Showing items 421 - 440 of 480

Your selections:

Mahobahobo (The weaver-bird)

- Group of Xhosa women and Notembile and Nopenrose, Hugh Tracey

Mahobahobo (The weaver-bird)

- Group of Xhosa women and Notembile and Nopenrose, Hugh Tracey

  • Authors: Group of Xhosa women and Notembile and Nopenrose , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136082 , vital:37335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-05
  • Description: The women listened very intently to the playback of their song and laughed when the baby's voice was heard in the recording. Self-delectative song with Hadi musical bow, unbraced, open and resonated.
  • Full Text: false
  • Date Issued: 1957

Malilela imango ingasiyo yako

- Nontwintwi and Annie Macholweni (Performers), Composer not specified, Hugh Tracey

Mama (Mother)

- Group of Mpondo men and 3 girls, Hugh Tracey

  • Authors: Group of Mpondo men and 3 girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136533 , vital:37388 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-01
  • Description: The singers were dancing in a circle in closely packed formation and each singing into a cupped hand which was slightly vibrated to and fro, to produce a vibrato effect. Gubura dance for young men.
  • Full Text: false
  • Date Issued: 1957

Masihambe bawo silele emzini (We slept at a certain kraal, let us go early)

- Group of young Mpondo married women, Hugh Tracey

  • Authors: Group of young Mpondo married women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136702 , vital:37407 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-06
  • Description: This performance was begun by one woman and then taken over by another. It appears as if they may go on doing this as long as they wish. The women twine cotton woll in with the long fine plaits of hair at the back of their head. Party song for women.
  • Full Text: false
  • Date Issued: 1957

Mhala

- Group of old Xhosa men, Hugh Tracey

  • Authors: Group of old Xhosa men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136055 , vital:37332 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-02
  • Description: This song has no words, but anyone may put in interjections if he wishes. At one point a man praises the composer of this song. and later there are cries of encouragement- "Go on" - "Sing well" - "Make it a good song", and so on.- They were very pleased on hearing the closing shouts of approval when it was played back to them. Old people's song with clapping.
  • Full Text: false
  • Date Issued: 1957

Mhlahlo

- Five young Ngqika women and girls (Performers), Composer not specified, Hugh Tracey

Mhlahlo (Greetings)

- Group of old Xhosa me, Hugh Tracey

  • Authors: Group of old Xhosa me , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136015 , vital:37327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-01
  • Description: This song may be sung on any occasion by the older folk. It was explained that every ceremony or "occasion" , is opened by the singing of a "Mhlahlo" , which really means a 'begining' or opening song. Old people's greeting song with clapping
  • Full Text: false
  • Date Issued: 1957

Miss Mababo

- Group of Mpondo men and girls, Hugh Tracey

  • Authors: Group of Mpondo men and girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136764 , vital:37416 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR033-12
  • Description: One of the young girls added the deep guttural rhythmic sounds peculiar to Xhosa singing. The singers were each of them singing into a slightly vibrating cupped hand. They were all lying on their stomachs on the grass wrapped in their blankets and looking like basking seals. Dance song for young people.
  • Full Text: false
  • Date Issued: 1957

Molweni nonke (How do you do everybody)

- Young men of Tuku's Location, Hugh Tracey

Mtshawzo (To dance)

- Group of Xhosa/Gcaleka women, Hugh Tracey

  • Authors: Group of Xhosa/Gcaleka women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Willowvale f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136142 , vital:37342 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR028-10
  • Description: The women of the Xhosa have special dances of their own, rather static, as might be expected of a people who live in a climate which can be very cold and wet, where most dancing must be done inside the huts to avoid the constant winds from the sea which drive over the downs. (Women dance for dancing at night inside the hut, with clapping.
  • Full Text: false
  • Date Issued: 1957

Nai puma kuma kuba ngii ndoda

- Nqwane Mbontyi, Hugh Tracey

  • Authors: Nqwane Mbontyi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136633 , vital:37398 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-13
  • Description: The performer was quite a humorist in his way, and had a most infectious gaiety, much appreciated by the crown. His name Nqwane Mbonity means "Just like a bean".- He wore a characteristically Mpondo hairdo, the hair cropped close except for the forelock which was allowed to grow long, then plaited into several strings, which were all beeswaxed together into one lock, plastered to the forehead, or reaching down like a small horn to the level of the eyebrows. Tune on the harmonica.
  • Full Text: false
  • Date Issued: 1957

Nai puma kuma kuba ngii ndoda

- Nqwane Mbontyi, Hugh Tracey

  • Authors: Nqwane Mbontyi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Lusikisiki f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136624 , vital:37399 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR032-13
  • Description: The performer was quite a humorist in his way, and had a most infectious gaiety, much appreciated by the crown. His name Nqwane Mbonity means "Just like a bean".- He wore a characteristically Mpondo hairdo, the hair cropped close except for the forelock which was allowed to grow long, then plaited into several strings, which were all beeswaxed together into one lock, plastered to the forehead, or reaching down like a small horn to the level of the eyebrows. Tune on the harmonica.
  • Full Text: false
  • Date Issued: 1957

Namhla kungabwe sautini tina (Today it's your turn. What shall we do)

- Group of elder Mpondo men and women, Hugh Tracey

Ndazenza udalala uegxagxa

- Nontwintwi and Annie Macholweni (Performers), Composer not specified, Hugh Tracey

Ndinike inkomo zolobole (Give back mu dowry)

- Group of Mpondo women, Hugh Tracey

  • Authors: Group of Mpondo women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136383 , vital:37371 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-05
  • Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
  • Full Text: false
  • Date Issued: 1957

Ndipeze phi? (Where should I drink?)

- Group of Mpondo women, Hugh Tracey

  • Authors: Group of Mpondo women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Tabankulu f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136378 , vital:37370 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR030-04
  • Description: This dance was performed by the married women standing in a circle. In the second part of the song they say: "The person who grinds the corn for the beer has a lot to say."- Some of the women had painted their faces with pale yellow ochre.- They wore pale blue blankets, were lavishly decorated with beads, mostly in sky blue and white, wore calf length beaded skirts, and a great many brass wire bracelets. In some cases, the typical headring was made of a leather strap (a dog's collar) studded with brass studs, edged and fringed with sky blue and white beads. Umgouzo girl's initiation dance.
  • Full Text: false
  • Date Issued: 1957

Ngqika (A Xhosa Chief)

- Jury Mpelho, Hugh Tracey

  • Authors: Jury Mpelho , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/135900 , vital:37310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-03
  • Description: The song is about the cattle of Ngqika, a famous Xhosa chief, and how beautiful they were. "We, the Africans of Ngqika, we pay our lobola in cattle. Our cattle are beautiful with well-shaped spreading horns, and we drive them like this, like this. (senjenje, senjenje) to the kraal of the girl's father." Town dance with small band including a piano, saxaphone, trumpet, guitar and drum.
  • Full Text: false
  • Date Issued: 1957

No doli wami (The doll)

- Olive Alexander, Russel Planga, Hugh Tracey

  • Authors: Olive Alexander , Russel Planga , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
  • Language: Xhosa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136006 , vital:37326 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-12
  • Description: Same soloist. A certain man made love to a girl, in secret, after which she jilted him. So he told her that he would now have to tell the people that is was she who had agreed and accepted his love-making. Topical song with dance band.
  • Full Text: false
  • Date Issued: 1957

No talili

- Young men of Tuku's Location, Hugh Tracey

  • Disclaimer
  • Privacy
  • Copyright
  • Contact