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Gongondo

- Chopi women, Tracey, Hugh

  • Authors: Chopi women , Tracey, Hugh
  • Date: 1949
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/195109 , vital:45528 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-06
  • Description: This cider is made from the fruit of the Caju tree, (also spelt Cazhu and Cashew). The fruit consists of an apple, which is fermented for cider, and an external nut, the cashew nut, which is attached to the tip of the apple in a crescent shaped pod. The nut itself is edible but the hard pod in which it is encased is impregnated with virulent oil which must first be expelled by fire or distillation before the nut can be cracked open. It now forms an important part of the local economy. The cashew apples rippen in November and their harvest marks a time of annual indulgence for the Chopi and is frequently mentioned in song. Drinking song.
  • Full Text: false
  • Date Issued: 1949

Msitso weMbidi. 2nd Movement

- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Tracey, Hugh

Shibudu. 9th Movement

- Ngodo of Regulo Mavila, Shambini, Tracey, Hugh

Chidanuwana. 5th Movement

- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Tracey, Hugh

  • Authors: Ngodo of Regulo Banguza , Jao Nemba Mboteya (Leader) , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/191370 , vital:45090 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR199-10
  • Description: A particulary clear and distinct melody carried by the left hand of the Sange (alto) Timbila. "The head administrator has been to tell the chief that Filipi must report any illnesses. Itiani has been wonderfully cured by the doctor. Zandamela when he answered him, said, we are not surprised as we know the doctor helps us. Tell the policeman and the policemen will tell Simoinzhi, the clerk. He swore at the Serget Chikonowe. Orchestral dance with 16 Timbila xylophones, 2 Chilanzne (Treble), 8 Sange (Alto), 2 Doli (Tenor), 2 Debiinda (Bass), 2 Gulu (Double Bass) and 4 Njele rattles, 1 drum.
  • Full Text: false
  • Date Issued: 1963

Msitso waKhata. 1st Movement

- Ngodo of Regulo Banguza, Mbuziana Tomo Buke (Leader), Joao Mahonisani, Tracey, Hugh

  • Authors: Ngodo of Regulo Banguza , Mbuziana Tomo Buke (Leader) , Joao Mahonisani , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Banguza f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/191451 , vital:45099 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR200-07
  • Description: The Ngodo of Zandamela. The 12 movements of this 1963 Ngodo are:- 1st Movement - Msitso by Joao Mahonisani. 2nd Movement - Msitso wembidu by Samsoni Mzamane. 3rd Movement - Msitso wa Raru by Fomeni Faduku. 4th Movement - Msitso wa womune by Basiboi Mahonondo. 5th Movement - Msitso wa wotlhanu by Morisu Ndalela. 6th Movement - Ngeniso by Mbuziana Tomo. 7th Movement - Mdano by Fomeni Faduku. 8th Movement - Mchuio by Samsoni Mzamane. 9th Movement - Chibudu by Samsoni Mzamane. 10th Movement - Mzeno by Morisu Ndalela. 11th Movement - Mabandlha by Mbusiana Tomo. 12th Movement - Msitso wo kugwita by Joao Mahonisani. Orchestral introduction with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass), and 2 Njele rattles.
  • Full Text: false
  • Date Issued: 1963

Chimveka tune

- Eight small Chopi boys, Tracey, Hugh

  • Authors: Eight small Chopi boys , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/193331 , vital:45322 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-16
  • Description: Chimveka, they say, are only played at the end of the harvest season when there is plenty of food. In time of famine these pipes are never heard. Bands of small Chopi boys can often be seen out in the bush capering around in a tight circle, heads close together and blowing their flutes almost into each others cars. They seem to enjoy the excessive noise at close quarters. The scale of the flutes would appear to be arbitrary and does not correspond with the scale of the Timbila xylophones. The tuning of this set of pipes was:- 632, 592, 544, 488, 412, 372, 348 vs. giving intervals of 112, 147, 188, 148, 145, 177 and 115 cents respectively. Reed end-blown pipes, with rattles and stamping.
  • Full Text: false
  • Date Issued: 1963

Shibudu. 7th Movement

- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Tracey, Hugh

Msitso wombidi. 2nd Movement

- Ngodo of Cabo Mahamba, Kingi Zulu, Chiponi Kwapeni (Leader), Tracey, Hugh

8th Movement "Mabandhla"

- Katini we Nyamombe (Leader), Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players), Tracey, Hugh

Msitso woKugwita. 12th Movement

- Ngodo of Zandamela, Joao Mahonisoni, Mbuziana Tomo (Leader), Tracey, Hugh

Mzeno Lawanani

- Komukomu wa Simbi (Leader), Katini, Sekelani, Madochimani, Bokisi, Majanyana, Tracey, Hugh

Mdano wa hombe. 6th Movement

- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Tracey, Hugh

Chidilo cha mindonga

- Chopi men and women, Samuel Kandhlelo (Leader), Tracey, Hugh

  • Authors: Chopi men and women , Samuel Kandhlelo (Leader) , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194221 , vital:45431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-06
  • Description: "He is weeping for his palm trees which have been taken by others, although he planted them, it as a punishment for what he has done." An unusual kind of song no doubt overlooked on account of the Timbila music. All the people standing around began to join with the song as it was clearly well known. The player had equipped himself with a couple of sprigs of shrub with about half a dozen long and slender dry seed pods. This he used as a gentle rattle for accompaniment. It was the first of its kind I had seen. Lament with Seed Pod rattle.
  • Full Text: false
  • Date Issued: 1963

Ngeniso Movement Tata nikaute

- Sagethi wa Nguyuza (Leader), Tracey, Hugh

Msitso wo Khata. 1st Movement

- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh

  • Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/192683 , vital:45250 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-08
  • Description: There were 6 rattle players (Ndota we njele) and 28 to 30 dancers. For this dance the combined teams of dancers and musicians of both Regulo Canda and Cabo Mtoti were present. They were not well rehearsed and the performance would have been better with the teams separated. The tone quality of Regulo Canda's xylophones is always distinctive. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
  • Full Text: false
  • Date Issued: 1963

Chigowilo Ocarina tune

- Tamare Mosi, Fomisane Mapiki, Elena Gwede, Tracey, Hugh

  • Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/193304 , vital:45319 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-13
  • Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
  • Full Text: false
  • Date Issued: 1963

Mzeno. 7th Movement

- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh

  • Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/193099 , vital:45298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-07
  • Description: A group of about 40 young women and girls joined the Ngodo for this movement, standing behind the dancers in order to take part in the singing. They knew all the words of the lyric by heart even the smallest of them and sang lustily with harsh voices. This development (if it is such) was never seen by me in any Mzeno in the 1940's. The result is no improvement upon the men's voices alone as a song, but was enjoyed by the whole village. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
  • Full Text: false
  • Date Issued: 1963

The Ngodo of Regulo Zandamela. Ngeniso (4th Movement)

- Fomeni Faduko (Leader), Tracey, Hugh

Msumeto and Tokozelo. 9th Movement

- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Teni Gaichwome, Tracey, Hugh

Msitso wokata. (Analysis)

- Ngodo of Mavila, Shambini, Tracey, Hugh

  • Authors: Ngodo of Mavila , Shambini , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/190461 , vital:44996 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR198-05
  • Description: This experiment was done to show the action of the two hands in the part played by the leader of the Ngodo, Shambini. He establishes the tune by his Msitso wo khata and then gives a demonstration of left and right hand playing first in the middle register, then in the treble register, and lastly in the lower register. The demonstration follows this pattern. a. Start. Statment in middle register. b. Right hand. 0m. 17s. c. Both hands. 0m 36s. d. Left hand. 0m. 45s. e. Bth hands. 1m. 05s. up to top register 1m. 15s. f. Slight mistake here. g. Right hand 1m. 40s. h. Left hand 1m. 48s. i. Both hands 2m. 02s. Down to low register. j. Right hand 2m. 25s. k. Both hands 2m. 38s. l. Left hand 2m. 45s. m. Both hands 2m 55s. in middle register. n. Coda 3m. 18s. o. End 3m. 23s. An analysis with 1 Timbila (alto).
  • Full Text: false
  • Date Issued: 1963
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