Ali mu Club
- Nawandala Social Club, Hugh Tracey
- Authors: Nawandala Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171274 , vital:42039 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-12
- Description: This song encourages women to join social clubs. "Everyone" they sing "should join a club because by coming together they would be able to help each other and be happy." Sung by a singing club of Soga women. The emacipation of many Soga women is on its way, as illustrated by many social clubs run by women such as this. Exhortations, with 1 laced, conical drum played with sticks, and clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
- Authors: Nawandala Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171274 , vital:42039 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-12
- Description: This song encourages women to join social clubs. "Everyone" they sing "should join a club because by coming together they would be able to help each other and be happy." Sung by a singing club of Soga women. The emacipation of many Soga women is on its way, as illustrated by many social clubs run by women such as this. Exhortations, with 1 laced, conical drum played with sticks, and clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
Amagombe galindya
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171201 , vital:42029 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-05
- Description: A song of mourning reminding the singers that they also will soon follow their dead friend. Mourning song, with 8 Budongo 11 note Likembe and Nsaai tin rattle.
- Full Text: false
- Date Issued: 1952
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171201 , vital:42029 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-05
- Description: A song of mourning reminding the singers that they also will soon follow their dead friend. Mourning song, with 8 Budongo 11 note Likembe and Nsaai tin rattle.
- Full Text: false
- Date Issued: 1952
Baligasium
- Nekemiya Nanywamu and Kasami Byansi, Hugh Tracey
- Authors: Nekemiya Nanywamu and Kasami Byansi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171190 , vital:42028 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-04
- Description: "When a mad dies he no longer speaks, but when you bury him he reminds you that one day you will follow." Mourning song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10.54-).
- Full Text: false
- Date Issued: 1952
- Authors: Nekemiya Nanywamu and Kasami Byansi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171190 , vital:42028 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-04
- Description: "When a mad dies he no longer speaks, but when you bury him he reminds you that one day you will follow." Mourning song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10.54-).
- Full Text: false
- Date Issued: 1952
Eisanya bawala, eisanyu
- Nawandala Social Club, Hugh Tracey
- Authors: Nawandala Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171245 , vital:42036 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-10
- Description: "My husband has bought me a bicycle, so I am happy, A childless woman is not happy. We should all co-operate and so be happy." Exhortations, with 1 laced, conical drum played with sticks, and clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
- Authors: Nawandala Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171245 , vital:42036 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-10
- Description: "My husband has bought me a bicycle, so I am happy, A childless woman is not happy. We should all co-operate and so be happy." Exhortations, with 1 laced, conical drum played with sticks, and clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
Mere
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171207 , vital:42030 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-06
- Description: "You should always trust in God and not be proud of yourself without thinking of him." The eight Budongo Likembe were in three pitches each an octave apart. (1) Th treble - Mbaire, (2) The baritone - Ndumi, (3) The bass - Nene. The common scale was as follows:- 656, 560, 496, 432, 368, 328 vs. Religious song, with 8 Budongo 11 note Likembe and a Nsaasi flat tin rattle (-12.54-).
- Full Text: false
- Date Issued: 1952
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171207 , vital:42030 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-06
- Description: "You should always trust in God and not be proud of yourself without thinking of him." The eight Budongo Likembe were in three pitches each an octave apart. (1) Th treble - Mbaire, (2) The baritone - Ndumi, (3) The bass - Nene. The common scale was as follows:- 656, 560, 496, 432, 368, 328 vs. Religious song, with 8 Budongo 11 note Likembe and a Nsaasi flat tin rattle (-12.54-).
- Full Text: false
- Date Issued: 1952
Mukama Gavumba yaira
- Nekemiya Nanywamu and Kasani Byansi, Hugh Tracey
- Authors: Nekemiya Nanywamu and Kasani Byansi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171225 , vital:42033 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-08
- Description: There was once a well known theif in this district called Gavumba. He is held up as a bad example which should not be copied. Morality song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10-54-).
- Full Text: false
- Date Issued: 1952
- Authors: Nekemiya Nanywamu and Kasani Byansi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171225 , vital:42033 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-08
- Description: There was once a well known theif in this district called Gavumba. He is held up as a bad example which should not be copied. Morality song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10-54-).
- Full Text: false
- Date Issued: 1952
Naniyamwenda
- Nekemiya Nanywamu and Kasani Byansi, Hugh Tracey
- Authors: Nekemiya Nanywamu and Kasani Byansi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171217 , vital:42032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-07
- Description: A song about the dreadful results of not obeying your parents. A badly brought up disobedient girl is bound to be unhappily married and when her husband beats her for not putting salt in the vegetables, for example, she would get no sympathy from her parents. Morality song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10-54-).
- Full Text: false
- Date Issued: 1952
- Authors: Nekemiya Nanywamu and Kasani Byansi , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171217 , vital:42032 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-07
- Description: A song about the dreadful results of not obeying your parents. A badly brought up disobedient girl is bound to be unhappily married and when her husband beats her for not putting salt in the vegetables, for example, she would get no sympathy from her parents. Morality song, with Ntongoli 8 string lyre and Ndingidi 1 string lute (-10-54-).
- Full Text: false
- Date Issued: 1952
Waiyayu
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171236 , vital:42034 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-09
- Description: Waiyayu is a small animal (possibly a civet cat) which eats chickens and is a great nuisance. "Waida, waida waiyayu." The singers were all members of the local women's club. Topical song with 1 laced, conical drum, played with sticks and clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171236 , vital:42034 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-09
- Description: Waiyayu is a small animal (possibly a civet cat) which eats chickens and is a great nuisance. "Waida, waida waiyayu." The singers were all members of the local women's club. Topical song with 1 laced, conical drum, played with sticks and clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
Woba newali ogya nalyo
- Nawandala Social Club, Hugh Tracey
- Authors: Nawandala Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171250 , vital:42037 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-11
- Description: "Some women do not like other women. They are only fit to marry lepers Exhortations, with 1 laced, conical drum played with sticks, and clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
- Authors: Nawandala Social Club , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171250 , vital:42037 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-11
- Description: "Some women do not like other women. They are only fit to marry lepers Exhortations, with 1 laced, conical drum played with sticks, and clapping (-12.03-).
- Full Text: false
- Date Issued: 1952
Abiia nensawo asiima
- Authors: S. Mondo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171505 , vital:42085 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-02
- Description: A song recalling the first arrival of the English who introduced trade and better methods of agriculture. Topical song, with Ntongoli 8 string lyre.
- Full Text: false
- Date Issued: 1950
- Authors: S. Mondo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171505 , vital:42085 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-02
- Description: A song recalling the first arrival of the English who introduced trade and better methods of agriculture. Topical song, with Ntongoli 8 string lyre.
- Full Text: false
- Date Issued: 1950
Endhala yomusana
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171483 , vital:42065 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-12
- Description: The song refers to the famine of 1943/44. During a famine, they sing, a single woman suffers greatly. So all women should see to it they get married. During this last famine an English man called "Bikapu" gave food to the hungry people. Topical song with Budongo Likembe and Nsaasi flat tin rattle (-12.54-).
- Full Text: false
- Date Issued: 1950
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171483 , vital:42065 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-12
- Description: The song refers to the famine of 1943/44. During a famine, they sing, a single woman suffers greatly. So all women should see to it they get married. During this last famine an English man called "Bikapu" gave food to the hungry people. Topical song with Budongo Likembe and Nsaasi flat tin rattle (-12.54-).
- Full Text: false
- Date Issued: 1950
Eremye
- Authors: S. Mondo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171516 , vital:42086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-03
- Description: Eremye was a leper who said "I must mourn for myself, for no one will come to my funeral.". Topical song, with Ntongoli 8 string lyre.
- Full Text: false
- Date Issued: 1950
- Authors: S. Mondo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171516 , vital:42086 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-03
- Description: Eremye was a leper who said "I must mourn for myself, for no one will come to my funeral.". Topical song, with Ntongoli 8 string lyre.
- Full Text: false
- Date Issued: 1950
Lwangema Ingulo wamtengesanga
- Authors: S. Mondo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171525 , vital:42087 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-04
- Description: A song touching upon a number of subjects. "When on the point of death you have no strength left to talk. If you dream about a person dying it may mean your own death is near." "The English wanted to fly up to heaven to see God by means of aeroplanes. But they failed. God sent them a limited height of tweleve miles." A the time when this was recorded this height was, in fact, approximately the altitude record for an aeroplane. (Thanks are due, it would appear, to the information Bureau). "A certain man was sick in the evening and when he was given medicine he cried out with pain." The tuning of the instrument was, 248, 220, 202, 174, 144, 130, 110, 101 but the order of the notes themselves on the instrument does not follow the sequence of the scale. Topical song, with Ntongoli 8 string lyre.
- Full Text: false
- Date Issued: 1950
- Authors: S. Mondo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171525 , vital:42087 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-04
- Description: A song touching upon a number of subjects. "When on the point of death you have no strength left to talk. If you dream about a person dying it may mean your own death is near." "The English wanted to fly up to heaven to see God by means of aeroplanes. But they failed. God sent them a limited height of tweleve miles." A the time when this was recorded this height was, in fact, approximately the altitude record for an aeroplane. (Thanks are due, it would appear, to the information Bureau). "A certain man was sick in the evening and when he was given medicine he cried out with pain." The tuning of the instrument was, 248, 220, 202, 174, 144, 130, 110, 101 but the order of the notes themselves on the instrument does not follow the sequence of the scale. Topical song, with Ntongoli 8 string lyre.
- Full Text: false
- Date Issued: 1950
Mulavu
- Authors: S. Mondo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171534 , vital:42088 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-05
- Description: A certain Gombolola chief named Mulavu is said to have ordered his people to uproot the groundnuts and other crops of the people nearby. They naturally objected, and reported him first to the Saza county chief and then to the District Commissioner who severly reprimanded him. The tuning of the instrument was, 248, 220, 202, 174, 144, 130, 110, 101 but the order of the notes themselves on the instrument does not follow the sequence of the scale. Topical song, with Ntongoli 8 string lyre.
- Full Text: false
- Date Issued: 1950
- Authors: S. Mondo , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171534 , vital:42088 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-05
- Description: A certain Gombolola chief named Mulavu is said to have ordered his people to uproot the groundnuts and other crops of the people nearby. They naturally objected, and reported him first to the Saza county chief and then to the District Commissioner who severly reprimanded him. The tuning of the instrument was, 248, 220, 202, 174, 144, 130, 110, 101 but the order of the notes themselves on the instrument does not follow the sequence of the scale. Topical song, with Ntongoli 8 string lyre.
- Full Text: false
- Date Issued: 1950
Omukazi omugumba lubala
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171428 , vital:42059 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-06
- Description: "The barren woman is not easy to keep as a wife as she only wastes your money." A very commonly expressed idea in Africa. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171428 , vital:42059 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-06
- Description: "The barren woman is not easy to keep as a wife as she only wastes your money." A very commonly expressed idea in Africa. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
Waikova
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171438 , vital:42060 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-07
- Description: Waikova is a beautiful and highly coloured bird, they explained, but is more likely to be the common crow. A Budongo tune of this name was also recorded at Jinja, two years later. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171438 , vital:42060 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-07
- Description: Waikova is a beautiful and highly coloured bird, they explained, but is more likely to be the common crow. A Budongo tune of this name was also recorded at Jinja, two years later. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
- «
- ‹
- 1
- ›
- »