Making sense of ʺessenceʺ : a critical examination of the adequacy of the modern philosophical conception of ʺessenceʺ
- Authors: Ross, Allison
- Date: 2000
- Subjects: Essentialism (Philosophy)
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2720 , http://hdl.handle.net/10962/d1002850 , Essentialism (Philosophy)
- Description: The idea that some sub-set of the properties of an object captures what it is to be that thing i.e. that it has an essence which is there to be discovered and about which we can be mistaken - is a commonsense assumption that we use all the time. However, philosophers of this century have regarded the realism about essence with skepticism, arguing that we impose essences on things by the way we define our concepts as opposed to discovering them. Essences are supposedly characteristics of our concepts rather than of objects in the world. This was the orthodox view until a group of philosophers of language developed the theory of direct reference. They claimed that proper names and certain other words refer non-connotatively which entails that the real properties of objects are crucial to the establishment of the reference of such terms. It can be shown that the properties involved in reference determination must be all and only the necessary properties of those objects. This discovery has been taken to mark the rehabilitation of the notion of essence, with an object’s essence being taken to be that set of properties which it must have in all possible worlds in which it exists. I will argue that the theory of direct reference is correct up to the point at which it assimilates the necessary properties of objects to their essences. I will show that the set of an object’s necessary properties cannot fulfill the role reserved for the concept of essence in metaphysical hypotheses concerning the nature of objects. I will go on to show that a sub-set of a thing’s necessary properties can fulfill this role and I will suggest that we identify the members of this sub-set by testing their ability to furnish the kinds of explanations we expect from essences. I will demonstrate how this can be done using the Aristotelian idea that the notion of essence is required in order to explain how it is that objects can persist through change.
- Full Text:
- Date Issued: 2000
- Authors: Ross, Allison
- Date: 2000
- Subjects: Essentialism (Philosophy)
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2720 , http://hdl.handle.net/10962/d1002850 , Essentialism (Philosophy)
- Description: The idea that some sub-set of the properties of an object captures what it is to be that thing i.e. that it has an essence which is there to be discovered and about which we can be mistaken - is a commonsense assumption that we use all the time. However, philosophers of this century have regarded the realism about essence with skepticism, arguing that we impose essences on things by the way we define our concepts as opposed to discovering them. Essences are supposedly characteristics of our concepts rather than of objects in the world. This was the orthodox view until a group of philosophers of language developed the theory of direct reference. They claimed that proper names and certain other words refer non-connotatively which entails that the real properties of objects are crucial to the establishment of the reference of such terms. It can be shown that the properties involved in reference determination must be all and only the necessary properties of those objects. This discovery has been taken to mark the rehabilitation of the notion of essence, with an object’s essence being taken to be that set of properties which it must have in all possible worlds in which it exists. I will argue that the theory of direct reference is correct up to the point at which it assimilates the necessary properties of objects to their essences. I will show that the set of an object’s necessary properties cannot fulfill the role reserved for the concept of essence in metaphysical hypotheses concerning the nature of objects. I will go on to show that a sub-set of a thing’s necessary properties can fulfill this role and I will suggest that we identify the members of this sub-set by testing their ability to furnish the kinds of explanations we expect from essences. I will demonstrate how this can be done using the Aristotelian idea that the notion of essence is required in order to explain how it is that objects can persist through change.
- Full Text:
- Date Issued: 2000
Mama Noukou
- Brighess (author, composer, lead singer, chorus, percussions), Turbo (chorus), Le Ziboua Stars (band), Cisky de Panza (chorus, guitar, arranger), Ras live I
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129260 , vital:36253 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-03
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129260 , vital:36253 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-03
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
Mama Noukou
- Brighess (author, composer, lead singer, chorus, percussions), Turbo (chorus), Le Ziboua Stars (band), Cisky de Panza (chorus, guitar, arranger), Ras live I
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129269 , vital:36254 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-03
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129269 , vital:36254 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-03
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
Management of political behaviour in organisations
- Authors: Pio, Riaan Johan
- Date: 2000
- Subjects: Organizational behavior , Corporate culture
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:10839 , http://hdl.handle.net/10948/33 , Organizational behavior , Corporate culture
- Description: In this research paper, the constructive management of political behaviour in organisations was investigated. A general overview of relevant aspects which specifically relate to the constructive management of political behaviour in the automotive industry was presented. The literature study included a discussion of the nature of political behaviour and guidelines for the management of political behaviour in organisations. The research methodology consisted of three phases: Phase 1: A literature study to determine guidelines to manage political behaviour in organisations constructively. Phase 2: An empirical study to determine the effectiveness of these guidelines in practice by means of a survey amongst role players in the automotive industry in South Africa. Phase 3: The findings from the literature study and empirical study were integrated into guidelines of how managers can manage political behaviour constructively. The study identified nine main strategies for managing political behaviour. They are: Open communication. Communication must be open to keep all parties informed and to prevent distrust. Reduction of uncertainty. This involves preventing employees being unsure of what the future holds. Awareness. The aim of awareness is for managers to be sensitive to and aware of situations that could elicit political behaviours. Furthermore, they must recognize political behaviour for what it is. Setting an example. Managers must set an exemplary example and not engage in political behaviour. An understanding of the reason/motivation for the formation of informal (political) groups or cliques. Having established the reason why political groups form will enable a manager to manage them more effectively. Confront political game players. Managers must address all forms of possible political behaviour in a serious manner. Understanding the organisation’s strategy, goals and action plans. All employees need to know exactly what direction the organization is moving in and what is in it for them. It is management’s task to ensure this open and clear communication, to prevent fears and political behaviour. Tie resource allocation and rewards to strategy. This can be achieved by ensuring that the criteria for the allocation of rewards is straight forward and understood by all. Reward systems must, furthermore, be directly linked to performance. There should also be transparency in decision-making. Isolate resource acquisition from internal operations. It is necessary to clearly specify the conditions and ground rules for the acquisition of resources to ensure that the process is transparent. The conclusion reached is that political behaviour in organizations can be managed constructively to build win-win relationships.
- Full Text:
- Date Issued: 2000
- Authors: Pio, Riaan Johan
- Date: 2000
- Subjects: Organizational behavior , Corporate culture
- Language: English
- Type: Thesis , Masters , MTech
- Identifier: vital:10839 , http://hdl.handle.net/10948/33 , Organizational behavior , Corporate culture
- Description: In this research paper, the constructive management of political behaviour in organisations was investigated. A general overview of relevant aspects which specifically relate to the constructive management of political behaviour in the automotive industry was presented. The literature study included a discussion of the nature of political behaviour and guidelines for the management of political behaviour in organisations. The research methodology consisted of three phases: Phase 1: A literature study to determine guidelines to manage political behaviour in organisations constructively. Phase 2: An empirical study to determine the effectiveness of these guidelines in practice by means of a survey amongst role players in the automotive industry in South Africa. Phase 3: The findings from the literature study and empirical study were integrated into guidelines of how managers can manage political behaviour constructively. The study identified nine main strategies for managing political behaviour. They are: Open communication. Communication must be open to keep all parties informed and to prevent distrust. Reduction of uncertainty. This involves preventing employees being unsure of what the future holds. Awareness. The aim of awareness is for managers to be sensitive to and aware of situations that could elicit political behaviours. Furthermore, they must recognize political behaviour for what it is. Setting an example. Managers must set an exemplary example and not engage in political behaviour. An understanding of the reason/motivation for the formation of informal (political) groups or cliques. Having established the reason why political groups form will enable a manager to manage them more effectively. Confront political game players. Managers must address all forms of possible political behaviour in a serious manner. Understanding the organisation’s strategy, goals and action plans. All employees need to know exactly what direction the organization is moving in and what is in it for them. It is management’s task to ensure this open and clear communication, to prevent fears and political behaviour. Tie resource allocation and rewards to strategy. This can be achieved by ensuring that the criteria for the allocation of rewards is straight forward and understood by all. Reward systems must, furthermore, be directly linked to performance. There should also be transparency in decision-making. Isolate resource acquisition from internal operations. It is necessary to clearly specify the conditions and ground rules for the acquisition of resources to ensure that the process is transparent. The conclusion reached is that political behaviour in organizations can be managed constructively to build win-win relationships.
- Full Text:
- Date Issued: 2000
Mancipera
- Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar), Coco Mbassi, Rokia Traore (chorus), Noel Ekwabi (bass), Louis Winsberg (guitar), Toumani Diabate (kora), Mamah Diabate (N'Goni), Sidiki Camara (percussion), Label Bleu
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar) , Coco Mbassi, Rokia Traore (chorus) , Noel Ekwabi (bass) , Louis Winsberg (guitar) , Toumani Diabate (kora) , Mamah Diabate (N'Goni) , Sidiki Camara (percussion) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131094 , vital:36523 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-07
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
- Authors: Rokia Traore (author, composer, arranger, interpreter, lead singer, guitar) , Coco Mbassi, Rokia Traore (chorus) , Noel Ekwabi (bass) , Louis Winsberg (guitar) , Toumani Diabate (kora) , Mamah Diabate (N'Goni) , Sidiki Camara (percussion) , Label Bleu
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
- Language: Bambara
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131094 , vital:36523 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC49-07
- Description: Non-Malian vocal style and multilayered singing accompanied by traditional Malian instuments played with a modern edge
- Full Text: false
- Date Issued: 2000
Manore
- Musa Afia Ngum (writer, composer, arranger, lead vocal), Mbaye Gaye, Amie Cham (backing vocal), Sara Ba (flute), Bakery Cissokho (kora), Alioun Manneh (balafon), Pape Ndiaye Guewell (percussion), Malick Soce (xalam), Wole Rendall
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128789 , vital:36158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-01
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
- Authors: Musa Afia Ngum (writer, composer, arranger, lead vocal) , Mbaye Gaye, Amie Cham (backing vocal) , Sara Ba (flute) , Bakery Cissokho (kora) , Alioun Manneh (balafon) , Pape Ndiaye Guewell (percussion) , Malick Soce (xalam) , Wole Rendall
- Date: 2000
- Subjects: Folk music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/128789 , vital:36158 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC15-01
- Description: The songs are mostly about the ancient kingdoms of the Senegambia region and its landscapes, community belonging and values, and he favoured reuniting the Gambia with Senegal
- Full Text: false
- Date Issued: 2000
Marie Sala
- Badou Boy (lead vocal, accoustic guitar, harmonica), Assane Thiam (Tama talking drum), Tapha Faye (piano), Mbaye Dieye Feye (Sabar and Percussions), Pathe Diassy (bass guitar), Fallilou Niang (drums), Ibou Cisse (piano), Badou Boy and Pape Armand (composers), Straun Douglas
- Authors: Badou Boy (lead vocal, accoustic guitar, harmonica) , Assane Thiam (Tama talking drum) , Tapha Faye (piano) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Fallilou Niang (drums) , Ibou Cisse (piano) , Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127304 , vital:35998 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-07
- Description: Singing accompanied by guitar and electric piano
- Full Text: false
- Date Issued: 2000
- Authors: Badou Boy (lead vocal, accoustic guitar, harmonica) , Assane Thiam (Tama talking drum) , Tapha Faye (piano) , Mbaye Dieye Feye (Sabar and Percussions) , Pathe Diassy (bass guitar) , Fallilou Niang (drums) , Ibou Cisse (piano) , Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127304 , vital:35998 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-07
- Description: Singing accompanied by guitar and electric piano
- Full Text: false
- Date Issued: 2000
Master of Education portfolio
- Authors: Morrison, Paula
- Date: 2000
- Subjects: Environmental education -- South Africa -- Kwazulu Natal
- Language: English
- Type: Thesis , Masters , MEd
- Identifier: vital:1671 , http://hdl.handle.net/10962/d1003554
- Description: This report is the culmination of a six year process during which emerged the need to establish a meeting or indaba place for the collaborative 'People and Parks' partnership of the KwaZulu-Natal Nature Conservation Service (NCS) in Hluhluwe-Umfolozi Park (HUP) and stake-holder communities adjacent to the Park. Comprising two parts which compliment each other, the report has been developed to inform, guide and advise the NCS in the planning and development of an education centre in Hluhluwe-Umfolozi Park. Part I documents the processes of engagement and interaction between the NCS in HUP and neighbouring communities during this period, which led to the need for an education centre, whilst placing and contextualizing the process within historical, socio-political and organisational processes. This is taken further with a description of the research process and an analytical narrative of four key programmes. Part I concludes with a summary of the outcomes of the planning process which shows how through local community input and partiCipation, and through networking with other EE practitioners, a conceptual development plan for the Mambeni Education Centre emerged. The second part of this report (Part 2) is the conceptual development plan which has emerged out of the processes described in Part 1. This plan constitutes practical guidelines for the NCS on how to develop and manage the Mambeni Education Centre. More specifically the plan provides ideas about: what type of centre it should be and where it should be located; who the stake-holders are, their educational neees and ideas for possible programmes; the physical and logistical requirements; managemynt and staffing structures and a detailed business plan. The report intends to draw the reader into understanding the complex social and environmental issues that the collaborative partnership of 'People and Parks' are engaging with, so that the Mambeni Environmental Education Centre can playa [more] meaningful and responsive role in contributing to processes of social transformation. In sharing this environmental education re(search) story which represents a unique approach to centre development, it is hoped that the notion of environmental education centres might be viewed by environmental educators through a different set of lenses. Through having the participants' views represented, I wish the report to reflect the richness of the research process.
- Full Text:
- Date Issued: 2000
- Authors: Morrison, Paula
- Date: 2000
- Subjects: Environmental education -- South Africa -- Kwazulu Natal
- Language: English
- Type: Thesis , Masters , MEd
- Identifier: vital:1671 , http://hdl.handle.net/10962/d1003554
- Description: This report is the culmination of a six year process during which emerged the need to establish a meeting or indaba place for the collaborative 'People and Parks' partnership of the KwaZulu-Natal Nature Conservation Service (NCS) in Hluhluwe-Umfolozi Park (HUP) and stake-holder communities adjacent to the Park. Comprising two parts which compliment each other, the report has been developed to inform, guide and advise the NCS in the planning and development of an education centre in Hluhluwe-Umfolozi Park. Part I documents the processes of engagement and interaction between the NCS in HUP and neighbouring communities during this period, which led to the need for an education centre, whilst placing and contextualizing the process within historical, socio-political and organisational processes. This is taken further with a description of the research process and an analytical narrative of four key programmes. Part I concludes with a summary of the outcomes of the planning process which shows how through local community input and partiCipation, and through networking with other EE practitioners, a conceptual development plan for the Mambeni Education Centre emerged. The second part of this report (Part 2) is the conceptual development plan which has emerged out of the processes described in Part 1. This plan constitutes practical guidelines for the NCS on how to develop and manage the Mambeni Education Centre. More specifically the plan provides ideas about: what type of centre it should be and where it should be located; who the stake-holders are, their educational neees and ideas for possible programmes; the physical and logistical requirements; managemynt and staffing structures and a detailed business plan. The report intends to draw the reader into understanding the complex social and environmental issues that the collaborative partnership of 'People and Parks' are engaging with, so that the Mambeni Environmental Education Centre can playa [more] meaningful and responsive role in contributing to processes of social transformation. In sharing this environmental education re(search) story which represents a unique approach to centre development, it is hoped that the notion of environmental education centres might be viewed by environmental educators through a different set of lenses. Through having the participants' views represented, I wish the report to reflect the richness of the research process.
- Full Text:
- Date Issued: 2000
Materials in flexible learning teacher education courses in environmental education : an evaluative case study
- Authors: Molose, Vivian Innotantia
- Date: 2000
- Subjects: Environmental education -- Study and teaching Environmental education -- Study and teaching -- Evaluation Environmental education -- South Africa -- Study and teaching
- Language: English
- Type: Thesis , Masters , MEd
- Identifier: vital:1672 , http://hdl.handle.net/10962/d1003555
- Description: The study aimed at researching the role of materials in flexible learning teacher education courses, specifically looking at the Eastern Cape Teacher Course as a case study. The research aimed at exploring how courses and materials were developed, selected, used and adapted or redeveloped so as to support the course orientation and the intended outcomes. I did this with the hope that my research might inform the process of improving the role of course materials in flexible learning teacher education courses. I did a naturalistic enquiry within which I interviewed 39 participants (teachers and teacher educators) and two course co-ordinators. I also analysed documents such as the course materials, nine participants' journals and seven of their assignments. The observation notes compiled during the early days of the course were not used as a main source of data but as support to data sources mentioned above. Questionnaires were handed out to all the course participants, i.e. course co-ordinators, tutors and student participants. The questionnaires were intended as a means for pre interview and post interview reflection for interviewees. Through this research, I have learnt a lot about the role of materials in professional development courses, including the importance of mediation of materials and their overt use during course sessions, the importance of providing and encouraging a culture of reading through time allocation during contact sessions, through discussions on materials, and also through providing orientating comm~nts on materials rather than just handing them out to participants. Readings that are more focussed do better to motivate participants to interact with them.
- Full Text:
- Date Issued: 2000
- Authors: Molose, Vivian Innotantia
- Date: 2000
- Subjects: Environmental education -- Study and teaching Environmental education -- Study and teaching -- Evaluation Environmental education -- South Africa -- Study and teaching
- Language: English
- Type: Thesis , Masters , MEd
- Identifier: vital:1672 , http://hdl.handle.net/10962/d1003555
- Description: The study aimed at researching the role of materials in flexible learning teacher education courses, specifically looking at the Eastern Cape Teacher Course as a case study. The research aimed at exploring how courses and materials were developed, selected, used and adapted or redeveloped so as to support the course orientation and the intended outcomes. I did this with the hope that my research might inform the process of improving the role of course materials in flexible learning teacher education courses. I did a naturalistic enquiry within which I interviewed 39 participants (teachers and teacher educators) and two course co-ordinators. I also analysed documents such as the course materials, nine participants' journals and seven of their assignments. The observation notes compiled during the early days of the course were not used as a main source of data but as support to data sources mentioned above. Questionnaires were handed out to all the course participants, i.e. course co-ordinators, tutors and student participants. The questionnaires were intended as a means for pre interview and post interview reflection for interviewees. Through this research, I have learnt a lot about the role of materials in professional development courses, including the importance of mediation of materials and their overt use during course sessions, the importance of providing and encouraging a culture of reading through time allocation during contact sessions, through discussions on materials, and also through providing orientating comm~nts on materials rather than just handing them out to participants. Readings that are more focussed do better to motivate participants to interact with them.
- Full Text:
- Date Issued: 2000
Maudit soit de jour
- Betika (composer, performer), Ntoumba Minka (arranger, bass guitar)), Ernest Mvouama (synthesiser), Briskard Kouadio (accoustic guitar), Dallas, Briskard Kouadio (solo guitar), Kouaho (percussion), Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus), Awa Diabate, Sanota Doumbie (chorus), Ernest Mvouama
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127518 , vital:36019 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-04
- Description: Ivorian band with solo and chorus, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
- Authors: Betika (composer, performer) , Ntoumba Minka (arranger, bass guitar)) , Ernest Mvouama (synthesiser) , Briskard Kouadio (accoustic guitar) , Dallas, Briskard Kouadio (solo guitar) , Kouaho (percussion) , Donguy, Betuel, Ntoumba, Minka, Betika, Kouaho, Jean Gnanzou (chorus) , Awa Diabate, Sanota Doumbie (chorus) , Ernest Mvouama
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Grand-Bassam f-ml
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127518 , vital:36019 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO4-04
- Description: Ivorian band with solo and chorus, accompained by synthesier, guitars and percussion
- Full Text: false
- Date Issued: 2000
May essential provisions of a contract be determined by one of the parties alone
- Kerr, Alistair J, Glover, Graham B
- Authors: Kerr, Alistair J , Glover, Graham B
- Date: 2000
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/70912 , vital:29759 , https://heinonline.org/HOL/Page?handle=hein.journals/soaf117&id=211&collection=journals&index=
- Description: When the Supreme Court of Appeal raises a question but does not answer it, what it says can be interpreted as an invitation to all those interested in the topic to discuss it. This note is a response to such an invitation in NBS Boland Bank v One Berg River Drive CC, Deeb v ABSA Bank Ltd, Friedman v Standard Bank of South Africa Ltd 1999 (4) SA 928 (SCA);[1999] 4 All SA 183, hereinafter referred to as the NBS Boland Bank case.
- Full Text: false
- Date Issued: 2000
- Authors: Kerr, Alistair J , Glover, Graham B
- Date: 2000
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/70912 , vital:29759 , https://heinonline.org/HOL/Page?handle=hein.journals/soaf117&id=211&collection=journals&index=
- Description: When the Supreme Court of Appeal raises a question but does not answer it, what it says can be interpreted as an invitation to all those interested in the topic to discuss it. This note is a response to such an invitation in NBS Boland Bank v One Berg River Drive CC, Deeb v ABSA Bank Ltd, Friedman v Standard Bank of South Africa Ltd 1999 (4) SA 928 (SCA);[1999] 4 All SA 183, hereinafter referred to as the NBS Boland Bank case.
- Full Text: false
- Date Issued: 2000
Mazonko
- Brighess (author, composer, lead singer, chorus, percussions), Turbo (chorus), Le Ziboua Stars (band), Cisky de Panza (chorus, guitar, arranger), Ras live I
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129279 , vital:36256 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-05
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129279 , vital:36256 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-05
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
Mbaax Sa Fasa
- Ndaye Marie Ndiaye (lead vocal), Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus), Tapha Faye (keyboard, arrangements), Papis Diouf (solo guitar), Badou Dieme (bass guitar), Jules Diop (drums), Papu Ndiaye (percussion), Dara Guisse (xalam), Habib Mbengue, Ousmane Ndiaye (additional percussion), Ndiago Ndour, Samassa Records
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130233 , vital:36390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-06
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
- Authors: Ndaye Marie Ndiaye (lead vocal) , Ndickou Thione, Adji Soda Thioune, Lot Ndiaye (chorus) , Tapha Faye (keyboard, arrangements) , Papis Diouf (solo guitar) , Badou Dieme (bass guitar) , Jules Diop (drums) , Papu Ndiaye (percussion) , Dara Guisse (xalam) , Habib Mbengue, Ousmane Ndiaye (additional percussion) , Ndiago Ndour , Samassa Records
- Date: 2000
- Subjects: Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/130233 , vital:36390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC39-06
- Description: A Senegalese griot singer grounded in tradition. Her music demonstrates the richness of the inflections of the voice and the multiple intonations of the art of the griot. Her unique voice timbre and intonation is accompanied by traditional xalam and tama, as well as western instruments
- Full Text: false
- Date Issued: 2000
Mbiyeesee
- Fatou Laobe (performer, composer), Mareme Ndiaye, Kouna Sow, Aissata Sow, Law Kouyate (chorus), Mbeya Samb (bass guitar), Assana Aldara (guitar), Azizi Diallo (piano), Beydi Thior (pianos), Law Kouyate (kora), Amadou Athiel (xalam), Moussa Gningue (drums), Elle Mbaye, Mbaye Thiam (sabar), Jololi
- Authors: Fatou Laobe (performer, composer) , Mareme Ndiaye, Kouna Sow, Aissata Sow, Law Kouyate (chorus) , Mbeya Samb (bass guitar) , Assana Aldara (guitar) , Azizi Diallo (piano) , Beydi Thior (pianos) , Law Kouyate (kora) , Amadou Athiel (xalam) , Moussa Gningue (drums) , Elle Mbaye, Mbaye Thiam (sabar) , Jololi
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127711 , vital:36037 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO6-06
- Description: Senegalese band featuring solo and chorus singers accampanied by kora, xalam, sabar, guitar and piano
- Full Text: false
- Date Issued: 2000
- Authors: Fatou Laobe (performer, composer) , Mareme Ndiaye, Kouna Sow, Aissata Sow, Law Kouyate (chorus) , Mbeya Samb (bass guitar) , Assana Aldara (guitar) , Azizi Diallo (piano) , Beydi Thior (pianos) , Law Kouyate (kora) , Amadou Athiel (xalam) , Moussa Gningue (drums) , Elle Mbaye, Mbaye Thiam (sabar) , Jololi
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127711 , vital:36037 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO6-06
- Description: Senegalese band featuring solo and chorus singers accampanied by kora, xalam, sabar, guitar and piano
- Full Text: false
- Date Issued: 2000
Mbiyeesee
- Fatou Laobe (performer, composer), Mareme Ndiaye, Kouna Sow, Aissata Sow, Law Kouyate (chorus), Mbeya Samb (bass guitar), Assana Aldara (guitar), Azizi Diallo (piano), Beydi Thior (pianos), Law Kouyate (kora), Amadou Athiel (xalam), Moussa Gningue (drums), Elle Mbaye, Mbaye Thiam (sabar), Jololi
- Authors: Fatou Laobe (performer, composer) , Mareme Ndiaye, Kouna Sow, Aissata Sow, Law Kouyate (chorus) , Mbeya Samb (bass guitar) , Assana Aldara (guitar) , Azizi Diallo (piano) , Beydi Thior (pianos) , Law Kouyate (kora) , Amadou Athiel (xalam) , Moussa Gningue (drums) , Elle Mbaye, Mbaye Thiam (sabar) , Jololi
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127703 , vital:36036 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO6-05
- Description: Senegalese band featuring solo and chorus singers accampanied by kora, xalam, sabar, guitar and piano
- Full Text: false
- Date Issued: 2000
- Authors: Fatou Laobe (performer, composer) , Mareme Ndiaye, Kouna Sow, Aissata Sow, Law Kouyate (chorus) , Mbeya Samb (bass guitar) , Assana Aldara (guitar) , Azizi Diallo (piano) , Beydi Thior (pianos) , Law Kouyate (kora) , Amadou Athiel (xalam) , Moussa Gningue (drums) , Elle Mbaye, Mbaye Thiam (sabar) , Jololi
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127703 , vital:36036 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO6-05
- Description: Senegalese band featuring solo and chorus singers accampanied by kora, xalam, sabar, guitar and piano
- Full Text: false
- Date Issued: 2000
Mboolo Mi
- Badou Boy and Pape Armand (composers), Straun Douglas
- Authors: Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127259 , vital:35993 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-02
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
- Authors: Badou Boy and Pape Armand (composers) , Straun Douglas
- Date: 2000
- Subjects: Popular music , Popular music--Senegal--2001-2010 , Africa Senegal Dakar f-sg
- Language: Wolof
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/127259 , vital:35993 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDCO2-02
- Description: Singing accompanied by guitar and harmonica
- Full Text: false
- Date Issued: 2000
Mefie-toi
- Brighess (author, composer, lead singer, chorus, percussions), Turbo (chorus), Le Ziboua Stars (band), Cisky de Panza (chorus, guitar, arranger), Ras live I
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129247 , vital:36252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-02
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129247 , vital:36252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-02
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
Mefie-toi (remix maquis)
- Brighess (author, composer, lead singer, chorus, percussions), Turbo (chorus), Le Ziboua Stars (band), Cisky de Panza (chorus, guitar, arranger), Ras live I
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129315 , vital:36261 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-09
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
- Authors: Brighess (author, composer, lead singer, chorus, percussions) , Turbo (chorus) , Le Ziboua Stars (band) , Cisky de Panza (chorus, guitar, arranger) , Ras live I
- Date: 2000
- Subjects: Popular music , Popular music--Africa, West , Africa Guinea Conakry f-gv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129315 , vital:36261 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC20-09
- Description: Male vocal group sing in traditional Guinean harmonies and sounds, accompanied by percussion, keyboard, bass and striking bell, overlaid with modern afrobeat rhythm
- Full Text: false
- Date Issued: 2000
Melatonin alters the photodegradation of paracetamol
- Anoopkumar-Dukie, Shailendra, Glass, Beverley D, Walker, Roderick B, Daya, Santylal
- Authors: Anoopkumar-Dukie, Shailendra , Glass, Beverley D , Walker, Roderick B , Daya, Santylal
- Date: 2000
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/184357 , vital:44211 , xlink:href="https://doi.org/10.1211/146080800128735755"
- Description: The effects of melatonin, a known free-radical scavenger, on paracetamol in the presence of UV irradiation was studied by use of HPLC. The experiments were performed in air and nitrogen. The results show that the rate of photodegradation of melatonin is faster in air than in nitrogen whereas that of paracetamol is similar in air and nitrogen. When the two drugs were combined, melatonin retarded the degradation of paracetamol for up to 6h in the presence of nitrogen. However, in the presence of air melatonin rapidly enhances the photodegradation of paracetamol. This study shows that a combination of melatonin and paracetamol in the presence of air and UV irradiation can lead to rapid inactivation of both agents, thus raising important concerns about the possible use of melatonin as sunscreen
- Full Text:
- Date Issued: 2000
- Authors: Anoopkumar-Dukie, Shailendra , Glass, Beverley D , Walker, Roderick B , Daya, Santylal
- Date: 2000
- Subjects: To be catalogued
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/184357 , vital:44211 , xlink:href="https://doi.org/10.1211/146080800128735755"
- Description: The effects of melatonin, a known free-radical scavenger, on paracetamol in the presence of UV irradiation was studied by use of HPLC. The experiments were performed in air and nitrogen. The results show that the rate of photodegradation of melatonin is faster in air than in nitrogen whereas that of paracetamol is similar in air and nitrogen. When the two drugs were combined, melatonin retarded the degradation of paracetamol for up to 6h in the presence of nitrogen. However, in the presence of air melatonin rapidly enhances the photodegradation of paracetamol. This study shows that a combination of melatonin and paracetamol in the presence of air and UV irradiation can lead to rapid inactivation of both agents, thus raising important concerns about the possible use of melatonin as sunscreen
- Full Text:
- Date Issued: 2000
Mesozooplankton community structure in the vicinity of the Prince Edward Islands (Southern Ocean) 37⁰ 50'E, 46⁰ 45'S
- Authors: Hunt, Brian Peter Vere
- Date: 2000
- Subjects: Zooplankton , Zooplankton -- Prince Edward Islands , Phytoplankton , Chlorophyll
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5732 , http://hdl.handle.net/10962/d1005418 , Zooplankton , Zooplankton -- Prince Edward Islands , Phytoplankton , Chlorophyll
- Description: Mesozooplankton community structure in the vicinity of the Prince Edward Islands (PEIs) was investigated during six surveys conducted in late austral summer (April/May), 1996 to 1999. Each year zooplankton samples were collected with a bongo net (300 µm mesh) at stations upstream (west), between and downstream (east) of the islands. Chlorophyll a concentrations were determined fluorometrically, corresponding with each net tow. The positions of the Subantarctic Front (SAF) and the Antarctic Polar Front (APF), in relation to the islands in the upstream region, were determined by a line of CTD and/or XBT stations. Both the SAF and the APF were characterised by a high degree of meridional variation in position. Changes in position of the fronts were shown to occur very rapidly. In 1999 the APF moved southwards by ~40nm and the SAF northwards by ~60nm in a period of two weeks, while in 1996 the SAF appeared to move ~120nm northwards in a two week period. The positions of the SAF and APF appeared to have a significant impact on phytoplankton biomass in the vicinity of the PEIs, through the alteration of local flow dynamics. Water retention in 1996, associated with the location of the SAF and APF far to the north and south of the PEIs respectively, corresponded with high chlorophyll a concentrations in the inter-island region (reaching 1.54 mg.m^(-3)). When the fronts were close to the islands, in 1997 and 1999, and a flow through environment existed, chlorophyll a concentrations in the inter-island region were comparatively low. Although biomass enhancement was only observed at the SAF in 1996, phytoplankton size structure in 1999 indicated that, when close to the PEIs, frontal production may be transported to the island system. This is potentially an important source of allochthonous input into the island system. Zooplankton assemblages were a mix of sub-Antarctic and Antarctic communities, with a weak presence of sub-tropical species. Cluster analysis showed that during each survey the region in the vicinity of the PEIs was divided into different, spatially separated zooplankton communities, associated with water masses of different origins. These communities were identified by variations in the abundance and biomass of species rather than variation in species composition and, in general, there was a relatively high degree of similarity both within and between surveys. Inter-annual community analysis revealed that, in many cases, there was greater similarity between communities from different years than communities within years, indicating that short-term variability exceeded inter-annual variability. Multiple regression analysis showed that the major correlate with zooplankton community structure during all surveys was sea temperature, accounting for as much as 77% of the variation in community structure. Temperature was indicative of the relative contribution of sub-Antarctic and Antarctic communities, with low temperatures being characterised by an increased predominance of Antarctic communities and vice versa. The differentiation between sub-Antarctic and Antarctic waters, and their respective communities, was particularly pronounced when the SAF and APF were in close proximity to the islands. Surface salinity and sounding had limited effect on community structure. The affect of sounding was intrinsically related to zooplankton interaction with the island ecosystem. Predation by the islands' land based predators and benthic fish appears to decrease zooplankton biomass over the island shelf, particularly the macrozooplankton size fraction. However, this may only be an important factor under conditions of water retention when replenishment of zooplankton stocks is low. The low densities of many macrozooplankton species, and other deep migrators, on the island shelf may be due to their limited advection onto shallow topography. By contrast, there are indications that zooplankton species occurring at shallower depths may be concentrated in the inter-island region by mesoscale flow patterns. Analysis of the population structure of the copepod Calanus simillimus showed that this species occurred at different stages in its life cycle during different years, even though sampling took place in the same calendar months, indicating that there was inter-annual variation in the timing of the biological season. Differences in the population structure of species, and consequently their contribution to abundance and biomass, may therefore have been an important contributor to inter-annual variation in community structure. Evidence is provided for a long-term trend of southward movement of the SAF. This may have a significant affect on the PEI ecosystem, increasing the proportion of allochthonous input and altering the tropho-dynamics of the island ecosystem
- Full Text:
- Date Issued: 2000
- Authors: Hunt, Brian Peter Vere
- Date: 2000
- Subjects: Zooplankton , Zooplankton -- Prince Edward Islands , Phytoplankton , Chlorophyll
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5732 , http://hdl.handle.net/10962/d1005418 , Zooplankton , Zooplankton -- Prince Edward Islands , Phytoplankton , Chlorophyll
- Description: Mesozooplankton community structure in the vicinity of the Prince Edward Islands (PEIs) was investigated during six surveys conducted in late austral summer (April/May), 1996 to 1999. Each year zooplankton samples were collected with a bongo net (300 µm mesh) at stations upstream (west), between and downstream (east) of the islands. Chlorophyll a concentrations were determined fluorometrically, corresponding with each net tow. The positions of the Subantarctic Front (SAF) and the Antarctic Polar Front (APF), in relation to the islands in the upstream region, were determined by a line of CTD and/or XBT stations. Both the SAF and the APF were characterised by a high degree of meridional variation in position. Changes in position of the fronts were shown to occur very rapidly. In 1999 the APF moved southwards by ~40nm and the SAF northwards by ~60nm in a period of two weeks, while in 1996 the SAF appeared to move ~120nm northwards in a two week period. The positions of the SAF and APF appeared to have a significant impact on phytoplankton biomass in the vicinity of the PEIs, through the alteration of local flow dynamics. Water retention in 1996, associated with the location of the SAF and APF far to the north and south of the PEIs respectively, corresponded with high chlorophyll a concentrations in the inter-island region (reaching 1.54 mg.m^(-3)). When the fronts were close to the islands, in 1997 and 1999, and a flow through environment existed, chlorophyll a concentrations in the inter-island region were comparatively low. Although biomass enhancement was only observed at the SAF in 1996, phytoplankton size structure in 1999 indicated that, when close to the PEIs, frontal production may be transported to the island system. This is potentially an important source of allochthonous input into the island system. Zooplankton assemblages were a mix of sub-Antarctic and Antarctic communities, with a weak presence of sub-tropical species. Cluster analysis showed that during each survey the region in the vicinity of the PEIs was divided into different, spatially separated zooplankton communities, associated with water masses of different origins. These communities were identified by variations in the abundance and biomass of species rather than variation in species composition and, in general, there was a relatively high degree of similarity both within and between surveys. Inter-annual community analysis revealed that, in many cases, there was greater similarity between communities from different years than communities within years, indicating that short-term variability exceeded inter-annual variability. Multiple regression analysis showed that the major correlate with zooplankton community structure during all surveys was sea temperature, accounting for as much as 77% of the variation in community structure. Temperature was indicative of the relative contribution of sub-Antarctic and Antarctic communities, with low temperatures being characterised by an increased predominance of Antarctic communities and vice versa. The differentiation between sub-Antarctic and Antarctic waters, and their respective communities, was particularly pronounced when the SAF and APF were in close proximity to the islands. Surface salinity and sounding had limited effect on community structure. The affect of sounding was intrinsically related to zooplankton interaction with the island ecosystem. Predation by the islands' land based predators and benthic fish appears to decrease zooplankton biomass over the island shelf, particularly the macrozooplankton size fraction. However, this may only be an important factor under conditions of water retention when replenishment of zooplankton stocks is low. The low densities of many macrozooplankton species, and other deep migrators, on the island shelf may be due to their limited advection onto shallow topography. By contrast, there are indications that zooplankton species occurring at shallower depths may be concentrated in the inter-island region by mesoscale flow patterns. Analysis of the population structure of the copepod Calanus simillimus showed that this species occurred at different stages in its life cycle during different years, even though sampling took place in the same calendar months, indicating that there was inter-annual variation in the timing of the biological season. Differences in the population structure of species, and consequently their contribution to abundance and biomass, may therefore have been an important contributor to inter-annual variation in community structure. Evidence is provided for a long-term trend of southward movement of the SAF. This may have a significant affect on the PEI ecosystem, increasing the proportion of allochthonous input and altering the tropho-dynamics of the island ecosystem
- Full Text:
- Date Issued: 2000