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- Title
- Condition Report 3: Art History in Africa: debating localization,legitimization and new solidarities
- Creator
- Simbao, Ruth
- Creator
- Kouoh, Koyo
- Creator
- Nzewi, Ugochukwu-Smooth C
- Creator
- Sousa, Suzana
- Creator
- Koide, Emi
- Date
- 2019
- Type
- text
- Type
- article
- Identifier
- http://hdl.handle.net/10962/146055
- Identifier
- vital:38491
- Identifier
- https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00456
- Description
- Following on from the African Arts dialogue, “Zimbabwe Mobilizes: ICAC's Shift from Coup de Grăce to Cultural Coup” (Simbao et al. 2017) this dialogue considers another important event in the visual arts that recently took place on the African continent. Like the International Conference on African Cultures (ICAC) that was held in Harare in 2017, this event in Dakar contributes in important ways towards a shift of the center of gravity of the global academy, particularly the study of art history in and of Africa.
- Format
- 8 pages
- Format
- Language
- English
- Relation
- african arts
- Rights
- Publisher, Use of this resource is governed by the terms and conditions of the African arts Statement (https://0-www.jstor.org.wam.seals.ac.za/journal/africanarts)
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View Details Download | SOURCE1 | Condition Report 3.pdf | 633 KB | Adobe Acrobat PDF | View Details Download |