Showing items 2601 - 2620 of 2794

Your selections:

Shereketa msango

  • Authors: Manyoni Zhou and Simoni Mashoko Shawa , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181502 , vital:43740 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-08
  • Description: The ritual connected with this Mazungu Shawi calls for a Red hat, and white, red and black cloth. You drink blood and white meal and wear Ndoro beads. In the hand you must hold a Gano, a cross. This 'Soul' appears to be associated with the earliest white men and the Catholic rutual of the sixteenth and seventeenth centuries when it was first introduced to their part of South eastern Africa. Mazungu was the name first given to the early Portuguese and later to all white men. "When you walk on the path, carry your child on the side, do not leave him on your back, there may be something behind you." Song for the Mazungu with 2 Njari Mbira, one with 33 notes and one with 31.
  • Full Text: false
  • Date Issued: 1950

Shilinga etaganya

  • Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170509 , vital:41930 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-13
  • Description: In the background can be heard the shrill continous noise of the cicada beetles in the trees nearby. "The man who gives you a child is better than one who only gives you money. Prostitutes are bad. Money is better than women. If you buy a bicycle you can carry milk to market." Here again the penetrating sound of the cicada beetles or crickets compete with the music. Morality song with 8 string Endongo bowl lyre, 1 string Ndingidi bowl lute, 1 conical Ntenga drum, laced, single.
  • Full Text: false
  • Date Issued: 1950

Shing’angali nadosano

  • Authors: Kulola Kulaja with Sukuma men , Hugh Tracey
  • Date: 1950
  • Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
  • Language: Nyamwezi , Sukuma
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/173558 , vital:42384 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR151-15
  • Description: Sukuma people are broadly divided into, two, competitive socities, like the supporters of 'Light Blues' and 'Dark Blues' on boatrace day. Members of the same family may belong to either society. Before dancing in competition with each other there are frequent arguments as to who shall start first. This song is said to be very popular in the district. Wigasha song
  • Full Text: false
  • Date Issued: 1950

Shombo Binti Hasani (Binti Hasani, you smell)

Shundu na Wamukoya

  • Authors: Jeremiah Mukanda with Wanga men , Hugh Tracey
  • Date: 1950
  • Subjects: Wanga (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Nyanza f-ke
  • Language: Wanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176412 , vital:42692 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR161-12
  • Description: The old chief Mumia would not allow to mention the name of the head of the other branch of the family, Sakwa's family is the senior and should provide the paramount chief. The Wanga are said to have fought their way into their present home all the way from Tiriki. This Litungu lyre, like the Indungili is also played upright when the player is seated on the ground. Shundu and Wamukoya were brothers who had separate kingdoms among Wanga, one in the east and the other in the north of the country. Shundu was the father of the great chief Mumia. The song recalls their tribal fighting and feuds. Historic feud songs, with Litungu 8 string lyre, Isendeche leg bells (-12.55-), inverted bowl (-12.151-), side blow horn (-11.122-).
  • Full Text: false
  • Date Issued: 1950

Siamawe siya

  • Authors: Yuspina Gadwin with Ghaga girls , Hugh Tracey
  • Date: 1950
  • Subjects: Chaga (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Marangu f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174309 , vital:42465 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-08
  • Description: "All the men are joining the army and leave us behind to do the work." Marangu is the small village on the lower slopes of Mount Kilimanjaro. The first of these songs may not be an authentic Chaga song, but is rather similiar to songs in the schools. Temo dance song for girls with stamping and bass drums, laced, played with sticks, (-14.05303-).
  • Full Text: false
  • Date Issued: 1950

Sigilai

  • Authors: Kipsigis girls , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapkatet f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/177662 , vital:42844 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR165-13
  • Description: This song refers to the man Sigilai who first introduced the Chemonget, one of the Kipsigis lyres. They sing "who brought the Chemonget? Sigilai!" Children anywhere are usually poor subjects for recording and there are no exception. These two items are included to show how small Kipsigis girls perform Both songs show a possibility of school (foreign) influence. Topical song
  • Full Text: false
  • Date Issued: 1950

Sila abingo

Silandele Unjenje oyana

Sili nisichotamani sili ongawa ni dawa

Simba lumi

  • Authors: Sanyenke Gethula with Sukuma men , Hugh Tracey
  • Date: 1950
  • Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kisesa f-tz
  • Language: Nyamwezi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/173397 , vital:42366 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-14
  • Description: "The lion has spots like a leopard. He is a brave fighter." Tribal fighting is still within living memory of the Sukuma and the old songs can still be heard occasionally in the country.Their neighbours still raid them for their cattle and have to be fought off. Why the lion should have spots like a leopard is not clear, except that a young lion retains for a while the spotted marks with which it is born. Fighting song.
  • Full Text: false
  • Date Issued: 1950

Singila

Sinibonani mtimba (Good morning bride)

  • Authors: The seven wives of the Chief , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
  • Language: Zulu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160898 , vital:40559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-16
  • Description: The spokesman of the bridegroom presents his man, and the women sing their acceptance of him, sitting on the ground. The song ends with 'Bayete' (hail). The song long associated with the Zulu wedding custom in Natal but separated by over 100 years and a thousand miles, show how persistent and nostalgic old songs can be in a strange land inhabited by African 'colonials'. Wedding song.
  • Full Text: false
  • Date Issued: 1950

Sinyenye mama

  • Authors: Mukhunganilwa with Nyamwezi women , Hugh Tracey
  • Date: 1950
  • Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Tabora f-tz
  • Language: Nyamwezi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172970 , vital:42303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-07
  • Description: "When it became clear that my friend had no drums, I went to her to tell her that we had drums." In this area most of the domestic work in European houses is done by men, familiarly called 'boy'. The woman mentioned in the song became a domestic servant, but, the song says, she repented her decision and preferred to get married and have a home of her own. The connection between this song and the divination of the old woman who sanf it is not clear. Migabo is said to be the name of a group of older people, mostly women, who believe in the power of divination to assist their friends and relatives. Migabo divination songs, with 3 conical laced drums, and 4 gourd rattles (-12.54-).
  • Full Text: false
  • Date Issued: 1950

Siolo

  • Authors: Chebitet Arap Maina , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapkatet f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/177835 , vital:42880 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR166-08
  • Description: The Ketuba 8 string lyre has the same order of notes as the Thum played by the luo people to the west near the lake Victoria. The first and second strings are duplicated by the seveth and eigth. The singer extrolls the finess of the places and people in his district. Praise song with Ketuba 8 string bowl lyre (-10.621 x 8-).
  • Full Text: false
  • Date Issued: 1950

Siwe woronka

  • Authors: Serina Mako with Hangaza women , Hugh Tracey
  • Date: 1950
  • Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shanga f-tz
  • Language: Rundi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172832 , vital:42287 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-16
  • Description: It is significant that an Ndau man from the South East of Southern Rhodesian on hearing these songs claimed that the style of singing and the sound of the words were very like his own. It is believed that the five related tribes of Southern Rhodesia, now called Shona a common Hima strain from the north, and may well indicate a link with the legend of the Hima Bachwezi, who, the Rundi and Tutsi maintain, came down with them from the north but did not stay and went on south. The features of the singers showed a strong Hamite strain although clearly semi-Bantu. The fourth song has unusally clever little melody. These people come from the border of Rundi-Urundi (Rwanda) in Ngala district. Topical song, with clapping
  • Full Text: false
  • Date Issued: 1950

Slia Lazaro soka

Sochoi

Sore cherono

  • Authors: Kipsigis girls , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapkatet f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/177683 , vital:42846 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR165-14
  • Description: This song "I go for Cherono" is about a woman who went to fetch a girl called Cherono and was met on the path. When asked what she was doing she replied "Sore cherono". This word Sore "I go for" sounds like the English word 'sorry' and now implies a double meaning, as the English word has slipped into the local language. The girls were doing a jerky little dance as they sang which is reflected in their singing. Children anywhere are usually poor subjects for recording and there are no exception. These two items are included to show how small Kipsigis girls perform Both songs show a possibility of school (foreign) influence. Topical song
  • Full Text: false
  • Date Issued: 1950

Speech

  • Disclaimer
  • Privacy
  • Copyright
  • Contact