Rhythm and Story-telling
- Tracey, Hugh (Talk show guest), Terkel, Studs 1912- (Talk show host)
- Authors: Tracey, Hugh (Talk show guest) , Terkel, Studs 1912- (Talk show host)
- Subjects: Complex , Rhythms , Districts , Uniqueness , Instruments , Strings , Guitar , Westernisation , Scales , Tune , Mode , Topical song , Luba , Southern Congo , Harps , Indigenous , Language , Linguist , Tone , Intonation , Melody , Emphasis , Syllable , Drums , Slit drums , Trees , Forest , Round , Rondo , Canon , Bolero , Bells , Rattles , Gourds , Lift , Upbeat , Lightness , Story tellers , Stories , Widow , Music of Africa Series , Cars , Communicate , Musicology , Collective on conscience , Chopi , Zitherphone , Rhodesia , Mozambique , Limpopo , Xylophone , Marimba , Pitches , Tremble , Double bass , Dynamic , Leader , Dancers , Call-and-response , Lining hymn , Pygmy , Congo , Pygmies , Little Sisters of Jesus , French missionaries , Lullaby , Crude song , Poetry , Mbira , Thumb piano , Musical box , Buzzing sound , Kalimba , Northwestern University , Portuguese , 16th century , Dorset song , Humourous song , Malawi , The Drum is Broken , Onomatopaeia , Humour , Encylopaedia , Codification , Chant , Swazi men , Regimental song , Goodbye , Karanga , Goodbye stay well , Interview , Western England , Portugese , Workshop , Wait a minim!
- Language: English
- Type: Sound , Radio Broadcast , Music
- Identifier: vital:15111 , http://hdl.handle.net/10962/d1008539 , Reel number: BC180
- Description: Introduction to African music by Hugh Tracey in the Studs Terkel Radio Program aired on WFMT , Home dub of Dr. Tracey , For further details refer to the ILAM document collection: Hugh Tracey Broadcast Collection
- Full Text: false
- Authors: Tracey, Hugh (Talk show guest) , Terkel, Studs 1912- (Talk show host)
- Subjects: Complex , Rhythms , Districts , Uniqueness , Instruments , Strings , Guitar , Westernisation , Scales , Tune , Mode , Topical song , Luba , Southern Congo , Harps , Indigenous , Language , Linguist , Tone , Intonation , Melody , Emphasis , Syllable , Drums , Slit drums , Trees , Forest , Round , Rondo , Canon , Bolero , Bells , Rattles , Gourds , Lift , Upbeat , Lightness , Story tellers , Stories , Widow , Music of Africa Series , Cars , Communicate , Musicology , Collective on conscience , Chopi , Zitherphone , Rhodesia , Mozambique , Limpopo , Xylophone , Marimba , Pitches , Tremble , Double bass , Dynamic , Leader , Dancers , Call-and-response , Lining hymn , Pygmy , Congo , Pygmies , Little Sisters of Jesus , French missionaries , Lullaby , Crude song , Poetry , Mbira , Thumb piano , Musical box , Buzzing sound , Kalimba , Northwestern University , Portuguese , 16th century , Dorset song , Humourous song , Malawi , The Drum is Broken , Onomatopaeia , Humour , Encylopaedia , Codification , Chant , Swazi men , Regimental song , Goodbye , Karanga , Goodbye stay well , Interview , Western England , Portugese , Workshop , Wait a minim!
- Language: English
- Type: Sound , Radio Broadcast , Music
- Identifier: vital:15111 , http://hdl.handle.net/10962/d1008539 , Reel number: BC180
- Description: Introduction to African music by Hugh Tracey in the Studs Terkel Radio Program aired on WFMT , Home dub of Dr. Tracey , For further details refer to the ILAM document collection: Hugh Tracey Broadcast Collection
- Full Text: false
The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The resilience of African music
- Authors: Tracey, Hugh
- Subjects: Marimba , Malimba , Public opinion , History , Origin of music , Nguni , Swazi , Zulu , Xhosa , Pentatonic modes , Strutting-singing , Johannesburg , Domestic workers , Hymn , Negro spiritual , Praise chants , Poetry , Karanga song , Southern Rhodesia , Sotho , Colonialism , Church of Shembe , Church of Nazareth , Amakholwa , Country dance , Zulu hymns , Ihubo , Regimental song , Praise recitation , Christian dance , Zulu dance , Pilgrimage , Drums , Wailing , Singing , Saxophone , Jazz band , Skokiaan , Happy happy Africa , Nairobi , Modality , Choral music , Arabian music , Egyptian music , Mombasa , Hand piano , Congo , Likembe , Ensemble , Town dance , Leopoldville , Chopi , Xylophone , Portuguese , Shembe , Bulawayo Jazz , Heptatonic , Amen , Swahili , Salve Regina , East Africa , Sixteenth century
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15085 , http://hdl.handle.net/10962/d1008513 , Reel number: BC076, BC077
- Description: Broadcast entitled ‘The resilience of African music‘ broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Marimba , Malimba , Public opinion , History , Origin of music , Nguni , Swazi , Zulu , Xhosa , Pentatonic modes , Strutting-singing , Johannesburg , Domestic workers , Hymn , Negro spiritual , Praise chants , Poetry , Karanga song , Southern Rhodesia , Sotho , Colonialism , Church of Shembe , Church of Nazareth , Amakholwa , Country dance , Zulu hymns , Ihubo , Regimental song , Praise recitation , Christian dance , Zulu dance , Pilgrimage , Drums , Wailing , Singing , Saxophone , Jazz band , Skokiaan , Happy happy Africa , Nairobi , Modality , Choral music , Arabian music , Egyptian music , Mombasa , Hand piano , Congo , Likembe , Ensemble , Town dance , Leopoldville , Chopi , Xylophone , Portuguese , Shembe , Bulawayo Jazz , Heptatonic , Amen , Swahili , Salve Regina , East Africa , Sixteenth century
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15085 , http://hdl.handle.net/10962/d1008513 , Reel number: BC076, BC077
- Description: Broadcast entitled ‘The resilience of African music‘ broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: Music of Kolwezi in Southern Belgian Congo
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Marimba , Malimba , Drum , Lunda-Kete , Congo , Copper mines , Town planning , Way of life , Weighted drum , Panpipes , Singers , Mutshalenga dance song , Luba , Kanyoka , Kambakamba , Kasai river , Kalibambo dance song , Xylophone , Slit drum , Talking drum , Membrane drum , Basket rattles , Percussion orchestra , Guitars , Chisange , Masenga , Bachelor , Chiefs , Sultane , Ceremony , Praise songs , Court musicians , Execution , Ilunga vensa dance , Plowing song , Katanga , Signal drum , Wooden gong , Tone pattern , Dance , Tipoi , Carrying songs , Bottle , Flute , Courage song , Kolwezi copper mine , Wax , Songe , Bena Budia , Nono, Ngoi , Kabongo, Anastase , Masenga wa Ben Nomba , Muchiba , Ensemble of Panpipes , Song of greeting a chief
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15091 , http://hdl.handle.net/10962/d1008519 , Reel numbers: BC097, BC098, BC099
- Description: 9th programme in ‘The Sound of Africa‘ Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Marimba , Malimba , Drum , Lunda-Kete , Congo , Copper mines , Town planning , Way of life , Weighted drum , Panpipes , Singers , Mutshalenga dance song , Luba , Kanyoka , Kambakamba , Kasai river , Kalibambo dance song , Xylophone , Slit drum , Talking drum , Membrane drum , Basket rattles , Percussion orchestra , Guitars , Chisange , Masenga , Bachelor , Chiefs , Sultane , Ceremony , Praise songs , Court musicians , Execution , Ilunga vensa dance , Plowing song , Katanga , Signal drum , Wooden gong , Tone pattern , Dance , Tipoi , Carrying songs , Bottle , Flute , Courage song , Kolwezi copper mine , Wax , Songe , Bena Budia , Nono, Ngoi , Kabongo, Anastase , Masenga wa Ben Nomba , Muchiba , Ensemble of Panpipes , Song of greeting a chief
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15091 , http://hdl.handle.net/10962/d1008519 , Reel numbers: BC097, BC098, BC099
- Description: 9th programme in ‘The Sound of Africa‘ Series III of illustrated talks by Hugh Tracey and Peggy Tracey on their travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: The best recordings of 1953 - Osborn Awards
- Authors: Tracey, Hugh
- Subjects: Osborn Awards , Dr. Tom Osborn Memorial Foundation , French West Africa , Dance , Xylophone , Malinke , Kankan , French Guinea , Chopi Timbila , Musique de Fete , Baoule , Matriachy , Atiegoakro , Flute , Flute Tunes , Nigeria , Drum , Hour glass drum , Kokoro , Congo , Ekonda , Iboko , Singing , Yo-yo-yele yo-yo-le , Friction stick , Likembe , Hand piano , Guitar , Violin , Double bass , Mwana aboyi mama , Lingala , Moslem , Swahili , Khartoum , Violins , Lutes , Flutes , Drums , Love song , The meetong of the Niles , Uganda , Kenya , Dar es Salaam , Northern Rhodesia , Zambia , Ndebele , Zither , Uthando Kwabanye , Lobola , Bride-price , Tonga , Mikonkobelo , Sticks , Drinking song , Muka Nakayongo , Musical bow , Gourd resonator , Mupanza , Nalowa , South Africa , Sotho , Basutoland , Lesotho , Sculpture , International Library of African Music , Anthropology , Giriyama Dance
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15068 , http://hdl.handle.net/10962/d1008496 , Reel numbers: BC045, BC046, BC047, BC048
- Description: 13th programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , Broadcast script and original reel recording have different dates, hence the two different dates provided in the date field , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Osborn Awards , Dr. Tom Osborn Memorial Foundation , French West Africa , Dance , Xylophone , Malinke , Kankan , French Guinea , Chopi Timbila , Musique de Fete , Baoule , Matriachy , Atiegoakro , Flute , Flute Tunes , Nigeria , Drum , Hour glass drum , Kokoro , Congo , Ekonda , Iboko , Singing , Yo-yo-yele yo-yo-le , Friction stick , Likembe , Hand piano , Guitar , Violin , Double bass , Mwana aboyi mama , Lingala , Moslem , Swahili , Khartoum , Violins , Lutes , Flutes , Drums , Love song , The meetong of the Niles , Uganda , Kenya , Dar es Salaam , Northern Rhodesia , Zambia , Ndebele , Zither , Uthando Kwabanye , Lobola , Bride-price , Tonga , Mikonkobelo , Sticks , Drinking song , Muka Nakayongo , Musical bow , Gourd resonator , Mupanza , Nalowa , South Africa , Sotho , Basutoland , Lesotho , Sculpture , International Library of African Music , Anthropology , Giriyama Dance
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15068 , http://hdl.handle.net/10962/d1008496 , Reel numbers: BC045, BC046, BC047, BC048
- Description: 13th programme in ‘The Sound of Africa‘ Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , Broadcast script and original reel recording have different dates, hence the two different dates provided in the date field , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
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