Condition Report 3: Art History in Africa: debating localization,legitimization and new solidarities

Simbao, Ruth K; Kouoh, Koyo; Nzewi, Ugochukwu-Smooth C; Sousa, Suzana; Koide, Emi

Title: Condition Report 3: Art History in Africa: debating localization,legitimization and new solidarities
Creator: Simbao, Ruth K
Creator: Kouoh, Koyo
Creator: Nzewi, Ugochukwu-Smooth C
Creator: Sousa, Suzana
Creator: Koide, Emi
Date Issued: 2019
Date: 2019
Type: text
Type: article
Identifier: http://hdl.handle.net/10962/146055
Identifier: vital:38491
Identifier: https://0-doi.org.wam.seals.ac.za/10.1162/afar_a_00456
Description: Following on from the African Arts dialogue, “Zimbabwe Mobilizes: ICAC's Shift from Coup de Grăce to Cultural Coup” (Simbao et al. 2017) this dialogue considers another important event in the visual arts that recently took place on the African continent. Like the International Conference on African Cultures (ICAC) that was held in Harare in 2017, this event in Dakar contributes in important ways towards a shift of the center of gravity of the global academy, particularly the study of art history in and of Africa.
Format: 8 pages
Format: pdf
Language: English
Relation: african arts
Relation: Simbao, R., Kouoh, K., Nzewi, U.S., Sousa, S. and Koide, E., 2019. Condition Report 3: Art History in Africa: Debating Localization, Legitimization and New Solidarities. african arts, 52(2), pp.10-17.
Relation: african arts volume 52 number 2 10 17 May 2019 1937-2108
Rights: Publisher
Rights: Use of this resource is governed by the terms and conditions of the African arts Statement (https://0-www.jstor.org.wam.seals.ac.za/journal/africanarts)

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Simbao, Ruth (Prof)

RU DST/NRF SARChI for Geopolitics and the Arts of Africa

RU Department of Fine Art

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