Lʹétude des thèmes du deuil et de la marginalité dans Le Royaume Aveugle et Reine Pokou, concerto pour un sacrifice de Véronique Tadjo
- Sachikonye, Tsitsi Shamiso Anne
- Authors: Sachikonye, Tsitsi Shamiso Anne
- Date: 2013
- Subjects: Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Language: French
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3603 , http://hdl.handle.net/10962/d1002956 , Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Description: The field of our study is Francophone African Literature and this thesis explores the themes of marginality and grief both experienced by Princess Akissi in The Blind Kingdom and Princess Pokou in Queen Pokou (2004) during their rise to power in their respective kingdoms. The two novels written by Véronique Tadjo from Ivory Coast, are subjected to thematic analysis because they are both based on similar storylines - that of conflict and rivalry within kingdoms resulting in the exile of the two princesses. One of the novels is set in a pre-colonial period while the other is set in a postcolonial era. Queen Pokou, winner of the 2005 Grand Prix Littéraire d’Afrique Noire (which is the most distinguished prize in Francophone African literature), is a retelling of the founding myths of the Baoulé people of Ivory Coast. In her literary texts, Tadjo transgresses the original legend and her reconstruction of this legend is significant because it challenges the ritual sacrifice made by Princess Pokou in order to free her people and to become queen. In The Blind Kingdom (1990), Tadjo highlights the corruption and injustice of the ruling elite. Space is used to reinforce the King’s domination thus a revolution is necessary to overthrow the exploitative power structures in place. The revolution that takes place relies heavily on the participation of Karim and especially on Princess Akissi who chooses to rebel against her father, King Ato IV in order to stop injustice. This thematic analysis, supported by semiotic theory, aims to establish and demonstrate the relationship between marginality of the two princesses, in particular, and their subsequent grief. It sheds light on the reasons for their exclusion from power as well as the nature of the conflicts that occur as they rise to power. The study postulates that certain myths and images are evoked by the novelist to symbolise the exclusion of the two princesses from power.
- Full Text:
- Date Issued: 2013
- Authors: Sachikonye, Tsitsi Shamiso Anne
- Date: 2013
- Subjects: Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Language: French
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3603 , http://hdl.handle.net/10962/d1002956 , Tadjo, Véronique -- Criticism and interpretation , West African literature (French) -- History and criticism , African fiction (French) -- 20th century
- Description: The field of our study is Francophone African Literature and this thesis explores the themes of marginality and grief both experienced by Princess Akissi in The Blind Kingdom and Princess Pokou in Queen Pokou (2004) during their rise to power in their respective kingdoms. The two novels written by Véronique Tadjo from Ivory Coast, are subjected to thematic analysis because they are both based on similar storylines - that of conflict and rivalry within kingdoms resulting in the exile of the two princesses. One of the novels is set in a pre-colonial period while the other is set in a postcolonial era. Queen Pokou, winner of the 2005 Grand Prix Littéraire d’Afrique Noire (which is the most distinguished prize in Francophone African literature), is a retelling of the founding myths of the Baoulé people of Ivory Coast. In her literary texts, Tadjo transgresses the original legend and her reconstruction of this legend is significant because it challenges the ritual sacrifice made by Princess Pokou in order to free her people and to become queen. In The Blind Kingdom (1990), Tadjo highlights the corruption and injustice of the ruling elite. Space is used to reinforce the King’s domination thus a revolution is necessary to overthrow the exploitative power structures in place. The revolution that takes place relies heavily on the participation of Karim and especially on Princess Akissi who chooses to rebel against her father, King Ato IV in order to stop injustice. This thematic analysis, supported by semiotic theory, aims to establish and demonstrate the relationship between marginality of the two princesses, in particular, and their subsequent grief. It sheds light on the reasons for their exclusion from power as well as the nature of the conflicts that occur as they rise to power. The study postulates that certain myths and images are evoked by the novelist to symbolise the exclusion of the two princesses from power.
- Full Text:
- Date Issued: 2013
Concert last night with pianist Chris McGregor at Salle Devosge: music which reminds us of African chants
- Poirier, M.-F., Bourquin, Michel
- Authors: Poirier, M.-F. , Bourquin, Michel
- Language: French
- Type: Article
- Identifier: vital:13636 , http://hdl.handle.net/10962/d1012523
- Description: Photocopied article from the French newspaper Les Dépêches about a concert by Chris McGregor at the music festival Estivade de Dijon. There are 3 pictures with this article. The picture on the top left shows Chris McGregor clapping his hands while the right picture shows him playing flute. The bottom picture captures the audience during the concert.
- Full Text:
- Authors: Poirier, M.-F. , Bourquin, Michel
- Language: French
- Type: Article
- Identifier: vital:13636 , http://hdl.handle.net/10962/d1012523
- Description: Photocopied article from the French newspaper Les Dépêches about a concert by Chris McGregor at the music festival Estivade de Dijon. There are 3 pictures with this article. The picture on the top left shows Chris McGregor clapping his hands while the right picture shows him playing flute. The bottom picture captures the audience during the concert.
- Full Text:
Jazzpressions
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Jazzpressions , Jazz
- Language: French
- Type: Text
- Identifier: vital:13781 , http://hdl.handle.net/10962/d1012808
- Description: Original poster for the Jazzpressions festival in Strasbourg, France.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Jazzpressions , Jazz
- Language: French
- Type: Text
- Identifier: vital:13781 , http://hdl.handle.net/10962/d1012808
- Description: Original poster for the Jazzpressions festival in Strasbourg, France.
- Full Text:
The promises of "Halle that jazz" at La Villette, Paris, France
- Authors: Marmande, Francis
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Ibrahim, Abdullah , Blue Notes (Musical group : South Africa)
- Language: French
- Type: Text
- Identifier: vital:13599 , http://hdl.handle.net/10962/d1012255 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Ibrahim, Abdullah , Blue Notes (Musical group : South Africa)
- Description: Photocopied article from the French newspaper Le Monde, entitled "The South African's pioneers", about Chris McGregor and Dollar Brand (Abdullah Ibrahim), both pianists who came to and stayed in Europe to play their music the way they wanted. An announcement of 4 days of concerts is located in a square on the right side of the article. Two pictures are accompanying this article. The top one represents Chris McGregor wearing a music notes printed shirt and on the bottom picture, Dollar Brand (Abdullah Ibrahim) is playing Piano.
- Full Text:
- Authors: Marmande, Francis
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Ibrahim, Abdullah , Blue Notes (Musical group : South Africa)
- Language: French
- Type: Text
- Identifier: vital:13599 , http://hdl.handle.net/10962/d1012255 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Ibrahim, Abdullah , Blue Notes (Musical group : South Africa)
- Description: Photocopied article from the French newspaper Le Monde, entitled "The South African's pioneers", about Chris McGregor and Dollar Brand (Abdullah Ibrahim), both pianists who came to and stayed in Europe to play their music the way they wanted. An announcement of 4 days of concerts is located in a square on the right side of the article. Two pictures are accompanying this article. The top one represents Chris McGregor wearing a music notes printed shirt and on the bottom picture, Dollar Brand (Abdullah Ibrahim) is playing Piano.
- Full Text:
Chris McGregor in Angoulême
- Authors: Marmande, Francis
- Subjects: McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Jazz , Jazz Musicians
- Language: French
- Type: Text
- Identifier: vital:13597 , http://hdl.handle.net/10962/d1012253 , McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Jazz , Jazz Musicians
- Description: Photocopied article from the French newspaper Le Monde about a concert by Chris McGregor's Blue Notes in Angoulême.
- Full Text:
- Authors: Marmande, Francis
- Subjects: McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Jazz , Jazz Musicians
- Language: French
- Type: Text
- Identifier: vital:13597 , http://hdl.handle.net/10962/d1012253 , McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Jazz , Jazz Musicians
- Description: Photocopied article from the French newspaper Le Monde about a concert by Chris McGregor's Blue Notes in Angoulême.
- Full Text:
Chris McGregor's Brotherhood of Breath
- Authors: Meignan, Armand
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group)
- Language: French
- Type: Article
- Identifier: vital:13611 , http://hdl.handle.net/10962/d1012479 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group)
- Description: Photocopied article from the magazine Jazz Hot about a recording (Yes please) by Chris McGregor's Brotherhood of Breath at a concert in Angoulême.
- Full Text:
- Authors: Meignan, Armand
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group)
- Language: French
- Type: Article
- Identifier: vital:13611 , http://hdl.handle.net/10962/d1012479 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group)
- Description: Photocopied article from the magazine Jazz Hot about a recording (Yes please) by Chris McGregor's Brotherhood of Breath at a concert in Angoulême.
- Full Text:
And the rain stopped for Johnny Clegg
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Clegg, Johnny, 1953- , Stade Chanzy , Mahotellas Queens , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13532 , http://hdl.handle.net/10962/d1006263 , McGregor, Chris--1936-1990 , Clegg, Johnny, 1953- , Stade Chanzy , Mahotellas Queens , Jazz , Jazz musicians
- Description: Article form the French newspaper Sud-Ouest about a concert at the Chanzy Stadium in Angoulême, France. The organisers were waiting for 10 000 spectators to come, but because of the heavy rain and the thunderstorm, only 7000 people came braving the terrible weather. Chris McGregor opened the concert with his Big Band, followed by the Mahotellas Queens (Zulu dancers) and Johnny Clegg ended the concert. There are 2 pictures with the article, both showing the audience in the stadium in the rain.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Clegg, Johnny, 1953- , Stade Chanzy , Mahotellas Queens , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13532 , http://hdl.handle.net/10962/d1006263 , McGregor, Chris--1936-1990 , Clegg, Johnny, 1953- , Stade Chanzy , Mahotellas Queens , Jazz , Jazz musicians
- Description: Article form the French newspaper Sud-Ouest about a concert at the Chanzy Stadium in Angoulême, France. The organisers were waiting for 10 000 spectators to come, but because of the heavy rain and the thunderstorm, only 7000 people came braving the terrible weather. Chris McGregor opened the concert with his Big Band, followed by the Mahotellas Queens (Zulu dancers) and Johnny Clegg ended the concert. There are 2 pictures with the article, both showing the audience in the stadium in the rain.
- Full Text:
Etude postcoloniale : une analyse thematique et stylistique de quelques reuvres en litterature africaine francophone
- Authors: Mzite, Martha
- Date: 2017
- Language: French
- Type: Thesis , Doctoral , PhD
- Identifier: vital:21356 , http://hdl.handle.net/10962/8116
- Description: This study is a thematic and a stylistic analysis of five novels written by five francophone novelists namely: Calixthe Beyala (La Plantation), Assia Djebar (Nulle part dans la maison de mon pere), Fatou Diome (Celles qui attendent ), Emmanuel Dongala (Photo de groupe au bord du fleuve) and Rabia Diallo (Amours cruelles, beaute coupable). The novels under study investigate the ways in which African women’s lives are affected by factors such as conflict and financial issues. Through the analysis of the above mentioned novels this research seeks to contribute to the body of knowledge in the following ways. Since a lot of literature already exists on African migrants in Europe moreover little information analyses the conditions of those who remain behind hence this thesis seeks to provide an analysis of the plight of mothers, wives and children who remain in the country of origin waiting for the departed men. To shed light on women emancipation, this research also analyses the evolution of women solidarity before and after independence. In relation to the theoretical framework, pro feminist and stylistics theories form the theoretical basis of this study. It is against this background that it can be deduced that the analysis of these set books shows that gender issues aggravate the suppression of African women. As a result, this lessens the circumstances that favor the attainment of selfrealisation. Simone de Beauvoir’s notion of ‘consciousness of oppression’, ‘one is not born a woman’ and Spivak’s essay entitled “Can the Subaltern Speak?” form the theoretical aspect of this research. Simone de Beauvoir’s concept “one is not born a woman”, unfolds the origin of all the factors that subjugate women in society. When she postulates the idea of “consciousness of oppression”, she calls on women to be mindful of their surroundings and free themselves from all societal values that infringe on their rights. The linguistic analysis in this research provides insight into the women’s speech and why they choose certain words. Over and above these concerns, it can be concluded that by emulating the example of these fictional female characters, African women can come together and contribute to their own iii empowerment. In regard to migration, the women and the children who remain behind suffer more than the migrants. , Cette etude est une analyse thematique et stylistique de cinq romans ecrits par cinq romanciers francophones, a savoir Calixthe Beyala (La Plantation), Assia Djebar (Nulle part dans la maison de mon pere), Fatou Diome (Celles qui attendent), Emmanuel Dongala (Photo de groupe au bord du fleuve) et Rabia Diallo (Amours cruelles, beaute coupable). Les romans a l'etude etudient les faqons dont la vie des femmes africaines est affectee par des facteurs tels que les conflits et les questions financieres. En analysant ces romans cette recherche vise a contribuer dans la banque des donnees a travers les manieres suivantes. Etant donne qu'il existe deja beaucoup d’informations sur les migrants africains en Europe, peu d'informations analysent les conditions de ceux qui restent dans le pays d’origine. A cet egard, cette these vise a fournir une analyse du sort des meres, des epouses et des enfants qui restent dans le pays d'origine en attendant les hommes qui sont partis. Pour mettre en lumiere Emancipation des femmes, cette recherche analyse egalement Evolution de la solidarite de femmes avant et apres l'independance. En ce qui concerne le cadre theorique, les theories pro-feministes et stylistiques forment la base theorique de cette etude. L'analyse de ces ouvrages montre que les questions de genre accentuent l’oppression des femmes africaines. En consequence, cela diminue les circonstances qui favorisent la realisation de soi. La notion de « conscience de l'oppression » de Simone de Beauvoir, et aussi sa pensee selon laquelle « on ne nait pas femme, on le devient » forment la base theorique de cette these. Cette vision etablit l’origine de tous les facteurs qui asservissent les femmes dans la societe. La conscience de l’oppression invite la femme a prendre connaissance de son environnement et de se liberer de toutes les valeurs de la societe qui porte atteinte a ses droits. La problematique se resume ainsi « les subalternes, peuvent-elles parler ? » L'analyse linguistique de cette recherche donne un aperqu de la parole des femmes et pourquoi elles choisissent certains mots. Au-dela de ces preoccupations, on peut conclure que, en imitant l'exemple de ces personnages feminins fictifs, les femmes africaines peuvent s’unir et contribuer a leur v propre emancipation. En ce qui concerne la migration, il sera demontre comment les femmes et les enfants qui restent derriere souffrent aussi bien que les migrants.
- Full Text:
- Date Issued: 2017
- Authors: Mzite, Martha
- Date: 2017
- Language: French
- Type: Thesis , Doctoral , PhD
- Identifier: vital:21356 , http://hdl.handle.net/10962/8116
- Description: This study is a thematic and a stylistic analysis of five novels written by five francophone novelists namely: Calixthe Beyala (La Plantation), Assia Djebar (Nulle part dans la maison de mon pere), Fatou Diome (Celles qui attendent ), Emmanuel Dongala (Photo de groupe au bord du fleuve) and Rabia Diallo (Amours cruelles, beaute coupable). The novels under study investigate the ways in which African women’s lives are affected by factors such as conflict and financial issues. Through the analysis of the above mentioned novels this research seeks to contribute to the body of knowledge in the following ways. Since a lot of literature already exists on African migrants in Europe moreover little information analyses the conditions of those who remain behind hence this thesis seeks to provide an analysis of the plight of mothers, wives and children who remain in the country of origin waiting for the departed men. To shed light on women emancipation, this research also analyses the evolution of women solidarity before and after independence. In relation to the theoretical framework, pro feminist and stylistics theories form the theoretical basis of this study. It is against this background that it can be deduced that the analysis of these set books shows that gender issues aggravate the suppression of African women. As a result, this lessens the circumstances that favor the attainment of selfrealisation. Simone de Beauvoir’s notion of ‘consciousness of oppression’, ‘one is not born a woman’ and Spivak’s essay entitled “Can the Subaltern Speak?” form the theoretical aspect of this research. Simone de Beauvoir’s concept “one is not born a woman”, unfolds the origin of all the factors that subjugate women in society. When she postulates the idea of “consciousness of oppression”, she calls on women to be mindful of their surroundings and free themselves from all societal values that infringe on their rights. The linguistic analysis in this research provides insight into the women’s speech and why they choose certain words. Over and above these concerns, it can be concluded that by emulating the example of these fictional female characters, African women can come together and contribute to their own iii empowerment. In regard to migration, the women and the children who remain behind suffer more than the migrants. , Cette etude est une analyse thematique et stylistique de cinq romans ecrits par cinq romanciers francophones, a savoir Calixthe Beyala (La Plantation), Assia Djebar (Nulle part dans la maison de mon pere), Fatou Diome (Celles qui attendent), Emmanuel Dongala (Photo de groupe au bord du fleuve) et Rabia Diallo (Amours cruelles, beaute coupable). Les romans a l'etude etudient les faqons dont la vie des femmes africaines est affectee par des facteurs tels que les conflits et les questions financieres. En analysant ces romans cette recherche vise a contribuer dans la banque des donnees a travers les manieres suivantes. Etant donne qu'il existe deja beaucoup d’informations sur les migrants africains en Europe, peu d'informations analysent les conditions de ceux qui restent dans le pays d’origine. A cet egard, cette these vise a fournir une analyse du sort des meres, des epouses et des enfants qui restent dans le pays d'origine en attendant les hommes qui sont partis. Pour mettre en lumiere Emancipation des femmes, cette recherche analyse egalement Evolution de la solidarite de femmes avant et apres l'independance. En ce qui concerne le cadre theorique, les theories pro-feministes et stylistiques forment la base theorique de cette etude. L'analyse de ces ouvrages montre que les questions de genre accentuent l’oppression des femmes africaines. En consequence, cela diminue les circonstances qui favorisent la realisation de soi. La notion de « conscience de l'oppression » de Simone de Beauvoir, et aussi sa pensee selon laquelle « on ne nait pas femme, on le devient » forment la base theorique de cette these. Cette vision etablit l’origine de tous les facteurs qui asservissent les femmes dans la societe. La conscience de l’oppression invite la femme a prendre connaissance de son environnement et de se liberer de toutes les valeurs de la societe qui porte atteinte a ses droits. La problematique se resume ainsi « les subalternes, peuvent-elles parler ? » L'analyse linguistique de cette recherche donne un aperqu de la parole des femmes et pourquoi elles choisissent certains mots. Au-dela de ces preoccupations, on peut conclure que, en imitant l'exemple de ces personnages feminins fictifs, les femmes africaines peuvent s’unir et contribuer a leur v propre emancipation. En ce qui concerne la migration, il sera demontre comment les femmes et les enfants qui restent derriere souffrent aussi bien que les migrants.
- Full Text:
- Date Issued: 2017
Chanzy: 10000 fans under the rain.
- Authors: Carin, Sylviane
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Mahotella Queens , Jazz musicians
- Language: French
- Identifier: vital:13508 , http://hdl.handle.net/10962/d1005771 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Mahotella Queens , Jazz musicians
- Description: Photocopied article from the French newspaper Charante Libre about a concert with Chris McGregor's Brotherhood of Breath, Johnny Clegg and the Mahotella Queens. "Arrived at 3pm, Clegg's first fans had to wait until 10:45pm to see him". There are also 2 pictures with the article. The top one shows Chris McGregor on stage playing piano in front of a huge crowd and the bottom picture shows the Mahotella Queens dancing on the stage.
- Full Text:
- Authors: Carin, Sylviane
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Mahotella Queens , Jazz musicians
- Language: French
- Identifier: vital:13508 , http://hdl.handle.net/10962/d1005771 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Clegg, Johnny , Mahotella Queens , Jazz musicians
- Description: Photocopied article from the French newspaper Charante Libre about a concert with Chris McGregor's Brotherhood of Breath, Johnny Clegg and the Mahotella Queens. "Arrived at 3pm, Clegg's first fans had to wait until 10:45pm to see him". There are also 2 pictures with the article. The top one shows Chris McGregor on stage playing piano in front of a huge crowd and the bottom picture shows the Mahotella Queens dancing on the stage.
- Full Text:
Palais des Glaces
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Palais des Glaces , Jazz
- Language: French
- Type: Text
- Identifier: vital:13786 , http://hdl.handle.net/10962/d1012818
- Description: Original poster for November 1977 concerts at the Palais des Glaces, in Paris, France, where Chris McGregor is going to play.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Palais des Glaces , Jazz
- Language: French
- Type: Text
- Identifier: vital:13786 , http://hdl.handle.net/10962/d1012818
- Description: Original poster for November 1977 concerts at the Palais des Glaces, in Paris, France, where Chris McGregor is going to play.
- Full Text:
McGregor: Ten years at Angoulême
- Authors: Carin, Sylviane
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz musicians
- Language: French
- Identifier: vital:13509 , http://hdl.handle.net/10962/d1005772 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz musicians
- Description: Photocopied article from the French newspaper Charente Libre about a concert in Angoulême, France, with Chris McGregor's Brotherhood of Breath and Archie Shepp. There is a picture of Chris McGregor playing the piano (left) with the Brotherhood of Breath and Archie Shepp playing the tenor saxophone (front row - center).
- Full Text:
- Authors: Carin, Sylviane
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz musicians
- Language: French
- Identifier: vital:13509 , http://hdl.handle.net/10962/d1005772 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz musicians
- Description: Photocopied article from the French newspaper Charente Libre about a concert in Angoulême, France, with Chris McGregor's Brotherhood of Breath and Archie Shepp. There is a picture of Chris McGregor playing the piano (left) with the Brotherhood of Breath and Archie Shepp playing the tenor saxophone (front row - center).
- Full Text:
L'image du peuple dans Le premier homme d'Albert Camus
- Heynderickx, Nathalie Marcel Madeleine
- Authors: Heynderickx, Nathalie Marcel Madeleine
- Date: 1996
- Subjects: Camus, Albert, 1913-1960. Premier homme
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3577 , http://hdl.handle.net/10962/d1002150 , Camus, Albert, 1913-1960. Premier homme
- Full Text:
- Date Issued: 1996
- Authors: Heynderickx, Nathalie Marcel Madeleine
- Date: 1996
- Subjects: Camus, Albert, 1913-1960. Premier homme
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3577 , http://hdl.handle.net/10962/d1002150 , Camus, Albert, 1913-1960. Premier homme
- Full Text:
- Date Issued: 1996
Third Eye Centre
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris -- 1936-1990 , Jazz
- Language: French
- Type: Text
- Identifier: vital:13791 , http://hdl.handle.net/10962/d1012824
- Description: Original program for the music festival "Third Eye Centre" in Glasgow, Scotland, UK.
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris -- 1936-1990 , Jazz
- Language: French
- Type: Text
- Identifier: vital:13791 , http://hdl.handle.net/10962/d1012824
- Description: Original program for the music festival "Third Eye Centre" in Glasgow, Scotland, UK.
- Full Text:
Music in Boulazac
- Unknown
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Mothle, Ernest , Matthews, Gilbert , Jazz
- Language: French
- Type: Text
- Identifier: vital:13783 , http://hdl.handle.net/10962/d1012815
- Description: Original flier for Chris McGregor Trio's concert at the festival Musiques à Boulazac, France. The concert as been untitled "South African music for freedom".
- Full Text:
- Authors: Unknown
- Subjects: McGregor, Chris--1936-1990 , Mothle, Ernest , Matthews, Gilbert , Jazz
- Language: French
- Type: Text
- Identifier: vital:13783 , http://hdl.handle.net/10962/d1012815
- Description: Original flier for Chris McGregor Trio's concert at the festival Musiques à Boulazac, France. The concert as been untitled "South African music for freedom".
- Full Text:
Anger...
- Authors: Plougastel, Yann
- Language: French
- Type: Article
- Identifier: vital:13634 , http://hdl.handle.net/10962/d1012521
- Description: Photocopied obituary of Chris McGregor from the French newspaper l'Evenement du Jeudi. The author is angry because Chris McGregor never got the lead of the French National Jazz Orchestra.
- Full Text:
- Authors: Plougastel, Yann
- Language: French
- Type: Article
- Identifier: vital:13634 , http://hdl.handle.net/10962/d1012521
- Description: Photocopied obituary of Chris McGregor from the French newspaper l'Evenement du Jeudi. The author is angry because Chris McGregor never got the lead of the French National Jazz Orchestra.
- Full Text:
Le theme de l'absence dans le theatre d'Arthur Adamov
- Authors: Jones, Rosalind
- Date: 1978
- Subjects: Adamov, Arthur -- Criticism and interpretation , French drama -- History and criticism , Absurd (Philosophy) in literature
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3637 , http://hdl.handle.net/10962/d1013401
- Description: [From Introduction]. L'oeuvre dramatique d'Arthur Adamov (1908-1970) s'lténd sur une trentaine d'années et révèle une grande variété d'influences et d'intérêts. Depuis son point de départ "absurde" des années quarante en passant par une période oú s'imposent des préoccupations d'ordre social et politique pour aboutir á une fusion des sujets métaphysiques et des sujets engagés dans un théâtre qui est de nouveau non-réaliste et onirique, nous pouvons tracer des influences aussi diverses que celle provenant de Flaubert et des premiers surréalistes, de Strindberg et de Kafka, de Dostoîevsky et des expressionnistes russes et allemands, de Buchner, d'Antonin Artaud, de Brecht et de Karl Marx.
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- Date Issued: 1978
- Authors: Jones, Rosalind
- Date: 1978
- Subjects: Adamov, Arthur -- Criticism and interpretation , French drama -- History and criticism , Absurd (Philosophy) in literature
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3637 , http://hdl.handle.net/10962/d1013401
- Description: [From Introduction]. L'oeuvre dramatique d'Arthur Adamov (1908-1970) s'lténd sur une trentaine d'années et révèle une grande variété d'influences et d'intérêts. Depuis son point de départ "absurde" des années quarante en passant par une période oú s'imposent des préoccupations d'ordre social et politique pour aboutir á une fusion des sujets métaphysiques et des sujets engagés dans un théâtre qui est de nouveau non-réaliste et onirique, nous pouvons tracer des influences aussi diverses que celle provenant de Flaubert et des premiers surréalistes, de Strindberg et de Kafka, de Dostoîevsky et des expressionnistes russes et allemands, de Buchner, d'Antonin Artaud, de Brecht et de Karl Marx.
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- Date Issued: 1978
Winter Ceres
- Ignition
- Authors: Ignition
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13571 , http://hdl.handle.net/10962/d1006525 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz musicians
- Description: Original poster for a concert by Chris McGregor's Brotherhood of Breath at Notre Dame Hall, Leicester Square, London, England.
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- Authors: Ignition
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13571 , http://hdl.handle.net/10962/d1006525 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Jazz , Jazz musicians
- Description: Original poster for a concert by Chris McGregor's Brotherhood of Breath at Notre Dame Hall, Leicester Square, London, England.
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Letter from Jack Lang to Chris McGregor's family
- Authors: Lang, Jack
- Date: 2012-09-20
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13482 , http://hdl.handle.net/10962/d1002618 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Description: Photocopied letter from Jack Lang, ex-French Minister of Art and Culture, to Chris McGregor's family.
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- Authors: Lang, Jack
- Date: 2012-09-20
- Subjects: McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Language: French
- Identifier: vital:13482 , http://hdl.handle.net/10962/d1002618 , McGregor, Chris--1936-1990 , Jazz , Jazz musicians
- Description: Photocopied letter from Jack Lang, ex-French Minister of Art and Culture, to Chris McGregor's family.
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Archie Shepp and Chris McGregor in Oloron-Sainte-Marie
- Authors: Marmande, Francis
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz
- Language: French
- Type: Text
- Identifier: vital:13596 , http://hdl.handle.net/10962/d1012252 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz
- Description: Photocopied article from the French newspaper Le Monde announcing concerts of Chris McGregor's Brotherhood of Breath with Archie Shepp. "The Master of Free Music, Archie Shepp, and Chris McGregor's Brotherhood of Breath are touring. Not in the 'big' festivals. Not yet."
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- Authors: Marmande, Francis
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz
- Language: French
- Type: Text
- Identifier: vital:13596 , http://hdl.handle.net/10962/d1012252 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz
- Description: Photocopied article from the French newspaper Le Monde announcing concerts of Chris McGregor's Brotherhood of Breath with Archie Shepp. "The Master of Free Music, Archie Shepp, and Chris McGregor's Brotherhood of Breath are touring. Not in the 'big' festivals. Not yet."
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Brotherhood of Breath: Meeting with Chris McGregor
- C., Fara
- Authors: C., Fara
- Subjects: McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz musicians
- Language: French
- Identifier: vital:13504 , http://hdl.handle.net/10962/d1005763 , McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz musicians
- Description: Photocopied article from the French newspaper L'Humanité. This is an interview of Chris McGregor and his life. "South African composer exiled since 1964, Chris McGregor gave an identity to his home country's Jazz, but also to numerous musicians of various styles. Meeting with a modest and generous master."
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- Authors: C., Fara
- Subjects: McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz musicians
- Language: French
- Identifier: vital:13504 , http://hdl.handle.net/10962/d1005763 , McGregor, Chris--1936-1990 , Blue Notes (Musical group : South Africa) , Brotherhood of Breath (Musical group) , Shepp, Archie , Jazz musicians
- Description: Photocopied article from the French newspaper L'Humanité. This is an interview of Chris McGregor and his life. "South African composer exiled since 1964, Chris McGregor gave an identity to his home country's Jazz, but also to numerous musicians of various styles. Meeting with a modest and generous master."
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