The African Heritage in music and art
- Authors: Tracey, Hugh
- Subjects: Churches , Nyasaland , Sikoshe , Datshi , The Church of Sinners , Sinners , Archive , Library , Identity , Group identity , Funds , Heritage , Tradition , Western material , Basutholand , Lesotho , Pentatonic , Hexatonic , Heptatonic , Sotho , Zulu , Carol , Distortion , Stress , Tone , Poetry , Trochaic , Iambic , Ciskei , Country , Wedding song , Preacher , Ntsikana , Ntsikana‘s Bell , Ntsikana‘s Prayer , Ntsikana‘s Song , Arab grunt , Dar es Salaam , Dr Bokwe , Zwelitsha , Southern Congo , Kamina , Country dance , Latin mass , Missa Luba , Gloria , Rattles , Drums , Xylophone , Bell , Drum , Hand piano , Clicking , Mouth smacking , The Talkative Woman , Folk music , Self-reflectation , Morality songs , Lilongwe , Snatching season , Tobacco , Courts , Mouth of the Limpopo , Subjects , Complex tune , Mbira , Likembe , Sansi , Kalimba , Nyongonyongo , Zimbabwe , Karinungu , Attitude (Psychology) , Kwela music , Tsostis , Penny whistle , Four-note harmonies , Thumbs , Congo River , Wagenya , Alexander Corder , Canoe song , Hollywood , Negro music , Sound of the South , Roots of the Blues , Negro Church Music , What do you think about Jesus? He‘s alright
- Language: English
- Type: Sound , Music
- Identifier: vital:15108 , http://hdl.handle.net/10962/d1008536 , Reel number: BC171
- Description: Second half of the lecture "The African heritage in music and art" , A lecture presented by Hugh Tracey at the General Education Conference Technical College Pretoria South Africa , For further details refer to the ILAM document collection: Hugh Tracey Broadcast Collection
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Churches , Nyasaland , Sikoshe , Datshi , The Church of Sinners , Sinners , Archive , Library , Identity , Group identity , Funds , Heritage , Tradition , Western material , Basutholand , Lesotho , Pentatonic , Hexatonic , Heptatonic , Sotho , Zulu , Carol , Distortion , Stress , Tone , Poetry , Trochaic , Iambic , Ciskei , Country , Wedding song , Preacher , Ntsikana , Ntsikana‘s Bell , Ntsikana‘s Prayer , Ntsikana‘s Song , Arab grunt , Dar es Salaam , Dr Bokwe , Zwelitsha , Southern Congo , Kamina , Country dance , Latin mass , Missa Luba , Gloria , Rattles , Drums , Xylophone , Bell , Drum , Hand piano , Clicking , Mouth smacking , The Talkative Woman , Folk music , Self-reflectation , Morality songs , Lilongwe , Snatching season , Tobacco , Courts , Mouth of the Limpopo , Subjects , Complex tune , Mbira , Likembe , Sansi , Kalimba , Nyongonyongo , Zimbabwe , Karinungu , Attitude (Psychology) , Kwela music , Tsostis , Penny whistle , Four-note harmonies , Thumbs , Congo River , Wagenya , Alexander Corder , Canoe song , Hollywood , Negro music , Sound of the South , Roots of the Blues , Negro Church Music , What do you think about Jesus? He‘s alright
- Language: English
- Type: Sound , Music
- Identifier: vital:15108 , http://hdl.handle.net/10962/d1008536 , Reel number: BC171
- Description: Second half of the lecture "The African heritage in music and art" , A lecture presented by Hugh Tracey at the General Education Conference Technical College Pretoria South Africa , For further details refer to the ILAM document collection: Hugh Tracey Broadcast Collection
- Full Text: false
The resilience of African music
- Authors: Tracey, Hugh
- Subjects: Marimba , Malimba , Public opinion , History , Origin of music , Nguni , Swazi , Zulu , Xhosa , Pentatonic modes , Strutting-singing , Johannesburg , Domestic workers , Hymn , Negro spiritual , Praise chants , Poetry , Karanga song , Southern Rhodesia , Sotho , Colonialism , Church of Shembe , Church of Nazareth , Amakholwa , Country dance , Zulu hymns , Ihubo , Regimental song , Praise recitation , Christian dance , Zulu dance , Pilgrimage , Drums , Wailing , Singing , Saxophone , Jazz band , Skokiaan , Happy happy Africa , Nairobi , Modality , Choral music , Arabian music , Egyptian music , Mombasa , Hand piano , Congo , Likembe , Ensemble , Town dance , Leopoldville , Chopi , Xylophone , Portuguese , Shembe , Bulawayo Jazz , Heptatonic , Amen , Swahili , Salve Regina , East Africa , Sixteenth century
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15085 , http://hdl.handle.net/10962/d1008513 , Reel number: BC076, BC077
- Description: Broadcast entitled ‘The resilience of African music‘ broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Marimba , Malimba , Public opinion , History , Origin of music , Nguni , Swazi , Zulu , Xhosa , Pentatonic modes , Strutting-singing , Johannesburg , Domestic workers , Hymn , Negro spiritual , Praise chants , Poetry , Karanga song , Southern Rhodesia , Sotho , Colonialism , Church of Shembe , Church of Nazareth , Amakholwa , Country dance , Zulu hymns , Ihubo , Regimental song , Praise recitation , Christian dance , Zulu dance , Pilgrimage , Drums , Wailing , Singing , Saxophone , Jazz band , Skokiaan , Happy happy Africa , Nairobi , Modality , Choral music , Arabian music , Egyptian music , Mombasa , Hand piano , Congo , Likembe , Ensemble , Town dance , Leopoldville , Chopi , Xylophone , Portuguese , Shembe , Bulawayo Jazz , Heptatonic , Amen , Swahili , Salve Regina , East Africa , Sixteenth century
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15085 , http://hdl.handle.net/10962/d1008513 , Reel number: BC076, BC077
- Description: Broadcast entitled ‘The resilience of African music‘ broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: Southern Rhodesia - The Federation of Rhodesia Nyasaland No.3
- Authors: Tracey, Hugh
- Subjects: Marimba , Gold miners , Traders , Persia , Baboons , Sprites , Rocks , History , Shona , Identity , Culture , Indigenous music , Modern music , Musicians , Personality , Poetry , Call and response , Singing , Choir , Language , Naming , Names , Mbira , Hand piano , Dances , Jazz , Rock ‘n roll , African nationalism , Village , Food , Subsistence economy , Drums , Yodelling , Utopia , Politicians , European , Politics , Zulu , Ndebele , Colonisation , Conquer , Class system , Law and order , Organised society , Stability , Discipline , Zidukwana , Donda chawane mauyo , Processional , Chipunza , Story , Acetate , Shamuyarira , Musarurwa , Savanhu , Peter Nahlanzu
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15095 , http://hdl.handle.net/10962/d1008523 , Reel number: BC125
- Description: 3rd programme of The Federation of Rhodesia and Nyasaland of ‘The Sound of Africa‘ Series of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Marimba , Gold miners , Traders , Persia , Baboons , Sprites , Rocks , History , Shona , Identity , Culture , Indigenous music , Modern music , Musicians , Personality , Poetry , Call and response , Singing , Choir , Language , Naming , Names , Mbira , Hand piano , Dances , Jazz , Rock ‘n roll , African nationalism , Village , Food , Subsistence economy , Drums , Yodelling , Utopia , Politicians , European , Politics , Zulu , Ndebele , Colonisation , Conquer , Class system , Law and order , Organised society , Stability , Discipline , Zidukwana , Donda chawane mauyo , Processional , Chipunza , Story , Acetate , Shamuyarira , Musarurwa , Savanhu , Peter Nahlanzu
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15095 , http://hdl.handle.net/10962/d1008523 , Reel number: BC125
- Description: 3rd programme of The Federation of Rhodesia and Nyasaland of ‘The Sound of Africa‘ Series of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
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