall down? How did he fall Chief Mbegenihe? How are the girls dancing. Because there are no boys there? The boys are away at work. The best singer of them is in the country. I am happy when I am at Duthuni. When I feel hungry I cry." There are two names among the Venda for this instrument, the Mbira Deza. (Mbira Mutondo is the Venda xylophone). Drinking songs with Mbira, 24 notes.
- Full Text: false
- Date Issued: 1959
Maga kumaziyanziya
- Mutswene, Joel, Tracey, Hugh
- Authors: Mutswene, Joel , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Dite f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187694 , vital:44687 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-02
- Description: The tuning of this Mbira was:- 560, 520, 468, 416, 384, 348, 308, 280. Sel delectative song with Mbira - 16 notes
- Full Text: false
- Date Issued: 1957
- Authors: Mutswene, Joel , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Dite f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187694 , vital:44687 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-02
- Description: The tuning of this Mbira was:- 560, 520, 468, 416, 384, 348, 308, 280. Sel delectative song with Mbira - 16 notes
- Full Text: false
- Date Issued: 1957
Tshikona
- Eleven Venda men, Tracey, Hugh
- Authors: Eleven Venda men , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187674 , vital:44685 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-01
- Description: The drum was beaten by two men, each with one wooden beater. Each player holds one end-blown pipe and adds his single note to the ensemble as with bell ringers. They dance around the drums in an anti-clockwise circle, performing steps in unison changing the routine with different with different movements of the dance. Scale:- 632, 520, 488, 432, 380, 348, 316, 280, 248, 228, 216. Instrumental tune, pipe ensemble, heptatonic with Chikona pipe ensemble and 1 single-headed, pegged drums, closed with two wooden beaters (-14.02103-)
- Full Text: false
- Date Issued: 1957
- Authors: Eleven Venda men , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187674 , vital:44685 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-01
- Description: The drum was beaten by two men, each with one wooden beater. Each player holds one end-blown pipe and adds his single note to the ensemble as with bell ringers. They dance around the drums in an anti-clockwise circle, performing steps in unison changing the routine with different with different movements of the dance. Scale:- 632, 520, 488, 432, 380, 348, 316, 280, 248, 228, 216. Instrumental tune, pipe ensemble, heptatonic with Chikona pipe ensemble and 1 single-headed, pegged drums, closed with two wooden beaters (-14.02103-)
- Full Text: false
- Date Issued: 1957
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