Amarwa tinganywa
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169611 , vital:41776 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-03
- Description: "I will not have anything to do with beer." This old well meaning phrase rings all too hollow in any language and the audience responded in time honoured ribaldry. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169611 , vital:41776 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-03
- Description: "I will not have anything to do with beer." This old well meaning phrase rings all too hollow in any language and the audience responded in time honoured ribaldry. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
Ekyoma kyabora
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169629 , vital:41779 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-05
- Description: Cotton id one of the best cash crops in this most fertile district and this song concerns the cotton ginnery of Kyabora which is run by an Indian. 'The machine Kyaboro' he call it. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169629 , vital:41779 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-05
- Description: Cotton id one of the best cash crops in this most fertile district and this song concerns the cotton ginnery of Kyabora which is run by an Indian. 'The machine Kyaboro' he call it. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
Ekyoma kyabora
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169646 , vital:41778 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-05
- Description: Cotton id one of the best cash crops in this most fertile district and this song concerns the cotton ginnery of Kyabora which is run by an Indian. 'The machine Kyaboro' he call it. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169646 , vital:41778 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-05
- Description: Cotton id one of the best cash crops in this most fertile district and this song concerns the cotton ginnery of Kyabora which is run by an Indian. 'The machine Kyaboro' he call it. The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
Nimboroga
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169733 , vital:41793 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-14
- Description: The Ekidongo harp is a pleasing instrument in the hands of an expert. This man Eriya Bakwasa is a professional minstrel who makes his livelihood by singing songs. "I weep" he sings "because I am poor", a theme very popular among mendicant musicians. Self delectative song with Ekidongo eight string harp.
- Full Text: false
- Date Issued: 1950
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169733 , vital:41793 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-14
- Description: The Ekidongo harp is a pleasing instrument in the hands of an expert. This man Eriya Bakwasa is a professional minstrel who makes his livelihood by singing songs. "I weep" he sings "because I am poor", a theme very popular among mendicant musicians. Self delectative song with Ekidongo eight string harp.
- Full Text: false
- Date Issued: 1950
Omukungu nakanyagwe
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169620 , vital:41777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-04
- Description: Eriya Bakwasa is an expert on the playing of the traditional horizontal harp. In this song he sings about a local sub-chief Umukunga, the Gambololo of Buhimba. During the 1939-45 war he was asked to recruit men for the army but all he sent to the Kings African Rifles was his own brother. "What a shame" the old man sings, "we should have done better than that.". The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
- Authors: Eriya Bakwasa , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169620 , vital:41777 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-04
- Description: Eriya Bakwasa is an expert on the playing of the traditional horizontal harp. In this song he sings about a local sub-chief Umukunga, the Gambololo of Buhimba. During the 1939-45 war he was asked to recruit men for the army but all he sent to the Kings African Rifles was his own brother. "What a shame" the old man sings, "we should have done better than that.". The harp is made of a simple oval shaped wooden bowl with skins laced onto top and bottom. The arch of the keys is a stout carved stick in which the 8 pegs are inserted for tightening the strings. The tuning of the harp is as follows:- 322, 284, 240, 180, 161, 142, 120 vs. Topical song with Ekidongo eight string horizontal harp.
- Full Text: false
- Date Issued: 1950
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