Tune I on Chibvelani Friction Bow
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194167 , vital:45425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-01
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194167 , vital:45425 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-01
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
Tune II on Chibvelani Friction Bow
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194183 , vital:45426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-02
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
- Authors: Unknown , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194183 , vital:45426 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-02
- Description: Tune on Chibvelani friction bow.
- Full Text: false
- Date Issued: 1963
Wangu mwama wome
- Timoses, Comecado des Amigos, Tracey, Hugh
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189670 , vital:44919 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-11
- Description: The pace of the dance quickens until the pelvic girations of the dancers become a rapid quiveringing. Makarito dance, with 5 singing horns, 1 bass small drum, 2 small drums. 1 small bell.
- Full Text: false
- Date Issued: 1963
- Authors: Timoses, Comecado des Amigos , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189670 , vital:44919 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-11
- Description: The pace of the dance quickens until the pelvic girations of the dancers become a rapid quiveringing. Makarito dance, with 5 singing horns, 1 bass small drum, 2 small drums. 1 small bell.
- Full Text: false
- Date Issued: 1963
Wi-wi-wi-wi mirongo
- Miliya Bukulane, Rude Wache, Amelia Faduko, Tracey, Hugh
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193281 , vital:45318 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-12
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193281 , vital:45318 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-12
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
Woyahahai zhembulane
- Maria Taime, Chopi women, Tracey, Hugh
- Authors: Maria Taime , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193226 , vital:45311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-07
- Description: The song is addressed to a girl of easy virture. The singer adds at the end of the song that she is the daughter of Taime (Time) Regulo Zavala. Morality song with clapping.
- Full Text: false
- Date Issued: 1963
- Authors: Maria Taime , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193226 , vital:45311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-07
- Description: The song is addressed to a girl of easy virture. The singer adds at the end of the song that she is the daughter of Taime (Time) Regulo Zavala. Morality song with clapping.
- Full Text: false
- Date Issued: 1963
Zore I
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189563 , vital:44858 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-01
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip
- Full Text: false
- Date Issued: 1963
Zore II
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189568 , vital:44859 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-02
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Zore III
- Five GiTonga men and 13 women, Tracey, Hugh
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
- Authors: Five GiTonga men and 13 women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189589 , vital:44861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-03
- Description: 2 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground (beaters) pegged open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horn. The 2 Kisusu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken. The women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instrument is:- First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach. If not exceed, the threshold of pain in the ears. Dance with 5 drums (1 struck by hand, 4 with beaters), rattles, wooden clappers, and corrugated iron strip.
- Full Text: false
- Date Issued: 1963
Nkahlane
- Makala, T, Composer Not Specified, Tracey, Hugh
- Authors: Makala, T , Composer Not Specified , Tracey, Hugh
- Date: 1963-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City Not Specified f-sa
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/216042 , vital:48126 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1194 , Research no.GB963
- Description: For further details refer ILAM shellac record number: CR1194
- Full Text: false
- Date Issued: 1963-00-00
- Authors: Makala, T , Composer Not Specified , Tracey, Hugh
- Date: 1963-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City Not Specified f-sa
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/216042 , vital:48126 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1194 , Research no.GB963
- Description: For further details refer ILAM shellac record number: CR1194
- Full Text: false
- Date Issued: 1963-00-00
Baya ndi Nemeza
- Miriam Makeba, The Skylarks, Composer not specified, Tracey, Hugh
- Authors: Miriam Makeba , The Skylarks , Composer not specified , Tracey, Hugh
- Date: 1962
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397241 , vital:69270 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , GM09-04-GB3144
- Description: Indigenous music
- Full Text: false
- Date Issued: 1962
- Authors: Miriam Makeba , The Skylarks , Composer not specified , Tracey, Hugh
- Date: 1962
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397241 , vital:69270 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , GM09-04-GB3144
- Description: Indigenous music
- Full Text: false
- Date Issued: 1962
Sesir Inyembezi
- Tomo, Thoko, The Bachelors, Monotones, Tracey, Hugh
- Authors: Tomo, Thoko , The Bachelors , Monotones , Tracey, Hugh
- Date: 1962
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Country not specified City not specified f-ke
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/253363 , vital:52345 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3629 , ABC16959
- Description: Jive song accompanied by a guitar and a drum
- Full Text: false
- Date Issued: 1962
- Authors: Tomo, Thoko , The Bachelors , Monotones , Tracey, Hugh
- Date: 1962
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa Country not specified City not specified f-ke
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/253363 , vital:52345 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3629 , ABC16959
- Description: Jive song accompanied by a guitar and a drum
- Full Text: false
- Date Issued: 1962
Aeroplane
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344870 , vital:63189 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3923-2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344870 , vital:63189 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3923-2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
Aeroplane
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344987 , vital:63202 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3925-2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344987 , vital:63202 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3925-2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
Birds
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344852 , vital:63187 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3923-1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344852 , vital:63187 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3923-1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
Birds
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344834 , vital:63185 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3922-1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344834 , vital:63185 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3922-1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
Birds
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344969 , vital:63200 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3925-1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344969 , vital:63200 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3925-1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
Chomusikara Mandega 1
- Domboshawa School, Composer not specified, Tracey, Hugh
- Authors: Domboshawa School , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe City not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/316472 , vital:59831 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2771-XYZ6283a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
- Authors: Domboshawa School , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe City not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/316472 , vital:59831 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2771-XYZ6283a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
Closing song
- Sotho singers, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Sotho singers , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Lesotho city not specified f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344825 , vital:63184 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3920-0001
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
- Authors: Sotho singers , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Lesotho city not specified f-lo
- Language: Sotho
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344825 , vital:63184 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3920-0001
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
Cock Crowing
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344902 , vital:63193 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3923-6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/344902 , vital:63193 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3923-6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
Crowing cock
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345023 , vital:63224 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3925-6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1961
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Country not specified city not specified f-
- Language: Language not specified
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345023 , vital:63224 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3925-6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1961