Atterrissage
- TP Audiorama Orchestra (performers), Showbiz
- Authors: TP Audiorama Orchestra (performers) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129611 , vital:36313 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-08
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
- Authors: TP Audiorama Orchestra (performers) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129611 , vital:36313 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-08
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
Dictature 8'10
- MC-Zotto (lead, vocal, rap, ragga), Lamso (rap, composition), Poupson (rap), Bouttas (ragga), David (rap, sing), Dene, Izebere (chorus), MALI K7 S.A.
- Authors: MC-Zotto (lead, vocal, rap, ragga) , Lamso (rap, composition) , Poupson (rap) , Bouttas (ragga) , David (rap, sing) , Dene, Izebere (chorus) , MALI K7 S.A.
- Date: 1998
- Subjects: Popular music , Popular music--Mali--1991-2000 , Rap (Music) , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128555 , vital:36122 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC12-02
- Description: Rap songs about contempory issues, unity and peace
- Full Text: false
- Date Issued: 1998
- Authors: MC-Zotto (lead, vocal, rap, ragga) , Lamso (rap, composition) , Poupson (rap) , Bouttas (ragga) , David (rap, sing) , Dene, Izebere (chorus) , MALI K7 S.A.
- Date: 1998
- Subjects: Popular music , Popular music--Mali--1991-2000 , Rap (Music) , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128555 , vital:36122 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC12-02
- Description: Rap songs about contempory issues, unity and peace
- Full Text: false
- Date Issued: 1998
Kodiavision Show
- MC-Zotto (lead, vocal, rap, ragga), Lamso (rap, composition), Poupson (rap), Bouttas (ragga), David (rap, sing), Dene, Izebere (chorus), MALI K7 S.A.
- Authors: MC-Zotto (lead, vocal, rap, ragga) , Lamso (rap, composition) , Poupson (rap) , Bouttas (ragga) , David (rap, sing) , Dene, Izebere (chorus) , MALI K7 S.A.
- Date: 1998
- Subjects: Popular music , Popular music--Mali--1991-2000 , Rap (Music) , Africa Mali Bamako f-ml
- Language: English , French , Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128595 , vital:36126 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC12-06
- Description: Rap songs about contempory issues, unity and peace
- Full Text: false
- Date Issued: 1998
- Authors: MC-Zotto (lead, vocal, rap, ragga) , Lamso (rap, composition) , Poupson (rap) , Bouttas (ragga) , David (rap, sing) , Dene, Izebere (chorus) , MALI K7 S.A.
- Date: 1998
- Subjects: Popular music , Popular music--Mali--1991-2000 , Rap (Music) , Africa Mali Bamako f-ml
- Language: English , French , Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128595 , vital:36126 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC12-06
- Description: Rap songs about contempory issues, unity and peace
- Full Text: false
- Date Issued: 1998
Kome ne
- Habib Koite (lead singer, guitar, chorus, lyrics, composer), Baba Sissoko (n'goni, balafon), Abdoul W. Berthe (bass guitar, kamale n'goni), Souleymane Ann (drums, calebasse, chorus), Boubacar Sidibe (guitar, chorus, harmonica), Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble), Coutre-Jour, Putumayo World Music
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131302 , vital:36557 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-02
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131302 , vital:36557 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-02
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
Ma Ya
- Habib Koite (lead singer, guitar, chorus, lyrics, composer), Baba Sissoko (n'goni, balafon), Abdoul W. Berthe (bass guitar, kamale n'goni), Souleymane Ann (drums, calebasse, chorus), Boubacar Sidibe (guitar, chorus, harmonica), Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble), Coutre-Jour, Putumayo World Music
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131297 , vital:36556 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-01
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara , English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131297 , vital:36556 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-01
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
Mansane Cisse
- Habib Koite (lead singer, guitar, chorus, lyrics, composer), Baba Sissoko (n'goni, balafon), Abdoul W. Berthe (bass guitar, kamale n'goni), Souleymane Ann (drums, calebasse, chorus), Boubacar Sidibe (guitar, chorus, harmonica), Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble), Coutre-Jour, Putumayo World Music
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131315 , vital:36558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-03
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
- Authors: Habib Koite (lead singer, guitar, chorus, lyrics, composer) , Baba Sissoko (n'goni, balafon) , Abdoul W. Berthe (bass guitar, kamale n'goni) , Souleymane Ann (drums, calebasse, chorus) , Boubacar Sidibe (guitar, chorus, harmonica) , Fanga Diawara, Mahame Cisse, Alhousseini Dicko (violon peuls, Malian instrument ensemble) , Coutre-Jour, Putumayo World Music
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131315 , vital:36558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC51-03
- Description: Relaxed intimate vocal style accompanied by talking drum, guitar, bass, drum set, harmonica violon, calabash and balafon
- Full Text: false
- Date Issued: 1998
Mariage
- TP Audiorama Orchestra (performers), Showbiz
- Authors: TP Audiorama Orchestra (performers) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129569 , vital:36307 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-02
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
- Authors: TP Audiorama Orchestra (performers) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129569 , vital:36307 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-02
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
Nafigiya 5'20
- MC-Zotto (lead, vocal, rap, ragga), Lamso (rap, composition), Poupson (rap), Bouttas (ragga), David (rap, sing), Dene, Izebere (chorus), MALI K7 S.A.
- Authors: MC-Zotto (lead, vocal, rap, ragga) , Lamso (rap, composition) , Poupson (rap) , Bouttas (ragga) , David (rap, sing) , Dene, Izebere (chorus) , MALI K7 S.A.
- Date: 1998
- Subjects: Popular music , Popular music--Mali--1991-2000 , Rap (Music) , Africa Mali Bamako f-ml
- Language: French , Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128547 , vital:36121 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC12-01
- Description: Rap songs about contempory issues, unity and peace
- Full Text: false
- Date Issued: 1998
- Authors: MC-Zotto (lead, vocal, rap, ragga) , Lamso (rap, composition) , Poupson (rap) , Bouttas (ragga) , David (rap, sing) , Dene, Izebere (chorus) , MALI K7 S.A.
- Date: 1998
- Subjects: Popular music , Popular music--Mali--1991-2000 , Rap (Music) , Africa Mali Bamako f-ml
- Language: French , Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128547 , vital:36121 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC12-01
- Description: Rap songs about contempory issues, unity and peace
- Full Text: false
- Date Issued: 1998
Paris 95
- TP Audiorama Orchestra (performers), Showbiz
- Authors: TP Audiorama Orchestra (performers) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129596 , vital:36310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-05
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
- Authors: TP Audiorama Orchestra (performers) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129596 , vital:36310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-05
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
Retour a la Terre
- N'Gbocho Anoma Jacques (vocals), Kokora Bongoua (written, composed, arranged by), Robert (alto saxophone), Oumar Maxim, Narcisse (bass guitar), Yapo Jimmy, Kilola De Bela Bela (chorus), Tia Pierre (Congas Toumba), Aye Hilarion (guitar), Bongoua Joachim (solo guitar, leader), Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals), Osei Kwame (organ, synthesizer), Mario Zani (tenor saxophone), Georges, Isaac, Akissi Leion (trumbet), Showbiz
- Authors: N'Gbocho Anoma Jacques (vocals) , Kokora Bongoua (written, composed, arranged by) , Robert (alto saxophone) , Oumar Maxim, Narcisse (bass guitar) , Yapo Jimmy, Kilola De Bela Bela (chorus) , Tia Pierre (Congas Toumba) , Aye Hilarion (guitar) , Bongoua Joachim (solo guitar, leader) , Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals) , Osei Kwame (organ, synthesizer) , Mario Zani (tenor saxophone) , Georges, Isaac, Akissi Leion (trumbet) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129560 , vital:36306 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-01
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
- Authors: N'Gbocho Anoma Jacques (vocals) , Kokora Bongoua (written, composed, arranged by) , Robert (alto saxophone) , Oumar Maxim, Narcisse (bass guitar) , Yapo Jimmy, Kilola De Bela Bela (chorus) , Tia Pierre (Congas Toumba) , Aye Hilarion (guitar) , Bongoua Joachim (solo guitar, leader) , Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals) , Osei Kwame (organ, synthesizer) , Mario Zani (tenor saxophone) , Georges, Isaac, Akissi Leion (trumbet) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129560 , vital:36306 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-01
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
Wui
- TP Audiorama Orchestra (performers), Showbiz
- Authors: TP Audiorama Orchestra (performers) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129601 , vital:36311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-06
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
- Authors: TP Audiorama Orchestra (performers) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129601 , vital:36311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-06
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
Zotto Style
- MC-Zotto (lead, vocal, rap, ragga), Lamso (rap, composition), Poupson (rap), Bouttas (ragga), David (rap, sing), Dene, Izebere (chorus), MALI K7 S.A.
- Authors: MC-Zotto (lead, vocal, rap, ragga) , Lamso (rap, composition) , Poupson (rap) , Bouttas (ragga) , David (rap, sing) , Dene, Izebere (chorus) , MALI K7 S.A.
- Date: 1998
- Subjects: Popular music , Popular music--Mali--1991-2000 , Rap (Music) , Africa Mali Bamako f-ml
- Language: English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128586 , vital:36125 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC12-05
- Description: Rap songs about contempory issues, unity and peace
- Full Text: false
- Date Issued: 1998
- Authors: MC-Zotto (lead, vocal, rap, ragga) , Lamso (rap, composition) , Poupson (rap) , Bouttas (ragga) , David (rap, sing) , Dene, Izebere (chorus) , MALI K7 S.A.
- Date: 1998
- Subjects: Popular music , Popular music--Mali--1991-2000 , Rap (Music) , Africa Mali Bamako f-ml
- Language: English , French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128586 , vital:36125 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC12-05
- Description: Rap songs about contempory issues, unity and peace
- Full Text: false
- Date Issued: 1998
L'image du peuple dans Le premier homme d'Albert Camus
- Heynderickx, Nathalie Marcel Madeleine
- Authors: Heynderickx, Nathalie Marcel Madeleine
- Date: 1996
- Subjects: Camus, Albert, 1913-1960. Premier homme
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3577 , http://hdl.handle.net/10962/d1002150 , Camus, Albert, 1913-1960. Premier homme
- Full Text:
- Date Issued: 1996
- Authors: Heynderickx, Nathalie Marcel Madeleine
- Date: 1996
- Subjects: Camus, Albert, 1913-1960. Premier homme
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3577 , http://hdl.handle.net/10962/d1002150 , Camus, Albert, 1913-1960. Premier homme
- Full Text:
- Date Issued: 1996
La possibilité de la révélation et du salut dans les religions non chrétiennes : le debat protestant contemporain
- Authors: Matungulu, Givule Floribert
- Date: 1994
- Language: French
- Type: Thesis , Masters , MTh
- Identifier: vital:1307 , http://hdl.handle.net/10962/d1018215
- Full Text:
- Date Issued: 1994
- Authors: Matungulu, Givule Floribert
- Date: 1994
- Language: French
- Type: Thesis , Masters , MTh
- Identifier: vital:1307 , http://hdl.handle.net/10962/d1018215
- Full Text:
- Date Issued: 1994
"In ten years, maybe less", Chris McGregor about the establishment of democracy in South Africa
- Authors: Combres, Joël
- Date: 1990
- Subjects: McGregor, Chris--1936-1990 , De Klerk, Frederik , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa)
- Language: French
- Type: Article
- Identifier: vital:13517 , http://hdl.handle.net/10962/d1006094 , McGregor, Chris--1936-1990 , De Klerk, Frederik , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa)
- Description: Photocopied article from the French newspaper Sud-Ouest about Chris McGregor's political opinions and hopes for South Africa. There are 2 pictures with the article. On top, Chris McGregor in his garden in France. The early Blue Notes Jazz Band is on the bottom picture.
- Full Text:
- Date Issued: 1990
- Authors: Combres, Joël
- Date: 1990
- Subjects: McGregor, Chris--1936-1990 , De Klerk, Frederik , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa)
- Language: French
- Type: Article
- Identifier: vital:13517 , http://hdl.handle.net/10962/d1006094 , McGregor, Chris--1936-1990 , De Klerk, Frederik , Jazz , Jazz musicians , Blue Notes (Musical group : South Africa)
- Description: Photocopied article from the French newspaper Sud-Ouest about Chris McGregor's political opinions and hopes for South Africa. There are 2 pictures with the article. On top, Chris McGregor in his garden in France. The early Blue Notes Jazz Band is on the bottom picture.
- Full Text:
- Date Issued: 1990
Slavery
- Performer not specified, Tracey, Andrew T N
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1987
- Subjects: Arts, French--African influences , Topical songs , Sub-Saharan African music , Africa Unknown Unknown f
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/93279 , vital:30863 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC022-02
- Description: Unaccompanied French topical song.
- Full Text: false
- Date Issued: 1987
- Authors: Performer not specified , Tracey, Andrew T N
- Date: 1987
- Subjects: Arts, French--African influences , Topical songs , Sub-Saharan African music , Africa Unknown Unknown f
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/93279 , vital:30863 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC022-02
- Description: Unaccompanied French topical song.
- Full Text: false
- Date Issued: 1987
Les elements dramatiques dans les premiers romans (1939-1963) de Nathalie Sarraute
- Authors: O'Grady, Betty
- Date: 1983
- Subjects: Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3617 , http://hdl.handle.net/10962/d1006921 , Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Full Text:
- Date Issued: 1983
- Authors: O'Grady, Betty
- Date: 1983
- Subjects: Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3617 , http://hdl.handle.net/10962/d1006921 , Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Full Text:
- Date Issued: 1983
"Yes please" Chris McGregor's Brotherhood of Breath
- Unknown
- Authors: Unknown
- Date: 1981
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Language: French
- Type: Article
- Identifier: vital:13753 , http://hdl.handle.net/10962/d1012768
- Description: Photocopied article from the CFDT Magazine about the recording "Yes please" (Musica Distribution) by Chris McGregor's Brotherhood of Breath.
- Full Text:
- Date Issued: 1981
- Authors: Unknown
- Date: 1981
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz
- Language: French
- Type: Article
- Identifier: vital:13753 , http://hdl.handle.net/10962/d1012768
- Description: Photocopied article from the CFDT Magazine about the recording "Yes please" (Musica Distribution) by Chris McGregor's Brotherhood of Breath.
- Full Text:
- Date Issued: 1981
2nd Jazz Festival of Douai, France
- Unknown
- Authors: Unknown
- Date: 1981
- Subjects: McGregor, Chris -- 1936-1990 , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13577 , http://hdl.handle.net/10962/d1006540 , McGregor, Chris -- 1936-1990 , Jazz , Jazz musicians
- Description: Original program for the 2nd Jazz Festival of Douai in France. Amongst the concerts, there will be some music workshops, exhibitions and movie projections.
- Full Text:
- Date Issued: 1981
- Authors: Unknown
- Date: 1981
- Subjects: McGregor, Chris -- 1936-1990 , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13577 , http://hdl.handle.net/10962/d1006540 , McGregor, Chris -- 1936-1990 , Jazz , Jazz musicians
- Description: Original program for the 2nd Jazz Festival of Douai in France. Amongst the concerts, there will be some music workshops, exhibitions and movie projections.
- Full Text:
- Date Issued: 1981
Le test de McKenzie-Stoughton: méthode de mesure de l’effect réservoir
- Woodford, R, Haigh, John M, Barry, B W
- Authors: Woodford, R , Haigh, John M , Barry, B W
- Date: 1981
- Language: French
- Type: Article
- Identifier: vital:6448 , http://hdl.handle.net/10962/d1006635
- Description: A la suite de I'observation que firent Mac Kenzie et Stoughton en 1962, montrant que I'application locale de cortico'ldes anti-inflammatoires peut produire un blanchiment de la peau, des tests ont ete mis au point pour apprecier la constitution d'une telle paleur chez des sujets volontaires. Les techniques qui ont ete publiees sont variables quant a la methode d'application (avec ou sans occlusion), la duree d'application du cortico'lde (.c'est-a-dire duree breve de 6 a 8 heures ou prolongee de 16 a 20 heures) et quant a la methode d'appreciation de la reponse, enregistree par exemple comme etant presente ou absente, ou bien cotee, soit avec une simple lecture,. soit avec des lectures repetees, pendant un certain temps. Les auteurs ont mis au point des essais standart de vasoconstriction avec et sans occlusion, pour apprecier les preparations quant a leur efficacite clinique pour determiner la biodisponibilite des cortico'ldes a partir des supports pour applications locales. A condition que I'investigateur et Ie volontaire se conforment strictement au protocole du test les methodes suivantes ont une precision surprenante d'appreciation (Barry et Woodford, 1978).
- Full Text:
- Date Issued: 1981
- Authors: Woodford, R , Haigh, John M , Barry, B W
- Date: 1981
- Language: French
- Type: Article
- Identifier: vital:6448 , http://hdl.handle.net/10962/d1006635
- Description: A la suite de I'observation que firent Mac Kenzie et Stoughton en 1962, montrant que I'application locale de cortico'ldes anti-inflammatoires peut produire un blanchiment de la peau, des tests ont ete mis au point pour apprecier la constitution d'une telle paleur chez des sujets volontaires. Les techniques qui ont ete publiees sont variables quant a la methode d'application (avec ou sans occlusion), la duree d'application du cortico'lde (.c'est-a-dire duree breve de 6 a 8 heures ou prolongee de 16 a 20 heures) et quant a la methode d'appreciation de la reponse, enregistree par exemple comme etant presente ou absente, ou bien cotee, soit avec une simple lecture,. soit avec des lectures repetees, pendant un certain temps. Les auteurs ont mis au point des essais standart de vasoconstriction avec et sans occlusion, pour apprecier les preparations quant a leur efficacite clinique pour determiner la biodisponibilite des cortico'ldes a partir des supports pour applications locales. A condition que I'investigateur et Ie volontaire se conforment strictement au protocole du test les methodes suivantes ont une precision surprenante d'appreciation (Barry et Woodford, 1978).
- Full Text:
- Date Issued: 1981